SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Thomas and John Baston"/1) | (@(roleclean,performerclean) "Thomas and John Baston")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 15616 matches on Author, 2277 matches on Performance Comments, 1448 matches on Event Comments, 424 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The King's Company. Pepys, Diary: After dinner I went to the theatre, and there saw Love's Mistress done by them, which I do not like it some things so well as their acting in Salsbury Court. [Although Pepys saw this play on 2 March 1660@1 at Salisbury Court, done by the Duke's Company, here he appears to indicate a rival performance of it by the King's Company in Vere St.]

Performances

Mainpiece Title: Loves Mistress

Related Works
Related Work: Love's Mistress Author(s): Thomas Heywood
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: The Queen's Mask Author(s): Thomas Heywood
Related Work: Love's Mistress; or, The Queen's Mask Author(s): Thomas Heywood
Related Work: Love's Mistress; or, the Queen's Masque Author(s): Thomas Heywood
Event Comment: The Duke's Company. See 2 March 1661. Pepys, Diary: I and Captain Ferrers to Salisbury Court, by water, and saw part of the Queen's Maske

Performances

Mainpiece Title: The Queens Mask

Related Works
Related Work: The Queen's Mask Author(s): Thomas Heywood
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress; or, The Queen's Mask Author(s): Thomas Heywood
Related Work: Love's Mistress; or, the Queen's Masque Author(s): Thomas Heywood
Event Comment: The King's Company. Pepys, Diary: I went to the Theatre, and there I saw Claracilla (the first time I ever saw it), well acted. But strange to see this house, that used to be so thronged, now empty since the Opera begun; and so will continue for a while, I believe

Performances

Mainpiece Title: Claracilla

Related Works
Related Work: Claracilla Author(s): Thomas Killigrew
Event Comment: The King's Company. Pepys, Diary: Abroad with my wife by coach to the Theatre to shew her King and no King, it being very well done

Performances

Mainpiece Title: King And No King

Related Works
Related Work: King and No King Author(s): Thomas Harris
Related Work: A King and No King Author(s): John Fletcher

Performances

Mainpiece Title: The Virgin Martyr

Related Works
Related Work: The Virgin Martyr Author(s): Thomas Dekker
Event Comment: Possibly this was acted by the King's Company, which had given it on 16 Nov. 1660 and 8 Jan. 1661. Evelyn, Diary: This Night was acted before his Majestie the Widow, a lewd play

Performances

Mainpiece Title: The Widow

Related Works
Related Work: The Widow Author(s): Thomas Middleton
Related Work: The Widow of Delphi; or, The Descent of the Deities Author(s): Richard CumberlandThomas Butler
Related Work: The Puritan; or, Widow of Watling Street Author(s): Thomas Middleton
Related Work: A True Widow Author(s): Thomas Shadwell
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton
Related Work: The Widow Bewitch'd Author(s): John Mottley
Event Comment: Jacques Thierry and Will Schellinks saw this performance (Seaton, Literary Relationships, pp. 334, 336). Although this performance falls in Passion Week, the date seems correct. Because the patent theatres normally closed during Passion Week, this performance has been tentatively assigned to the red bull Company. As Jolly played Part I (A Girle Worth Gold) at Norwich, this is probably a presentation of Part I

Performances

Mainpiece Title: The Fair Maid Of The West

Related Works
Related Work: The Fair Maid of the West Author(s): Thomas Heywood
Event Comment: The Duke's Company. Pepys, Diary: To the Duke's house, and there was the house full of company. but whether it was in over-expecting or what, I know not, but I was never less pleased with a play in my life. Though there was good singing and dancing, yet no fancy in the play, but something that made it less contenting was my conscience that I ought not to have gone by my vow, and, besides, my business commanded me elsewhere

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter
Event Comment: Pepys, Diary: Here we staid some time, thinking to stay out the play before the King to-night, but it being The Villaine, and my wife not being there, I had no mind

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter
Event Comment: The Duke's Company. Pepys, Diary: After dinner with my wife to the Duke's Theatre, and saw the second part of Rhodes, done with the new Roxalana; which do it rather better in all respects for person, voice, and judgment, than the first Roxalana [Mrs Davenport]. Home with great content with my wife, not so well pleased with the company at the house to-day, which was full of citizens, there hardly being a gentleman or woman in the house; a couple of pretty ladies by us that made sport in it, being jostled and crowded by prentices

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter
Event Comment: The Duke's Company. Pepys, Diary: To the Duke's House, where we saw The Villane again; and the more I see it, the more I am offended at my first undervaluing the play, it being very good and pleasant, and yet a true and allowable tragedy. The house was full of citizens, and so the less pleasant, but that I was willing to make an end of my gaddings, and to set to my business for all the year again to-morrow. Here we saw the old Roxalana [Mrs Davenport] in the chief box, in a velvet gown, as the fashion is, and very handsome, at which I was glad

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter
Event Comment: The King's Company. Pepys, Diary: Creed and I to my wife again, and...to the Cockpitt, where we saw Claracilla, a poor play, done by the King's house (but neither the King nor Queen were there, but only the Duke and Duchess, who did show some impertinent and, methought, unnaturall dalliances there, before the whole world, such as kissing, and leaning upon one another); but to my very little content, they not acting in any degree like the Duke's people

Performances

Mainpiece Title: Claracilla

Related Works
Related Work: Claracilla Author(s): Thomas Killigrew

Performances

Mainpiece Title: The Parsons Wedding

Related Works
Related Work: The Parson's Wedding Author(s): Thomas Killigrew
Event Comment: Pepys, Diary: Luellin...tells me what a bawdy loose play this Parson's Wedding is, that is acted by nothing but women at the King's house, and I am glad of it

Performances

Mainpiece Title: The Parsons Wedding

Related Works
Related Work: The Parson's Wedding Author(s): Thomas Killigrew
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, all alone, and saw Love's Maistresse. Some pretty things and good variety in it, but no or little fancy in it

Performances

Mainpiece Title: Loves Mistress Or The Queens Mask

Related Works
Related Work: Love's Mistress; or, The Queen's Mask Author(s): Thomas Heywood
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress Author(s): Thomas Heywood
Related Work: The Queen's Mask Author(s): Thomas Heywood
Related Work: Love's Mistress; or, the Queen's Masque Author(s): Thomas Heywood

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter
Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeths Troubles And The History Of Eighty Eight

Related Works
Related Work: Queen Elizabeth's Troubles, and the History of Eighty Eight Author(s): Thomas Heywood

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter
Event Comment: Pepys, Diary: I took them [Mrs Pepys and Deb.] to the Nursery, where none of us ever were before; where the house is better and the musique better than we looked for, and the acting not much worse, because I expected as bad as could be: and I was not much mistaken, for it was so. However, I was pleased well to see it once, it being worth a man's seeing to discover the different ability and understanding of people, and the different growth of people's abilities by practise. Their play was a bad one, called Jeronimo is Mad Again, a tragedy. Here was some good company by us, who did make mighty sport at the folly of their acting, which I could not neither refrain from sometimes, though I was sorry for it.... I was pretthly served this day at the playhouse-door, where, giving six shillings into the fellow's hand for us three, the fellow by legerdemain did convey one away, and with so much grace faced me down that I did give him but five, that, though I knew the contrary, yet I was overpowered by his so grave and serious demanding the other shilling, that I could not deny him, but was forced by myself to give it him

Performances

Mainpiece Title: Jeronimo Is Mad Again

Related Works
Related Work: Jeronimo Is Mad Again Author(s): Thomas Kyd