Event Comment: Benefit for a Fund for the Relief of those who, from their Infirmities, shall be obliged to retire from the Stage. [Prologue by Thomas Hull.] Gazetteer, 19 May: Tickets to be had of Hull, Treasurer to the Institution, No. 31, Bow-street, Covent-Garden. The Fund at Covent Garden Theatre was instituted in the Year 1765, and confirmed by Act of Parliament, 1776. It has been almost entirely supported by the weekly Contributions of the respective Members, and no Application has been made ot the Public towards its Increase for the space of 19 Years. Notwithstanding the utmost Oeconomy has been practised to promote the Advancement of this Fund, the whole capital Sum hitherto amassed is now become so inadequate to the unavoidable annual Disbursements that the Committee hold it incumbent on them to solicit the Patronage and Encouragement of the Public, at the within specified Performance. "The capital of this fund, invested in various stocks, amounted to #27,710 in the year 1824" (Brayley, 14). Receipts: #128 11s. (104.15; 15.16; tickets: 8.0)

Event Comment: 1st piece: Acted but Once [on 5 May 1790]. With new Scenes and Dresses. A Procession, representing the Ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Husband. [This was included in all subsequent performances.] The Music by Stevens. [Prologue by William Thomas Fitzgerald. Epilogue by Richard John Hughes Starke.] Receipts: #231 14s. 6d. (230.6.6; 1.8.0)

Event Comment: Benefit for Mrs Crouch. Afterpiece [1st time; CO 2, by Prince Hoare, based on La Grotta di Trofonio, by Giovanni Battista Casti. Not in Larpent MS; not published]; Written by the Author of No Song No Supper. The Music composed principally by Storace [partly adapted from Salieri, composer of Casti's opera; one song each by Anna Storace, Thomas Attwood, Giovanni Paisiello, Richard Suett]. Oracle, 28 Apr.: Tickets to be had of Mrs Crouch, No. 26, Bridges-street. Receipts: #280 2s. (100.12.0; 33.13.6; 4.13.6; tickets: 141.3.0) (charge: #119 9s. 8d.)

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds, based partly on Monsieur Thomas, by John Fletcher. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (see text)]: With new Scenery, Dresses, &c. Public Advertiser, 24 Apr. 1793: This Day is published Notoriety (1s. 6d.). Receipts: #228 8s. (224.0; 4.8)

Event Comment: The Proprietor of this Theatre having informed us that a report has been recently circulated, highly injurious to this Building; we, in consequence of his request, beg leave to asure the Public that such report is unfounded. John Johnson, Mary-le-bone; James Paine, Northend, Hammersmith; Thomas Hardwicke, Rathbone Place; Robert Brettingham, Berkley-Square. Architects

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. [In mainpiece the playbill lists Mrs Esten, but "Previous to the play an apology was made in behalf of Mrs Davis, who had undertaken Mrs Esten's character in consequence of the indisposition of the latter lady. [After considerable objection] Mrs Davis was well received in the part" (Thespian Magazine, June 1793, p. 4).] Public Advertiser, 3 May 1793: This Day is published How to Grow Rich (1s. 6d.). Receipts: #257 17s. 6d

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on DER DEUTSCHE HAUSVATER, by Otto Heinrich Freiherr von Gemmingen. Prologue by the author and John Thelwall (Boaden, Kemble, II, 114). Epilogue by the author (Knapp, p. 263)]: With new Scenes, Dresses and Decorations. Morning Chronicle, 18 Feb. 1794: This Day is published LOVE'S FRAILTIES (2s.). Oulton, 1796, II, 154: It was the first play published at the advanced price of 2s. [i.e. hitherto (since, at least, 1776) the price of full-length plays had been 1s. 6d.]. Receipts: #308 17s. 6d. (296/8/6; 12/9/0)

Event Comment: [1st piece in place of THOMAS AND SALLY, advertised on playbill of 29 Mar. In 2nd piece Mrs Yates is identified in Thespian Magazine, Apr. 1794, p. 177, which also assigns the Greek Soldier, who is omitted from the playbill.)

Event Comment: Benefit for Johnstone. 1st piece: with Grand Naval Review, as 20 Aug. 3rd piece: By the permission of Thomas Harris, Esq.; never acted at this Theatre. [Mrs Fawcett was from CG.] Morning Chronicle, 23 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent Garden

Event Comment: Afterpiece [1st time; F 2, by Elizabeth Inchbald. Prologue by Thomas Vaughan (see text)]: The Dresses and Scenery are new. Morning Chronicle, 26 Nov. 1794: This Day is published The Wedding Day (1s.). Powell: Wedding Day rehearsed at 10; Siege of Belgrade at 11. Receipts: #295 2s. 6d. (207.7.6; 76.7.0; 11.8.0)

