SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Thomas and John Baston"/1) | (@(roleclean,performerclean) "Thomas and John Baston")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15616 matches on Author, 2277 matches on Performance Comments, 1448 matches on Event Comments, 424 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 216, the original being in the Harvard Theatre Collection. See VanLennep, Plays on the English Stage, p. 12, and Nicoll, Restoration Drama, p. 348

Performances

Mainpiece Title: Epsom Wells

Related Works
Related Work: Epsom Wells Author(s): Thomas Shadwell
Event Comment: This date of performance is not a certainty; for the evidence, see Spencer, Shakespeare Improved, p. 94. Neither is Shadwell's authorship of the alterations a certainty, for the contributions of other playwrights have never been fully determined. (See Nicoll, Restoration Drama, p. 43.) The instrumental music was composed by Matthew Lock, with new vocal music by James? Hart and Pietro Reggio. See Songs Set by Signior Pietro Reggio, 1680. And differing versions of the second Prologue and the second Epilogue are in BM Egerton MS. 2623, ff. 54-55. Downes (Roscius Anglicanus, pp. 34-35): The Year after in 1673. The Tempest, or the Inchanted Island, made into an Opera by Mr Shadwell, having all New in it; as Scenes, Machines; particularly, one Scene Painted with Myriads of Ariel Spirits; and another flying away, with a Table Furnisht out with Fruits, Sweetmeats and all sorts of Viands; just when Duke Trinculo and his Companions, were going to Dinner; all things Perform'd in it so Admirably well, that not any succeeding Opera got more Money

Performances

Mainpiece Title: The Tempest Or The Enchanted Island

Performance Comment: Edition of 1674: Prologue-; Second Prologue-; Epilogue-; Second Epilogue-; According to L. C. 5@15, p. 3 (16 May 1674; see Nicoll, Restoration Drama, p. 356) Charles? Hart and Robert? Turner sang in The Tempest. Trinculo-Underhill?.
Related Works
Related Work: The Tempest; or, The Enchanted Island Author(s): Thomas Shadwell
Related Work: The Tempest Author(s): John Dryden
Related Work: The Mock-Tempest; or, The Enchanted Castle Author(s): Thomas Duffett
Event Comment: The Duke's Company. This performance is assumed from Downes' statement that the play was given on eight days and from known performances on 2 and 3 March 1674@5

Performances

Mainpiece Title: Psyche

Related Works
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche Debauched Author(s): Thomas Duffett

Performances

Mainpiece Title: Psyche

Related Works
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche Debauched Author(s): Thomas Duffett

Performances

Mainpiece Title: Psyche

Related Works
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche Debauched Author(s): Thomas Duffett

Performances

Mainpiece Title: Psyche

Related Works
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche Debauched Author(s): Thomas Duffett

Performances

Mainpiece Title: Psyche

Related Works
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche Debauched Author(s): Thomas Duffett

Performances

Mainpiece Title: Psyche

Related Works
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche Debauched Author(s): Thomas Duffett
Event Comment: [The Duke's Company. Nell Gwyn attended this performance. See VanLennep, Nell Gwyn's Playgoing, p. 407. There is no certainty that this performance is the premiere, btt an additional known performance on 15 June suggests that early June probably saw the initial run. The music for two songs, Thou joy of all hearts and When you dispense your influence, both set by Dr William Turner, is in Choice Ayres and Songs, Second Book, 1679. Preface, Edition of 1676: I have no reason to complain of the success of this Play, since it pleased those, whom, of all the World, I would please most: Nor was the Town unkind to it....[There] being no Act in it, which cost me above Five days writing: and the last Two (the Play-house having great occasion for a Play) were both written in Four Days. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the Company great Reputation. The Libertine perform'd by Mr Betterton Crown'd the Play

Performances

Mainpiece Title: The Libertine

Related Works
Related Work: The Libertine Author(s): Thomas Shadwell
Related Work: The Libertine Destroyed Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Libertine

Related Works
Related Work: The Libertine Author(s): Thomas Shadwell
Related Work: The Libertine Destroyed Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Libertine

Related Works
Related Work: The Libertine Author(s): Thomas Shadwell
Related Work: The Libertine Destroyed Author(s): Thomas Shadwell

Performances

Mainpiece Title: Psyche

Related Works
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche Debauched Author(s): Thomas Duffett
Event Comment: The Duke's Company. The Diary of Robert Hooke: Mr Hoskins and I at Shadwell. Atheistical wicked play 2 1!2 sh

