SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Tho de Veil"/1) | (@(roleclean,performerclean) "Tho de Veil")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1005 matches on Performance Title, 472 matches on Performance Comments, 322 matches on Event Comments, 158 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. [MacMillan notes from Kemble: "The Spleen, or Islington Spa was not acted tonight. The Jubilee was perform'd instead of it." The Spleen, tho' advertised was deferred on account of King's illness.] Paid 4 days salary list at #104 1s. 1d. per diem #416 4s. 4d.; Mr Short for attending Jubilee 17 nights #4 5s. Receipts: #212 14s. (Treasurer's Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Jubilee

Related Works
Related Work: The Goldsmiths Jubilee; or, London's Triumph: Containing, A Description of the several Pageants: On which are Represented, Emblematical Figures, Artful Pieces of Architecture, and Rural Dancing: with the Speeches Spoken on each Pageant. Author(s): Thomas Jordan
Event Comment: "A Gentleman who is as mad as myself about the School remark'd that the Characters upon the Stage at the falling of the Screen stand too long before they speak-I thought so too the first Night-he said it was the same on the 2d & was remark'd by others-tho they should be astonish'd & a little petrify'd, yet it may be carry'd to too great a length" (David Garrick to R. B. Sheridan, 12 May 1777, in The Letters of David Garrick, ed. D. M. Little and G. M. Kahrl, 1963, III, 1163). Receipts: #195 13s. (184.7; 10.19; 0.7)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Deserter

Event Comment: Afterpiece [1st time; past 2, by Richard Tickell]: Altered from [the same, by] Allan Ramsay. [MS not in Larpent; not published.] With the original Airs, new Accompaniments, and a new Overture [by Thomas Linley, Sen.]. Books of the Songs to be had at the Theatre. "The above Opera, written by Allen Ramsay, has been long and justly admired, but by those only whose knowledge of the Scottish dialect has enabled them to judge of its excellencies. That an English audience might become partakers of this entertainment seems to have been the laudable design of the Dramatist, Mr Tickel, in now divesting it of its numerous provincialities, grown almost obsolete, even in Scotland, at this distant period . . . The characters were drest with a rustic simplicity, which, tho' not exactly characteristic of the Highland manner, were perfectly Pastoral" (Universal Magazine, Nov. 1781, p. 237). Receipts: #202 9s. 6d. (167/18/0; 33/3/0; 1/8/6)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Related Works
Related Work: The Royal Slave Author(s): Thomas Southerne
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Gentle Shepherd

Related Works
Related Work: The Gentle Shepherd Author(s): Thomas Linley Sr.

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, in all subsequent performances.]

Event Comment: [The play is opened by Mrs Beverley and Charlotte, and when Mrs Siddons came on she was hissed because of a widespread report that she had refused to act for Brereton's benefit in Dublin. "A considerable period of time was lost; it might be forty minutes before the play began . . . We could perceive that the lady supported herself with a great degree of firmness under this very aweful trial--a trial which, in great measure, determined her future fame--perhaps her residence in this metropolis" (Town and Country Magazine, Oct. 1784, p. 510). "The Breretons have used her shockingly--Mrs B. was mean enough to sneak off the stage and leave her to stand the insults of a malicious party tho' she knew the whole disturbance was on her account and that her husband had at least been obliged to contradict the reports that concern'd him" (Betsy Sheridan, Journal, 1960, p. 32). Mrs Siddons explained to the audience that the stories circulated against her were "calumnies." She had, in fact, on 19 Aug., acted Jane Shore in Dublin for Brereton's benefit (Dublin Public Register, 19 Aug. 1784). "Though Mrs Siddons delivered this address with her usual judgment and articulation, and it was received with reiterated bursts of applause, yet she was so agitated when off the stage as to be very near fainting, and continued for some time much flurried" (Public Advertiser, 6 Oct.).] Receipts: #304 5s. (291/13; 12/11; 0/1)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Irish Widow

Cast
Role: Thomas Actor: Burton
Event Comment: This [main] Piece, written by Dr Brown, is peculiarly happy in evincing to the world "That Virtue still shall conquer tho' in ruin." Mr Sterne presents his respectful Compliments to the Ladies and Gentlemen of Newington and its Vicinity, and now begs leave to inform them that he has been at a considerable Expence in procuring several Performers, in order that every Performance may give Satisfaction to those Ladies and Gentlemen who have so generously exerted their Interest for him and his Company; and as their Stay will be but very short, he hopes that his Care by obtaining so many fresh Members may meet with the Encouragement of a candid Public. N. B. Any Lady or Gentleman who will honor the Company by bespeaking a Play, their Commands will be thankfully received and attended to by applying to Mr Sterne

