SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Tho de Veil"/1) | (@(roleclean,performerclean) "Tho de Veil")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1005 matches on Performance Title, 472 matches on Performance Comments, 322 matches on Event Comments, 159 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Tickets delivered for this Evening [by Wm. Banks, Dale Sen., Chippendale, Gregson, Jacobs, Wells, Thompson, Whitmell, Mrs Byrne, Mrs Butler, Miss Jackson (Account-Book)] will be admitted. Receipts: #305 4s. (17.4.6; 22.0.0; 1.7.0; tickets: 264.12.6)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: No Song No Supper

Dance: End: A Country Dance and Scotch Reel-Thompson, Whitfield, Wells, Banks, Garman, Miss Bourk, Mrs Haskey, Mrs Brigg, Mrs Byrne, Mrs Barrett; The Minuet de la Cour and Gavot-Roffey, Mrs Wild; A Hornpipe-Sga Bossi DelCaro

Performances

Mainpiece Title: Merope

Dance: End I: Le Rendez@vous, as17970513; Minuet de la Cour, as17970406; End Opera: Acis et Galatie- [see17970617

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, at Bays-water. Under the Patronage of Her Majesty. [Braham's 1st appearance at this theatre was on 21 Apr. 1787.]. The Orchestra under the Direction of Mountain. Principal Oboe by W. Parke. To the Renters of Covent Garden Theatre, it is humbly requested by the Promoters of the Charity, for which the Opera performed this Evening is appropriated, that they will humanely forego their claim on that Night, it being out of the Manager's Season, and an additional expence to the Charity. Those Gentlemen willing to resign their demand on the above occasion are requested to send word t the Theatre which will be thankfully received by the promoters of the Charity. The Doors to be opened at 6:00. To begin at 7:00. Tickets to be had at the Hospital; The Crown and Anchor Tavern, Strand; Longman and Broderip's; and of Brandon at the Theatre, where places for the Boxes may be taken. Receipts: none listed in Account-Book, but Monthly Visitor, July 1797, p. 63, reports that #401 was received

Performances

Mainpiece Title: The Duenna

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

Performances

Mainpiece Title: The Wheel Of Fortune

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): Thomas Linley Sr.

Performances

Mainpiece Title: The First Part Of King Henry The Fourth

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): Thomas Linley Sr.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Richard Coeur de Lion

Related Works
Related Work: Richard Coeur de Lion Author(s): Thomas Linley Sr.

Afterpiece Title: A Trip to the Nore

Performances

Mainpiece Title: Merope

Dance: End I: L'Offrande a Terpsichore, as17971202

Ballet: End Opera: an entirely new allegorical Ballet, composed by Gallet [with music by Bossi] Le Triomphe de Themis[-Mme Rose, Mme Laborie, Laborie, Didelot, Mlle Hilligsberg, Mme Hilligsberg. [Cast from Morning Herald, 25 Dec.: America-Mme Rose, Didelot; Europe-Mme Laborie; Africa-Mlle Hilligsberg; Asia-Mme Hilligsberg[. Ibid, 26 Dec., also lists, unassigned: Themis-; Neptune-; Eolus-; Hope-; Genius of Britain-; Thames-; Genius of France-; Genius of Spain-; Genius of Holland-; Arts and Commerce-; Discord-; Jacobinism-; The Eumenides-; The Crimes-[and has synopsis of action]

Performances

Mainpiece Title: Merope

Dance: As17971220

Ballet: Le Triomphe de Themis. As17971220

Performances

Mainpiece Title: Cinna

Dance: End I: Le Triomphe de Themis, as17971226; End Opera: Ariadne et Bacchus, as17971216

Performances

Mainpiece Title: Cinna

Dance: End I: A New Divertisement-; Minuet de la Cour-Didelot, Mme Rose; End Opera: a new grand Ballet, composed by Gallet, Enee et Didon-Didelot, Mme Rose, Laborie, Mme Hilligsberg, Miss Hilligsberg, Mme Laborie, St.Pierre

Performances

Mainpiece Title: Il Matrimonio Segreto

Dance: End I: Peggy's Love, as17980426; End Opera: La Vengeance de l'Amour, as17980421

Performances

Mainpiece Title: Il Matrimonio Segreto

Afterpiece Title: Il Capriccio Drammatico

Dance: End 1st piece: Peggy's Love, as17980428; End 2nd piece: La Vengeance de l'Amour, as17980324

Performances

Mainpiece Title: Elfrida

Related Works
Related Work: Elfrida Author(s): Thomas Arne

Dance: End I: La Vengeance de l'Amour, as17980421

Ballet: End Opera: Le Deserteur. As17980614

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: [a new Divertisement Ballet, composed by Barre with music by Bossi], Le Marchand de Smyrne-; End Opera: Elisa-

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Ariadne et Bacchus, as17981208

Performances

Mainpiece Title: Gli Schiavi Per Amore

Dance: End I: Le Marchand de Smyrne, as17981226; End Opera: Le Deserteur-[Louisa-$Mme Laborie (Morning Chronicle, 13 Feb.)]

