SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas King Esq"/1) | (@(roleclean,performerclean) "Thomas King Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5708 matches on Author, 3212 matches on Performance Comments, 2694 matches on Performance Title, 2194 matches on Event Comments, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Country Girl

Cast
Role: Moody Actor: King

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Shipwreck

Song: In: The Blue Bell of Scotland, as18000512; accompanied on the Lute, as18000512; In course Evening: Crazy Jane-Mrs Bland; In 3rd piece: a new ballad, The Fisherman and the River Queen (Written and Composed by M. G. Lewis, Esq, M. P., Author of Crazy Jane.)-Mrs Bland

Performance Comment: G. Lewis, Esq=, M. P., Author of Crazy Jane.)-Mrs Bland.
Event Comment: In Thomas Jordan's Royal Arbour of Loyal Poesie (p. 12) is a piece entitled: A Prologue to the King, August 16, 1660

Performances

Event Comment: Pepys, 7 March, refers to a new play at the King's Theatre. Possibly it was Thomas Porter's The Carnival, published in 1664, with no actors' names, no prologue, no epilogue, and announced in The Intelligencer, 2 May 1664

Performances

Event Comment: Pepys, Diary I home to dinner, where Mr Pierce dined with us, who tells us what troubles me, that my Lord Buckhurst hath got Nell Gwin? away from the King's house, lies with her, and gives her #100 a year, so as she hath sent her parts to the house, and will act no more. And yesterday Sir Thomas Crew told me that Lacy lies a-dying of the pox

Performances

Event Comment: The Duke's Company. Downes (p. 29): It took well, but Inferior to Love in a Tub. Pepys, Diary: I to the Duke of York's playhouse; where a new play of Etherige's called She Would if she Could; and though I was there by two o'clock, there was 1000 people put back that could not have room in the pit: and I at last, because my wife was there, made shift to get into the 18d. box, and there saw; but, Lord! how full was the house, and how silly the play, there being nothing in the world good in it, and few people pleased in it. The King was there; but I sat mightily behind, and could see but little, and hear not all. The play being done...here was the Duke of Buckingham to-day openly sat in the pit; and there I found him with my Lord Buckhurst, and Sidly, and Etherige, the poet; the last of whom I did hear mightily find fault with the actors, that they were out of humour, and had not their parts perfect, and that Harris did do nothing, nor could so much as sing a ketch in it; and so was mightily concerned: while all the rest did, through the whole pit, blame the play as a silly, dull thing, though there was something very roguish and witty; but the design of the play, and end, mighty insipid. Thomas Shadwell, Preface to The Humorists (1671): The last (viz.) imperfect Action, had like to have destroy'd She Would if she could, which I think (and I have the Authority of some of the best Judges in England for't) is the best Comedy that has been written since the Restauration of the Stage: And even that, for the imperfect representation of it at first, received such prejudice, that, had it not ben for the favour of the Court, in all probability it had never got up again; and it suffers for it, in a great measure, to this very day

Performances

Mainpiece Title: She Would If She Could

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. There is no certainty that this is the premiere. A song, A heart in love's empire, with music by Robert Smith, and another, Let's drink dear friends, set by Thomas? Farmer, are in Choice Songs and Ayres, The First Book, 1673. The Dedication in the edition of 1672 is to Prince Rupert and states: tho' of thirty times it has been acted, you seldom fail'd to honour it with your presence. Downes (Roscius Anglicanus, p. 32): The next new Comedy [at dg] was the Mamamouchi, or the Citizen turn'd Gentleman, Wrote by Mr Ravenscroft [cast as in edition of 1672 except French Tutor and Singing Master, by Mr Haines: (He having Affronted Mr Hart, he gave him a Discharge and then came into our House)]; This Comedy was look[ed] upon by the Criticks for a Foolish Play; yet it continu'd Acting 9 Days with a full House; upon the Sixth the House being very full: The Poet added 2 more Lines to his Epilogue, viz. @The Criticks came to Hiss, and Dam this Play,@Yet spite of themselves they can't keep away.@ However, Mr Nokes in performing the Mamomouchi pleas'd the King and Court, next Sir Martin, above all Plays

