SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas King Esq"/1) | (@(roleclean,performerclean) "Thomas King Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5449 matches on Author, 3212 matches on Performance Comments, 2694 matches on Performance Title, 2194 matches on Event Comments, and 0 matches on Roles/Actors.
Event Comment: With New Music, Scenes, Dresses, and Decorations for the Afterpiece. This Farce is brought on the Stage by Mrs Abington--it is very dull--It is vastly well got up and was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly, mentioning Bickerstaff as the author. Larpent MS 397 contains elaborate stage direction at opening: "An interior apartment in the Seraglio. An arch in the middle of the back scene, which is shut with a curtian. On the right hand toward the front is a sopha in the Turkish manner, low deep, and long, covered with carpets and cushions. A little gold table about eight inches high and a foot and a half square. Upon it a rich or gold saver set with jewels, with two cups on porcelain, and a spoon made of the beak of an Indian bird, which is redder than coral, extremely rare and of extensive price." This may have been intended for a reading audience. In the piece Mrs Abington, an English slave , rebels in the confines of the Seraglio, and start a reform movement wherein men are to please the women. Concludes with demostration of the nobility of English women who will not be enslaved, who will not flatter, who will preserve their liberty and dignity, and who are capable of returning love for honor and respect. Reviewed in Westminster Magazine for Dec.: "The Audience appeared to be divided in their opinion of the merit of the Sultan, some loudly applauding, and others as loudly condemning it, when the curtain dropped. The Majority however, stood firmly for it, and a verdict was returned in its favor. The managers not only well dressed this dramatic trifle, but bestowed three new scenes on it: The Outer Gate of the Seraglio--An Interior view of it--and a Garden terminating in a prospect of the sea. The first was but la! la! The last two were beautiful and picturesque. Five airs were introduced into this piece which had a very good effect....The music of the two first was the composition of Mr Dibdin, and was exceedingly pretty."] Receipts: #143 1s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Cast
Role: Buckingham Actor: Jefferson

Afterpiece Title: The Sultan; or, A Peep into the Seraglio

Performance Comment: Solyman-Palmer; Osymn-Bannister; Elmira-Mrs King; Ismena-Mrs Wrighten; Roxalana-Mrs Abington; with Dancing-Fontaine, Como, Giorgi; Sga Crespi, Mrs Sutton. Sga Crespi, Mrs Sutton.
Related Works
Related Work: The Sultan Author(s): Thomas Arne

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deuce Is in Him

Dance: End: The Frolick, as17760217

Performances

Mainpiece Title: King Lear

Afterpiece Title: Catherine and Petruchio

Dance: End: The Italian Gamesters, as17760305

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deuce Is in Him

Cast
Role: Emily Actor: Mrs King, first time

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: King Henry Iv, Part I; With The Humours Of Sir John Falstaff

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton
Related Work: The Tragedy of King Henry IV of France Author(s): Charles Beckingham
Related Work: The Comical History of Don Quixote, Part I Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey
Related Work: An Eclogue; or, Representation in Four Parts Author(s): Thomas Jordan
Related Work: The Amorous Bigotte: With the Second Part of Tegue O Divelly Author(s): Thomas Shadwell
Related Work: The Atheist; or, The Second Part of the Souldiers Fortune Author(s): Thomas Otway

Afterpiece Title: The Irish Widow

Performance Comment: Whittle-Parsons; Kecksy-Johnson; Nephew-L'Estrange; Bates-Fearon; Thomas-Waldron; Sir Patrick O'Neal-Palmer; Irish Widow, with Epilogue song-Mrs Greville.
Cast
Role: Thomas Actor: Waldron

Entertainment: End: Bucks Have at Ye All-Palmer

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Royal Chace

Dance: As17771001

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Apprentice

Dance: As17771001

Performances

Mainpiece Title: King Lear

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): Thomas Arne

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Norwood Gypsies

Dance: Afterpiece: Dancing, as17771125, but _Aldridge, Langrish

Performances

Mainpiece Title: King Lear

Afterpiece Title: Poor Vulcan

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Medley

Related Works
Related Work: Bacchus Festival; or, A New Medley Author(s): Thomas Jordan

