SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thos Harris Esq"/1) | (@(roleclean,performerclean) "Thos Harris Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 390 matches on Event Comments, 219 matches on Performance Comments, 82 matches on Performance Title, 16 matches on Author, and 0 matches on Roles/Actors.
Event Comment: The Last Night of the Company's performing this Season. Account-Book, 24 June: Balance carried forward to Thos. Harris Esq's Private Account #1,614 2s. 5d. Receipts: #151 2s. (145.15.6; 5.6.6)

Performances

Mainpiece Title: Ramah Droog

Afterpiece Title: The Birth Day

Event Comment: Benefit for Barrington Fox. Tickets deliver'd by Thompson and Master Harris will be taken. Charges #67 4s. 6d. were borne by Barrington and Fox, who faced a deficit of #16 4s. 9d. apiece. It was cover'd by income from tickets. Thompson and Master Harris rec'd their tickets gratis (Account Book). @Tickets Box Pit Gallery Value@Barrington 69 92 50 #36 1s.@Fox 93 194 61 #58 9s.@Thompson 0 24 94 #13 @Mas. Harris 114 61 52 #42 17s.@ Receipts: #34 15s. (Account Book)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Citizen

Dance: IV: A Dance-Mas. Harris, Miss Mathews (her 2nd appearance that stage)

Performance Comment: Harris, Miss Mathews (her 2nd appearance that stage).

Monologue: Interlude. End: True Blue. As 2 May, but Principal Parts-Mrs _Baker, Mrs Mattocks

Event Comment: Benefit for Mahon. Tickets deliver'd for Lionel and Clarissa, an Opera and Master Harris will be taken. Charges: 1!2 House charge plus 1!2 Receipts: #62 18s. 3d. Deficit to Mahon #1 6s. 9d. covered by #37 15s. from tickets (Box 77; Pit 66; Gallery 86). Mas. Harris Disposed of #40 19s. worth of tickets (Box 97; Pit 68; Gallery 65) from which he receiv'd 1!2 value. Receipts: #61 11s. 6d. (Account Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Upholsterer

Dance: III: Hornpipe-Mas. Harris; End: The Lamplighters, as17681101

Performance Comment: Harris; End: The Lamplighters, as17681101.
Event Comment: Benefit for Aldridge. Tickets deliver'd by Mas. Harris will be taken. Charges #64 15s. 6d. Profit to Aldridge #31 4s. plus #131 19s. from tickets (Box 284; Pit 269; Gallery 206) (Account Book). Receipts: #95 19s. 6d

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Man and Wife

Dance: I: New Dance, as17730206; II: A New Comic Dance-Mas. Harris (Scholar to Aldridge), Miss Mathews; End Opera: (By particular desire) will be reviv'd The Whim-Aldridge, Sg Manesiere; End II of Farce: A New Dance-Mas. Langrish (Scholar to Aldridge) his first appearance, Miss Besford

Performance Comment: Harris (Scholar to Aldridge), Miss Mathews; End Opera: (By particular desire) will be reviv'd The Whim-Aldridge, Sg Manesiere; End II of Farce: A New Dance-Mas. Langrish (Scholar to Aldridge) his first appearance, Miss Besford.
Event Comment: Benefit for Harris, ballet master and principal dancer. Public Advertiser, 15 May: Tickets to be had of Harris at his house, No. 43, Wells-street, Cavendish-Square. Receipts: #179 4s. 6d. (42/14/6; tickets: 136/10/0) (charge: #105)

Performances

Mainpiece Title: A Bold Stroke For A Husband

Afterpiece Title: The Flitch of Bacon

Dance: End of Act III of mainpiece a New Divertissement (composed by Harris) in which the Minuet de la Cour and a new Pas de Deux by Harris and Mme Bithmere; End of Act IV a new Pantomime Ballet (composed by Harris) The Charms of a Camp; or, The Female Volunteer by Harris, Byrn, Mrs Ratchford, Mrs Davenett, Mrs Goodwin, &c.; End of mainpiece, The Rival Nymphs, as17840318but Mrs Ratchford in place of Miss Matthews

Event Comment: Benefit for Harris, ballet-master and Principal Dancer, and Trew. Mainpiece: With the Triumphal Entry of Alexander into Babylon. Receipts: #286 18s. 6d. (97/15/6; tickets: 189/3/0) (charge: #105)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Golden Pippin

Dance: End of Act III of mainpiece Diversion a-la-Mode, as17821211, in which The Devonshire Minuet, as17821129, and variety of new Quadrilles, composed by Harris; End of Act iv, as17820925; End of mainpiece new Dance, composed by Harris, The Rival Nymphs, by Byrne, Ratchford, Harris, Mrs Ratchford, Miss Byrne, Miss Matthews

