Event Comment: Receipts: #60 (Cross)

Event Comment: Receipts: #120 (Cross)

Event Comment: Mainpiece: As written by Shakespeare, Afterpiece: By Particular Desire. Receipts: #110 (Cross)

Event Comment: Receipts: #174 (Cross)

Event Comment: Benefit for Bologna Sen., Mrs Follett & Sloper. [Mainpiece: Epilogue by Thomas Palmer.] Receipts: #445 (95.4; 7.17; tickets: 341.19)

Event Comment: By Permission [of the Lord Chamberlain]. Mainpiece [1st time; C 5 (?), author unknown. It was 1st advertised in Morning Chronicle, 15 Dec. 1783, for performance on 26 Jan. 1784, as "A new Comedy called The Artful Patriot; or, The Rage of the People." Prologue by Thomas Stewart (Morning Post, 23 Feb., which also gives names of T. Davis and Miss Hemet. Author of Epilogue unknown. MS not in Larpent; not published]. The Doors to be opened at 5:00. To begin at 6:30

Event Comment: HHarlequin Ranger oblig'd to be deferr'd. A new Dramatic Entertainment call'd Taste written by Mr Foote. The House was full as soon as open--before the first Music, several Speeches were made in ye Pit, moving the Farce might be acted before the Play, wch was insisted on by some, & oppos'd by others Cross, Cross, Prompter &c. was often call'd--The Curtain went up, & ye Clamour encreas'd, ye farce &c. Mr Mossop (who did Zanga ) came off--I went on, & spoke--Gentlemen, I perceive the farce has been desir'd before ye Play, wch cannot be comply'd with, for ye performers in ye Farce, having nothing to do in the Play, are not come--a great applause follow'd--Mr Mossop went on again--but ye noise renew'd, & he retir'd again, & wanted to undress wch I prevented; Mr Lacy (Manager) then went on, # spoke to ye same effect I had done--The play was then call'd for, & it went on with Applause--Tho' I believe Audience wish'd it over--The play done--Mr Garrick spoke ye Prologue in the Character of an Auctioneer , with surprising Applause--when he had done, he made this Apology--Gents--a performer being taken ill, the Author, Mr Foote, is here & will if you please, perform his part, this he spoke in a Hesitating manner, & was greatly applauded--the first Act went off well, & Mr Worsdale, a painter (to whom Mr Foote had given the profits of the farce) play'd a Woman's part, & was greatly received--When Mr Foote came on--he made this Speech--Gent: I have left the Stage some time, nor have I any hopes of Profit from this Piece, but as a performer is taken ill, I had rather appear my self, than have so many people, whom Curiosity has drawn together, b disappointed--Great Applause--In ye Second Act, the people grew Dull, & towards ye End, hiss'd greatly, wch I believe wou'd not have been, had not Mr Foote, bid Blakes pull off his Wig at ye Discovery of Mr Puff --vide Farce--it ended with ye usual Noise, when given out, of No more--Encore &c. &c. Sunday we had great debates about it, & at last it ended it shou'd be play'd no more 'till Mr Worsdale's benefit & an advertisement was put in the paper to signifie that as ye Farce was not so well receiv'd as was expected, the Author had withdrawn it to Alter &c. &c. we put up--We were told on Monday it wou'd be call'd for by the Audience; but no such thing happen'd. The fact concerning the performer's being taken ill is this--At ye practise, the Night before, Mr Foote seem'd dissatisfied with Mr Yates in the part of Puff, so got Mr Garrick next Day, to prevail with Mr Yates to let 'em say he was sick, that Mr Foote might have occasion to do the part (Cross). Mr Goodfellow begs leave to acquaint his friends that through the Indisposition of two of his principal performers, he is compelled to postpone his Benefit to a farther Day; Timely notice of which shall be given in this paper; Tickets deliver'd out for Monday the 13th Instant will then be admitted.--As the sole intent of this Benefit is to satisfy his creditors, who are to share the profits arising from it, he humbly hopes to meet with encouragement, and assures those ladies and Gentlemen who honour him, that the whole performance shall be carried on with the utmost decorum, and will be free from all danger of interruption (General Advertiser). Receipts: #200 (Cross)

