SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thos Singleton"/1) | (@(roleclean,performerclean) "Thos Singleton")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 35 matches on Event Comments, 13 matches on Performance Comments, 0 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: LLalauze stated he had been 42 years an inhabitant of this country,--retained by Rich 32 years, who promis'd him an annuity of #50 a year whenever he was incapable of performing. This was not in his Will but the Executors allowed it him 3 years. Having sold the property they discontinued it; The new parties engag'd him last year but they would not this season. So Foote gave him the House of 14 Feb. at Haymarket gratis (Winston MS 10). Paid Henry Williams for performing the Bells 4 nights #1 10s. Paid Wm Gard 4 nights in the Lyon 10s.--and Thos Singleton for same 10s. (Account Book). Receipts: #188 13s

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: Harlequin's Jubilee

Dance: IV: Dutch Dance, [The Dutch Milk Maid] as17691111

Performances

Mainpiece Title: Don Quixote In England

Performance Comment: By the Persons who rehearsed it in DL before the Union of the Companies, but edition of 1734 lists: Don Quixote-Roberts; Sancho-Mullart; Sir Thos Loveland-Machen; Squire Badger-Macklin; Fairlove-Warwell; Mayor-Turbutt; Voter-Machen; Guzzle-Jones; John-Hewson; Brief-Topham; Dr Drench-Hal lam; Mr Sneak-Hickes; Dorothea-Miss Atherton; Jezebel-Mrs Hide; Mrs Guzzle-Mrs Martin; Mrs Sneak-Mrs Egerton; Miss Sneak-Miss Jones .
Cast
Role: Sir Thos Loveland Actor: Machen

Performances

Mainpiece Title: Calisto; Or, The Chaste Nimph

Afterpiece Title: Calisto's Additional performers

Performance Comment: See Boswell, Restoration Court Stage, pp. 201-2- Singers-Mrs Masters, Mrs Peirce, Robert, Degrang, Shepheard, Maxfield, Preston, Letelier, Bopins, Bury; Boys-Jack, Waters, Coninsby, Smyth; Harpsicals-Corneille, Bartleme; Theorboes-Marsh, Lylly; Bass Violls-Coleman, Stephkins, Bates; Recorders-Paisible, Bootell, DeBreame, Giton; Gittars-Frasico Corbett, Outom, Delony, Delloney; Trumpeters-Bounty, Thompson, Ragway, Christmas; Kettle Drummer-VanBright; Violins-NicholasStaggins, Singleton, Clayton, Tho. Fitz, Hewson, Myres, Tho. Farmer, Aleworth, Jo. Bannister, Lediger, Harris, Theo. Fitz, Greetinge, Ashton, Gamble, Fashions, Flower, Isaack Staggins, John Strong, Finell, Browne, Brookwell, Dorney, Spicer, Price, Pagitt, Duffill, Kidwell, Jo. Farmer, Basrier, Viblett, Hall, Eagles; Dancers-St Andre, Isaacke, Delisle, Herriette, Dyer, Smyth, Motley, Berto, Letang, Muraile, LeRoy, LeDuke.

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Singleton.
Cast
Role: Marplot Actor: Singleton.

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Brazen-Singleton.
Cast
Role: Brazen Actor: Singleton.

Afterpiece Title: The Lying Valet

Performances

Mainpiece Title: The Busy Body

Performance Comment: Marplot-Singleton; Sir Jealous-Paget; Sir George-Cushing; Miranda-Mrs Daniel.
Cast
Role: Marplot Actor: Singleton

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: Love Makes A Man

Performance Comment: Clodio-Singleton; Angelica-Miss Haughton.
Cast
Role: Clodio Actor: Singleton

Song:

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Cushing; Brazen-Singleton; Ballance-Furnival; Bullock-Dove; Kite-Paget; Recruits-Chettle, Daniel; Constable-York; Welch Collier-Maxfield; Sylvia-Mrs Daniel; Melinda-Mrs Cushing; Lucy-Mrs Freeman; Rose-Miss Houghton.
Cast
Role: Brazen Actor: Singleton

Afterpiece Title: The Amorous Sportsman; or, Harlequin Triumphant

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Miss in Her Teens

Performance Comment: Biddy-Miss Rawlinson; Fribble-Cushing; Flash-Singleton.
Cast
Role: Flash Actor: Singleton.