Related Works
Related Work: The Mistakes Author(s): Joseph Harris
Related Work: The City Bride; or, The Merry Cuckold Author(s): Joseph Harris
Related Work: Love's a Lottery, and a Woman the Prize: With a New Masque, call'd Love and Riches Reconcil'd Author(s): Joseph Harris
Related Work: King and No King Author(s): Thomas Harris
Related Work: The Spring Author(s): James Harris

Song: As17821227, but Mrs Bannister [i.e. formerly Miss Harper (see17830129)]; omitted: Bannister

Event Comment: Benefit for Mrs Lampe, Mrs Jones, Redman, and Harris. Doors open at half past 5. To Begin at half past 6. Charges #65 3s. Deficit Mrs Lampe & Mrs Jones at 1 1!2, #8 16s. 7 1!2d.; to Redman at 1, #5 17s. 9d., to Harris at 1 1!2, #8 16s. 7 1!2d., cover'd by income from tickets: Mrs Lampe and Mrs Jones combined #66 3s. (Box 144; Pit 135; Gallery 99); Redman #24 9s. (Box 27; Pit 68; Gallery 75); To Harris, #50 10s. (Box 141; Pit 71; Gallery 46). Receipts: #41 12s. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Cross Purposes

Cast
Role: Robin Actor: Harris.

Dance: I: A New Double Hornpipe-Harris, Miss Besford; II: The Pilgrim, as17740416 End Opera: The Recruits, as17740217, but Miss _Twist, Miss Besford

Event Comment: Benefit for Dumay, Harris & Holloway. Receipts: #296 11s. (48.12; tickets: 247.19) (charge: #105)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Flitch of Bacon

Dance: IV: Minuet de la Cour en Quatre-Holloway, Holland, Miss Francis, Miss Matthews; a Minuet-Harris, Miss Younge; End IV: a new Pastoral Dance-Harris, Miss Matthews

Ballet: End: St. David's Day. As17810501

Monologue: End II: The Humours of New-Market; with the Poney Races. Jockeys-Harris, Holland, Ratchford, Holloway; Ladies-Miss Besford, Miss Francis, Miss Matthews

Performance Comment: Jockeys-Harris, Holland, Ratchford, Holloway; Ladies-Miss Besford, Miss Francis, Miss Matthews.
Event Comment: Benefit for Dumay, Merrifield, Harris, and Holloway

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Cross Purposes

Dance: III: Minuets and Cotillions-Dumay, Miss Armstrong, Merrifield, Miss Ross, Harris, Miss Mathews, Mr and Mrs Holloway; End: The Humours of the New@Market Races, as17760503 [and for Minuets and Cotillions, see17750526]

Related Works
Related Work: The Mistakes Author(s): Joseph Harris
Related Work: The City Bride; or, The Merry Cuckold Author(s): Joseph Harris
Related Work: Love's a Lottery, and a Woman the Prize: With a New Masque, call'd Love and Riches Reconcil'd Author(s): Joseph Harris
Related Work: King and No King Author(s): Thomas Harris
Related Work: The Spring Author(s): James Harris
Event Comment: Benefit for Dumay, Holloway & Harris. Tickets delivered for Know Your Own Mind will be taken. Public Advertiser, 9 May: Tickets to be had of Dumay, Sand-hill, Lamb's Conduit Fields, behind the Foundling Hospital; of Holloway, Great Maddox-street, Hanover-square; of Harris, No. 12, Duke's-court, Bow-street, Covent Garden. Receipts: #251 15s. (56.11; tickets: 195.4) (charge: #105)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: Poor Vulcan

Dance: End II: New Dance-; in which the Minuet de la Cour, Gavot-Harris, Miss Valois; End IV: Le Minuet a Quatre-Dumay, Holloway, Miss Matthews, Miss Ross; with a variety of new Quadrilles-

Ballet: End: The Sailors' Revels at Portsmouth. As17780502

Event Comment: Benefit for Dumay, Harris & Holloway. [For Wright see 13 May. Mrs Sutton was from dl.] Public Advertiser, 7 May: Tickets to be had of Dumay, Sand-hill, behind the Foundling Hospital; of Harris, No. 42, Wells-street, Cavendish-square; of Holloway, Newington Butts

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Liverpool Prize

Dance: End II: Minuet-Dumay, Miss Dagueville; and the Minuet de la Cour-Holloway, Miss Besford; End I afterpiece: New Dance-Harris, Mrs Sutton (1st appearance on that stage); with a New Allemande-

Ballet: End: The Humours of Newmarket. As17790503, but Jockeys-Holloway; Ladies-Miss +Besford

Event Comment: Benefit for Dumay, Harris & Holloway. Receipts: #277 18s. (50.2; tickets: 227.16) (charge: #107 10s.)

