SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Three Sabatinis"/1) | (@(roleclean,performerclean) "Three Sabatinis")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 571 matches on Event Comments, 345 matches on Performance Title, 80 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit Garrick, who perform'd King Richard. Pit and Boxes 4s. Gallery 1s. 6d. Tickets to be had at Garrick's Lodgings in Mansfield Street, Goodman's Fields, Bedford's, Tom's, Carey's, and Fleece Tavern. The Stage will be built after the Manner of an Amphitheatre, where Servants will be allow'd to keep Places, and likewise in the First Boxes, but not in the Pit, who are desire'd to be at the House by Three o'clock

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lying Valet

Event Comment: Written by Shakespear. Garrick to Peter Garrick (Dec. 1741): You perhaps would be glad to know what parts I have play'd, King Richd-+Jack Smatter in Pamela-Clody fop's fortune-Lothario fair Penitent-Chamont Orphan-Ghost Hamlet-& Shall soon be ready in Bays in ye Rehearsal-and in ye part of Othello-Both of which I believe will do Me and Giffard great Service-I have had great Success in all, & 'tis not yet determin'd whether I play Trajedy or Comedy best-$Old Cibber has spoke with ye Greatest Commendation of my Acting, as to playing a Harlequin 'tis quite false-Yates last Season was taken very ill & was not able to begin ye Entertainment so I put on ye Dress & did 2 or three Scenes for him, but Nobody knew it but him & Giffard; I know it has been Said I play'd Harlequin at Covent Garden but it is quite false.-Little, Pineapples, pp. 28-29

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Lying Valet

Event Comment: RRylands: Benefit Fausan. At the Particular desire of several Ladies of Quality. Three rows of the Pit will be rail'd in at the Price of the Boxes. Tickets and places to be had of Mr West at the Green Door in Duke's St, Lincoln's Inn Fields; and at Mr Bradshaws, King's Arms in Russel St., near the theatre. Tickets deliver'd out for As You Like It will be taken this night, the play being oblig'd to be chang'd on Account of the indisposition of Mr Milward. Receipts: #173

Performances

Mainpiece Title: The Miser

Dance: I: A New Dance call'd Le Petit Scaramouche-the Fausans; III: Les Matelotes, as17411110; V: A New Dance call'd Arlequin Petit@Maitre-the Fausans

Event Comment: Benefit Sga Barberina. Mainpiece: By His Majesty's Command. Pit and Boxes put together, and none admitted without Tickets, which will be deliver'd at the Office at the Box Doors, at 5s. Gallery 2s. The Gallery doors will be open'd at three o'clock, and the Box Doors at Five o'clock. Servants will be allow'd to keep places on the stage. To begin exactly at six o'clock

Performances

Mainpiece Title: The Way Of The World

Dance: TTyrolean Dance, as17420206; A New Dance call'd Les Amants Heureux-Desnoyer, Sga Barberina

Ballet: RRural Assembly. As17420121

Event Comment: Benefit Michael Lally. Two rows of the Pit will be rail'd in, and added to the boxes, and the stage will be formed into an Amphitheatre, where servants will be allowed to keep places. Ladies are desired to send servants by three. Tickets to be had at Lally's House in Great Russel St., opposite Montague House

Performances

Mainpiece Title: The Recruiting Officer

Dance: TThe Peasants, as17420210; Chacone, as17411230; Rigadone Provencale, as17420226; Louvre, Minuet By Particular Desire,-Mr Lally, a young Gentlewoman (a scholar of Mr Lally) who never appeared on the stage before

Event Comment: Benefit Dukes. Tickets at Duke's, near the Three Tuns, Spital Fields

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Mock Doctor

Dance: III: Two Pierrots-two Masters Granier; V: The Peasants-Master and Miss Granier

Event Comment: Benefit for Phillips and Mrs Walter. Tickets to be had at Phillips, Lodgings in Little Wild St., near Lincoln's Inn Fields; at the Bedford Coffee House, Covent Garden; of Mrs Walter, at the Three Queens, a Hosier, in New St., Covent Garden; and at Bradshaws. Afterpiece: a New Pantomimic Entertainment. Receipts: #170

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Cooper Outwitted; or, Harlequin Happy

Song: I: Bumper Squire Jones-Beard; III: The Early Horn-Lowe

Dance: II: Le Boufon, as17420325 IV: The Drunken Peasant-Phillips

Event Comment: A three Act Comedy. Godwin's Booth, opposite the White Hart, near Cow Lane, West Smithfield. From Noon to 10 p.m. [Notice repeated 26 Aug.