Performances

Mainpiece Title: Barbarossa; Or, The Freedom Of Algiers

Afterpiece Title: Thomasand Sally

Performance Comment: Squire-Sidney; Thomas-Wilson; Huntsmen and Sailors-The rest of the Company; Dorcas-Mrs Fowler; Sally-Mrs Sterne.
Cast
Role: Thomas Actor: Wilson

Song: End: Ma chere amie-Wilson

Entertainment: Monologue. A favorite Prologue-Marriot

Performances

Mainpiece Title: Othello

Cast
Role: Montano Actor: Thompson

Afterpiece Title: Orpheus and Eurydice; or, The Metamorphoses of Harlequin

Performance Comment: [Edition of 1739 (Tho. Wood) lists the parts: Orpheus, Pluto, Ascalax, Furies, Friends, Harlequin, Pantaloon, Gawkey, Drudge, Taylor, Shoemaker, Drawer, Hostler, Porter, Eurydice, Rhodope, Nymphs, Bacchants, Colombine, Mrs Mannerly, Witch, Frothwell, Maid, Dwarf Woman.]

Performances

Mainpiece Title: At Hay The Recruiting Officer

Performance Comment: Mr Ballance-Packer; Scale-Fawcett; Scruple-Maddocks; Mr Worthy-read byWhitfield; Captain Plume-Wroughton; Captain Brazen-Dodd; Serjeant Kite (1st time; with O! what a charming thing's a battle)-Caulfield; Bullock-Moody; Coster Pearmain-Hollingsworth; Tho. Appletree-Burton; Welch Collier-Suett; Constable-Banks; Sylvia (with a song)-Mrs Jordan; Melinda-Miss Heard (1st appearance in that character); Lucy-Miss Tidswell; Rose-Miss Pope.

Afterpiece Title: The Mariners

Related Works
Related Work: The Mariners Author(s): Thomas Attwood

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers-Incledon, Florio, Linton, Hill (from Winchester), Bardeman//Mme Mara, Mrs Stuart, Master Hummell, Miss Bruman, Miss Parke. Leader of the Band-G. Ashley. Organ-J. Ashley. PART I. Zadock the Priest [by Chorus] (CORONATION ANTHEMS). Overture (ARIADNE). THE DETTINGEN TE DEUM, in which Holy, Holy Lord by Mme Mara. PART II. Overture and Dead March (SAUL). Funeral Anthem. Tune your harps (ESTHER). Gentle airs [by Incledon], accompanied on the violoncello by C. Ashley (ATHALIA). Fall'n is the foe by Chorus {JUDAS MACCABAEUS). What tho' I trace [by Miss Parke] (SOLOMON). Lord of Eternity by Chorus; Behold the Nations; O Baal (DEBORAH). With thee the unsheltered (SOLOMON). He smote all the first-born by Chorus (ISRAEL IN EGYPT). Pious Orgies [by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .by Mme Mara] (JUDAS MACCABAEUS). He gave them hailstones by Chorus (ISRAEL IN EGYPT). PART III. Second Oboe Concerto. Happy Iphis (JEPHTHA). My Arms; Sound an Alarm; We hear by Chorus (JUDAS MACCABAEUS). O magnify the Lord (CHANDOS ANTHEMS). Hear Jacob's God by Chorus (SAMSON). I feel the Deity within; Arm, Arm, ye brave; We come by Chorus (JUDAS MACCABAEUS). Ye sacred priests and Farewell, ye limpid springs [by Mme Mara] (JEPHTHA). Gloria Patri by Chorus (JUBILATE). To conclude with God save Great George our King and Rule Britannia .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940312but added: Mrs Bland. Leader as17940312ART I. God save the King (CORONATION ANTHEMS). He layeth the beams. O had I Jubal's Lyre (JOSHUA). Let me wander (L'ALLEGRO). Gird on thy sword (SAUL). Deeper and deeper; Waft her Angels (JEPHTHA). Let the bright Seraphim, accompanied on the trumpet by Hyde (SAMSON). For unto us (THE MESSIAH). PART II. Ye sons of Israel (JOSHUA). Why do the Nations (THE MESSIAH). What tho' I trace (SOLOMON). Welcome! Welcome! (SAUL). Mad Bess (Purcell). Concerto on the violin by Giornovichi. Pleasure my former ways (TIME AND TRUTH). O magnify the Lord. Tears such as (DEBORAH). Hallelujah for the Lord (THE MESSIAH). PART III. Lord, remember David. Heart the seat of soft delight (ACIS AND GALATEA). He gave them hailstones (ISRAEL IN EGYPT). Why does the God of Israel sleep [SAMSON]. See the conquering Hero (JUDAS MACCABAEUS). Angels ever bright and fair (THEODORA). Sing ye to the Lord; The Horse and his Rider (ISRAEL IN EGYPT) .