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Cushing; Ballance-Furnival; Worthy-Massey; Brazen-Singleton; Kite-L. Hallam; Bullock-Costollo; Melinda-Mrs Bambridge; Rose-Miss Smith; Lucy-Mrs Beckham; Sylvia-Mrs Hallam.
Cast
Role: Brazen Actor: Singleton

Dance: I: Hornpipe-John Granier; II: Country Wake-Mr Miles, Mrs Miles; III: Dutch Dance-Jo. Granier, Miss Granier; IV: Farmer's Dance-Jo. Granier, Miss Granier; End: The Temple of Jupiter with the loves of Adonis and Venus-

Performances

Mainpiece Title: The Consequences Of Industry And Idleness

Performance Comment: Francis Goodchild the Prentice-Peterson; the Master-Pinner; Thomasthe Idle Prentice-Costollo; Owen Gallows-Lowder; Ben Board'em-Miller; Bransby Bustle-Taswell; Solomon Slender-Singleton; 'Squire Allnight-Casey; Scrawl-Brown; Taylor-Dogget; Jailor-Peters; Miss West-Miss Jones; Mrs Idle-Mrs Graham; Dorothy Slut-Miss Hippisley; Patrick MacMurder an Irish Haymaker-Yates.
Cast
Role: Solomon Slender Actor: Singleton

Song: Signora Agnetta being the first Time of her Performing since her Arrival. An extraordinary Band of Musick

Performances

Mainpiece Title: The Committee

Performance Comment: Careless-Furnival; Blunt-Pinner; Day-Malone; Obadiah-Costollo; Bookseller-Banks; Abel-Singleton; Story-Craven; Committeeman-Waters; Teague-L. Hallam; Arabella-Mrs Cushing; Mrs Day-Mrs Gilbert; Mrs Chat-Mrs King; Ruth-Mrs Hallam.
Cast
Role: Abel Actor: Singleton

Afterpiece Title: Flora; or, Hob in the Well

Performances

Mainpiece Title: The Life And Death Of King John

Afterpiece Title: The Adventures of Sir Lubberly Lackbrains and His Man Blunderbuss

Performance Comment: Sir Thomas Rash-Malone; Ramble-Singleton; Merry-Jenkins; Tom Rash-Beckham; Jeffery Holdfast-Middleton; Moll-Mrs Beckham; Blunderbuss-Costollo; Sir Luberrly-Cushing (from the Theatre Royal in Covent Garden); Christina-Mrs Peters; Pert-Mrs Simon.
Cast
Role: Ramble Actor: Singleton
Event Comment: Benefit for Pilfold, Wooley, and others. Tickets delivered by Ellis, Doe, Reed, Roberts, Singleton, Dixon, Robson, Fransdorf, Norbury, Bassan, Sherrard, and Bushell will be taken. @ Pilfold Box 34@Pit 163@Gallery 56@Value #38 11s.@1!2 Value #19 5s. 6d.@ Wooley 14 28 77 #15 8s. #7 14s.@ Ellis - 7 28 #3 17s. #1 18s. 6d.@ Doe - 16 43 #6 14s. #3 7s.@ Reed 14 18 35 #9 14s. #4 17s.@ Roberts 20 104 61 #26 14s. #13 7s.@ Singleton - 2 7 #1. 10s.@ Dixon 16 48 28 #14. #7.@ Robson 8 75 83 #21 11s. #10 15s. 6d.@ Fransdorf 12 31 55 #13 3s. #6 11s. 6d.@ Norbury 18 41 61 #16 15s. #8 7s. 6d.@ Bassan (Mr) 8 28 35 #9 14s. #4 17s.@ Sherrattt 6 14 14 5 #2 10s.@ Bushell - 16 17 #4 2s. #2 1s.@ Money #50 15s. 150 591 600@Total House Value #236 18s. #93 1s. 6d.@ No charges were made. The House received the 1!2 value of the tickets from each as listed above. Stephenson, Furkins, Rotten (Wroughton), Dumay, Walters, Wilkinson and Eddis are listed as paying up their deficiencies of 1!2 values (Account Book). [1,341 tickets given out.

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Harlequin Dr Faustus

Event Comment: The Memoirs of Sir John Reresby, 18 Jan. 1685@6: After dinner the Lord? Chancellor, having drunke smartly at table (which was his custome) called for one Monfort, a gentleman of his that had been a comedian, an excellent mimick, and to divert the company, as he called it, made him give us a caus, that is, plead before him in a feigned action, wher he acted all the principal lawyers of the age, in their tone of voice, and action or gesture of body; and thus ridiculed not only the lawyers, but the law itselfe. This, I confess, was very diverting, but not soe prudent as I thought for soe eminent a man in soe great a station of the lawe; since nothing could get a man more enemies than to deride thos whom they ought most to sopport (ed. Browning, pp. 408-9)