Performances

Mainpiece Title: The Intriguing Footman; Or, The Spaniard Outwitted

Dance:

Event Comment: Benefit Mrs Porter. By Command of their Royal Highnesses the Prince and Princess of Wales. Stage enclos'd and form'd into an amphitheatre. Send servants by three o'clock

Performances

Mainpiece Title: Albion Queens

Dance: CCharacters of Dancing, as17421025; Dutch Skipper, as17421025

Event Comment: Benefit Hippisley. Mainpiece: At the Desire of several Persons of Quality. Amphitheatre on stage where servants may keep places. Ladies desired to send servants by three o'clock

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Virgin Unmask'd

Dance: CCharacters of Dancing, as17421025; Tambourine-Cooke; Les Boufons du Cour, as17430305

Event Comment: Benefit Michael Lally. Two Rows of the Pits will be laid into the Boxes. And for the better accommodation of the ladies, the stage will be form'd into side boxes, where servants will be allow'd to keep places. Ladies desired to send servants by three

Performances

Mainpiece Title: Love's Last Shift

Dance: I: Dutch Skipper, as17421025; II: Characters of Dancing, as17421025; III: Grand Ballet, as17421108; IV: Grand Comic Ballet, as17430407 V: (By particular Desire) a Louvre, Minuet-Lally, Mlle Anne Auretti

Event Comment: Benefit Destrade and Reinhold. Tickets deliver'd out by Mrs Louch will be taken. No tickets sold at the door will be admitted. At the Desire of several Ladies of Quality, for the Benefit of Mrs Middlehurst, from Cheshire, whose name is now Louch; Tickets at Mrs Louch's, three Doors above St James Church, Piccadilly [Folger Bill]

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: Perseus and Andromeda

Song: HHonour and Arms scorn such a Foe from Samson-Reinhold

Dance: LLes Boufons du Cour, as17430305 A Minuet (By particular Desire)-Destrade, Mrs Wright (Daily Advertiser lists Ann Auretti)

Event Comment: By Command of their Royal Highnesses the Prince and Princess of Wales, Prince George, Prince Edward, and the Princess Augusta. Mainpiece a Farce of three Acts. Afterpiece also by command

Performances

Mainpiece Title: Duke And No Duke

Afterpiece Title: The Rape of Proserpine

Event Comment: Benefit Mrs Walter and Miss Bennett. Tickets to be had of Mrs Walter at the Three Queens in New-Street, Covent Garden, and places for the boxes of Mr Hobson at the stage door of the theatre. Tickets of Miss Bennett opposite Salisbury St., Strand. Tickets deliver'd out by Rector and Mlle Gondou will be taken

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Dance: I: A French Peasant-Froment, Mlle Gondeau; III: A New Serious Dance-Desse, Mrs Walter; V: La Florana, as17430408

Song: II: Stella and Flavia-Beard; IV: Bumper Squire Jones-Beard, Lowe

Event Comment: Benefit Raftor, Mrs Clive's brother (Winston MS.). Bayes attempted by Mrs Clive, instigated to it by Cibber (as an) act of envy to Garrick, but he missed his aim, for she did it most wretchedly. It was believed she would not have gone through the part. A great house. If she had succeeded she meant to repeat it for her own Benefit. (Winston MS. from Dyer MS.) Mrs Clive did Bayes at the Desire of Several Ladies of Quality. Three rows of the Pit rail'd into the Boxes, where servants may keep places as well as on the stage. To prevent Mistakes in places already taken, it is desir'd that those Gentleman and Ladies, in whose names they are set down, would please to send for Tickets to Hobson at the stage door

Performances

Mainpiece Title: The Rehearsal

Song: I: Beard; III: Lowe; IV: Miss Edwards

Dance: II: Serious Dance, as17430504; V: Tyrolean Dance, as17421129

Event Comment: We hear his Royal Highness the Prince of Wales has fitted up a Theatre near Cliefden, for a Company of French Comedians, who play there three times a week (Daily Advertiser)

Performances

Event Comment: At the Temple Punch House, Tony Aston, the oldest approv'd Actor in the three Kingdoms, being deni'd his bread in both Theatres, this Day exhibits his learned comic demonstrative Oratory on the Face, with English, Irish, Scotch, and Negroe Songs, in proper habits, Prologue and Epilogue, and all his own Pasquin Invention. 6 p.m. 1s. He is under Misfortunes, and desires the Company of the Ingenious and Humorous. [Repeated 29, 31 Dec.; and with some changes in wording on 2, 5, 9, 25 Jan., 6, 15 Feb. 1744.

