SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thompson"/1) | (@(roleclean,performerclean) "Thompson")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6912 matches on Roles/Actors, 1556 matches on Performance Comments, 109 matches on Event Comments, 77 matches on Performance Title, and 72 matches on Author.
Event Comment: Benefit Thompson, Aston, Widow Atkins. Mainpiece: Written by the late Sir John Vanbrugh. Receipts: money #22 12s.; tickets #94 6s

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The What D'ye Call It

Song: I: Peggy O-Tony Aston; III: The Medley Hodge@Podge-Aston; V: Hold John-Aston; I afterpiece: Mrs Wright

Dance: II: French Clown-Nivelon; IV: Highlander and his Mistress-Salle, Mrs Laguerre; End of Farce: Drunken Man-Aston

Event Comment: Benefit Wilcocks, Thompson, and Papillon. Receipts: money #11 18s. 6d.; tickets #131 5s

Performances

Mainpiece Title: The Stratagem

Dance: SScottish Dance-Mrs Bullock; Fingalian-Newhouse, Mrs Ogden; Two Pierrots-Poitier, Pelling; Hornpipe-Jones, Mrs Ogden; Drunken Man-Salway

Song: Cantata, with Kdttle Drums and Trumpets,-Papillon

Event Comment: Benefit Ray, Newhouse, Thompson. Receipts: money #17 7s. 6d.; tickets #123 1s

Performances

Mainpiece Title: The Rover

Dance: I: Tambourine-Miss Rogers; II: La Folette s'est ravisee-Nivelon, Mrs Laguerre; III: Musette-LeSac, Miss LaTour; IV: Scottish Dance, as17330507

Ballet: V: The Cobler; or, The Merry Wife Constant (new). Cobler (Punch)-Newhouse; Petir Maitre (Harlequin)-LeSac; Doctor (Scaramouch)-Dupre Jr; Merry Wive-Miss Baston

Song: III: Chancon a Boire-Leveridge, Laguerre

Event Comment: Benefit Thompson, Le Sac, Miss Rogers

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Devil to Pay

Dance: I: Richmond Maggot by Le Sac and Miss Rogers. III: Grecian Sailors by Glover, Le Sac, Dukes, Delagarde, Dupre. IV: A new dance by Le Sac and Miss Rogers. Scot's Dance by Glover, Miss Rogers, &c. Mainpiece: Written by Sir John Vanbrugh

Song: II: As17350422

Event Comment: Benefit James. Mainpiece: Written by Colley Cibber, Esq. [Tickets for Thompson and Haddock taken.] Receipts: money #18 16s.; tickets #126 18s

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: The Cheats of Scapin

Dance: I: Two Pierrots by Lalauze and Nivelon. III: Tambourine by Miss Rogers. IV: Harlequine by Mlle De L'Isle. V: Sailors (from orestes), by Glover, &c

Song: II: By Roberts

Event Comment: Benefit Aston, A. Ryan, Thompson, Ogden

Performances

Mainpiece Title: The Distrest Mother

Afterpiece Title: The Devil to Pay

Dance: II: Two Pierrots-Nivelon, Lalauze; IV: Fingalian-Smith, Mrs Ogden; V: Grecian Sailors-Glover; End Afterpiece: Hippisley's Drunken Man-

Song: I: The Lady's Lamentation, as17370414 III: Caelia has a Thousand Charms-Beard

Event Comment: Tickets for Stoppelaer, Thompson, Boman, Miss Horsington, Miss Dancey taken

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Lucky Discovery

Dance: CComic Dance-Richardson, Miss Cantrel; Je ne scai quoy-Tench, Villeneuve, Miss Gates; Comic Dance-Nivelon, Mrs LeBrun

