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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Thomas Arne Jun"/1) | (@(roleclean,performerclean) "Thomas Arne Jun")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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8004 results for: Keyword - Thomas Arne, Jun.
We found 5630 matches on Author, 2315 matches on Performance Comments, 783 matches on Event Comments, 310 matches on Performance Title, and 0 matches on Roles/Actors.

5701
19 September 1796 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: The Highland Reel

Song: End IV: the Funeral Procession of Juliet to the Monument of the Capulets, in which a favorite-; Elegy- (composed by the late Dr Arne); a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Bowden, Townsend, Haymes, Linton, Blurton, Street, Abbot, Lee, Little, Sawyer, Tett, Mrs Mountain, Mrs Clendining, Mrs Lloyd, Mrs Follett, Mrs Castelle, Mrs Masters, Mrs Blurton, Mrs Norton, Mrs Watts, Miss Leserve, Miss Walcup, Mrs Henley, Miss Burnett, Miss Logan, Mrs Martyr

Related Works
Related Work: May Day; or, The Little Gipsy Author(s): Thomas Arne
Related Work: The Poor Sailor; or, Little Ben and Little Bob Author(s): Thomas Attwood
Related Work: The Puritan; or, Widow of Watling Street Author(s): Thomas Middleton

5702
01 March 1799 @ Covent Garden

Performances

Mainpiece Title: Grand Selection 0 Of Music, From The Works Of handel, boyce, arne, And purcell

Related Works
Related Work: Harlequin's Invasion; or, A Christmas Gambol Author(s): Michael Arne
Related Work: Arthur and Emmeline Author(s): Thomas ArneThomas Linley Sr.
Related Work: Comus Author(s): Thomas Arne
Related Work: Thomas and Sally; or, The Sailor's Return Author(s): Thomas Arne
Related Work: L'Olimpiade Author(s): Thomas Arne
Related Work: Harlequin Restor'd; or, Taste a la Mode Author(s): Thomas Arne
Related Work: Harlequin Restor'd; or, The Country Revels Author(s): Thomas Arne
Related Work: May Day; or, The Little Gipsy Author(s): Thomas Arne
Related Work: The Opera of Operas; or Tom Thumb the Great Author(s): Thomas Arne
Related Work: Love and Glory Author(s): Thomas PhillipsThomas Arne
Related Work: The Fall of Phaeton: With Harlequin a Captive Author(s): Thomas Arne
Related Work: An Hospital for Fools Author(s): Thomas Arne

Afterpiece Title: Grand Selection 1

Afterpiece Title: Grand Selection 2

Afterpiece Title: Grand Selection 3

Performance Comment: Overture (Berenice)-; Together let us range the fields-Mme Mara, Incledon (Boyce's Solomon); From mighty kings-Mrs Atkins (Judas Maccabaeus); Come if you dare-Incledon, Chorus (Purcell); Oh had I Jubal's lyre-Miss Waters (Joshua); The soldier tired-Mme Mara (Arne's Artaxerxes); Fixed in his everlasting seat-Chorus (Samson).

Music: End II: concerto on the violoncello-Charles Ashley

5703
24 April 1711 @ Home's Dancing School

Performances

Mainpiece Title: Concert

Music: Vocal and Instrumental Music-; a new Cantata with a Solo on the Harpsicord-Mr Babell Jun; with Variety of Concertos and other Pieces by Mr Corbett-Mr Corbett, other of the best Masters

5704
04 May 1752 @ Drury Lane Theatre

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Lying Valet

Dance: II: A Hornpipe-the Little Swiss; V: A Comic Dance-Shawford Jun, Miss Shawford

Song: IV: Master Vernon

5705
03 February 1755 @ Drury Lane Theatre

Event Comment: Taken from a Midsummer Night's Dream written by Shakespear. The Songs from Shakespear, Milton, Waller, Dryden, Lansdown, Hammond. Music-Smith. [First edition Text by John Christopher Smith; see Garrick to James Murphey French, Dec. 1756; H. Walpole to R. Bentley 23 Feb. 1755.] Besides our own Singers, we had Sg Guadagni, Sga Passerini, Miss Potier [i.e., Mrs Vernon], and Savage's Boys. Very great Applause; Sabatini danced after it and fell down, not hurt (Cross). [See A Midsummer Night's Dream in the Hands of Garrick and Colman, G. W. Stone Jr, PMLA (June 1939).] Receipts: #200 (Cross)