Performances

Mainpiece Title: King Henry The Fifth

Afterpiece Title: Poor Vulcan

Event Comment: Mainpiece: Not acted these 2 years. "The violent and the impassioned are [Miss Brunton's] strongholds. The gentle--the modes oflevel speaking--and tenderness never add to her credit, nor receive addition from her form and countenance" (Public Advertiser, 10 Mar.). Paid Hawkes, tallow chandler, on acct. last Season #111. Receipts: #170 7s. (168/5/6; 2/1/6)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Love in a Camp

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Romp

Related Works
Related Work: Love for Money; or, The Boarding School Author(s): Thomas D'Urfey
Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: The Toy Shop

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

Performance Comment: End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-.
Event Comment: From the late unfortunate calamity at the King's Theatre [see 16 June], the Subscribers are respectfully acquainted that as many Operas will be represented at this Theatre as can from this Evening to the 11th of July, the day on which most of the Performers' Contracts expire. Mr Gallini humbly requests it may be observed that on account of there not being Boxes enough to accomodate the Subscribers, as at the late Opera House, in order to avoid partiality, no particular Places or Boxes can be allotted to the respective Subscribers. The Entrance into the Theatre will be from Covent-Garden and Hart-street only, the doors from Bow-street will, from necessity, be shut up. Pit and Boxes 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. "Covent--Garden, on Saturday night, had the honour of entertaining this noble Foreigner--but by some accident they did not agree...The Gallery, only, was filled" (World, 29 June)

Performances

Mainpiece Title: La Generosita D'alessandro

Performance Comment: As17890602at king's.

Dance: End I: New Divertissement, as17890310End Opera: L'Embarquement pour Cythere, as17890110, but Mlle _Normand

Event Comment: Pit 1s. 6d. Gallery 1s. Upper Gallery 6d. The Doors to be opened at 6:00. To begin precisely at 7:00. Tickets to be had at the Eagle, Ram, White Horse, Antelope and King's Head. Geoghegan, printer, No. 3, Kent-Street, Borough, Southwark

Performances

Mainpiece Title: Inkle And Yarico

Entertainment: Vaudeville End Opera: [The Last new Squeeze for St. Paul's [i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous

Performance Comment: Paul's
[i.e. British Loyalty]-Tunstall; [to conclude with a grand Chorus of God save the King-; [that sublime Soliloquy of Cato on Life Death and Immortality-Pope; [As a Gentleman lately asserted no Person in England could restore a Fowl to Life after its head should be cut off, it will be attempted by Pope. With several other of his tricks, particularly the Writing and Copying-Pope; [which for the Satisfaction of the Audience shall be explained how they are performed, and make every Person capable of doing the same. The whole to conclude with Divertisement Spanish and Venetian Speculums [consisting of Spanish Bull-baiting, and several other Diversions-Pope[, Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous., Venetian Processions and several curious Diversions, in beautiful Transparencies, interspersed with a Variety of Strictures, Satiric, Illustrive and Humourous.

Performances

Mainpiece Title: True Blue; Or, A Bang At The Dons

Afterpiece Title: King Henry the Fifth

Cast
Role: Thomas Actor: Phillimore

Afterpiece Title: The Follies of a Day

Related Works
Related Work: The Follies of a Day Author(s): Thomas Holcroft
Related Work: The Follies of a Day; or, The Marriage of Figaro Author(s): Thomas Holcroft

Entertainment: Monologue. End 2nd piece: (for this night only) The Monster Discovered-

Performances

Mainpiece Title: Poor Old Drury

Afterpiece Title: King Henry the Fifth

Afterpiece Title: Comus

Related Works
Related Work: Comus Author(s): Thomas Arne

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: The Village Lawyer

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: King Henry The Fourth [part I]

Afterpiece Title: Peeping Tom

Performances

Mainpiece Title: King Lear

Afterpiece Title: Harlequin's Chaplet

Related Works
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw

Performances

Mainpiece Title: Bacchus Festival; Or, A New Medley

Related Works
Related Work: Bacchus Festival; or, A New Medley Author(s): Thomas Jordan