Event Comment: [By Thomas Southerne.] Receipts: #93 10s. 6d. Victor, History of the Theatres, II, 152: I happened to be behind the Scenes the first Night of this Comedy, and was very sorry to find that the Audience did not take the Age, as well as the great Merit of this Author, into their Consideration, and quietly dismiss this last weak Effort to please them. When they were hissing dreadfully in fifth Act, Mr Rich, who was standing by Mr Southern, asked him, if he heard what the Audience were doifg? His Answer was, No, Sir, I am very deaf.

Event Comment: [By Thomas Walker.] With Rich New Habits

Event Comment: Benefit the Author. Mainpiece: a New Play of Three Acts. [By Thomas Cooke.] At the particular Desire of several Persons of Quality

Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Event Comment: Benefit Daniel Boyes and Thomas Lascells, who have been for many Years under Confinement for Debt

Event Comment: Benefit the Author of the Farce. Mainpiece: The Sixtieth Day. Afterpiece: Written by the Author of Bacchus one Day Gaily Striding: When Fanny, Blooming Fair [Thomas Phillips.]

Event Comment: Acted but Once these Twenty Years. [As lif acted on Tuesdays and Fridays, possibly these plays were given earlier on 22 June.] By a Company of Comedians, acting under Letters-Patent. Mainpiece: Written by Thomas Shadwell, Esq; Poet-Laureat

Event Comment: As 10 Dec. 1740. [For a discussion of recent Shakespearean performances, see Thomas Edwards to Richard Owen Cambridge, 31 January 1740@41 in Bodleian MS. 1009, pp. 140-41.

Event Comment: Mainpiece: never acted [a tragedy by Thomas Cooke]. Macklin's Reply to Garrick published

Event Comment: Prices 5s., 3s., 2s. Never acted before, a new Comedy. [By Thomas Odell. From Shadwell's The Woman Captain (preface to 1st ed.).

Event Comment: YYeates senior and Bennet's Booth, facing the Hospital Gate, West Smithfield. Wrote by Thomas Sheridan, The Player. Noon to 10 p.m. [Notice repeated 26, 27 Aug.

Event Comment: Benefit for Mr Giffard and Mrs Giffard. Mainpiece [by Thomas Baker]: Not acted these 15 years. [See 11 July 1738.] At the Desire of several Ladies of Quality. Afterpiece: A Farce of Two Acts never performed before, taken from a Comedy of the Celebrated Mr Otway. Tickets to be had of Giffard at No. 11 in Craven's Buildings, Drury Lane, and at the stage door

Event Comment: Benefit for Sowdon. Ladies send servant by three. Tickets at Will's Coffee House in Cornhill; at Mr Thomas Sowdon's in Blackman St., Southwark, and of Hobson at the stage door. Receipts: #230 (Cross)

Event Comment: Benefit for Sowdon. No building on the stage on account of the Coronation. [With] The Death of the Duke of Buckinghamv; the Tryal and Divorce of Queen Catherinev; The Death of Cardinal Wolseyv; the Christening of Princess Elizabethv; and many other historical passages. Tickets to be had of Sowdon, next door to the Black Lyon, in Little Russel-St., Covent Garden; at Will's Coffee House in Cornhill; at Mr Thomas Sowdon's in Blackman St., Southwark, and at the stage door. Mainpiece: Not acted in 6 years [see 1 Jan. 1746]. Receipts: #230 (Cross)

Event Comment: Receipts: #103 18s. [The following Renters came in at 1 share each: Antony Henry Bousing, Mrs Antony Henry Bousing, Robert Jennings Esq, Thomas Repley (Account Book).

Event Comment: Benefit for Scrase, Mozeen, Ackman, Harrison. Afterpiece: A new farce written by Mr Mozeen (Indiff) (Cross). Ellis Ackman, Henry Scrase, Harrison, Thomas Mozeen advertised the above new piece for their benefit performance being founded on fact (Winston MS 8). Receipts: #170 Cross)

Event Comment: Benefit for Hull. Afterpiece: Translated (with alterations) from Detouches. Never perform'd before. Translation by Thomas Hull (Biographia Dramatica)

Event Comment: Sixth Day. For the Author. Charges #85 5s. Balance due to author #41 14s. (Account Book). [This balance was paid to Thomas Hull on 9 Feb.] Receipts: #126 19s. (Account Book)

Event Comment: By Permission. Benefit for Thomas Barry. Neville MS Diary: Mr Barry having obtained permission to play 3 nights after the time at which Foote by his patent is obliged to shut his house

Event Comment: Benefit for Reddish. Mainpiece: By Desire. Farce (adapted by Thomas Ryder from Vanbrugh's Mistake) never acted there

Event Comment: Mainpiece: Taken from [Thomas] Southern's Oroonoko

Event Comment: Benefit for Mrs Bellamy. Mainpiece: Never Acted There. [Thomas Southerne's play adapted by Garrick. See bill 4 May.] Afterpiece: With New Introduction and Conclusion [see Harlequin Statue or the Jealous Farmer Outwitted, 20 May 1765] but with Music, Scenes and Decorations adapted to the whole. Charges #65 6s. Balance to Mrs Bellamy #53 6s. plus #113 4s. from tickets (Box 316; Pit 228) (Account Book). Receipts: #118 12s

Event Comment: Benefit for Hull. Mainpiece [a tragedy by Thomas Hull, based upon the version by William Hawkins, 1749, suggested by William Shenstone, and instigated by the presence of Mrs Hartley among the actresses at cg]: Never acted before. Characters to be dressed in the Habits of the Times (playbill). Charges #64 5s. Profit to Hull #50 13s. 6d., plus #75 6s. from Tickets (Box 165; Pit 171; Gallery 84) (Account Book). Receipts: #114 18s. 6d

Event Comment: This Musical Farce of one Act was wrote by Mr G on purpose to introduce Miss Abrams (a Jew) about 17 Years old. She is very small, a Swarthy Complexion, has a very sweet Voice and a fine Shake, but not quite power enough yet-both the Piece and Young Lady were receiv'd with Great Applause (Hopkins Diary). Books of the Songs, Choruses etc. of Afterpiece to be had at the Theatre. The Conscious Lovers oblig'd to be deferred till Monday, with which will be performed the last new Grand Ballet, The Savage Hunters. [Advertisement to the published edition: "The author of this musical Farce, begs leave to inform the readers, if there should be any, that it was merely intended to introduce The Little Gipsy to the public, whose youth and total inexperience of the stage made it necessary to give as little dialogue to her character as possible, her success depending wholly upon her singing-This reason added to another, which is that the piece was produced at an early part of the season, when better writters are not willing to come forth, is the best apology the Author can make for its defects."] Paid 6 days salary list at #104 7s.-per diem, #626 2s.; Mr Lamash on note #5 5s. (Treasurer's Book). [The note on sale of books of the songs and choruses for the afterpiece occurs on all subsequent bills this season in which May Day is mentioned. The songs and chorusses and overture by Dr Arne. The afterpiece reviewed in Westminster Magazine for Nov.: The preparation is palatable, and the hand of the preparer is discoverable from the affinity between the scene of Roger and the Old Man, and that of whittle and Thomas in the Irish Widow....The Music of the overture and Finale were remarkably light and pretty: some of the airs also did Dr Arne credit. As to Miss Abrams, she has a sweet pipe, and a natural shake that charmed us;-If maturity does but strengthen her voice, at the same time that it gives her ease in deportment, she will prove an ornament to the stage."] Receipts: #205 3s. (Treasurer's Book)