Performances

Mainpiece Title: The Fairies

Related Works
Related Work: The Fairy Prince, with the Installation of the Knights of the Garter Author(s): Thomas Arne
Related Work: The Fairy Favour Author(s): Thomas Hull
Related Work: Hurly-Burly; or, The Fairy of the Well Author(s): Thomas KingThomas Linley Sr.
Related Work: The Fairy Festival Author(s): Thomas Attwood

Dance: CComic Dance-Sabatini, Sga Sabatini, Sabatini jun, his first time

5706
22 January 1756 @ Covent Garden

Performances

Mainpiece Title: The Rival Queens

Related Works
Related Work: The Rival Queens; or, Drury-Lane and Covent-Garden Author(s): Thomas Holcroft

Afterpiece Title: The Contrivances

Dance: Guerin Jun, Mlle Capdeville

5707
01 March 1756 @ Covent Garden

Performances

Mainpiece Title: The Double Dealer

Afterpiece Title: The Englishman Return'd from Paris

Dance: Granier Jun, Mlle Capdeville

5708
30 March 1756 @ King's Theatre

Performances

Mainpiece Title: Ricimero

Dance: End I: New Dance-Signora Banti, Lucas (first time of appearing on this Stage); II: Dancing-Signora Banti, Poitier Jun; III: Minuet-Signora Banti, Bugiani

5709
03 May 1756 @ Drury Lane Theatre

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Chaplet

Related Works
Related Work: Harlequin's Chaplet Author(s): Thomas Shaw

Dance: Poitier Jun; first appearance that stage Mrs Vernon;

Song: Beard, Champness

5710
28 April 1757 @ Drury Lane Theatre

Performances

Mainpiece Title: Romeo And Juliet

Related Works
Related Work: The History and Fall of Caius Marius Author(s): Thomas Otway

Afterpiece Title: Lethe

Music: By Desire aConcerto on the Violin-Cross Jun

5711
30 July 1764 @ Haymarket Theatre

Performances

Mainpiece Title: The Lyar

Afterpiece Title: The Mayor of Garratt

Dance: I: As17640727 End: A new comic Dance called The Shepherdess and the Faux Aveugle-Gherardi jun, Master Clinton, Miss Street

5712
24 August 1764 @ Haymarket Theatre

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Citizen

Dance: I: The Sicilian Peasants, as17640626 End: The Gypsey in a Village-Gherardi jun, Master Clinton, Miss Street

5713
12 February 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Neck or Nothing

Music: III: New Concerto on the Harpsichord-Burney Jun

Dance: End of Play: Hearts of Oak-Giorgi, Mrs King

5714
25 April 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: High Life below Stairs

Dance: II: Hearts of Oak, as17670212

Music: End: Concerto on Harpsichord- as17670212Burney Jun

5715
23 May 1767 @ Drury Lane Theatre

Performances

Mainpiece Title: Rule A Wife

Afterpiece Title: Miss in Her Teens

Music: End: Concerto on Harpsichord-Burney Jun

5716
03 June 1767 @ Drury Lane Theatre

Event Comment: Benefit for Theatrical Fund. Doors open at 5 o'clock. Play to begin at half past 6. Last night of season. Cash in the Galleries #88, from Mr Johnston #211 18s. Total #299 19s. Paid in sundries (Rent #8; Soldiers 14s.; Properties 2s.; Bill Stickers 18s.; Candles, Oyl, Lampmen #3 18s. 6d.; Printer #2 13s. 6d.; Total #16 5s. 6d.; Box tickets 680 #170). Ladies and Gentlemen who have taken tickets for the Pit and Boxes are requested to be early at the Theatre, to prevent their being incommoded in getting to their Place. [N.B. 27 June 1767 the Gentleman's Magazine reports that Sg Tenducci "renounced the errors of popery, and embraced the protestant religion in Dublin."] Receipts: #299 19s. (Treasurer's Book). Instead of going to dinner put The Suspicious Husband in my pocket and read Ranger's part at the Somerset Coffee House. Dressed and at half past 5 went into the Front Boxes at Drury Lane to see The Suspicious Husband for the Fund for the Relief of Decayed Actors, being the last time of performing this season. The Pit and Boxes were laid together. Mr Garrick spoke an occasional Prologue and played Ranger. Though in the back row I saw him very well by the help of my glass...Before the Dance Mr Garrick saying that he would not have been able to do it after, in the name of the company and managers thanked the public for the favors received this season. Mr @@ asked me to go to Vauxhall after ye Play, but I chose rather to see Daphne and Amintor ye characters as usual (Neville MS Diary)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Performance Comment: As17670509 but Daphne-Mrs Arne.