Performances

Mainpiece Title: The Citizen Turned Gentleman

Event Comment: The King's Company. The Prologue and Epilogue are in New Poems, Songs, Prologues and Epilogues. Written by Thomas Duffett, 1676. See also Langbaine, English Dramatick Poets, p. 291

Performances

Mainpiece Title: Every Man Out His Humour

Performance Comment: Prologue to Ev'ry Man out of his Humour,-Mr Hayns [July, 1675 [Writtenby ThomasDuffett]; Epilogue-[to Ev'ry Man out of his Humour [Written by ThomasDuffett].to Ev'ry Man out of his Humour [Written by ThomasDuffett].
Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 361: The King at ye Mistress. See also Nicoll, Restoration Drama, p. 351. There is no indication as to whether this performance was the premiere. As the play was licensed on 24 May 1687, the premiere may have been as late as 12 May, but possibly was earlier. Sir George Etherege to Will Richards, 19 May 1687: I have heard of the success of The Eunuch, and am very glad the town has so good a taste to give the same just applause to Sir Charles Sedley's writing, which his friends have always done to his conversation (Letterbook, ed. Rosenfeld, p. 212). Sir George Etherege to Middleton, 2O June 1687: I saw a play about ten years ago Called the Eunuch, so heavy a lump the players durst not charge themselves with the dead weight, but it seems Sir Charles Sedley has animated the mighty mass and now it treads the stage lightly (ibid., p. 227). [See also 26 March 1687 and season of 1676-77.] Thomas Shadwell, The Tenth Satyr of Juvenal (licensed, 25 May 1687.) Dedication to Sir Charles Sedley: Your late great obligation in giving me the advantage [presumably the third day's gain] of your comedy, call'd Bellamira, or the Mistress, has given me a fresh subject for my Thanks; and my Publishing this Translation affords me a new opportunity of owning to the world my grateful resentments to you. I am heartily glad that your Comedy (as I never doubted) found such success, that I never met with any Man of Sence but applauded it: And that there is abundance of Wit in it, your Enemies have been forced to confess....For the Judgment of some Ladies upon it that it is obscene, I must needs say they are Ladies of a very quick apprehension, and did not find their thoughts lye very much that way, they could not find more obscenity in that than there is in every other Comedy. A song, Thyrsis unjustly you complain, headed A Song in Bellamira, or, the Mistress. Set by Mr Tho. Shadwell, is in Vinculum Societatis, 1687 (licensed 8 June 1687)

Performances

Mainpiece Title: Bellamira Or The Mistress

Related Works
Related Work: Psyche; or, Love's Mistress Author(s): Thomas Heywood
Related Work: Love's Mistress Author(s): Thomas Heywood
Related Work: The Queen's Mask Author(s): Thomas Heywood
Related Work: Love's Mistress; or, The Queen's Mask Author(s): Thomas Heywood
Related Work: Bellamira, Her Dream; or, The Love of Shadows Author(s): Thomas Killigrew
Related Work: Money the Mistress Author(s): Thomas Southerne
Related Work: Love's Mistress; or, the Queen's Masque Author(s): Thomas Heywood
Event Comment: Benefit Mrs Cross, Mrs Bridges, Miss Young. The General Advertiser included the following Puff: Sir, As I am continually searching for latent Curiosities, out of a sincere regard for the Public Satisfaction, I think it my Duty (lest among the Multitude of Diversions now flourishing, some other might engross the attention of the Curious) to inform the world, that the Farce which will be perform'd this Evening at Drury Lane theatre, call'd May Day, or the Merry Milkmaids of Islington, was written by the particular desire of King Charles II who had it first performed at Newmarket; how agreeably that jovial Monarch was entertained, every person, who thinks it worth his while to see it, according to his abilities, will be a competent judge, Yours, &c A. Virtuoso. [Part of the Multitude of Diversions referred to included announcement in the same paper for a Rehearsal of the whole Band of Music at Ruckholt House, the following Monday; a paragraph Puff on the diversions at Sadler's Wells in consequence of the late happy Victory of the Duke of Cumberland over the Rebels, with special notice of a New Interlude of Music call'd Strephon's Return, or the British Hero, perform'd this night with many advantages of Dress and Decoration, and a new Ballet by Matthews; and further notice of the Representation of the Battle near Culloden House which had met with universal applause, and which would continue to be repeated at the New Wells in Goodman's Fields. The Farce at Drury Lane this evening was advertised as not having been played for 20 years. It was taken from Thomas Nabbes' Totenham Court Road, by the Compiler of the Muse of Newmarket, 1680. The MS Occasional Prologue praising Cumberland is in the Larpent Collection.