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller, Kelly. Leader as17940312ART I. God save the King by Chorus (CORONATION ANTHEMS). He layeth the beams by Meredith. O had I Jubal's lyre by Mrs Bland (JOSHUA). Gird on thy sword by Chorus (SAUL). Holy, holy by Sga Storace (REDEMPTION). Softly rise by Harrison; Ye southern breezes by Chorus (SOLOMON, by Boyce). Let me wander by Master Welsh (L'ALLEGRO). Sing ye to the Lord by Sga Storace; and Chorus; The horse and his rider by Double Chorus (ISRAEL IN EGYPT). PART II. Ye sons of Israel by Chorus (JOSHUA). What tho' I trace by Mrs Crouch (SOLOMON). Pleasure my former ways by Harrison (TIME AND TRUTH). Would you gain by Master Welsh (ACIS AND GALATEA). Welcome! Welcome! by Chorus (SAUL). Concerto on violin by Giornovichi. Honour and Arms by Meredith (SAMSON). O magnify the Lord by Miss Leak. Halleluiah by Chorus (THE MESSIAH). PART III. How excellent by Chorus (SAUL). Lord, remember David by Harrison. Ask if yon damask rose be sweet by Mrs Crouch (SUSANNA). He gave them hailstones by Chorus (ISRAEL IN EGYPT). The smiling dawn by Miss Leak (JEPHTHA). See the conquering Hero comes by Chorus (JUDAS MACCABAEUS). Angels ever bright and fair by Master Welsh (THEODORA). From the censer by Double Chorus (SOLOMON) .

Performances

Mainpiece Title: The Thespian Panorama; Or, Three Hours Heart's Ease

Performance Comment: [Composed of a variety of Matter, Musical, Rhetorical and Imitative; the greatest part of which has never yet been offered to the Public. The new Music by Shield, Carter and Reeve; The Selection from Martini i.e. Martin y Soler], Giordani, Storace, Jackson, Stevens, Pleyel. The Recitals will principally be new, and mostly spoken by Palmer; The Interlocutory Parts that connect the whole will likewise be delivered by him, and the other Parts of the Entertainment will be given by Johnstone, Wathen, Williames, Caulfield, Bannister, Mrs Mountain. Part 1. Exordium [written by Arthur Murphy, spoken by-Palmer; Overture [composed by Stamitz-; [New Glee The shipwreck'd Sailors (see dl, 19 May) [composed by an amateur-; Thespian Advice [spoken by-Palmer; Gipsey Jenny-; The Sailor's Joke [sung by-Wathen; A Milesian Pasticcio [spoken by-Johnstone; An attempt to cleanse the Augean Stable-; Love of our Country-; [Glee, Britain's best Bulwarks are her Wooden Walls-; [Part II. An Overture [by Clementi-; Neptune's Exhortation-; [the Death of Faulknor-; [The Country Clergyman [spoken by-Wathen; Anna's Lullaby [sung by-Johnstone; The Cambrian Quack [or Killing no Murder, spoken by-Williames; A further Attempt at the Stable-; Exhortation to Unanimity-; The Royal Nuptials-; Happiness and the House of Brunswick-; [Part III. The Overture [by Haydn-; The Comforts of Dust [or the Citizen's Cake-House-; Nothing but a Place [sung by-Wathen; Noli me tangere [or No jesting with Edged Tools-; Fancy's Festival [sung by-Johnstone; The Profit of Prosody-; [Irish Explanation, Tho' born in a Stable a Man's not a Horse [sung by-Mrs Mountain; Finale of Gratitude-; other Parts-Caulfield, Bannister.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music 0; L'allegro Ed Il Penseroso 0; Messiah 0

Afterpiece Title: A Grand Selection of Sacred Music 1

Afterpiece Title: A Grand Selection of Sacred Music 2

Performance Comment: Part II. Fourth concerto of Avison-; Father of heaven-Sga Galli; Sion now her head shall raise-Miss Poole, Master Elliot [Judas Maccabaeus]; Tune your harps-Chorus [Esther]; Tho' pleasure swells-Braham [Mahmoud (Storace)]; Lord of eternity-Chorus; Behold the nations-; O Baal-Chorus [Deborah]; What though I trace-Mme Mara [Solomon]; Gird on thy sword-Chorus [Saul].Saul].