Event Comment: Benefit Chapman [who states that he is in danger of losing vision in one eye. Tickets at Chapman's House, the Corner of Bow Street cg.] London Daily Post and General Advertiser, 27 March: Last Week died, after a most tedious and expensive Illness, at Chelsea, Mrs Laguerre, formerly a celebrated Dancer on the Stage. Daily Post, 29 March: During the Rehearsal [on 27 March], of a new Tragedy, written by Mr Thompson, call'd Edward and Eleonora, (which was to have been acted on this Day) he receiv'd, to his great Surprise, a Message from the Lord Chamberlain, absolutely forbidding the acting of the said Play. No Objection having been made to the Whole or any Part of it, we must conclude it was consider'd as immoral or seditious

Performances

Mainpiece Title: The Country Lasses; Or, The Custom Of The Manor

Afterpiece Title: Damon and Phillida

Dance: GGrand Ballet-Glover, Mlle Roland; Two Pierots-Lalauze, Desse; Comic Dance-Villeneuve, Miss Oates

Performances

Mainpiece Title: The Comedy Of Errors

Afterpiece Title: The Fortune Tellers

Performance Comment: Harlequin-Phillips; Gipsies-Bride, Green, Rayner, Gray; Gipsey Women-Miss Minors, Mrs Budgell, Mrs Jackson, Mrs Rayner; Young Rustick-Liviez; Colombine-Miss Mann; Colombine's Father-Leigh; Fidler-Gray; Mother-Mrs Phillips; Maid-Miss Story; John Trot-Hough; Concluding with a New Grand Entertainment of Dancing call'd A Voyage to the Island of Cytherea: Adonis-Desse; Venus-Mrs Walter; Pilgrims (men)-Liviez, Dumont, Baudouin, (women) Mrs Thompson, Miss Story, Miss Rayner; Cupid-Constantini.

Song: Between the acts: Beard, Lowe

Event Comment: Benefit Stede, Thompson, Clarke, Mrs LeBrun

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Honest Yorkshireman

Dance: As17420505

Entertainment: CCries of London-Salway

Event Comment: Benefit Stoppelaer, Thompson, Miss Hillyard, Tickets deliver'd out by Gardiner, Miss Morrison, and others will be taken

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Necromancer

Dance: GGrand Ballet, as17421108; Characters of Dancing, as17421025; Dutch Skipper, as17421025

Event Comment: Benefit Thompson and Mrs Rowley. Mainpiece written by the late Mrs Centlivre. Tickets deliver'd out by Taylor and Wright will be taken

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Necromancer

Event Comment: Benefit Mrs Arne. An Historical Musical Drama. The Musick composed by Command of his Royal Highness the Prince of Wales, and never perform'd in England, but at his Royal Highnesses Palace at Cliefdon. The Poem was written by Mr Thompson and Mr. Mallet. The Musick by Mr Arne. To conclude with a Celebrated Ode in Honour of Great Britain in imitation of those formerly sung at Banquets of Kings and Heroes. Boxes 6s. Pit 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. The above Day is fix'd on to avoid interfering with Mr Handel. Mrs Arne hopes humbly the Town will not be offened at this small advance of the Price, this performance being exhibited at an extraordinary expence, with regard to the number of Hands, Chorus singers, building the stage, and erecting an organ; besides all other incidentals as usual. Ladies desired to send servants by 4 o'clock. Tickets of Mrs Arne, next door to the Crown in Great Queen St, by Lincoln's Inn Fields, and places taken of Hobson at the stage Door, with whom Tickets are left

Performances

Mainpiece Title: Alfred The Great, King Of England

Event Comment: Benefit Laguerre, Rector, Thompson, Harrington [Prompter] and others

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: Flora

Dance: Cooke, Picq, LaLauze; particularly a Minuet-Rector, Delagarde

Event Comment: Benefit Delagarde, Thompson, Burton. Tickets deliver'd by Mrs LeBrun, Miss Allen, &c will be taken

Performances

Mainpiece Title: The Lady's Last Stake

Afterpiece Title: Orpheus and Eurydice

Dance: DDrunken Tyrolese-Sodi; being last time of his performing. Also dancing-Cooke, Sga Campioni=