Performances

Mainpiece Title: The Committee

Afterpiece Title: May Day or The Merry Milkmaids of Islington

Related Works
Related Work: May Day; or, The Little Gipsy Author(s): Thomas Arne

Song: Miss Young

Dance: Mechel, Mlle Mechel

Event Comment: [The following letter appeared in the General Advertiser]: To Mr Ryan, Sir: As the Author whom you have judiciously, I think, call'd in to your Assistance on your Benefit Night is little known; his Name not having appeared upon the Stage in our Days; and from whence some may be apt to think it scarce worth while to produce him now;--it was thought advisable by many of your Friends, of which Number I profess myself, to draw up the following Account of him and his Dramatic Works, that such as are Strangers to him may have some further Inducement to favour you with their Company. Mr Thomas Randolph lived in the Reign of King Charles I, was Fellow of Trinity College, Cambridge; but died young. He was a Man of pregnant Wit, gay Humour and of excellent Learning; which gain'd him the Esteem of the Polite Part of the Town, and particularly recommended him to the Favour of Ben Johnson, who adopted him one of his Sons, and held him in equal Esteem with the ingenious Mr Cartwright, another of the Laureat's adopted Sons:--The Plays he wrote were: [he lists 5 plays, commenting from Cokayne and Rich of Christ's Church College, Oxon, and West on the ethical quality of the last one, The Muses' Looking Glass]. In short, Sir, I doubt not but his old nervous Wit will still please, and join'd with the New Masque you have added, excite Curiousity enough to answer your Design; since by your Steadiness it was absoluteley necessary you should hava Novelty, as well as Interest, to procure half so good a House, as we all wish you, and especially, Your Humble Servant, I. M. [See 14 March afterpiece.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Apollo and Daphne

Event Comment: Nothing said abour ye prolog: (Cross). The Music of the Funeral Procession compos'd by Dr Boyce. [See "William Boyce's 'Solemn Dirge' in Garrick's Romeo and Juliet Production of 1750," by Charles Haywood, Shakespeare Quarterly, Spring, 1960.] This day is Publish'd at 1s. 6d. Romeo and Juliet a Tragedy, revised and alter'd from Shakespear by Theophilus Cibber, First revised in September 1744, at the Theatre in the Haymarket; now acted at the Theatre Royal in Drury Lane. To which is added a Serio-Comic Apology for Part of the Life of Mr Theophilus Cibber, Comedian, written by himself. Interspers'd with memoirs and anecdotes relating to the Stage Managements, Theatrical Resolutions, &c. also cursory Observations on principal Players: particularly Mr Quin, Mr Ryan, Mrs Woffington, Mrs Ward, and Miss Bellamy; Mr Garrick, Mr Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard, &c. Likewise Original Letters that passed between the late Sir Thomas DeVeil and Mr Theophilus Cibber relating to the Stage Act, Concluding with a copy of Verses, call'd the Contrite Comedian's Confession. Printed for C. Corbett, the Publisher, at Addison's Head, facing St Dunstan's Church, Fleet St; G. Woodfall, at the King's Arms, the corner of Craig's Court, Charing Cross. [See 11 Oct.] Receipts: #170 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway
Event Comment: Benefit for Mr Norton Amber, formerly a Patentee, & Banker, now Pit Doorkeeper (Cross), late of the Strand (Winston MS 7). Tickets to be had at Mr Pierce's at the Castle Tavern, Corner of Henrietta Street, in Bedford Street, Covent Garden; Mr Frye's a Hosier, the Corner of James Street, Long Acre; King Street Coffee House, near Guild Hall; Batson's Coffee House, Cornhill; and at the Theatre. Places will be taken at the Stage Door of the theatre. This Day publish'd, Young Scarron, at 2s. 6d. sew'd, 3s. bound. Dedicated to the managers of both theatres. "The Stage reproves the follies of the age. For once we'll laugh at Follies of the Stage." Anon. Printed for T. Tyre, near Gray's Inn Holborn and W. Reeve in Fleet St. (General Advertiser). A comical and satirical account of summer strolling players: "When the time draws near that the Theatres Royal disband their troops, or rather grant their furloses till the next Campaign, each private Man becomes an Officer; and they who for nine months before submitted to Monarchical Government, now form themselves into several republicks for the remaining three. Then each Hero takes the path of his own ambition...The various whimsical disputes that arise from this kind of Emulation, are, in part the subject of the following sheets" (173 pp. Written by Thomas Mozeen, Biographia Dramatica). Receipts: #220 (Cross)