Event Comment: MMiss Thurmond play'd (Cross). Mainpiece: Not acted these 7 years. Receipts: #150 (Cross); #141 15s. (Powel)

Event Comment: At Cross and Bridges' Booth, opposite the Hospital Gate. A new Dramatick Droll...being founded on a Story in Real Life, as related in the Memoirs of the celebrated Mrs Constantia Phillips. In which will be introduc'd a New Scene of Bedlam...Interspers'd witn a Merry Interlude call'd The Jovial Tars...with the Comical Humours of Nurse Prate and Will Bowling the Jovial Tar; as also of Jack Hanspite, Nick Hatchway, and Simon Bucket, Sailors; with Mary the Chambermaid, Susan of the Dairy, Kate of the Kitchen, and Nan the Spinster. To begin each day at noon. An extraordinary band of music is provided. Prices: 1s. 6d., 1s., 6d

Event Comment: Benefit for Mrs Clive. Afterpiece [written by Mrs Clive]: A new farce partly singing, part speakg. Went off well (Cross). Music by Dr Boyce. Five rows of Pit &c. [Stage arranged as on 10 March. The framework for financial analysis of receipts appears in Treasurer's Book, but the figures are missing. The parts for The Rehearsal, according to the Larpent MS 86, were: Mrs Hazard, Nelly, Tom, Witling, Mr Cross; Miranda-$Miss Norris; Corydon-$Beard; Marcella, Miss Giggle, Sir Albany Odelove, Miss Sidell, Miss Daudle.] Receipts: #240 (Cross); charges, #60 (Treasurer's Book)

Event Comment: MMrs Mariet our Columbine ran away with some Gentleman (Cross). Mr Havard, the Comedian, who a few days ago was so well recover'd from his illness as to come abroad, is relapsed (General Advertiser). Receipts: #140 (Cross)

Event Comment: Benefit for Woodward. Afterpiece: A New farce written by Mr Woodward-for his Benefit, The farce was a kind of dispute among ye Actors, & went off, as it was a Benefit, without Interruption, but I believe will not be play'd agen, ye Epil: was a parody upon Shakespear's Stage of Life, & was Lik'd (Cross). No Part of Pit will be rail'd into the Boxes. Ladies send servants by three. Tickets to be had of Woodward at Clarendon's Warehouse, and of Hobson at the stage door. Last time of performing the mainpiece this season. [Larpent MS 92, indicates the afterpiece as a criticism from the actors' view of the way they are handled by audiences, and of their own damnation of a play presented to them. All works up to the Epilogue: @'All the town's a farce-he says and swears,@And all the men and women merely players...'@ which is severe upon politicians, doctors, statesmen and connoisseurs. The characters appear under their own names, Cross, Clive, etc.] Receipts: #300 (Cross)

Event Comment: This play was reviv'd instead of ye London Cuckolds by way of Compliment to the City--not lik'd at all--Mr Ross being ill Mr Mattocks did his part at 2 Day's Notice, wch at the end of the 4 Act Mr Woodward told the Audience, & tho Mr Mattocks was hiss'd before, when he next appear'd they gave him great Applause. Mattocks never play'd a principal part before in London (Cross). Mainpiece: Never Acted there. [Inspector No 206 reports a letter on the lack of wisdom of giving the London Cuckolds on Lord Mayor's Day, as the morals of the trading youth have been corrupted by it the writer rejoices to see the substitution of Eastward Hoe for it (Daily Advertiser and Literary Gazette).] Receipts: #130 (Cross)