Performances

Event Comment: The United Company. The date of the first performance is not known. The January issue of the Gentleman's Journal, wnich did not appear until some time in February, stated: Mr Congreve...hath written a Comedy, which will be acted in a little time, and is to be call'd, The Old Batchelor (p. 28). The Gentleman's Journal, February 1692@3 (issued in March 1693): The success of Mr Congreve's Old Batchelor has been so extraordinary, that I can tell you nothing new of that Comedy; you have doubtless read it before this, since it has been already printed thrice. And indeed the Wit which is diffus'd through it, makes it lose but few of those Charms in the Perusal, which yield such pleasure in the Representation. Mr Congreve will in some time give us another play; you may judge by this how acceptable it will be (p. 61). In addition, a reference in the Epilogue indicates that it was produced during Lent, ano since the third edition was advertized in the London Gazette, No. 2856, 23-27 March 1693, early March seems the most likely date for the premiere. According to The Female Wits (ca. 1696), The Old Batchelor was acted fourteen days successively. John Barnard of Yale University states that Narcissus Luttrell's copy of The Old Batchelor in the Newberry Library bears the notation: "10d Mar. 16 1692@3." BM Add. Mss. 4221 (341) Memoirs Relating to Mr Congreve Written by Mr Thomas Southern (in Macdonald, Bibliography of Dryden, p. 54n): When he began his Play the Old Batchelor haveing little Acquaintance with the traders in that way, his Cozens recommended him to a friend of theirs, who was very usefull to him in the whole course of his play, he engag'd Mr Dryden in its favour, who upon reading it sayd he never saw such a first play in his life, but the Author not being acquainted with the stage or the town, it woud be pity to have it miscarry for want of a little Assistance: the stuff was rich indeed, it wanted only the fashionable cutt of the town. To help that Mr Dryden, Mr Arthur Manwayring, and Mr Southern red it with great care, and Mr Dryden putt it in the order it was playd, Mr Southerne obtained of Mr Thos. Davenant who then governd the Playhouse, that Mr Congreve should have the privilege of the Playhouse half a year before his play was playd, wh. I never knew allowd any one before. The music for the play was composed by Henry Purcell. See Purcell's Works, Purcell Society, XXI (1917), iii-v

Performances

Mainpiece Title: The Old Batchelor

Performances

Mainpiece Title: The Gamester

Performance Comment: Edition of 1705 lists: Sir Thos. Valere-Freeman; Dorante-Corey; Young Valere-Verbruggen; Lovewell-Betterton; Marquess of Hazard-Fieldhouse; Hector-Pack; Galoon-Smeaton; Count Cogdie-Dickins; First Gentleman-Weller; 2d Gentleman-Knap; Boxkeeper-Lee; Lady Wealthy-Mrs Barry; Angelica-Mrs Bracegirdle; Betty-Mrs Parsons; Favourite-Mrs Hunt; Mrs Security-Mrs Willis; Mrs Topknot-Mrs Fieldhouse; Prologue [written by Roe-Betterton; Epilogue-Verbruggen [written by Charles Johnson, according to Diverting Post, 3 Feb.].written by Charles Johnson, according to Diverting Post, 3 Feb.].

Performances

Mainpiece Title: Astartus

Event Comment: Receipts: #184 17s. 6d. Paid Thos Luppino for dancing dresses for Dioclesian, #25 14s. (Account Book)

Performances

Mainpiece Title: The Prophetess

Event Comment: Mainpiece: By Particular Desire. Thos. Davies advertis'd somebody hiss'd him last night & that he hop'd they would desist he not offending anyone intentionally (Winston MS 8). Receipts: #160 (Cross); #168 12s. (Winston MS 8)

Performances

Mainpiece Title: Aesop

Afterpiece Title: The Guardian

Dance: TThe Swiss-Grimaldi, Mrs Vernon

Event Comment: Books of the Burletta to be had at the Theatre. Paid Thos. Williamson for 4 pounds spermeceti candles 7s. (Account Book). Receipts: #133 7s. 6d. (Account Book)

Performances

Mainpiece Title: Love's Last Shift; Or The Fool In Fashion

Afterpiece Title: Midas

Event Comment: Mainpiece: By Particular Desire. Last time of performing it this season. Paid Thos Fellows for 13 yds green bays #1 9s. (Account Book). Receipts: #215 11s. 6d. (Account Book)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: II: The Female Archer, as17661215

Event Comment: Benefit of a Public Charity. [The Lock Hospital?] To begin at 7:00 p.m. A great many Tickets having been lost by Accident, no Person can be admitted but by paying ready Money at the Door. Connection denied by Thos. Stamford, Secretary to the Lock Hospital: Whereas a Ridotto has been publicly advertised for the benefit of a "public charity," and tickets for the same sent to several governors of this charity, by which they and many others have been induced to suppose that the benefit was intended for this hospital; the Governors of this charity think it incumbent on them to inform the Public, that the same is NOT intended for the benefit of this Hospital (which has ever applied to the benevolence of the Town under the title of Public Charity), nor do they know for what charity the same is meant. By order of the Board (Public Advertiser)

Performances

Mainpiece Title: A Ridotto

Event Comment: The Serious part of the Entertainment Dull & heavy--Hopkins. Paid Supernumerary Soldiers & practices #2 6s. 6d.; Paid seven years sewer tax #13 9s. 4d.; Paid Mr Weston's note, per order Mr G. G. #12 5s. 5d.; Paid Mr Thos. French for painting 8 days to this day exclusive #3 4s.; Paid for license for Institution of the Garter #2 2s. (Treasurer's Book). Receipts: #189 4s. (Treasurer's Book)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Institution of the Garter

Event Comment: Mainpiece: Not acted in 7 years. [See 18 Jan. 1765.] Paid Mr Asbridge for exchanging Kettle Drum Banners #4 4s.; Mr Wallis on note #2; Messrs Carver & Messink's Windsor Bill #3 11s. 4d.; Mr Thos French, 7 days-#2 16s. (Treasurer's Book). Receipts: #189 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Institution of the Garter