Performances

Event Comment: Benefit for a Gentlewoman under Misfortunes. None to be admitted without Ticket, which may be had, and places taken of Mr Page at the stage door. And for the better accommodation of the Ladies, the Stage will be enclos'd and form'd into an amphitheatre, where servants will be allow'd to keep places. Ladies send servants by three o'clock

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: Old Man Taught Wisdom

Event Comment: Performance After the manner of an Oratorio Set by Mr Handel. Tickets will be deliver'd to subscribers on paying their subscription money, this day and every day following at Mr Handel's House in Brook Street, near Hanover Square, where attendance will be given from nine o'clock in the Morning till three in the afternoon. Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd at the Office in the theatre at Half a Guinea each, First Gallery 5s.; Upper Gallery 3s. 6d. [Customary notice which will not be repeated.] Gallery opened at Four o'clock, Pit and Boxes at Five. To begin at Six. Mrs Delany to Mrs Dewes: There is a four-part song that is delightfully pretty...there was no disturbance at the playhouse. -Delany, Autobiography, II, 262. [Libretto by Congreve.

Performances

Mainpiece Title: Semele

Event Comment: Benefit Garrick. By particular desire 5 rows of the pit will be railed into boxes--Servants will be admitted to keep places on the stage, which for the better accomodation of the ladies will be formed into boxes--the ladies are desired to send their servants by three o'clock--to begin at 6 o'clock. Tickets to be had of Garrick at his lodgings, the last house in James St., joining the Great Piazza; at the Bedford Coffee House, Covent Garden; Mr Vaillant's, Bookseller at the Strand; Mr Harrache's, Toyman in Long Acre; and of Mr Hobson at the stage door of the theatre where places for the Boxes may be taken

Performances

Mainpiece Title: Hamlet

Dance: Muilment, Mrs Auguste

Event Comment: Written by Mr Dryden. Benefit Quin. By command of their Royal Highnesses the Prince and Princess of Wales. For the better accomodation of the ladies, the stage will be enclos'd and form'd into an Amphitheatre, where servants will be allow'd to keep places. Ladies send servants by three

Performances

Mainpiece Title: Don Sebastian, King Of Portugal

Event Comment: Benefit Beard. Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. Afterpiece: By Command a Ballad Farce not acted these 3 years [see 30 Nov. 1742]. Amphitheatre on Stage. Send servants by three. Tickets to be had of Beard in Red Lion Square

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Damon and Phillida

Song: II: New Song by Handel-Beard; IV: To Arms, Britons Strike Home-Leveridge, Beard, Reinhold

Dance: III: Scotch Dance, as17431124; V: Ballet-Cooke, Mlle Domitilla

Event Comment: Benefit a Gentleman who has wrote for the Stage. [Since The Prodigal did not achieve a three-night run, Cibber may be giving Odell a benefit tonight.

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The King and Miller of Mansfield

Music: Selected Pieces of Music-

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Event Comment: Having for a Series of Years received the greatest Obligations from the Nobility and Gentry of this Nation, I have always retained a deep Impression of their Goodness. As I perceived, that joining good Sense and Significant Words of Musick, was the best Method of recommending this to an English Audience; I have directed my Studies that way, and endeavour'd to shew, that the English Language, which is so expressive of the sublimest Sentiments, is the best adapted of any to the full and solemn Kind of Musick. I have the Mortification now to find, that my Labours to please are become ineffectual, when my Expences are considerably greater. To what Cause I must impute the Loss of the Publick Favour, I am ignorant, but the Loss itself I shall always lament. In the mean time, I am assur'd that a Nation, whose Characteristic is good Nature, would be affected with the Ruin of any Man, which was owing to his Endeavours to entertain them. I am likewise persuaded, that I shall have the forgiveness of those noble Persons, who have honour'd me with their Patronage, and their Subscription this Winter, if I beg them Permission to stop short, before my Losses are too great to support, if I proceed no farther in my Undertaking; and if I intreat them to withdraw three Fourths of their Subscription, one Fourth part only of my Proposal having been perform'd. I am, etc. G. F. Handel. Attendance will be given at Mr Handel's House in Brook's St., Hanover Square, from 9 a.m. to 2 p.m. Monday, Tuesday, and Wednesday next, in order to pay back the Subscription money. [Two poems in honor of Handel in the 21 Jan. issue of the Daily Advertiser. A letter in the 25 Jan. issue indicates that the subscribers would not accept the proferred refund; Handel announced he would resume performances in view of this response.

Performances