Performances

Mainpiece Title: The Libertine

Related Works
Related Work: The Libertine Author(s): Thomas Shadwell
Related Work: The Libertine Destroyed Author(s): Thomas Shadwell
Event Comment: The Duke's Company. The date of the premiere is uncertain. This play is on the L. C. list, 5@142, p. 81: King and Queene at Alcibiades and a box for the Mayds of Honor. See also Nicoll, Restoration Drama, p. 348. The item on the L. C. list is ambiguously dated; it follows an entry for 28 Sept. 1675 and bears only the figure "22." It is possible that the play was given on 22 Sept. 1675, but the order of the L. C. listing, the sequence of known performance on 24, 25, and 28 Sept., and the fact that most of the cast are principals in the company suggest a late September or early October production rather than an early September one

Performances

Mainpiece Title: Alcibiades

Performance Comment: Edition of 1675: Prologue-Mr Harris; Epilogue-Mrs Mary Lee; Agis-Medbourn; Alcibiades-Batterton; Tissaphernes-Sanford; Patroclus-Crosby; Theramnes-Harris; Polyndus-Gillow; Deidamia-Mrs Mary Lee; Timandra-Mrs Batterton; Draxilla-Mrs Barry; Ardella-Mrs Gillow.
Cast
Role: Timandra Actor: Mrs Batterton
Related Works
Related Work: Alcibiades Author(s): Thomas Otway

Performances

Mainpiece Title: Psyche

Related Works
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche Debauched Author(s): Thomas Duffett

Performances

Mainpiece Title: Psyche

Related Works
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche Debauched Author(s): Thomas Duffett

Performances

Mainpiece Title: The Wanton Wife

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Performances

Mainpiece Title: Psyche

Related Works
Related Work: Psyche Author(s): Thomas Shadwell
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche Debauched Author(s): Thomas Duffett
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@142, p. 81: At the Virtuoso. See also Nicoll, Restoration Drama, p. 348. Nell Gwyn also attended this performance; see VanLennep, Nell Gwyn's Playgoing, p. 407. The Diary of Robert Hooke, 25 May 1676: Mr Abraham Hill gave J. Hoskins, Aubery and I an account of Vertuoso play. A song, How retched is the slave to love, the music by Francis Forcer, is in Choice Ayres and Songs, The Second Book, 1679. Downes (Roscius Anglicanus, p. 37): The Libertine and Virtuoso: Both Wrote by Mr Shadwell; they were both very well Acted, and got the company great Reputation

Performances

Mainpiece Title: The Virtuoso

Performance Comment: Edition of 1676: Prologue-; Epilogue-; A copy in the William Andrews Clark Jr Memorial Library, Los Angeles, has the following manuscript cast, which may well be the original cast. (The trimming of the page has sometimes cut off the first letter or two of a name, and these have been supplied.) Sir NicholasGimcrack-Percivall; Sir Formal Trifle-Anthony Leigh; Sir Samuel Hearty-Underhill; Longvill-Betterton; Bruce-Smythe; Hazard-Jevon; Lady Gimcrack-Mrs Shadwell; Clarinda-Mrs Currer; Miranda-Mrs Betterton; unassigned-Mrs Price.
Cast
Role: Miranda Actor: Mrs Betterton
Related Works
Related Work: Virtuoso Author(s): Thomas Shadwell
Event Comment: The Duke's Company. This play may well have been performed regularly since 25 May. The Diary of Robert Hooke, 2 June 1676: with Godfrey and Tompion at Play. Met Oliver there. Damned Doggs. Vindica me Deus. People almost pointed. [Several entries in Hooke's Diary concern The Virtuoso. See his entries for 1 June, 3 June, 1 July.

Performances

Mainpiece Title: The Virtuoso

Related Works
Related Work: Virtuoso Author(s): Thomas Shadwell

Performances

Mainpiece Title: Don Carlos Prince Of Spain

Related Works
Related Work: Don Carlos, Prince of Spain Author(s): Thomas Otway

Performances

Mainpiece Title: Don Carlos Prince Of Spain

Related Works
Related Work: Don Carlos, Prince of Spain Author(s): Thomas Otway

Performances

Mainpiece Title: Don Carlos Prince Of Spain

Related Works
Related Work: Don Carlos, Prince of Spain Author(s): Thomas Otway

Performances

Mainpiece Title: Don Carlos Prince Of Spain

Related Works
Related Work: Don Carlos, Prince of Spain Author(s): Thomas Otway

Performances

Mainpiece Title: Don Carlos Prince Of Spain

Related Works
Related Work: Don Carlos, Prince of Spain Author(s): Thomas Otway