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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Porter"/1) | (@(roleclean,performerclean) "Thomas Porter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7048 results for: Keyword - Thomas Porter
We found 5454 matches on Author, 1488 matches on Performance Comments, 468 matches on Event Comments, 58 matches on Performance Title, and 0 matches on Roles/Actors.

201
01 March 1701 @ Drury Lane Theatre

Event Comment: [By Thomas Baker. Premiere.

Performances

Mainpiece Title: The Humours Of The Age

Related Works
Related Work: The Humour of the Age Author(s): Thomas Baker

202
31 May 1701 @ Drury Lane Theatre

Event Comment: [By Thomas D'Urfey. Premiere.] Preface: The stopping of it from Acting by Superiour command, doing me no manner of Injury, (tho it might the Play-house) but only for two or three days disappointing my friends; the Cause is so trivial...for taking the Poetical Licence of making Mad man in my Scene Satyrically drink a Health, altering it into a modest phrase, (tho somewhat too familiar)

Performances

Mainpiece Title: The Bath; Or, The Western Lass

Related Works
Related Work: The Bath, or, The Western Lass Author(s): Thomas D'Urfey

203
27 January 1703 @ Drury Lane Theatre

Event Comment: [By Thomas Baker. Date of premiere uncertain, but this day has generally been accepted by Nicoll, Genest, Winston, and Latreille. Published 29 Jan.

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Related Works
Related Work: Tunbridge-Walks: or, The Yeoman of Kent Author(s): Thomas Baker

204
24 June 1704 @ Lincoln's Inn Fields

Event Comment: Benefit Fieldhouse. [Afterpiece: By Thomas Walker. Premiere.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Wit of a Woman

Related Works
Related Work: Sir Barnaby Whigg; or, No Wit Like a Womans Author(s): Thomas D'Urfey
Related Work: The Wit of a Woman Author(s): Thomas Walker

Song: a young Gentleman who never perform'd on the Stage before; a new Dialogue between him and one of the House, being set by Mr Hicks-

205
26 June 1704 @ Lincoln's Inn Fields

Event Comment: Benefit Miss Evans and Miss Mountfort. At the Desire of several Persons of Quality. [In Cowper MS, III, 79, James Cragg enclosed in a letter to Thomas Coke "Three small playing cards having on the back of each 'June 26th The Amorous Widow or the Wanton Wife. The Box. For the Benefitt of Miss Mountfort and Miss Evans."

Performances

Mainpiece Title: The Amorous Widow

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Dance: A New Dance by Four Scaramouches to Faranoll's Ground never perform'd but once-; A Scotch and Irish Dance-Miss Evans; Firbank, Firbank's Scholar

206
04 March 1707 @ Drury Lane Theatre

Event Comment: [Text by Joseph Addison. Music by Thomas Clayton.] A new Opera never yet perform'd. By Subscription. None to be admitted into the Boxes or Pit but by the Subscribers' Tickets. [Both A Critical Discourse upon Operas (1709) and Jacobs (I, 3) refer to the unsatisfactory nature of the music; as a result, according to Jacobs, "It had not the Success due to its Merit."

Performances

Mainpiece Title: Rosamond

Related Works
Related Work: Rosamond Author(s): Thomas Clayton
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): Thomas Hull

207
18 January 1712 @ Drury Lane Theatre

Event Comment: At the Request of seveal Persons of Quality. The Spectator, 18 Jan., has a letter from Thomas Clayton, Nicolino Haym, and Charlies Dieupart, who deny the rumor that their purpose in presenting concerts is to destroy opera. Rather they wish to improve the art of music, which they feel is utterly destroyed at the moment; however, there will be no performances at York Buildings until after that of the Subscription

Performances

Mainpiece Title: The Amorous Widow

Cast
Role: Philadelphia Actor: Mrs Porter
Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Entertainment: With several additional Entertainments-

208
30 May 1720 @ King's Theatre

Event Comment: [Music by Dominico Scarlatti, with additional numbers by Thomas Roseingrave. Text by P. A. Rolli.] A new Opera. Pit and Boxes together at half a guinea. Gallery 5s. Stage one Guinea. N.B. When the Tickets are disposed of, no Person will be admitted for Money; places will be kept in the Boxes only

Performances

Mainpiece Title: Narcissus

Related Works
Related Work: Narcissus Author(s): Thomas Roseingrave

209
19 January 1721 @ Lincoln's Inn Fields

Event Comment: Mainpiece: [By Thomas Odell.] A new Farce of one Act. Benefit J. and Ch. Rich. Receipts: money #112 5s.; tickets #14 5s