Event Comment: Benefit for a Widow & Children (Cross), who are fallen into great distress (Winston MS 8). Tickets to be had at Mr Gladman's, a Trunk-maker, Charing Cross; at the Amsterdam Coffee House, behind the Exchange; at the Rainbow and Janeways in Cornhill; at Anderton's and the Temple-Exchange, in Fleet St.; at George's, Temple Bar; Somerset Coffee House, Strand and at Stage Door of the Theatre. Receipts: #97 (Cross)

Event Comment: [Benefit] (Toll) for Goodfellow who play'd Hamlet (Cross). Tickets to be had at the Ship Tavern, at Ratcliff-Cross; the Swan in Ratcliff-Highway; the Black Lyon, in Russel St. Covent Garden, and at the Stage Door of the Theatre. Receipts: #140 (Cross)

Event Comment: A farce of Mr Foote s, formerly play'd at ye Haymarket by ye Name of the two Knights from ye Land's End. farce hiss'd--all hum (Cross). Mainpiece: By desire. Afterpiece: Never perform'd there. Receipts: #100 (Cross)

Event Comment: By Particular Desire. Benefit for Cibber. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. To begin at 6:30 p.m. To prevent any interruption in the Performance, there will be no Building on the Stage. Afterpiece: The Dramatick Piece of Two Acts...is taken from the inimitable comic Scenes of Shakespeare, which contain the Humours of Antient Pistol, Justice Shallow, Sir John Falstaff, Justice Silence, the Hostess Doll Tearsheet, and the Recruits, etc. (Daily Advertiser). On Tuesday the 2d of July Mr The: Cibber had a play at Drury Lane, ye Busy Body, & farce from ye 2d pt of Henry 4th. & had 140 pounds in Money & 66 in Tickss (Cross)

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the London Gazette, No. 3140, 12-16 Dec. 1695, to be published 17 Dec. 1695, suggests that its first appearance was not later than November 1695. According to the Edition of 1695, the music was set by the late Henry Purcell, Courteville, Samuel? Aykerod, and other composers. For Purcell's music, see Purcell's Works, Purcell Society, XVI (1906), xxix-xxxi. The songs were sung by Miss Cross and Mrs Verbruggen. Preface, Edition of 1696: I must inform the Reader, that this Third Part before it came upon the Stage was acknowledg'd and believ'd by all that saw it, and were concern'd (as well those that heard it read, as those that were Actors, who certainly, every one must own, are in their Affairs skilful enough to know the value of things of this Nature) to be much the best of all the Three Parts;...tho prepar'd by my indefatigable Diligence, Care, Pains, nay, the variety which I thought could not possibly miss the expected Success, yet by some Accidents happening in the Presentment, was disliked and explored; The Songish part which I used to succeed so well in, by the indifferent performance the first day, and the hurrying it on so soon, being streightned in time through ill management--(tho extreamly well set to Musick, and I'm sure the just Critick will say not ill Writ) yet being imperfectly performed, was consequently not pleasing; and the Dances too, for want of some good Performers, also disliked; all which, tho impossible for me to avoid, and not reasonably to be attributed any way to a fault in me, yet the noisy Party endeavour'd to use me as ill as if it were, till the generous Opposition of my Friends gave me as much reason to thank them for their Justice, as to despise the others Malice.... As to the Poppet Shew in the Fourth Act, the Accident of its being plac'd so far from the Audience, which hindred them from hearing what either they or the Prolocutor said, was the main and only reason of its diverting no better. A Comparison Between the Two Stages (1702) p. 17: Sullen: The third Part of Don Quixote. Ramble: Oh the ever-running Streams of Helicon! by all that's Poetical, my Friend Durfey; good lack! I thought I shou'd meet with him before we got half way: Well, in the name of Impudence, what luck? Sullen: Damn'd, Damn'd to all intents and purposes. Ramble: His first and second Part did well

Event Comment: Benefit Mrs Cross. At the Desire of several Ladies of Quality. [See also Tatler, 30 April. Genest, II, 418, lists this as a benefit for Cross.