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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Tho de Veil"/1) | (@(roleclean,performerclean) "Tho de Veil")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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1811 results for: Keyword - Tho. de Veil
We found 1005 matches on Performance Title, 472 matches on Performance Comments, 322 matches on Event Comments, 159 matches on Author, and 0 matches on Roles/Actors.

201
26 December 1797 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End Opera: Le Triomphe de Themis- [see17971220]

202
16 January 1798 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: La Chasse d'Amour, as17980102; End Opera: Le Triomphe de Themis, as17971226

203
31 January 1798 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As17971230

204
15 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stranger

Related Works
Related Work: The Stranger Author(s): Benjamin Thompson
Related Work: The Strangers at Home Author(s): Thomas Linley Sr.

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Music: As17980915

Dance: In: As17980915; In afterpiece: a Dance, as17981114; New Hornpipe, as17981114

205
16 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Grecian Daughter

Performance Comment: Evander-Kemble; Philotas-C. Kemble; Melanthon-Packer; Phocion-Holland; Dionysius-Barrymore; Arcas-Caulfield; Greek Herald-Surmont; Calippus-Trueman; Greek Soldier-Maddocks; Euphrasia-Mrs Powell; Erixene-Miss Tidswell.
Cast
Role: Melanthon Actor: Packer

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: As17981114

206
17 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: As17981114

207
19 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: As17981114

208
20 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: As17981114

209
21 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stranger

Related Works
Related Work: The Stranger Author(s): Benjamin Thompson
Related Work: The Strangers at Home Author(s): Thomas Linley Sr.

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Music: As17980915

Dance: As17980915; In afterpiece: a Dance, as17981114 New Hornpipe, as17981114

210
22 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: As17981114

211
23 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Stranger

Related Works
Related Work: The Stranger Author(s): Benjamin Thompson
Related Work: The Strangers at Home Author(s): Thomas Linley Sr.

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Music: As17980915

Dance: As17980915; In afterpiece: a Dance, as17981114 New Hornpipe, as17981114

212
24 November 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: As17981114, but New Hornpipe-_

213
05 December 1798 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Cumberland, 1st published (without assignment of parts) in his Posthumous Dramatic Works, 1813, Vol. I, as The Passive Husband. Prologue and Epilogue by the author (Thomas Holcroft, Life, ed. Elbridge Colby, 1925, II, 205)]. Receipts: #253 8s. 6d. (189.12.6; 60.7.6; 3.8.6)

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: a Dance, as17981114, but _Male, W. _Banks, Johnston; +New Hornpipe, as17981114

214
07 December 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: A Word For Nature

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: As17981205

215
08 December 1798 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: End I: Peggy's Love-Didelot, Laborie, Mme Rose, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; End Opera: Ariadne et Bacchus- [Performers not listed]

216
11 December 1798 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: I: Peggy's Love- [see17981208]; End Opera: Ariadne et Bacchus, as17981208

217
14 December 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: As17981205

218
19 December 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: As17981205

219
20 December 1798 @ Drury Lane Theatre

Event Comment: "When Euphrasia stabs Dionysius, she exclaims, 'A daughter's arm, fell monster, strikes the blow, Yes, first she strikes...' All, or at least the greatest part of this seems to be intended to precede the blow; and yet probability requires that the blow of a woman that kills an armed warrior should be unforeseen and sudden. Mrs Siddons felt the force of this. She strikes Dionysius without speaking a word, and repeats the passage over him as he lies on the ground" (Monthly Mirror, July 1800, p. 41). Receipts: #154 11s. 6d. (90.17.6; 62.8.0; 1.6.0)

Performances

Mainpiece Title: The Grecian Daughter

Cast
Role: Melanthon Actor: Packer

Afterpiece Title: The Captive of Spilburg

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Thomas Attwood

Dance: As17981205

220
22 December 1798 @ King's Theatre

Performances

Mainpiece Title: Medonte

221
12 January 1799 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: As17981226

222
05 March 1799 @ King's Theatre

Performances

Mainpiece Title: Medonte

Dance: As17981211

223
03 May 1799 @ Drury Lane Theatre

Event Comment: Benefit for Miss DeCamp. Mainpiece [1st time; C 5, by Maria Theresa DeCamp. Larpent MS 1254; not published; synopsis of plot in Monthly Visitor, May 1799, pp. 70-71. Author of Prologue unknown]. Morning Chronicle, 17 Apr.: Tickets to be had of Miss DeCamp, No. 14, Tottenham Court-road. Receipts: #447 8s. (151.7; 87.8; odd and after-money: 4.9; tickets: 204.4) (charge: #211 7s. 9d.)

Performances

Mainpiece Title: First Faults

Afterpiece Title: Katharine and Petruchio

Dance: End: Minuet de la Cour-Miss DeCamp, Mlle Parisot

224
24 April 1800 @ King's Theatre

Event Comment: A Comic Opera; the Music by Paisiello. The Dialogue, for the first time in this Country, will be delivered without the Music of the Recitative. "Nina [Bolla] performed for her benefit in a novel and singular manner, the dialogue being spoken in prose without recitative, which had not a bad effect; but this way of acting it was deemed an infringement of the rights of the English theatres, and after a few nights it was stopped by authority, as unlawful at the Opera" (Mount-Edgcumbe, 111-12). Tickets to be had of Mme Bolla, No. 6, Haymarket

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: As18000322

225
29 April 1800 @ King's Theatre

Performances

Mainpiece Title: Nina

Related Works
Related Work: Nina Author(s): William Thomas Parke

Dance: End I: Le Mariage Mexicain, as18000225; Pas de Quatre of Panurge-; End Opera: Hyppomene et Atalante, as18000322