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Norwood Gypsies

Dance: End III: a new Tambourine Dance-; in which the Minuet de la Cour and Gavot-Harris, Miss Matthews; End IV: Minuet-Dumay, Miss Dagueville; a dew Minuet and Allemandecomposed by Dagueville-Holloway, Miss Lings; to conclude with: Quadrilles-; In afterpiece: Dancing, as17800510

Ballet: End: The Humours of New-Market. As17800508

Performances

Mainpiece Title: The Discovery

Afterpiece Title: St

Dance: End of mainpiece a new Dance, Diversion a-la-Mode, by Harris, Burn [i.e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews

Performance Comment: e. Byrne], Miss Matthews, in which The Devonshire Minuet by Harris and Miss Matthews .
Related Works
Related Work: The Mistakes Author(s): Joseph Harris
Related Work: The City Bride; or, The Merry Cuckold Author(s): Joseph Harris
Related Work: Love's a Lottery, and a Woman the Prize: With a New Masque, call'd Love and Riches Reconcil'd Author(s): Joseph Harris
Related Work: King and No King Author(s): Thomas Harris
Related Work: The Spring Author(s): James Harris
Event Comment: Benefit for Mrs Clendining. 2nd piece: Not acted these 10 years [acted 25 Apr. 1788]. 3rd piece [1st time; M 1, altered by John Gretton from his Ode performed at the Pantheon, 4 May. Larpent MS 1087; text printed in Morning Chronicle, 2 May 1795, with parts as above]: The Words by John Gretton, Esq. The Music by Spofforth; the Dances by Byrn. Books containing the Words of the Masque will be delivered gratis at the different Doors. Morning Herald, 5 June: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent Garden. Receipts: #204 5s. (72.17; 7.15; tickets: 123.13)

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque, In Honor of the Nuptials of His Royal Highness [the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795]

Related Works
Related Work: Love's a Lottery, and a Woman the Prize: With a New Masque, call'd Love and Riches Reconcil'd Author(s): Joseph Harris

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Event Comment: Mainpiece: Never acted at this Theatre. By Beaumont and Fletcher, with Alterations [by Thomas Harris (Boaden, Kemble, I, 378)]. Public Advertiser, 15 Jan.: The alterations consisted of many curtailments, the last scene of Act IV being entirely omitted. [Prologue by Henry Sampson Woodfall Jun. (European Magazine, Dec. 1787, p. 503; Feb. 1788, p. 105).] Receipts: #150 2s. (146.18; 3.4)

Performances

Mainpiece Title: King And No King

Related Works
Related Work: King and No King Author(s): Thomas Harris

Afterpiece Title: The Dumb Cake

Song: II: a Grand Chorus-Johnstone, Davies, Darley, Cubitt, Blurton, Janson, Bonville, Mrs Martyr, Mrs Mountain, Mrs Morton, Miss Stuart, Mrs Watts, Mrs Byrne, Miss Rowson, Miss Francis, Miss Paye, Miss Blower, Mrs Kennedy

Event Comment: Benefit for Fawcett. 3rd piece: By permission of Thomas Harris, Esq.; never acted at this theatre, and for that night only. [Address by Thomas Hurlstone (Morning Herald, 25 Aug.)]. Morning Herald, 19 Aug.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street

Performances

Mainpiece Title: The Prisoner At Large

Afterpiece Title: THE AGREEABLE SURPRISE

Afterpiece Title: THE FARMER

Song: In the course of the evening Dr Grigsby's Tippety Witchet by Fawcett [sec CG, 16 May]

Monologue: 1794 08 23 A new Occarimlal Address in the Character of Trudge [in INKLE AND YARICO] by Fawcett

Event Comment: Benefit for Johnstone. 1st piece: with Grand Naval Review, as 20 Aug. 3rd piece: By the permission of Thomas Harris, Esq.; never acted at this Theatre. [Mrs Fawcett was from CG.] Morning Chronicle, 23 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden

Performances

Mainpiece Title: Britain's Glory

Afterpiece Title: THE MOUNTAINEERS

Afterpiece Title: THE IRISHMAN IN LONDON

Event Comment: Benefit for Fawcett. 3rd piece: By permission of T. Harris, Esq.; never acted at this theatre. True Briton, 29 Aug.: Tickets to be had of Fawcett at his house, No. 10, Golden-square

