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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Thomas Palmer"/1) | (@(roleclean,performerclean) "Thomas Palmer")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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9305 results for: Keyword - Thomas Palmer
We found 5707 matches on Author, 4116 matches on Performance Comments, 681 matches on Event Comments, 107 matches on Performance Title, and 0 matches on Roles/Actors.

9226
18 May 1797 @ King's Theatre

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Performances

Mainpiece Title: Alceste

Ballet: End Opera: Sapho et Phaon. As17970406

9227
14 June 1797 @ Covent Garden

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

9228
28 October 1797 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; F 2, by Samuel Birch, based on James Powell's unacted play, The Narcotic, 1787; incidental music by Thomas Attwood (see 28 Nov.). Larpent MS 1182; not published; synopsis of plot in Morning Chronicle, 30 Oct.]. Receipts: #309 19s. 6d. (222.7.6; 86.1.0; 1.11.0)

Performances

Mainpiece Title: Cheap Living

Cast
Role: Scatter Actor: Palmer

Afterpiece Title: Fast Asleep

9229
13 November 1797 @ Drury Lane Theatre

Event Comment: [2nd piece in place of Thomas and Sally, advertised on playbill of 11 Nov.] Receipts: #351 14s. (283.16; 66.10; 1.8)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: A Trip to the Nore

9230
09 July 1798 @ Haymarket Theatre

Performances

Mainpiece Title: The Italian Monk

Cast
Role: Spalatro Actor: R. Palmer

Afterpiece Title: The Agreeable Surprise

Performance Comment: As17980618 but Thomas-_; John-_; Cudden-_; Stump-_.
Cast
Role: Earl of Mercia Actor: Palmer Jun.
Role: Barleycorn Actor: R. Palmer
Role: Natty Maggs Actor: Palmer Jun.
Role: Zapphira Actor: Miss Palmer

9231
12 January 1799 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Joseph George Holman. Prologue by William Thomas Fitzgerald; Epilogue by John Taylor (see text)]: With new Dresses, Scenery, &c. [Afterpiece in place of The Farmer, advertised on playbill of 11 Jan.] Morning Chronicle, 26 Mar. 1799: This Day is published The Votary of Wealth (2s.). Receipts: #326 10s. 6d. (321.2.6; 5.8.0)

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: Rosina

9232
16 March 1799 @ Covent Garden

Event Comment: Benefit for Lewis. 1st piece [1st time; C 3, by Thomas John Dibdin. Prologue and Epilogue by the author (London Chronicle, 18 Mar.)]. Morning Chronicle, 12 Apr. 1799: This Day is published Five Thousand a Year (price not listed). Ibid, 8 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #542 0s. 6d. (383.9.0; 2.19.0; tickets: 155.12.6)

Performances

Mainpiece Title: Five Thousand A Year

Afterpiece Title: A Divertisement

Afterpiece Title: Catherine and Petruchio

Dance: In 2nd piece: Ballet-Blurton, Mrs Watts

Song: End 1st piece: Black Ey'd Susan-Incledon

9233
29 March 1799 @ Haymarket Theatre

Event Comment: Mainpiece: A New Oratorio, in Two Parts, the only one composed in this Country nearly these 30 years. Afterpiece: An Ode, in One Part. The Band will wholly consist of Professors of the first eminence, and the Chorusses will be numerously supported by the best Performers in London, assisted by the young Gentlemen of his Majesty's Chapels, and of Westminster Abbey. The music entirely new, composed by Thomas? Busby, who will take the Piano Forte. Boxes 7s. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Grove: [Busby] worked at a setting of Pope's 'Messiah' for some years, and it was produced in 1799 with considerable success as 'The Prophecy.

Performances

Mainpiece Title: The Prophecy

Afterpiece Title: Ocean

9234
16 April 1799 @ Covent Garden

Event Comment: Benefit for Munden. 2nd Piece [1st time in London; MF 2, by Thomas John Dibdin, 1st acted at Manchester, 15 Mar. 1793. Text (Huddersfield: J. Brook [1795] gives cast for Manchester]: The Music (with a new Waltz Overture, and an accompaniment for the Tamborine & Triangle) composed by Reeve. 3rd piece [1st time; M. INT 1]. Morning Chronicle, 4 Apr.: Tickets to be had of Munden, No. 16, Clement's-inn. Receipts: #630 12s. 6d. (237.13.0; 2.10.0; tickets: 390.9.6)

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Sunshine after Rain

Afterpiece Title: The Jolly Crew or Tars at Anchor

Song: In Course Evening: a new Comic Song (never sung in London), A Bundle of Proverbs; or, Odds and Ends, in the Character of Ephraim Smooth-Munden; A new Comic Song (never performed), A Touch at Old Times; or, No Days better than our Own-Munden; The Barber's Petition, with a song in character, Wigs, including His Own Wig, the Lover's Wig, Doctor's Wig, Coachman's Wig, Councellor's Wig,-Fawcett