Event Comment: [Benefit on basis of half value of tickets for eight beneficiaries]: James, Anderson, Thompson, Mrs LeBrun, Miss Ferguson, Mrs Gondou, Mrs LeFont, and Miss Morrison. Receipts at the door: #13 5s. /For Box Pit Gallery Value Half-Value/James 1 152 115 #34 11s. #17 5s. 6d./Anderson 10 89 84 #24 5s. #12 2s. 6d./Thompson .. 61 46 #13 15s. #6 17s. 6d./Mrs Lebrun 1 32 36 #8 13s. #4 6s. 6d./Mrs Gondou 6 57 60 #16 1s. #8 0s. 6d./Mrs Ferguson 9 34 58 #13 3s. #6 11s. 6d./Mrs Morrison 15 25 43 #11 16s. #5 18s./Mrs Le Font 8 60 49 #15 18s. #7 19s./Totals 50 510 491 #138 2s. #69 1s.

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Phebe

Event Comment: Benefit for Mrs Clive, Mainpiece: At the Desire of Several Ladies of Quality. Part of Pit rail'd into Boxes. Stage form'd into front and side Boxes. Send servants by 3. Tickets and places of Mrs Clive in Great Queen St., Lincolns Inn Fields, and of Hobson at the Stage Door. Cross: Ned Thompson dy'd. Receipts: #220 (Cross); house charges, #60 (Powel); cash #78; tickets, #94 10s. (Clay MS)

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The What D'ye Call It

Song: By Particular Desire, the Irish Song, Ellen a Roon-Mrs Clive

Event Comment: We hear that the Tragedy of Coriolanus, wrote by the late Mr Thompson, has been rehearsed at the Theatre Royal Covent Garden, and will be perform'd there on Friday next

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Royal Chace

Event Comment: Tomorrow will be publish'd at 1s. 6d., Coriolanus, a Tragedy; as it is now acting at Covent Garden, by the late James Thompson

Performances

Mainpiece Title: Coriolanus

Event Comment: Paid Thompson for 2 wigs in Faustus as per bill #4 5s. (Account Book). Receipts: #166 11s. (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: The Accomplish'd Maid

Performance Comment: Parts-Mattocks, Shuter, DuBellamy, Dibdin, Mrs Mattocks, Miss Poitier, Mrs Baker, Mrs Pinto. Lord Bellmour-Mattocks; Sir John Lofty-DuBellamy; Kriegsman-Shuter; Robin-Dibdin; Fanny-Mrs Mattocks; Lady Lucy-Mrs Pinto; Finet-Miss Poitier; Susan-Mrs Baker; Genest, V, p. 130. Larpent MS 256 confirms parts and adds Nurse-; Servants-. Edn. of 1767 lists Finet-$Mrs Thompson.

Dance: I: The Garland, as17661023; II: Rural Love, as17661120

Event Comment: Both pieces By Command of their Majesties. Afterpiece: Not acted these 7 years. [See 27 Nov. 1760.] Present their Majesties, Dukes of Gloster and Cumberland, Princess of Brunswick and Lady Louisa. Gave Yeomen of the guard #2 2s.; Paid Mr Cousins for hair dressing in the Fairy Favour #1 4s. and Mr Thompson for the same #1 12s. Paid Ellis (scourer) a bill for the Men's Wardrobe, #1 4s. 6d. Paid for the license of Love in the City #2 2s. (Account Book). Receipts: #231 16s. (Account Book)

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Lottery

Dance: II: The Gallant Peasants, as17670113; End: The Female Archer, as17661215

Music: End: By Command, Violin Solo-Linley

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Love a-la-Mode

Dance: End: The Irish Lilt, as17670921

Event Comment: TThe Maid of the Mill oblig'd to be deferr'd on account of Mrs Thompson's Indisposition. Receipts: #175 9s

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Rape of Proserpine