SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Three eldest Princesses"/1) | (@(roleclean,performerclean) "Three eldest Princesses")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1260 matches on Event Comments, 484 matches on Performance Title, 175 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit the Author. Mainpiece: a New Play of Three Acts. [By Thomas Cooke.] At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Triumphs Of Love And Honour

Afterpiece Title: The What D'ye Call It

Music: Select Pieces-

Dance:

Event Comment: Benefit J. L'Estrange Jr. At the Great Room at the Three Tuns and Bull-Head, Cheapside. 7 p.m. Tickets 2s. 6d

Performances

Mainpiece Title: Concert

Music: With a Solo on the Bassoon and Bass Violin, and some Pieces on the small Flute-an eminent Master

Event Comment: A New Opera of three Acts. [Author unknown.

Performances

Mainpiece Title: The Footman

Event Comment: Benefit John Christian Schickhard, lately arrived from Germany. In the Great Room at the Three Tuns and Bull-Head. 7 p.m. 5s

Performances

Mainpiece Title: Concert

Event Comment: Benefit Pullen and Mrs Pullen. Afterpiece: a Ballad Opera of Three Acts. [Author unknown.] This Opera, relating to the Affair of Father Girard with Miss Cadiere, &c. is entirely new, being a faithful Translation from the French Original, as it was forbid in Paris

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Wanton Jesuit; or, Innocence Seduced

Dance: HHornpipe-Jones' Scholar

Event Comment: In Three Acts. Set to Musick after the Italian Manner by Mr John Frederick Lampe. Daily Advertiser, 8 Nov.: The Arrival of his Highness the Prince of Orange, indeed, prevented many Persons of Quality from being there, who had taken Boxes; but 'tis presum'd it cannot fail of Success and Encouragement notwithstanding

Performances

Mainpiece Title: The Opera Of Operas

Dance:

Event Comment: Mainpiece: A new Comedy. In Three Acts. With a Dramatical Introduction. [By John Kelly. For a puff, see Daily Advertiser, 29 Nov.]

Performances

Mainpiece Title: Timon In Love; Or, The Innocent Theft

Afterpiece Title: The Country Revels: With Harlequin Restor'd

Event Comment: Taken from Plautus and Moliere by the late Mr Dryden. Daily Advertiser, 12 Dec: We hear the Company ... are now rehearsing the three celebrated Plays of Ben Johnson, viz. the Fox, the Alchymist, and the Silent Woman

Performances

Mainpiece Title: Amphitryon; Or, The Two Sosias

Music: Select Pieces

Dance: Scaramouch by Janno. Tambourine by Miss Robinson. Harlequin by Nivelon

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Devil to Pay

Music: III: The Cuckoo Concerto by Eversman

Dance: II: Pierrots by Vallois and Delagarde. IV: Hornpipe by a Dwarf three Foot high, lately arrived from Germany. V: Hornpipe by a Gentleman who never performed on the Stage before

Performance Comment: IV: Hornpipe by a Dwarf three Foot high, lately arrived from Germany. V: Hornpipe by a Gentleman who never performed on the Stage before .
Event Comment: Daily Advertiser, 20 May: A mad Company of Comedians having lately taken the Hay-market Theatre, propose to convert it into a Mad-house, and humbly hope the Town will be as mad as themselves, and come frequently to see their mad Performances. which will be madly exhibited, two or three Times a Week, during the Summer Season

Performances

Mainpiece Title:

Performances

Mainpiece Title: Concert

Performance Comment: music . The Vocal Parts by Gentlemen, particularly a new Hampstead Song, compos'd by Mr Seedo, for two French Horns, Violins, Hautboys, &c. The Instrumental by the best Hands. The Violin Concertino by Capt Dupar, Scholar to the late celebrated Signor Corelli, and late Musick Master to his present Highness the Prince of Orange. With several Pieces of his own composing, for the Violin and Harpsichord. The Concert will consist of three Acts .
Event Comment: Mainpiece: By Moliere. Afterpiece: A Comedy in Three Acts

Performances

Mainpiece Title: Le Medecin Malgre Luy

Afterpiece Title: Les Deux Arlequins

Dance:

Performances

Mainpiece Title: Arlequin Tiresias; Or, The Lovers Metamorphosed

Performance Comment: Cast not listed. To which will be prefix'd in three Acts Les Amans Reunies. Cast not listed .

Dance:

Event Comment: Never Acted before. [By William Popple.] Grub St. Journal, 26 Feb. 1736: It was play'd the first night to about a 30l. house; three parts of which were the Author's friends, who came on purpose, right or wrong, to applaud it: notwithstanding which, little or no applause was given

Performances

Mainpiece Title: The Double Deceit

Event Comment: Benefit Mr Perkins, who has unfortunately lost his Sight. At Lee's Great Theatrical Booth. Written by the late Mr Addison. The doors open at three; the play begins at five. [Perkins is the author of The Blind Man's Complaint in Gentleman's Magazine, September 1734.]