Performances

Mainpiece Title: The Revenge

Related Works
Related Work: Bussy D'Ambois; or, The Husbands Revenge Author(s): Thomas D'Urfey
Related Work: The Revenge; or, A Match in Newgate Author(s): Thomas Betterton
Related Work: The Unhappy Kindness; or, A Fruitless Revenge Author(s): Thomas Scott

Afterpiece Title: Lethe

Dance: HHornpipe-Matthews, the Little Swiss; With Entertainments as will be express'd in the Great Bills

Song: I: Song-Beard

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Alter'd from Shakespeare and Thompson, not acted these 4 years. Afterpiece: For last time this season (playbill of 19 April 1768). [See 18 Feb. 1765. This Coriolanus is possibly the Tragedy by Thomas Sheridan, 8vo, 1755.] @Receipts #85 10s. 6d.@House charge #63@Candles #1 5s.@Extras: Kettle Drum 5s.@2 Side Drums 4s.@4 Fifes 8s.@2 Trumpets 10s.@Chorus Singers #1 10s.@Wardrobe #5 19s.@Total #73 1s. 6d.@Balance due Mrs Lessingham #12 9s.@Tickets 197 137 89 #78 14s.@Money #85 10s. 6d.@Total value of House #164 4s. 6d. (Account Book).@ Mr Clarke being suddenly taken ill in the afternoon [yesterday] his part in the tragedy was oblig'd to be supplied by Mr Younger. And Mr Clarke still continuing ill the Tragedy of King Lear, with the Musical entertainment Amelia is oblig'd to be deferred till further notice (Public Advertiser, 21 April)

Performances

Mainpiece Title: Coriolanus

Afterpiece Title: Love a la Mode

Dance: End: The Irish Lilt, as17670921

Event Comment: Benefit for Mrs Palmer (the Lady who perform'd Calista). [Mainpiece: Prologue by Thomas Baker.] No Person to be admitted without a ticket, which may be had of Mrs Palmer, No. 13 Pierpont-Row; at the King's Head Tavern in the upper-Street; and at the place of Performance. [The date of the performance of The Fair Penitent, of which play Calista is the heroine, has not as yet come to light.

Performances

Mainpiece Title: The Busy Body

Performance Comment: Sir Francis Gripe-A Gentleman (from London [unidentified]); Sir George Airy-Jones; Sir Jealous Traffick-Leach; Charles-Wilson; Whisper-Wortley; Marplot-Jerrold; Isabinda-Mrs Kingham; Patch-Mrs Jerrold; Scentwell-Mrs Weeks; Miranda-Mrs Palmer; Prologue-Jerrold.
Cast
Role: Isabinda Actor: Mrs Kingham

Afterpiece Title: The Deuce is in Him

Performance Comment: Colonel Tamper-Jerrold; Major Belford-Gardner; Prattle-Jones; Emily-Mrs Jerrold; Bell-Mrs Kingham; Madam Florival-Mrs Palmer.
Cast
Role: Bell Actor: Mrs Kingham