Afterpiece Title: A Grand Selection of Sacred Music 3

Music: As17970315

Event Comment: "It was with extreme regret that we perceived the ravages of time in the person of [Mrs Crawford, who had not acted in London since 12 Apr. 1785], tho' we were much consoled in observing that his influence is not equally apparent in her abilities...The blaze is gone, but there is a richness in the setting lustre...Kemble is evidently [Johnston's] model, and he followed him so closely, as even to the crossing of the legs in dying; so that where he was best, his efforts seemed to be the effect of imitation" (True Briton, 24 Oct.). "Mrs Crawford has had her day; but the sun of her genius has long sunk beneath the horizon...Many parts of her performance, we were sorry to observe, evinced the most evident decline of powers, and her tremulous accents, the debility of which was rendered the more striking from the want of several teeth, proclaimed that her days of play and action were nearly brought to a close...She was received with reiterated plaudits throughout...Nature has been very bountiful in supplying [Johnston] with a voice of much compass and melody, but he does not appear to have paid much attention to the cultivation of her favours. His transitions are often abrupt, and sometimes discordant; and the management of his tones is of so strange a nature that it appears more like two distinct voices than a judicious modulation of his natural accents" (Morning Herald, 24 Oct.). Receipts: #260 9s. (253.4.6; 7.4.6)

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Johnston (from the Theatre Royal Edinburgh; 1st appearance on this stage); Lord Randolph-Clarke; Glenalvon-Whitfield; Officer-Thompson; Old Norval-Murray; Anna-Miss Mansel; Lady Randolph-Mrs Crawford.
Cast
Role: Officer Actor: Thompson

Afterpiece Title: The Maid of the Mill

Cast
Role: Sanchio Actor: Thompson

Afterpiece Title: England's Glory

Cast
Role: Sanchio Actor: Thompson

Dance: As17971018

Performances

Mainpiece Title: He's Much To Blame

Cast
Role: Thompson Actor: Davenport
Role: Master of the Hotel Actor: Thompson
Related Works
Related Work: He's Much to Blame Author(s): Thomas Holcroft

Afterpiece Title: Joan of Arc

Performance Comment: As17980214, but The Argument-. [The Ballet (principally taken from Historical facts) commences with a Grand Battle before the Town of Orleans, in which the English being victorious, a wounded French Officer (Alenson) solicits shelter in the Inn where Joan of Arc and her sister Blanche reside; this is granted, and they scarcely retire, before the conquering party rush into the Inn, but are prevented from using outrage by the intervention of a young English General (Talbot) of whom the sisters become enamoured. He prefers Blanche; and Joan, from resentment, in conjunction with Alenson, meditate his ruin, in which they fail, and are forced to fly--Joan grown desperate, invokes supernatural aid, and receives a Banner from Lucifer--distinguishes the French King in the midst of his Courtiers, tho' a Nobleman in his habit had been imposed on her for him--demands a consecrated sword and shield at the tomb of Charlemagne--heads the French troops, and being victorious, takes young Talbot and her sister (whom he had espoused) Prisoners. +Edwin (young Talbot's Page), not allowed to attend on his master, by concealing himself in the spoils of his tent is conveyed to the court-yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant (as17980214)] . .
Cast
Role: Abbot Actor: Thompson