Performances

Mainpiece Title: The Chimera; Or, An Hue And Cry To Change Alley

Related Works
Related Work: The Chimera; or, An Hue and Cry to Change Alley Author(s): Thomas Odell

Afterpiece Title: The Emperor of the Moon

Afterpiece Title: Amadis

210
19 February 1726 @ Lincoln's Inn Fields

Event Comment: [By Thomas Southerne.] Receipts: #93 10s. 6d. Victor, History of the Theatres, II, 152: I happened to be behind the Scenes the first Night of this Comedy, and was very sorry to find that the Audience did not take the Age, as well as the great Merit of this Author, into their Consideration, and quietly dismiss this last weak Effort to please them. When they were hissing dreadfully in fifth Act, Mr Rich, who was standing by Mr Southern, asked him, if he heard what the Audience were doifg? His Answer was, No, Sir, I am very deaf.

Performances

Mainpiece Title: Money The Mistress

Related Works
Related Work: Money the Mistress Author(s): Thomas Southerne

211
24 February 1730 @ Goodman's Fields

Event Comment: [By Thomas Walker.] With Rich New Habits

Performances

Mainpiece Title: The Fatal Villainy

Related Works
Related Work: The Fatal Villainy Author(s): Thomas Walker

212
18 August 1731 @ Drury Lane Theatre

Event Comment: Benefit the Author. Mainpiece: a New Play of Three Acts. [By Thomas Cooke.] At the particular Desire of several Persons of Quality

Performances

Mainpiece Title: The Triumphs Of Love And Honour

Related Works
Related Work: The Triumphs of Love and Honour Author(s): Thomas Cooke

Afterpiece Title: The What D'ye Call It

Music: Select Pieces-

Dance:

213
16 November 1732 @ Haymarket Theatre

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

Related Works
Related Work: Britannia Author(s): Thomas Lediard
Related Work: Britannia Author(s): Thomas Arne

214
14 May 1735 @ Lincoln's Inn Fields

Event Comment: Benefit Daniel Boyes and Thomas Lascells, who have been for many Years under Confinement for Debt

Performances

Mainpiece Title: The Royal Merchant

Related Works
Related Work: The Royal Merchant Author(s): Thomas Hull

Afterpiece Title: The Toy Shop

215
26 May 1736 @ Haymarket Theatre

Event Comment: Benefit the Author of the Farce. Mainpiece: The Sixtieth Day. Afterpiece: Written by the Author of Bacchus one Day Gaily Striding: When Fanny, Blooming Fair [Thomas Phillips.]

Performances

Mainpiece Title: Pasquin

Afterpiece Title: The Rival Captains; or, The Impostor Unmask'd

Related Works
Related Work: The Rival Captains; or, The Impostor Unmask'd Author(s): Thomas Phillips

216
26 July 1737 @ Lincoln's Inn Fields

Event Comment: Acted but Once these Twenty Years. [As lif acted on Tuesdays and Fridays, possibly these plays were given earlier on 22 June.] By a Company of Comedians, acting under Letters-Patent. Mainpiece: Written by Thomas Shadwell, Esq; Poet-Laureat

Performances

Mainpiece Title: The Woman Captain

Related Works
Related Work: The Woman Captain; or, A Usurer Turned Soldier Author(s): Thomas Shadwell
Related Work: The Woman Captain Author(s): Thomas Shadwell
Related Work: The Prodigal; or, Recruits for the Queen of Hungary Author(s): Thomas ShadwellThomas Odell

Afterpiece Title: Damon and Phillida

Song: TThe Ladies' Lamentation, as17370414 A Dialogue set by Henry Purcell-the Masters Hamilton

Dance: JJe ne scai quoi-Tench, Villeneuve, Miss Oates

217
31 January 1741 @ Drury Lane Theatre

Event Comment: As 10 Dec. 1740. [For a discussion of recent Shakespearean performances, see Thomas Edwards to Richard Owen Cambridge, 31 January 1740@41 in Bodleian MS. 1009, pp. 140-41.

Performances

Mainpiece Title: Comus

Related Works
Related Work: Comus Author(s): Thomas Arne

Dance: LLes Masons & Les Sabotiers-Fausan, Signora Fausan; Les Matelotes-Fausan, Signora Fausan

218
19 December 1743 @ Drury Lane Theatre

Event Comment: Mainpiece: never acted [a tragedy by Thomas Cooke]. Macklin's Reply to Garrick published

Performances

Mainpiece Title: Love The Cause And Cure Of Grief; Or, The Innocent Murderer

Related Works
Related Work: Love the Cause and Cure of Grief; or, The Innocent Murderer Author(s): Thomas Cooke

Afterpiece Title: The Lying Valet

219
11 October 1744 @ Haymarket Theatre

Event Comment: Prices 5s., 3s., 2s. Never acted before, a new Comedy. [By Thomas Odell. From Shadwell's The Woman Captain (preface to 1st ed.).