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Poor Soldier

Event Comment: The Duke's Company. Downes (p. 30): This Comedy in general was very well Perform'd. Pepys, Diary: I alone to the Duke of York's house, to see the new play, called The Man is the Master, where the house was, it being not above one o'clock, very full. But my wife and Deb. being there before, with Mrs Pierce and Corbet and Betty Turner, whom my Wife carried with her, they made me room; and there I sat, it costing me 8s. upon them in oranges, at 6d. apiece. By and by the King come; and we sat just under him, so that I durst not turn my back all the play. The play is a translation out of French, and the plot Spanish, but not anything extraordinary at all in it, though translated by Sir W. Davenant, and so I found the King and his company did think meanly of it, though there was here and there something Pretty: but the most of the mirth was sorry, poor stuffe, of eating of sack posset and slabbering themselves, and mirth fit for clownes; the prologue but poor, and the epilogue little in it but the extraordinariness of it, it being sung by Harris and another in the form of a ballet

Performances

Mainpiece Title: The Man's The Master

Performance Comment: Edition of 1669: Prologue-; Epilogue in a Ballad-Two; [Downes (Roscius Anglicanus, p. 30): Master-Harris; The Man-Underhill; Singing the Epilogue [like two Street Ballad-Singers-Mr Harris, Mr Sandford. [According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]According to the Catalogue of the MS Music, Christ Church, John Bannister set a song for this play.]
Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Performance Comment: Downes (Roscius Anglicanus, pp.21-22): Prince Alvaro-Betterton; Prince Prospero-Harris; Lionel-Joseph Price; Duke-Lilliston; Evandra-Mrs Hester? Davenport. [Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]Possibly Peg Fryer acted the Old Widow; when she appeared at lif on 11 Jan. 1720, she was announced as having appeared in Love and Honour when she was young. As she was 85 in 1720, she was about 26 at this time.]
Cast
Role: Prince Prospero Actor: Harris
Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performance Comment: Edition of 1669: King Henry the Fifth-Harris; Duke of Bedford-Underhill; Duke of Exeter-Cogan; Earl of Warwick-Aingel; Bishop of Canterbury-Lylinston [Lilleston]; Owen Tudor-Betterton; The Dauphin-Young; Duke of Burgundy-Smith; Earl of Chareloys-Cadiman; Constable of France-James Noke; De Chastel-Norris; Bishop of Arras-Samford; Count of Blamount-Medborne; Monsieur Colemore-Floyd; Queen of France-Mrs Long; Princess Katherine-Mrs Betterton; Princess Anne-Mrs Davis; Countess of La Marr-Mrs Norris.
Cast
Role: King Henry the Fifth Actor: Harris
Event Comment: The Duke's Company. This apparently was not the first performance, but the time of premiere is not known. Pepys, Diary: My wife and I and Mercer to the Duke's house, and there saw The Rivalls, which is no excellent play, but good acting in it; especially Gosnell comes and sings and dances finely, but, for all that, fell out of the key, so that the musique could not play to her afterwards, and so did Harris also go out of the tune to agree with her. Downes (p. 23): The Rivals, A Play, Wrote by Sir William Davenant; having a very Fine Interlude in it, of Vocal and Instrumental Musick, mixt with very Diverting Dances: M Price introducing the Dancing, by a short Comical Prologue, gain'd him an Universal Applause of the Town....And all the Womens Parts admirably Acted; chiefly Celia, a Shepherdess being Mad for Love; especially in Singing several Wild and Mad Songs

Performances

Mainpiece Title: The Rivals

Performance Comment: Downes (Roscius Anglicanus, p.23): Theocles-Harris; Philander-Betterton; Cunopes the Jailor-Underhill; Pepys: Celania?-Mrs Gosnell; Edition of 1668 adds: Arcon-$Young; Polynices-$Smith; Provost-$Sandford; Heraclia-$Mrs Shadwell; Leucippe-$Mrs Long; Prologue-Price.
Cast
Role: Theocles Actor: Harris
Event Comment: The Duke's Company. Pepys, Diary: With my wife and Mercer to the Duke's house, and there saw The Rivalls, which I had seen before; but the play not good, nor anything but the good acting of Betterton and his wife and Harris

Performances

Mainpiece Title: The Rivals

Performance Comment: See16640910, but Philander?-Betterton; Theocles?-Harris; Heraclia?-Mrs Betterton.
Cast
Role: Theocles? Actor: Harris
Event Comment: The Duke's Company. It seems likely that this play was acted about this time. Pepys, Diary, 20 Feb.: I heard discourse how Harris of [Duke's] play-house is sick, and everybody commends him, and, above all things, for acting the Cardinall

Performances

Mainpiece Title: The Cardinal

Performance Comment: Cardinal-Harris.
Cast
Role: Cardinal Actor: Harris.
Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's play house, and there saw Mustapha, which, the more I see, the more I like; and is a most admirable poem, and bravely acted; only both Betterton and Harris could not contain from laughing in the midst of a most serious part, from the ridiculous mistake of one of the men upon the stage; which I did not like

Performances

Mainpiece Title: Mustapha

Performance Comment: Solyman?-Betterton; Mustapha?-Harris.
Cast
Role: Mustapha? Actor: Harris.