Entertainment: Monologue The Barber's Petition-Fawcett

9235
17 April 1799 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for an Infant Orphan Family. Tickets to be had at No. 17, Tufton-street, Westminster; of Appleby, Hosier, Parliament-street; Mrs Cleaver, Cannon-row, Parliament-street; Newcomb, Confectioner, Bridge-street, Westminster; Taylor, Linen-draper, Whitehall; Thomas, Butcher, Charing-cross; Medhurst, Pastry Cook, Russel-court, Drury-lane; Rice, at the Theatre, where Places for the Boxes may be taken

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Irishman in London

Entertainment: End: Her much admired Imitations-Mrs Sumbel

9236
15 May 1799 @ Covent Garden

Performances

Mainpiece Title: King Henry The Eighth

Performance Comment: King Henry-Holman; Cromwell-Lewis; Bishop of Winchester-Munden; Lord Sands-Fawcett; Duke of Buckingham-H. Johnston; Earl of Surry-Knight; Cranmer-Murray; Doctor Butts-Emery (1st and positively the Only Time of the above Performers appearing in those Characters); Duke of Norfolk-Whitfield; Duke of Suffolk-Waddy; Campeius-Davenport; Brandon, Usher-Claremont; Lord Chamberlain-Clarke; Sir George [recte Thomas] Lovel-Farley; Surveyor-Thompson; Chancellor-Whitmore; Porter-Rees; Capucius-Abbot; Porter's Man-Wilde; Cryer-Street; Serjeant-Lee; Abergavenny-Curties; Cardinal Wolsey-Pope; Anne Bullen-Miss Chapman; Patience (with a song, composed by Attwood)-Mrs Atkins; Queen Catherine (1st time)-Mrs Pope.

Afterpiece Title: Hartford Bridge

Song: In course of Evening: Black Ey'd Susan-Incledon; Tomorrow-Incledon

Music: Preceding: Grand Sonata on the Piano Forte-Master Parker; with a new Rondo-Master Parker (Haydn); End I: a celebrated Lesson of Nicolai-Master Parker

Entertainment: Monologues End II: Alexander's Feast-Master Parker; End: Grand Address to the Audience-Master Parker

9237
16 September 1799 @ Covent Garden

Event Comment: [Address by Thomas John Dibdin (T. J. Dibdin, Reminiscences, 1, 256).] Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Dec.]. Places for the Boxes to be taken of Brandon at the Box office in Hart-street. No Money to be returned. [On playbill of 6 May 1800: Printed by E. Macleish, 2, Bow-street, Covent-Garden.] Receipts: #290 3s. 6d. (279.12.0; 10.11.6)

Performances

Mainpiece Title: Laugh When You Can

Afterpiece Title: Rosina

Entertainment: Monologue Preceding: New Occasional Address-Pope

9238
01 February 1800 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Miss Biggs as Angela, but "On account of the sudden indisposition of Miss Biggs, Miss Heard will perform the part of Angela, and hopes for the usual indulgence of the audience" (printed slip attached to Kemble playbill).] Afterpiece [1st time; MF 2, by Thomas John Dibdin, based on Der Wildfang, by August Ferdinand Friedrich von Kotzebue. Prologue by Miles Peter Andrews (London Chronicle, 4 Feb. 1800)]: The Overture and Musick composed by Kelly [with one selection from Paisiello]. Books of the Songs to be had in the Theatre. Receipts: #264 17s. (139.8.6; 122.17.0; 2.11.6)

Performances

Mainpiece Title: The Castle spectre

Cast
Role: Father Philip Actor: Palmer

Afterpiece Title: Of Age To morrow

9239
12 May 1800 @ Covent Garden

Event Comment: 1st piece [1st time; C 3, by Thomas John Dibdin. In 1801 expanded by the author to 5 acts, and entitled The School for Prejudice. Author of Prologue unknown.]. Receipts: #205 17s. 6d. (202.10.0; 3.7.6)

Performances

Mainpiece Title: Liberal Opinions

Afterpiece Title: Paul and Virginia

Afterpiece Title: The Horse and the Widow

Dance: As18000501

Song: As18000501

9240
10 July 1800 @ Haymarket Theatre

Performances

Mainpiece Title: The Agreeable Surprise

Performance Comment: As18000628 but Eugene-_; Chicane-_; John-_; Thomas-_.
Cast
Role: Demisou Actor: Palmer