Performances

Mainpiece Title: The Prodigal; Or, Recruits For The Queen Of Hungary

Related Works
Related Work: The Prodigal; or, Recruits for the Queen of Hungary Author(s): Thomas ShadwellThomas Odell
Related Work: The Woman Captain; or, A Usurer Turned Soldier Author(s): Thomas Shadwell

220
25 August 1746 @ Bartholomew Fair

Event Comment: YYeates senior and Bennet's Booth, facing the Hospital Gate, West Smithfield. Wrote by Thomas Sheridan, The Player. Noon to 10 p.m. [Notice repeated 26, 27 Aug.

Performances

Mainpiece Title: Captain O'blunder; Or, The Brave Irishman

Related Works
Related Work: Captain O'Blunder; or, The Brave Irishman Author(s): Thomas Sheridan

Dance: JJockey Dance-Adams; Hornpipe-Banberry

Entertainment: A Machine showing the capture of Cape Breton-

221
08 March 1748 @ Covent Garden

Event Comment: Benefit for Mr Giffard and Mrs Giffard. Mainpiece [by Thomas Baker]: Not acted these 15 years. [See 11 July 1738.] At the Desire of several Ladies of Quality. Afterpiece: A Farce of Two Acts never performed before, taken from a Comedy of the Celebrated Mr Otway. Tickets to be had of Giffard at No. 11 in Craven's Buildings, Drury Lane, and at the stage door

Performances

Mainpiece Title: Tunbridge Walks; Or, The Yeoman Of Kent

Related Works
Related Work: Tunbridge-Walks: or, The Yeoman of Kent Author(s): Thomas Baker

Afterpiece Title: The Soldier's Fortune

Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): Thomas Otway
Related Work: The Soldier's Fortune Author(s): Thomas Otway
Related Work: The Soldiers' Fortune Author(s): Thomas Otway

Song: III: O Beauteous Queen Enclose those eyes, Come Ever Smiling Liberty-Mrs Storer; V: the 4th Cantata of Mr Stanly (in the character of Anacreon)-Beard

222
14 March 1751 @ Drury Lane Theatre

Event Comment: Benefit for Sowdon. Ladies send servant by three. Tickets at Will's Coffee House in Cornhill; at Mr Thomas Sowdon's in Blackman St., Southwark, and of Hobson at the stage door. Receipts: #230 (Cross)

Performances

Mainpiece Title: The Orphan

Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Afterpiece Title: Lethe

Dance: Devisse, Mad Auretti

223
10 April 1752 @ Drury Lane Theatre

Event Comment: Benefit for Sowdon. No building on the stage on account of the Coronation. [With] The Death of the Duke of Buckinghamv; the Tryal and Divorce of Queen Catherinev; The Death of Cardinal Wolseyv; the Christening of Princess Elizabethv; and many other historical passages. Tickets to be had of Sowdon, next door to the Black Lyon, in Little Russel-St., Covent Garden; at Will's Coffee House in Cornhill; at Mr Thomas Sowdon's in Blackman St., Southwark, and at the stage door. Mainpiece: Not acted in 6 years [see 1 Jan. 1746]. Receipts: #230 (Cross)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Don Quixote

Related Works
Related Work: The Comical History of Don Quixote, Part I Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, The Third Part: With the Marriage of Mary the Buxome Author(s): Thomas D'Urfey
Related Work: Barataria; or, Sancho Turn'd Governor Author(s): Thomas D'Urfey
Related Work: Squire Badger Author(s): Thomas Arne

224
11 May 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Britannia

Performance Comment: [See17550509, but without Miss Thomas.] With a Prologue-Garrick [in the character of a Sailor; Epilogue-[suitable to the Occasion, to be spoken at the head of a Number of Boys clothed in Sailors Habits given them by the Society.suitable to the Occasion, to be spoken at the head of a Number of Boys clothed in Sailors Habits given them by the Society.
Related Works
Related Work: Britannia Author(s): Thomas Lediard
Related Work: Britannia Author(s): Thomas Arne

225
06 March 1758 @ Covent Garden

Event Comment: Receipts: #103 18s. [The following Renters came in at 1 share each: Antony Henry Bousing, Mrs Antony Henry Bousing, Robert Jennings Esq, Thomas Repley (Account Book).

Performances

Mainpiece Title: The Prophetess

Related Works
Related Work: The Prophetess; or, The History of Dioclesian Author(s): Thomas Betterton