Performances

Mainpiece Title: The Female Fop Or The False One Fitted

Performance Comment: Persons who never yet appear'd in Public. Edition of 1724 lists: Sir Zealwou'd Fainall-Alleyn; Sir Obstinate Lecture-Thomas; Manworth-Hawker; Trueman-Milward; Timothy-Williams; 1st Companion-Dyas; 2d Companion-Richards; Eudmia-Mrs Thomas; Clarinda-Mrs Howey; Manilia-Mrs Herold; Isabella Wealthy-Mrs Marlow; Hearty-Mrs Wadderburn; Prologue-Milward.
Cast
Role: Sir Obstinate Lecture Actor: Thomas
Role: Eudmia Actor: Mrs Thomas

Song: Singing in Italian and English-Mrs Hill

Performances

Mainpiece Title: Hurlothrumbo Or News From Terra Australis Incognita With The Whimsical Flights Of My Lord Flame

Performance Comment: Flame-the Author; other parts-Smith, Giffard, Raymond, Gillow, Hulet, Williams, Reynolds, Hill, Mrs Purden, Mrs Thomas, Mrs Ward, Mrs Mountfort; but second edition of 1729 lists: Soarethereal-Gillow; Hurlothrumbo-Hulett; Dologodelmo-Smith; Darony-Taswell; Urlandenny-Williams; Theorbeo-Machen; Lomperhomock-Pearce; Darno-Holt; Primo-Reynolds; Puny-Hicks; Temo-Ware; Colonel Countermine-Dove; Genius-Webster; Spirit-Russel; Death-Wathen; Lord Flame-Johnson; Cademore-Mrs Purden; Sermentory-Mrs Thomas; Seringo-Mrs Montford; Lusingo-Miss Mann; Cuzzonida-Mrs Hill; Prologue by Amos Meredith-; Epilogue by Mr Byrom-.

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Humours of Harlequin With the Loves of several Deities

Performance Comment: See17290225, but Diana-Mrs Hill; Venus-Mrs Turner; Adonis-Chardin; Graces-Mrs Thomas, Mrs Jones, Mrs Purden; Shepherds-Tench, Ware, Webster; Harlequin-Nott; Miller-Reynolds; Miller's Wife-Miss Mann; Miller's Man-Dove; Countrymen-Gillow, Russel, Wathen; Countrywomen-Mrs Clarke, Mrs Palmer, Mrs Noakes; Aurora-Mrs Mountfort; Sylvans-Ware, Tench, Webster; Nymphs-Mrs Thomas, Mrs Purden, Mrs Jones.

Performances

Mainpiece Title: Flora

Performance Comment: Hob-Ray; Flora-Mrs Clark, being the first Time of their appearing on this stage; Sir Thomas-Reynolds; Friendly-Hulett; Dick-Gillow; Old Hob-Pearce; Betty-Mrs Thomas; Hob's Mother-Mrs Nokes.
Cast
Role: Sir Thomas Actor: Reynolds
Role: Betty Actor: Mrs Thomas

Afterpiece Title: The Humours of Harlequin

Performances

Mainpiece Title: The Gamester

Performance Comment: Gamester-Giffard; Sir Thomas-W. Giffard; Dorante-Penkethman; Lovewell-Smith; Marquis of Hazard-W. Bullock; Galloon-Hallam; Cogdie-R. Williams; Hector-Collet; Lady Wealthy-Mrs Clark; Angelica-Mrs Seal; Favorite-Mrs Palmer; Mrs Security-Mrs Thomas; Betty-Mrs Mountfort.
Cast
Role: Sir Thomas Actor: W. Giffard
Role: Mrs Security Actor: Mrs Thomas

Dance: Mrs Haughton, others

Performances

Mainpiece Title: The Fashionable Lady Or Harlequins Opera In The Manner Of A Rehearsal

Performance Comment: Part-Penkethman, Bullock, Lacy, W. Giffard, W. Williams, Huddy, Smith, Collet, Bardin, Mrs Thomas, Mrs Mountfort, Mrs Giffard, Mrs Palmer; but edition of 1730 lists: Ballad-Penkethman; Meanwell-W. Giffard; Modely-Bullock; Drama-Lacey; Mrs Foible-Mrs Mountford; Mrs Sprightly-Mrs Giffard; Prattle-Mrs Palmer; Merit-W. Williams; Smooth-Mrs Thomas; Hackum-Huddy; Whim-Smith; Trifle-Collet; Voice-Bardin; Harlequin-Burney.

