Event Comment: Benefit for R. Palmer and Russell. Morning Chronicle, 16 Apr.: Tickets to be had of R. Palmer, No. 12, King's Row, Pimlico; of Russell, No. 8, Broad-court, Bow-street. Receipts: #507 15s. 6d. (111.13.0; 69.19.6; odd and after-money: 11.6.0; tickets: 314.17.0) (charge: #219 12s. 5d.)

Event Comment: [By Thomas Moore.] With Musick Vocal and Instrumental, Dances, and other Decorations proper to the same. Victor, History of the Theatres, II, 144: Three or four Years after the Performance of this famous Tragedy, I had the following account from several of the Actors who performed in it: That Sir Thomas gave them many good Dinners and Suppers during the Rehearsals of the Play, which they all laugh'd at as ridiculous; but as the Company was, at that Time, composed chiefly of young Actors, and got but small Encouragement from the Public; it may be justly said, their Necessities compelled them to perform this strange Tragedy, which stood some chance to divert from its Absurdities

Event Comment: Benefit Mrs Arne. An Historical Musical Drama. The Musick composed by Command of his Royal Highness the Prince of Wales, and never perform'd in England, but at his Royal Highnesses Palace at Cliefdon. The Poem was written by Mr Thompson and Mr. Mallet. The Musick by Mr Arne. To conclude with a Celebrated Ode in Honour of Great Britain in imitation of those formerly sung at Banquets of Kings and Heroes. Boxes 6s. Pit 4s. First Gallery 2s. 6d. Upper Gallery 1s. 6d. The above Day is fix'd on to avoid interfering with Mr Handel. Mrs Arne hopes humbly the Town will not be offened at this small advance of the Price, this performance being exhibited at an extraordinary expence, with regard to the number of Hands, Chorus singers, building the stage, and erecting an organ; besides all other incidentals as usual. Ladies desired to send servants by 4 o'clock. Tickets of Mrs Arne, next door to the Crown in Great Queen St, by Lincoln's Inn Fields, and places taken of Hobson at the stage Door, with whom Tickets are left

Event Comment: The United Company. The date of the first performance is not known, but Luttrell dated his copy of the separately-printed Prologue and Epilogue 5 April 1684 (J. W. Dodds, Thomas Southerne, p. 48). Very probably the play first appeared during the week of 31 March-5 April, immediately following Easter. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 191-94. This may have been the last new role William Smith undertook for some years; see Cibber, Apology, ed. Lowe, 1, 78-79, for the incident which prompted Smith's leaving the stage for awhile. One song, I never saw a face till now, with music by Captain Pack, is in The Theater of Music, the First Book, 1685; and another, O why did e'er my thoughts aspire, the music by R. King, is in the same collection. A third song, See how fair Corinna lies, the music by Captain Pack, is in A Collection of Twenty-Four Songs, 1685

Event Comment: Acted but Once these Twenty Years. [As lif acted on Tuesdays and Fridays, possibly these plays were given earlier on 22 June.] By a Company of Comedians, acting under Letters-Patent. Mainpiece: Written by Thomas Shadwell, Esq; Poet-Laureat

Event Comment: Afterpiece [1st time; F 2, by Thomas Vaughan, based on Il Servitor di due Padroni, by Carlo Goldoni. Prologue by the author (Town and Country Magazine, Dec. 1776, p. 663)]: With New Dresses. Public Advertiser, 2 Dec. 1776: This Day at Noon is published The Hotel (1s.). Receipts: #182 1s

Event Comment: 2nd piece [1st time; CO 3, by Thomas Holcroft. Larpent MS 1242; not published]: With new Music, Scenes, and Dresse". The Music composed by Attwood; the Overture by W. Parke. Books of the Songs to be had at the Theatre. Receipts: #234 2s. (230.19; 3.3)

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft. Prologue by the author (Public Advertiser, 19 Mar.). Epilogue by Miles Peter Andrews (Knapp, 81)]: With new Scenery, Dresses, &c. Public Advertiser, 31 Mar. 1787: This Day is published Seduction (1s. 6d.). Receipts: #187 15. (162.14.0; 24.1.6; 0.17.0; ticket not come in: 0.2.6)

Event Comment: Mainpiece [1st time; C 5]: Altered from Beaumont and Fletcher, by Dryden [by Thomas King. The original alteration, 1700, was by Sir John Vanbrugh, not by Dryden. The present alteration has been attributed to John Philip Kemble, but in his copy of the play, now in the Huntington Library (K-D 95), he has written "by Thomas King"]. Public Advertiser, 22 Nov. 1787: This Day is published, as now revived with material Additions, The Pilgrim (1s.). Receipts: #85 9s. 6d. (72.5.0; 13.4.6; 0.0.0)

Event Comment: [Text by Joseph Addison. Music by Thomas Clayton.] A new Opera never yet perform'd. By Subscription. None to be admitted into the Boxes or Pit but by the Subscribers' Tickets. [Both A Critical Discourse upon Operas (1709) and Jacobs (I, 3) refer to the unsatisfactory nature of the music; as a result, according to Jacobs, "It had not the Success due to its Merit."

Event Comment: [By Thomas Walker.] With Rich New Habits

Event Comment: Benefit for Reddish. Mainpiece: By Desire. Farce (adapted by Thomas Ryder from Vanbrugh's Mistake) never acted there

Event Comment: HHopkins MS Memorandum Book: Wrote to Mr Barry to know when they could play. Receiv'd a letter from him on Monday, desiring they might be excus'd playing till Saturday sennight, as they were both ill. Wrote to him the same day desiring they would send me word what play they would chuse to appear in, & when they would rehearse. Rec'd a letter on Thursday the 28th that the soonest they could appear would be the latter end of the next week. They play King Lear on Sat. 7 Oct