Performances

Mainpiece Title: The Drummer

Song: The Apprentices, Wardens, and Masters Songs, to be sung by a worthy Brother

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West

Song:

Dance: By the best Masters. Likewise a Dance, perform'd by three Wild Cats that came out of the Woods

Performance Comment: Likewise a Dance, perform'd by three Wild Cats that came out of the Woods .
Event Comment: Benefit Glover. At the particular Desire of several Persons of Quality. Three Rows of the Pit will be rail'd in, and Part of the Stage form'd into Boxes. Receipts: money #43 6s.; tickets #169 19s

Performances

Mainpiece Title: The Funeral

Afterpiece Title: The Devil to Pay

Dance: II: Clown by Nivelon. III: By particular Desire, Minuet and Louvre by Glover and Miss Rogers. IV: Tambourine by Glover and Miss Rogers. V: French Peasants by Lalauze, Mlle D'Hervigni, &c

Event Comment: Benefit Penkethman. Nunc aut Nunquam. Mainpiece: Written by Henry Fielding, Esq; Author of the Miser. [Tickets at Penkethman's, overagainst the Three Tuns, Ayliff Street.]

Performances

Mainpiece Title: The Temple Beau

Afterpiece Title: The Lover His Own Rival

Dance: II: Dutch Skipper by Vallois and Mrs Bullock. III: Richmond Maggot by Le Sac and Mrs Woodward. V: English Maggot by Haughton and Mrs Bullock

Song: IV: By Mrs Chambers

Event Comment: At Lee's Playhouse. 10 a.m. to 9 P.M. [Advertised 7, 10, 13, 14 Sept. Daily Advertiser, 6 Sept., reported that SF would be limited to three days, but Lee advertised that he would perform until 20 Sept. On 13 Sept., Daily Advertiser stated that the booths had been pulled down on 11 Sept., but on 14 Sept. stated that this report was in error.]

Performances

Mainpiece Title: The Birth Of Merlin

Event Comment: MMrs Pendarves, 27 Nov.: They [The king's] have Farinelli, Merighi, with no sound in her voice, but thundering action-a beauty with no other merit; and one Chimenti, a tolerable good woman with a pretty voice, and Montagnana, who roars as usual! With this band of singers, and dull Italian operas, such as you almost fall asleep at, they presume to rival Handel-who has Strada, that sings better than ever she did; Gizziello, who is much improved since last year; and Annabali, who has the best part of Senesino's voice and Caristini's, with a prodigious fine taste and good action! We have had Alcina, and Atalanta, which is acted tonight for the last night with the fireworks....Mrs Porter acts three times a week; I have made a party to go next week; she is the only support of the stage, the house is crammed whenever she acts.-Delany, Autobiography, I, 5578-79

Performances

Mainpiece Title: Atalanta

Event Comment: DDaily Advertiser, 7 Jan.: We are inform'd, that a certain Author, Tir'd With the vain Attempts he has often made in the Political Way, has taken it into his Head, as unwilling to lay down the Character of a Reformer, to explode the reigning Taste for dumb Shew and Machinery, and has declar'd open War against Harlequin, Punch, Pierot, and all the Modern Poets, viz. Joiners, Dancing-Masters, and Scene-Painters. 'Tis said, that he has dispos'd every Thing in such a manner, and is so forward in his Preparations, that he will open the Campaign next Week, having three new Pieces in Rehearsal on the Stage of the little Theatre in the Hay-Market. The Design is, no doubt, laudable, but the Chance of War is doubtful; he makes head against a powerful Alliance; and we do not hear that he is strengthen'd by any of the Auxiliaries of Parnassus

Performances

Event Comment: Benefit the Widow Burley and her Three Small Children. By the Original Company who performed Pasquin

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: The Rival Milliners

Entertainment:

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Coffee House

Performance Comment: Harpie-Griffin; Bays-Macklin; Booswell-Harper; Hartly-Havard; Gaylove-Winstone; Puzzle-Ray; Bawble-Beard; Butterfly-Green; Gamesters-Turbutt, Raftor; Coffee Boy-Leigh; Mrs Notable-Mrs Grace; Cibber a Comedian-Cibber; Miss Kitty-Mrs Clive; edition of 1738 adds: Prologue-Cibber; two songs by Henry Burgess Jr-; three songs by Henry Carey-.

Dance: V: Ballet, as17380120

Event Comment: DDaily Advertiser, 17 Aug.: Yesterday Morning died at his House at Strand on the Green after three Days Illness, Mr Joseph Miller, a celebrated Comedian

Performances

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre