SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Shadwell"/1) | (@(roleclean,performerclean) "Thomas Shadwell")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5849 matches on Author, 619 matches on Performance Comments, 455 matches on Event Comments, 58 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Mourning Ramble; Or, The Town-humours

Performance Comment: Edition of 1673: Prologue-; Townlove-Betterton; Merry-Harris; Ruffle-Smith; Muchland-Medbourn; Rash-Crosby; Fullam-Underhill; Breef-Norris; Honour Muchland-Mrs Johnson; Betty Rash-Mrs Long; Rose-Mrs Shadwell; Lady Turnup-Mrs Osborn; Epilogue-.
Cast
Role: Rose Actor: Mrs Shadwell

Performances

Mainpiece Title: The Loving Enemies

Performance Comment: Edition of 1680: Prologue-; Lorenzo-Betterton; Marcello-Smith; Antonio-Jo. Williams; Paulo-Leigh; Circumstantio-Underhill; Albricio-Richards; Julia-Mrs Mary Lee; Camilla-Mrs Barry; Lucinda-Mrs Shadwell; Paulina-Mrs Leigh; Nuarcha-Mrs Norris; Epilogue-Mrs Barry.
Cast
Role: Lucinda Actor: Mrs Shadwell

Performances

Mainpiece Title: The History Of King Lear

Performance Comment: Edition of 1681: Prologue-; King Lear-Betterton; Gloster-Gillo; Kent-Wiltshire; Edgar-Smith; Bastard-Jo. Williams; Cornwall-Norris; Albany-Bowman; Gentleman Usher-Jevon; Gonerill-Mrs Shadwell; Regan-Lady Slingsby; Cordelia-Mrs Barry; Epilogue-Mrs Barry.
Cast
Role: Gonerill Actor: Mrs Shadwell

Performances

Mainpiece Title: The Rivals

Performance Comment: Downes (Roscius Anglicanus, p.23): Theocles-Harris; Philander-Betterton; Cunopes the Jailor-Underhill; Pepys: Celania?-Mrs Gosnell; Edition of 1668 adds: Arcon-$Young; Polynices-$Smith; Provost-$Sandford; Heraclia-$Mrs Shadwell; Leucippe-$Mrs Long; Prologue-Price.
Cast
Role: Heraclia Actor: Mrs Shadwell
Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft
Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Silent Woman; the best comedy, I think, that ever was wrote; and sitting by Shadwell the poet, he was big with admiration of it. Here was iy Lord Brouncker and W. Pen and their ladies in the box....Knepp did her part mighty well

Performances

Mainpiece Title: The Silent Woman

Event Comment: Pepys' remarks suggest that Shadwell's The Royal Shepherdess may once have been intended to have its premiere on this day. Pepys, Diary: By a hackneycoach followed my wife and the girls, who are gone by eleven o'clock, thinking to have seen a new play at the Duke of York's house. But I do find them staying at my tailor's, the play not being to-day.... Thence to the Duke of York's playhouse, and there, finding the play begun, we homeward

Performances

Event Comment: The Duke's Company. Pepys, Diary: And my wife being gone abroad with W. Hewer, to see the new play to-day, at the Duke of York's house, Guzman, I dined alone.... I thence presently to the Duke of York's playhouse, and there, in the 18d. seat, did get room to see almost three acts of the play; but it seemed to me but very ordinary. After the play done, I into the pit, and there find my wife and W. Hewer...[and] here I did meet with Shadwell, the poet, who, to my great wonder, do tell me that my Lord of Orrery? did write this play, trying what he could do in comedy, since his heroique plays could do no more wonders. This do trouble me; for it is as mean a thing, and so he says, as hath been upon the stage a great while; and Harris, who hath no part in it, did come to me, and told me in discourse that he was glad of it, it being a play that will not take

Performances

Mainpiece Title: Guzman

Performances

Mainpiece Title: The Duchess Of Malfy

Performance Comment: [An edition of 1678 has a cast partially pertaining to this time (see also 31 Jan. 1672): Ferdinand-$Harris; Cardinal-$Young; Antonio-$Smith; Delio-$Midburn; Bosola-$Betterton; Castruchio-$Richards; Sylvio-$Cademan probably not acting now]; Pescara-$Norris; Malateste-$Price (not living in 1676); Roderigo-$Cogun (not living in 1676); Grisolan-$Percival; Dutchess of Malfey-$Mrs Betterton; Cariola-$Mrs Norris; Old Lady-$Mrs Osborn; Julia-$Mrs Shadwell.
Cast
Role: Julia Actor: Mrs Shadwell.
Event Comment: The United Company. The date of the first performance is not known, but Lord Granville, writing on 5 May 1688, refers to the King's presence on the third day, and since The Squire of Alsatia may have begun its run about 2 May 1688, Crowne's play must have been produced by the end of April. Lord Granville to Sir William Leveson, 5 May 1688: The town is as empty of news as the Court; we have had a new play called The Fall of Darius (written by Crown), by which the poet, though he could get no fame, yet had a most extraordinary third day by reason the King's presence at it; the first day of its acting Mrs Bower [Barry] was taken so violently ill in the midst of her part that she was forced to be carried off, and instead of dying in jest was in danger of doing it in earnest. Mrs Cook is dead and Mrs Boute...is again come upon the stage, where she appears with great applause. We are promised this week another new play of Shadwell's called the Alsatia Bully, which is very much commended by those who have had the private perusal of it (HMC, 5th Report, Part II, pP. 197-98). Dedication, Edition of 1688: A misfortune fell upon this Play, that might very well dizzy the Judgments of the Audience. Just before the Play began, Mrs Barry was struck with a very violent Fever, that took all Spirit from her, by consequence from the Play; the Scenes She acted fell dead from her; and in the 4th Act her distemper grew so much upon her, She cou'd go on no further, but all her part in that Act was wholly cut out and neither Spoke nor Read; that the People went away without Knowning the contexture of the Play, yet thought they knew all....[My] Thanks to His Majesty for the Honor of his Presence, on the Day which was to be for my Advantage; which He was pleased to Grant me. [See L. C. 5@148, p. 195--in Nicoll, Restoration Drama, p. 356--for a grant of #20 as a gift from the King to Crowne for this play.

Performances

Mainpiece Title: Darius, King Of Persia

Event Comment: Gentleman's Journal, May 1692 (licensed 14 May): We are promised Mr Crown's Regulus, before the Long Vacation; As also a Comedy by Mr Shadwell, whose Genius for that sort of Poetry, is sufficiently known to the Ingenious

Performances

Event Comment: Gentleman's Journal, October 1692: We are promised a Comedy by Mr Shadwell in a short time, and two or three new Plays after that

Performances

Event Comment: Not Acted these Twenty-eight Years. Written by the Ingenious Mr Shadwell, late Poet Laureat

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents, With The Humours Of Sir Positive At-all

Related Works
Related Work: The Sullen Lovers; or, The Impertinents Author(s): Thomas Shadwell
Event Comment: At the Desire of several Persons of Quality. Written by the Ingenious Mr Shadwell, late Poet-Laureat

Performances

Mainpiece Title: The Volunteers

Related Works
Related Work: The Volunteers; or, The Stock-Jobbers Author(s): Thomas Shadwell
Event Comment: Written by the ingenious Mr Shadwell, late Poet Laureat

Performances

Mainpiece Title: The Volunteers; Or, The Stock Jobbers

Related Works
Related Work: The Volunteers; or, The Stock-Jobbers Author(s): Thomas Shadwell
Event Comment: Written by Mr Shadwell, late Poet Laureat. With all the Original Decorations of Scenes, Dances, Risings, Sinkings, and Flyings of the Witches

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O Divelly

Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell

Music: All the Vocal and Instrumental Musick-Mr Barret

Dance: Prince, Birkhead, Mrs Willis

Event Comment: With all the Original Decorations and Dances, proper to the Play. Written by the late Mr Shadwell

Performances

Mainpiece Title: The Lancashire Witches; Or, Teague O'divelly

Related Works
Related Work: The Lancashire Witches, and Tegue o Divelly the Irish Priest Author(s): Thomas Shadwell
Event Comment: Written by Mr Shadwell

Performances

Mainpiece Title: Don John; Or, The Libertine Destroyed

Related Works
Related Work: The Libertine Destroyed Author(s): Thomas Shadwell
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton

Dance:

Event Comment: Written by Mr Shadwell

Performances

Mainpiece Title: Don John; Or, The Libertine Destroy'd

Related Works
Related Work: The Libertine Destroyed Author(s): Thomas Shadwell
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton

Music: Original Shepherd's Musick by Purcell-

Dance: Shaw, Thurmond Jr, Topham, Boval, Mrs Bicknell, Mrs Younger, Mrs Bullock, Miss Teno

Event Comment: For the Entertainment of the antient Family of Rowlands. Benefit Ravenscroft and Beaumont, Tickets at the George in Vine St., in the Minories; Jennings's, Ship in Upper Shadwell; and at the Taphouse of the Wells. [Prices as 25 Feb. (Daily Advertiser only).

Performances

Mainpiece Title: Woman Is A Riddle

Afterpiece Title: The Debauchees

Dance: The two Masters Granier, Miss Granier; Hornpipe-Beaumont

Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lying Valet

Dance: IV: Comic Dance, as17501231

Event Comment: [T$Theophilus Cibber opened the theatre this one night. Mainpiece, a Mock Tragedy by Joseph Reed. Afterpiece, anonymous.] Tickets to be had at the Swan, Westminster Bridge; Forest's Coffee House and Cannon Tavern, Charing Cross; the Tuns in the Borough, Southwark; the Rainbow Coffee House, near the Royal Exchange; and the Bedford Coffee House, Covent Garden. N.B. Tickets for the Author to be had at Mr Briscall's at Parliament-Street Coffee House; the Bedford Head, Southampton St.; Mr Wells at the Crown and W in Russel Court, Covent Garden; Mr Long's in Little Britain; the Union Coffee House in Cornhill; the White Lion in Talbot Court; and the Sun Tavern, Shadwell

Performances

Mainpiece Title: Madrigal And Truletta

Afterpiece Title: Sir ThomasCallico; or, The Mock Nabob

Event Comment: Receipts: #224 18s. 6d. Advanc'd to Mrs Ward #20. Paid Sarjant on acct of salary #5; Paid Ridout one third of the surplus of this night's receipt being #144 18s. 6d. than the #80 allow'd for the charge: #48 2s. 6d. This morning I was at Mr Shadwell's for his Orders [for free theatre tickets] & took all my sisters to Covent Garden Gallery to see the Jovial Crew & Rape of Proserpine, which was full of noisy holiday people (Hailey, Brietzcke Diary, Vol. 197, p. 544)

Performances

Mainpiece Title: The Jovial Crew

Afterpiece Title: The Rape of Proserpine

Event Comment: See Herbert, Dramatic Records, p. 116. This was the King's Company (under Killigrew), split off from the United Company. According to Downes (Roscius Anglicanus, p. 2) the roster included: Theophilus Bird, Hart, Mohun, Lacy, Burt, Cartwright, Clun, Baxter, Robert Shatterel, William Shatterrel, Duke [Marmaduke Watson], Hancock, Kynaston, Wintersel, Bateman, Blagden. (But see also Nicoll, Restoration Drama, p. 295.) According to the articles of agreement, 5 Nov. 1660 (Herbert, Dramatic Records, pp. 96-100), the Duke's Company (under Davenant) included Thomas Batterton, Thomas Sheppey, Robert Noakes, James Noakes, Thomas Lovell, John Moseley, Cave Underhill, Robert Turner, Thomas Lilleston

Performances

Mainpiece Title: Wit Without Money

Event Comment: By Permission of the Lord Chamberlain. Benefit for The Literary Fund. [In this performance the male parts were acted chiefly by amateurs; the female parts were acted by professionals. Prologue and Epilogue by Thomas Morris (Morning Herald, 17 Apr.).] The Committee for the Management of the Literary Fund respectfully inform the Public that affecting instabces of Merit in distress exceed their power of relief by the ordinary Subscription; and that they wish to have recourse to every honourable expedient to increase that power. The Admission will be by Tickets, at the Opera Prices. Boxes and Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. No more Company will be admitted than the House will hold with perfect convenience; and when the proper number of Tickets is issued, no means of admission can be obtained. The Doors to be opened at 6:00. To begin at 7:00 precisely. Registers: Thomas Dale, M. D.; Mr Deputy Nichols. Treasurers: Thomas Morris, Esq.; Mr E. Brooke. "In the course of the play we observed several restorations of Shakespeare's text, with some interpolations. The boldest of the latter was the introduction of Richard's son to him in the tent, the night befiredthedbefore the Battle of Bosworth field. This scene was borrowed, as we believe, from Thomas? Hull's Legendary Tale of Richard Plantagenet. It was well written, and produced a considerable degree of effect. The Ghosts were banished, and the start and stagger of Richard, heretofore the theatrical trick of the scene, necessarily omitted" (Diary, 17 Apr.)

Performances

Mainpiece Title: Richard III

Afterpiece Title: The Citizen

Performances

Mainpiece Title: The Female Fop; Or, The False One Fitted

Performance Comment: Persons who never yet appear'd in Public. Edition of 1724 lists: Sir Zealwou'd Fainall-Alleyn; Sir Obstinate Lecture-Thomas; Manworth-Hawker; Trueman-Milward; Timothy-Williams; 1st Companion-Dyas; 2d Companion-Richards; Eudmia-Mrs Thomas; Clarinda-Mrs Howey; Manilia-Mrs Herold; Isabella Wealthy-Mrs Marlow; Hearty-Mrs Wadderburn; Prologue-Milward.
Cast
Role: Sir Obstinate Lecture Actor: Thomas
Role: Eudmia Actor: Mrs Thomas

Song: Singing in Italian and English-Mrs Hill