SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Arne Jun"/1) | (@(roleclean,performerclean) "Thomas Arne Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 5630 matches on Author, 2315 matches on Performance Comments, 783 matches on Event Comments, 310 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Epsom Wells

Related Works
Related Work: Epsom Wells Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Libertine

Related Works
Related Work: The Libertine Destroyed Author(s): Thomas Shadwell
Related Work: The Libertine Author(s): Thomas Shadwell

Performances

Mainpiece Title: Don Carlos, Prince Of Spain

Related Works
Related Work: Don Carlos, Prince of Spain Author(s): Thomas Otway

Performances

Mainpiece Title: The Villain

Related Works
Related Work: The Villain Author(s): Thomas Porter
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162: At the Fond Husband. See also Nicoll, Restoration Drama, p. 349. Downes (Roscius Anglicanus, p. 36): [This comedy and Otway's The Soldier's Fortune] took extraordinary well, and being perfectly Acted; got the Company great Reputation and Profit. One song, Under the branches of a spreading tree, set by William? Turner, is in Choice Ayres and Songs, The Second Book, 1679. For Nokes and Leigh in this play, see Cibber, Apology, ed. Lowe, I, 149. According to The Guardian, 15 June 1713, Charles II attended three of the first five nights of this play

Performances

Mainpiece Title: A Fond Husband; Or, The Plotting Sisters

Related Works
Related Work: A Fond Husband; or, The Plotting Sisters Author(s): Thomas D'Urfey
Event Comment: The Duke's Company. There is considerable uncertainty as to the date of production of this play. Because it was licensed for printing on 2 Aug. 1677, it was probably first acted not later than July 1677. Because some of the names in the cast represent younger actors, it has been thought to be a Lenten production (see Gray, Lenten Casts, pp. 789-90). It seems, however, that the play, because of its reference to performances by the French comedians (the Epilogue refers to "de French Troop at toder end o'Town ") and the offering of Rare en Tout on29 May 1677, probably was acted in June 1677. The Prologue also refers to the comedy as The Women's Play," suggesting that it was produced for the actresses' annual benefit

Performances

Mainpiece Title: The French Conjuror

Related Works
Related Work: The French Conjuror Author(s): Thomas Porter
Event Comment: The Duke's Company. This performance is on the L. C. list, 5@143, p. 162. See also Nicoll, Restoration Drama, p. 349. It is likely that this comedy was played on each acting day from 31 May to 8 June 1677

Performances

Mainpiece Title: A Fond Husband

Related Works
Related Work: A Fond Husband; or, The Plotting Sisters Author(s): Thomas D'Urfey

Performances

Mainpiece Title: The Sullen Lovers; Or, The Impertinents

Related Works
Related Work: The Sullen Lovers; or, The Impertinents Author(s): Thomas Shadwell

Performances

Mainpiece Title: The History Of Timon Of Athens, The Man-hater

Related Works
Related Work: The History of Timon of Athens, the Man-Hater Author(s): Thomas Shadwell

Performances

Mainpiece Title: A True Widow

Related Works
Related Work: A True Widow Author(s): Thomas Shadwell

Performances

Mainpiece Title: Friendship In Fashion

Related Works
Related Work: Friendship in Fashion Author(s): Thomas Otway
Event Comment: The Duke's Company. The date of the first performance is not known, but a licensing date of 28 June 1678 suggests June as the latest probable date of the premiere. Two songs, Close in a hollow silent cave and How frail is old age to believe, with music by Louis Grabu, are in (the first first) Choice Songs and Ayres, The Third Book, 1681, and (the second) A New Collection of Songs and Poems, 1683

Performances

Mainpiece Title: Squire Oldsapp; Or, The Night-adventurers

Related Works
Related Work: Squire Oldsapp; or, The Night-Adventurers Author(s): Thomas D'Urfey

Performances

Mainpiece Title: The Woman Captain

Related Works
Related Work: The Woman Captain; or, A Usurer Turned Soldier Author(s): Thomas Shadwell
Related Work: The Woman Captain Author(s): Thomas Shadwell
Related Work: The Prodigal; or, Recruits for the Queen of Hungary Author(s): Thomas ShadwellThomas Odell

Performances

Mainpiece Title: The History And Fall Of Caius Marius

Performance Comment: Edition of 1680: Prologue-Mr Betterton; Caius Marius-Betterton; Sylla-Williams; Marius Junior-Smith; Granius-Percivale; Metellus-Gillow; Quintus Pompeius-Williams; Cinna-Jevon; Sulpitius-Underhill; Lavinia-Mrs Barry; Nurse-Noakes; Epilogue-Mrs Barry; Lavinia-Mrs Barry.
Cast
Role: Marius Junior Actor: Smith
Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway

Performances

Mainpiece Title: The Amorous Widow; Or, The Wanton Wife

Related Works
Related Work: The Amorous Widow; or, The Wanton Wife Author(s): Thomas Betterton

Performances

Mainpiece Title: Epsom Wells

Related Works
Related Work: Epsom Wells Author(s): Thomas Shadwell

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Related Works
Related Work: The Orphan; or, The Unhappy Marriage Author(s): Thomas Otway
Event Comment: The Duke's Company. This play appears on the L. C. list, 5@145, p. 120--see also Nicoll, Restoration Drama, p. 349--without an assigned year. For arguments against assigning it to 1 March 1679@80, see the discussion in mid-June1680

Performances

Mainpiece Title: The Soldier's Fortune

Performance Comment: See mid-June 1680.
Cast
Role: See mid Actor: June 1680.
Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): Thomas Otway
Related Work: The Soldier's Fortune Author(s): Thomas Otway
Related Work: The Soldiers' Fortune Author(s): Thomas Otway

Performances

Mainpiece Title: The Soldier's Fortune

Performance Comment: See mid-June 1680.
Cast
Role: See mid Actor: June 1680.
Related Works
Related Work: The Touchstone of Invention; or, The Soldier's Fortune Author(s): Thomas Otway
Related Work: The Soldier's Fortune Author(s): Thomas Otway
Related Work: The Soldiers' Fortune Author(s): Thomas Otway

Performances

Mainpiece Title: Sir Barnaby Whigg; Or, No Wit Like A Womans

Related Works
Related Work: Sir Barnaby Whigg; or, No Wit Like a Womans Author(s): Thomas D'Urfey
Related Work: The Wit of a Woman Author(s): Thomas Walker

Performances

Mainpiece Title: The Royalist

Related Works
Related Work: The Royalist Author(s): Thomas D'Urfey
Event Comment: The Duke's Company. A performance of this play is on the L. C. list, 5@145, p. 120. The entry is not clear, but it appears to be Jany 24, although Nicoll, Restoration Drama, p. 349, reads it as June 24

Performances

Mainpiece Title: The Royalist

Related Works
Related Work: The Royalist Author(s): Thomas D'Urfey

Performances

Mainpiece Title: The Royalist

Related Works
Related Work: The Royalist Author(s): Thomas D'Urfey

Performances

Mainpiece Title: The Loyal Brother; Or, The Persian Prince

Related Works
Related Work: The Loyal Brother; or, The Persian Prince Author(s): Thomas Southerne