Music: As17980214

Event Comment: The Duke's Company. Pepys does not indicate that this performance is the premiere, and Summers, The Playhouse of Pepys, p. 137, states, without offering his evidence, that the play first appeared on 11 Aug. 1664. The play also appears in Herbert, Dramatic Records, p. 138. If Pepys saw the premiere, the play was possibly given on 15, 16, 17, 18, 19, 20, 22, 23, 24 Aug. Pepys, Diary: Mr Creed dining with me I got him to give my wife and me a play this afternoon, lending him money to do it, which is a fallacy that I have found now once, to avoyde my vowe with, but never to be more practised I swear, and to the new play, at the Duke's house, of Henry the Fifth; a most noule play, writ by my Lord Orrery; wherein Betterton, Harris, and Ianthe's parts are most incomparably wrote and done, and the whole play the most full of height and raptures of wit and sense, that ever I heard; having but one incongruity, or what did not please me in it, that is, that King Harry promises to plead for Tudor to their Mistresse, Princesse Katherine of France, more than when it comes to it he seems to do; and Tudor refused by her with some kind of indignity, not with a difficulty and honour that it ought to have been done in to him. Downes, Roscius Anglicanus, pp. 27-28: This Play was Splendidly Cloath'd: The King, in the Duke of York's Coronation Suit; Owen Tudor, in King Charle's: Duke of Burgundy, in the Lord of Oxford's, and the rest all New. It was Excellently Perform'd, and Acted 10 Days Successively

Performances

Mainpiece Title: The History Of Henry The Fifth

Performances

Mainpiece Title: The Gentleman Dancing Master

Event Comment: The Duke's Company. This performance is on the L. C. list, 5@141, p. 2. See also Nicoll, Restoration Drama, p. 347. This performance may well be the premiere. In the Preface the author states that the play was asked for on Shrove Tuesday and he wrote it within a week; a premiere, then, before this date would allow very little time for rehearsal. This play is certainly a "Lenten" performance, for it was acted on a Wednesday in Lent and was referred to in the Prologue as a "Lenten Play." See the discussion under The Spanish Rogue (March 1673) and Gray, pp. 785-86. See also J. G. McManaway, The Copy for The Careless Lovers," MLN, XLVI (1931), 406-9. Preface to the edition of 1673: [This play] was written at the Desire of the Young Men of the Stage, and given them for a Lenten-Play, they ask't it not above a Week before Shrove-Tuesday

Performances

Mainpiece Title: The Careless Lovers

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The Queene at Rolo. See also Nicoll, Restoration Drama, p. 350. Although it is certain that the cast in this edition is that for this performance, there are no actors' names on the list which can not pertain to this time

Performances

Mainpiece Title: Rollo

Performances

Mainpiece Title: Don Sebastian

Performance Comment: Edition of 1690: Prologue [Sent to the Author By an Unknown Hand-Mrs Mountfort [Dressed like an Officer; Prologue-a Woman; Don Sebastian-Williams; Muley Moluch-Kynaston; Dorax-Betterton; Benducar-Sandford; Mufti-Underhill; Muley Zeydan-Powell Jr; Don Antonio-Betterton [an error; corrected in 1692 edition to Mountfort]; Don Alvarez-Bowman; Mustapha-Leigh; Almeyda-Mrs Barry; Morayma-Mrs Montfort; Johayma-Mrs Leigh; Epilogue-Antonio, Morayma.

Performances

Mainpiece Title: The Mistakes

Related Works
Related Work: The Jealous Clown; or, The Lucky Mistake Author(s): Thomas Gataker
Related Work: Like Master Like Man Author(s): Thomas Ryder

Performances

Mainpiece Title: The Comical History Of Don Quixote, Part I

Related Works
Related Work: The Comical History of Don Quixote, Part II Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, Part I Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote Author(s): Thomas D'Urfey
Related Work: The Comical History of Don Quixote, The Third Part: With the Marriage of Mary the Buxome Author(s): Thomas D'Urfey
Related Work: Barataria; or, Sancho Turn'd Governor Author(s): Thomas D'Urfey
Related Work: An Eclogue; or, Representation in Four Parts Author(s): Thomas Jordan
Related Work: The Amorous Bigotte: With the Second Part of Tegue O Divelly Author(s): Thomas Shadwell
Related Work: The Atheist; or, The Second Part of the Souldiers Fortune Author(s): Thomas Otway

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performances

Mainpiece Title: The Unhappy Penitent

Performance Comment: Edition of 1701 lists: Charles VIII-Mills; Duke of Lorrain-Wilks; Archduke of Austria-Williams; Duke of Britannie-Griffin; Graville-Thomas; Du Law-Simpson; Brisson-Smith; Du Croy-Toms; Neapolitan Lords-Kent, Fairbank; Margarita-Mrs Rogers; Ann-Mrs Oldfield; Madame de Bourbon-Mrs Powell; Prologue-Mrs Oldfield.
Cast
Role: Graville Actor: Thomas

Performances

Mainpiece Title: The Patriot; Or, The Italian Conspiracy