Dance: Burny, Sandham, Eaton, R. Williams as Harlequin, Scaramouch, Punch, Pantalon

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Flora

Performance Comment: Hob-Bardin; Sir Thomas-W. Williams; Dick-Eaton; Old Hob-Pearce; Friendly-Mrs Thomas; Flora-Mrs Mountfort; Betty-Miss M. Vaughan , her first appearance on this stage; Hob's Mother-Mrs Palmer.
Cast
Role: Sir Thomas Actor: W. Williams
Role: Friendly Actor: Mrs Thomas

Song: Miss Thornowets

Dance: FFlag Dance-Burny

Performances

Mainpiece Title: The Gamester

Performance Comment: Gamester-Giffard; Lovewell-Smith; Sir Thomas-W. Giffard; Dorante-Penkethman; Cogdie-R. Williams; Marquis of Hazard-W. Bullock; Hector-Collet; Angelica-Mrs Thomas; Lady Wealthy-Mrs Haughton; Mrs Security-Mrs Woodward; Mrs Favourite-Mrs Palmer; Betty-Mrs Mountfort.
Cast
Role: Sir Thomas Actor: W. Giffard
Role: Angelica Actor: Mrs Thomas

Afterpiece Title: Flora

Performance Comment: Friendly-Woodward; Flora-Mrs Mountfort; Betty-Mrs Thomas; Sir Thomas-Collet; Hob-Pearce.
Cast
Role: Betty Actor: Mrs Thomas
Role: Sir Thomas Actor: Collet

Performances

Mainpiece Title: The Inconstant

Performance Comment: As17301207, but Duretete-Morgan; Dugard-Havard; Bravos-W. Giffard, Bullock, Pearce; New Prologue-Mrs Thomasin a Gentleman's Habit, in Honour of the Ancient Britons; new Epilogue-Mrs Haughton.

Afterpiece Title: Flora

Performance Comment: See17311211, but Hob-Pearce; Sir Thomas-Collett; Dick-Master Woodward; Old Hob-W. Williams; Friendly-Stoppelaer; Flora-Mrs Thomas; Betty-Miss Smith; Hob's Mother-Mrs Palmer.
Cast
Role: Sir Thomas Actor: Collett
Role: Flora Actor: Mrs Thomas

Dance:

Performances

Mainpiece Title: Loves Last Shift

Afterpiece Title: The London Prentice

Performance Comment: Parts-Beard, Wilder, Vernon, Miss Thomas, Mrs Clive. [Emperor-Wilder; Vizir-Vernon; London Prentice-Beard; Humdrumeda-Miss Thomas; Princess Theoraze-Mrs Clive (MacMillan).]

Dance: Devisse, Mlle Auretti

Performances

Mainpiece Title: Artaxerxes

Performance Comment: Principal parts: Beard, Tenducci, Peretti, Mattocks, Miss Thomas, Miss Brent. Artabanes-Beard; Arabaces-Tenducci; Rimenes-Mattocks; Artaxerxes-Peretti, first appearance on English stage; Mandane-Miss Brent, Edition of 1762; Semira-Miss Thomas. (Genest, IV, 650) mistakenly assigns the part to Mrs Vernon.
Cast
Role: Semira Actor: Miss Thomas.
Related Works
Related Work: Artaxerxes Author(s): Thomas Arne

Ballet: II: A New Ballet call'd The Statue Animated. Pygmalion-Maranesi; Scaramouch-Sodi; Inchantress-Miss Valois; Statue-Miss Wilford

Dance: End Opera: A New Dutch Dance-Maranesi, Mlle Capdeville