Afterpiece Title: Fortunes Frolick

Cast
Role: Don Alphonso Actor: J. Palmer
Role: Rattle Actor: Palmer

Afterpiece Title: Obi

Cast
Role: William Actor: J. Palmer
Role: Sam Actor: J. Palmer

9241
16 July 1800 @ Haymarket Theatre

Performances

Mainpiece Title: The Point Of Honour

Cast
Role: Face Actor: J. Palmer
Role: Headlong Actor: Palmer

Afterpiece Title: Obi

Performance Comment: As18000710 but Chorus of Negro Men-Thomas.
Cast
Role: Chorus of Negro Men Actor: Thomas.
Role: Don Alphonso Actor: J. Palmer
Role: Rattle Actor: Palmer
Role: William Actor: J. Palmer
Role: Sam Actor: J. Palmer

9242
20 April 1661 @ Whitehall or St. James's

Event Comment: Pepys, Diary: So back to the Cockpitt [Whitehall], and there, by the favour of one Mr Bowman, he [Creed] and I got in, and there saw the King, and Duke of York and his Duchess (which is a plain woman, and like her mother, my Lady Chancellor). And so saw The Humersome Lieutenant acted before the King, but not very well done. But my pleasure was great to see the manner of it, and so many great beauties, but above all Mrs Palmer, with whom the King do discover a great deal of familiarity. Sometime before the Coronation of Charles II, on 23 April 1661, there may have been acted The Merry Conceited Humours of Bottom the Weaver. An edition of 1661 refers to its being "often publikely acted by some of his Majesties Comedians" and the Dedication suggests that it would make a good entertainment at the mirthful time of the Coronation. The edition lists no actors' names, no prologue, no epilogue

Performances

Mainpiece Title: The Humorous Lieutenant

9243
23 July 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: To the Theatre, and saw Brenoralt, I never saw before. It seemed a good play, but ill acted; only I sat before Mrs Palmer, the King's mistress, and filled my eyes with her, which much pleased me

Performances

Mainpiece Title: Brenoralt or the Discontented Colonel

9244
27 August 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: Hence my wife and I to the Theatre, and there saw The Joviall Crew, where the King, Duke and Duchess, and Madame Palmer, were; and my wife, to her great content, had a full sight of them all the while. The play full of mirth

Performances

Mainpiece Title: The Jovial Crew

9245
07 September 1661 @ Theatre in Vere Street

Event Comment: The King's Company. Pepys, Diary: My wife and I...to the Theatre, where we seated ourselves close by the King, and Duke of York, and Madame Palmer, which was great content; and, indeed, I can never enough admire her beauty. And here was Bartholomew Fayre, with the puppet-show, acted to-day, which had not been these forty years (it being so satyricall against Puritanism, they durst not till now, which is strange they should already dare to do it, and the King to countenance it), but I do never a whit like it the better for the puppets, but rather the worse

Performances

Mainpiece Title: Bartholomew Fair

9246
09 May 1743 @ Covent Garden

Event Comment: Benefit Mines, Gwinn, Verhuyck. Tickets deliver'd out by Boucher, Palmer, Mason, &c will be taken

Performances

Mainpiece Title: Hamlet

Dance: TThe Happy Lovers, as17421006; Characters of Dancing, as17421025; Grand Comic Ballet, as17430407

9247
14 May 1745 @ Covent Garden

Event Comment: Benefit Page, Verhuyck, Palmer, Emmet, Mason, Cooper

Performances

Mainpiece Title: The City Wives Confederacy

Afterpiece Title: The Schoolboy

Dance: LLe Gondalier-Cooke; Scotch Dance, as17450507

9248
06 May 1746 @ Covent Garden

Event Comment: Benefit Mason and Cooper [Box Keepers], Page [Housekeeper]. Tickets deliver'd out by Verhuycke, Emmet, Palmer, and Bianchini will be taken

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: What Dye Call It

9249
19 May 1747 @ Covent Garden

Event Comment: Benefit on basis of half value of tickets for 7. Benefit Gwinn, Vanhuyck, Singleton, Driscol, Page [housekeeper]; tickets deliver'd by Palmer and Emmet will be taken. Receipts at door: #10 10s. /For Box Pit Gallery Value Half-Value/Page 63 70 ... #26 5s. #13 2s. 6d./Singleton 9 19 29 #8 #4/Driscol 2 54 60 #14 12s. #7 6s./Gwinn 4 42 56 #12 18s. #6 9s./Verhuyck 1 71 48 #15 14s. #7 17s./Palmer 2 123 105 #29 9s. #14 14s. 6d./Emmett .. 52 44 #12 4s. #6 2s./Totals 81 431 342 #119 2s. #59 11s.

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Phebe

9250
05 May 1748 @ Covent Garden

Event Comment: Benefit for Condell and Singleton (Boxkeepers), Page (Housekeeper), and Miss Mattocks. Tickets deliver'd by Verhuyck, Emmet, and Palmer (Pit Doorkeepers) and Driscoll will be taken

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: Miss in Her Teens