Music: I: Concerto on Harpsichord-Burney Jun

5717
14 February 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Alexander's Feast

Afterpiece Title: The Coronation Anthems

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-Linley Jun

5718
06 March 1778 @ Drury Lane Theatre

Performances

Mainpiece Title: Acis And Galatea

Performance Comment: Principal Vocal Parts-Norris, Webster, Miss Linley, Miss M. Linley, Mrs Farrell, Miss Draper; 1st Violin-Linley Jun.
Cast
Role: 1st Violin Actor: Linley Jun.

Afterpiece Title: Dryden's Ode

Song: Between: As there are very few songs in Acis and Galatea that can be adapted for Mrs Farrell's voice, she will sing a cantata The rosy morn with crimson dye=-Mrs Farrell

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-probably Linley Jun</a>

5719
07 May 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Padlock

Song: As17790503

Entertainment: End: Imitations-Bannister Jun

5720
13 March 1783 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I an entirely new Divertissement, composed by Lepicq, li Riposo del Campo; or, The Recreations of the Camp, in which a Pas de Deux, La Recrue par Force; or, The Kidnappers, by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Zuchelli, Sga Crespi, Mlle Theodore; End of Opera a new Ballet (1st time), founded on the Fairy Tale by Voltaire, La Begueule; or, She Wou'd and She Wou'd Not, in which a Minuet by Lepicq and Mme Rossi, and the other characters by Slingsby, Henry, Degville Jun., Sga Crespi, Mlle Theodore, Mme Simonet

Related Works
Related Work: King Henry the Fourth: With the Humours of Sir John Falstaff Author(s): Thomas Betterton
Related Work: Henry the Third of France Stabb'd by a Fryer: With the Fall of the Duke of Guise Author(s): Thomas Shipman
Related Work: Henry and Emma; or, The Nut Brown Maid Author(s): Thomas Arne
Related Work: Henry the Second; or, The Fall of Rosamond Author(s): Thomas Hull

5721
12 April 1783 @ King's Theatre

Performances

Mainpiece Title: I Vecchi Burlati

Dance: End of Act I New Divertisement, as17821130, but omitted: Slingsby; End of Act II 11 Riposo del Campo, as17830313but Degville Jun. in place of Slingsby

5722
17 January 1784 @ King's Theatre

Performances

Mainpiece Title: Il Trionfo D'arianna

Dance: End of Act I Friendship leads to Love, as17840103; End of Act II an entirely new dance, connected with the Opera, composed by D'Auberval, The Slaves of Conquering Bacchus, with a Pas de Trots by Mme Rossi, Slingsby, Mme Simonet; a Pas de Deux by Vestris [Jun.], Mme Theodore; by Blake, Henry; [by] Zuchelli, Monetti. The Music by Barthelemon

5723
03 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I The Pastimes of Terpsycore, as17831227; End of Opera an entirely new Anacreontic Ballet (1st time), composed by D'Auberval, Le Reveil du Bonheur, by Slingsby, Vestris [Jun.], Mme Rossi, Mme Theodore, Mme Simonet, and Cupid-Miss De Camp. The Music of both dances by Barthelemon

5724
14 February 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Divertissement, as17840207, but Henry in place of Mme Simonet, and omitted: Cossack; End of Opera L'Amitie conduite a L'Amour by Vestris [Jun.], Mme Rossi, Mme Theodore [and see17831206]

5725
11 March 1784 @ King's Theatre

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)