Event Comment: Benefit for Johnstone. 1st piece [1st time; C 5, by William Macready, based on The Artful Husband, by William Taverner. Prologue by William Thomas Fitzgerald. Epilogue by Robert Houlton (see text)]. 2nd piece [1st time; M. INT 1, author unknown. Larpent MS 1076; not published]: The Music part new and part compiled by Shield. Morning Herald, 4 June 1795: This Day is published The Bank Note (2s.). Morning Chronicle, 18 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #434 19s. 6d. (168.1.0; 8.0.6; tickets: 258.18.0)

Event Comment: Mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by William Thomas Fitzgerald. Epilogue by Miles Peter Andrews (see text)]: With new Scenes and Dresses. The Scenes painted by Richards and Phillips. Oracle, 29 Nov. 1796: This Day is published Fortune's Fool (2s.). Receipts: #229 2s. 6d. (226.0.6; 3.2.0)

Event Comment: Benefit for the Widows and Orphans of the Brave Men who perished, and for those who were wounded, in the Glorious Action on the 14th of February last [off Cape St. Vincent], under Admiral Sir John Jervis. Patrons: His Royal Highness the Prince of Wales, His Royal Highness the Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl of Cardigan, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., William Lushington Esq., William Manning Esq., John Thomson Esq., John Julius Angerstein Esq.

Event Comment: Afterpiece [1st time; F 2, by Samuel Birch, based on James Powell's unacted play, The Narcotic, 1787; incidental music by Thomas Attwood (see 28 Nov.). Larpent MS 1182; not published; synopsis of plot in Morning Chronicle, 30 Oct.]. Receipts: #309 19s. 6d. (222.7.6; 86.1.0; 1.11.0)

Event Comment: [2nd piece in place of Thomas and Sally, advertised on playbill of 11 Nov.] Receipts: #351 14s. (283.16; 66.10; 1.8)

Event Comment: Mainpiece [1st time; D 5, by Benjamin Thompson, altered from Menschenhass und Reue, by August Friedrich Ferdinand von Kotzebue. Prologue by William Linley; Epilogue by Matthew Gregory Lewis (European Magazine, Mar. 1798, p. 260)]: With new Scenes, Dresses, &c. With Musick [by Thomas Shaw]. "Mrs Siddons was succesful in all the impassioned parts; but she cannot sustain a mixed character. She is the Muse of Tragedy herself, and when she descends from her lofty state to the level of familiar dialogue, she instantly ceases to astonish and we to admire" (Monthly Mirror, Apr. 1798, p. 234). "The dialogue must be considerably abridged, as well for the purpose of preserving the interest of the piece, as for shortening the time of representation, which is at least an hour too long, it being half past ten before the curtain dropt" [see 26 Mar.] (Morning Herald, 26 Mar.). Receipts: #420 7s. 6d. (378.11.6; 40.18.0; 1.8.0)

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, 1st published (without assignment of parts) in his Posthumous Dramatic Works, 1813, Vol. I, as The Passive Husband. Prologue and Epilogue by the author (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 205)]. Receipts: #253 8s. 6d. (189.12.6; 60.7.6; 3.8.6)

Event Comment: Mainpiece [1st time; C 5, by Joseph George Holman. Prologue by William Thomas Fitzgerald; Epilogue by John Taylor (see text)]: With new Dresses, Scenery, &c. [Afterpiece in place of The Farmer, advertised on playbill of 11 Jan.] Morning Chronicle, 26 Mar. 1799: This Day is published The Votary of Wealth (2s.). Receipts: #326 10s. 6d. (321.2.6; 5.8.0)

Event Comment: Mainpiece: A New Oratorio, in Two Parts, the only one composed in this Country nearly these 30 years. Afterpiece: An Ode, in One Part. The Band will wholly consist of Professors of the first eminence, and the Chorusses will be numerously supported by the best Performers in London, assisted by the young Gentlemen of his Majesty's Chapels, and of Westminster Abbey. The music entirely new, composed by Thomas? Busby, who will take the Piano Forte. Boxes 7s. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Grove: [Busby] worked at a setting of Pope's 'Messiah' for some years, and it was produced in 1799 with considerable success as 'The Prophecy.

Event Comment: Benefit for Munden. 2nd Piece [1st time in London; MF 2, by Thomas John Dibdin, 1st acted at Manchester, 15 Mar. 1793. Text (Huddersfield: J. Brook [1795] gives cast for Manchester]: The Music (with a new Waltz Overture, and an accompaniment for the Tamborine & Triangle) composed by Reeve. 3rd piece [1st time; M. INT 1]. Morning Chronicle, 4 Apr.: Tickets to be had of Munden, No. 16, Clement's-inn. Receipts: #630 12s. 6d. (237.13.0; 2.10.0; tickets: 390.9.6)