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: As17990330

Event Comment: [Account-Book: Tickets delivered by Wells, Thompson (stage door keeper), Thomas, Clarke, Robson (pit door keeper), Ansell, Little, Bagley, Noble, Bonsor, Walls (constable), Townsend, Linton, Morris, Klanert, Ward, Coombs will be admitted.] Receipts: #329 16s. (18.3.0; 2.13.6; tickets: 308.19.6)

Performances

Mainpiece Title: The Votary Of Wealth

Cast
Role: Mastyr of Hotel Actor: Thompson

Afterpiece Title: A Divertisement

Dance: Afterpiece: Minuet de la Cour and Gavot-Klanert, Mrs Watts

Performances

Mainpiece Title: The 2nd Act Of Ines De Castro

Afterpiece Title: I Due Svizzeri

Dance: End: A New Divertissement, as17990326End 2nd piece: Tarare- [see17990502]

Event Comment: Account-Book: Tickets delivered by Ledger, Thompson, Klanert, Claremont, Simmons, Wilde, Miss Mills, Miss Sims, Mrs Lloyd, Mrs Masters, Lee, Goostree, Street, Mrs Mills, Mrs Sydney, Abbot, Mrs Egan will be admitted. 3rd piece: Representation of the Battle, as 9 Nov. 1799. Receipts: #424 9s. 6d. (40.13.6; 5.3.0; tickets: 378.13.0)

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: The Dramatist

Cast
Role: Peter Actor: Thompson

Afterpiece Title: The Mouth of the Nile

Cast
Role: Peasants Actor: Linton, Street, Thompson
Related Works
Related Work: The Mouth of the Nile Author(s): Thomas Attwood

Dance: In 1st piece: Hornpipe-Cuerton; End 2nd piece: The Minuet de la Cour, a Favorite Scotch Pas Deux-Klanert, Mrs Watts

Performances

Mainpiece Title: I Due Svizzeri

Afterpiece Title: Il Capriccio Drammatico

Dance: End: Laura et Lenza, as18000513; Minuet de la Cour-Mons and Mme Didelot; End 2nd piece: Telemaque-Mme Rose Didelot will take original part

Event Comment: Boswell (Restoration Court Stage, pp. 180-81) believes that a performance occurred on this day, as well as on 16 Feb. 1674@5, Shrove Tuesday, the date often specified in advance statements. For previous notices, see 2 Feb. 1674@5, 15 and 22 Dec. 1674. Edition of 1675:....followed at innumerable Rehearsals, and all the Representations by throngs of Persons of the greatest Quality...at the 20th or 30th, for near so often it had been Rehearsed and Acted....And the Composer of all the Musick both Vocal and Instrumental Mr Staggins. Langbaine. (English Dramatick Poets, p. 92): a Masque at court, frequently presented there by Persons of great Quality, with the Prologue, and the Songs between the Acts: printed in quarto Lond. 1675....This Masque was writ at the Command of her present Majesty: and was rehearsed near Thirty times, all the Representations being follow'd by throngs of Persons of the greatest Quality, and very often grac'd with their Majesties and Royal Highnesses Presence. John Evelyn (The Life of Mrs Godolphin): [Mrs Blagge] had on her that day near twenty thousand pounds value of Jewells, which were more sett off with her native beauty and luster then any they contributed of their own to hers; in a word, she seemed to me a Saint in Glory, abstracting her from the Stage. For I must tell you, that amidst all this pomp and serious impertinence, whilst the rest were acting, and that her part was sometymes to goe off, as the scenes required, into the tireing roome, where severall Ladyes her companions were railing with the Gallants trifleingly enough till they were called to reenter, she, under pretence of conning her next part, was retired into a Corner, reading a booke of devotion, without att all concerning herself or mingling with the young Company; as if she had no farther part to act, who was the principall person of the Comedy...[With] what a surprizeing and admirable aire she trode the Stage, and performed her Part, because she could doe nothing of this sort, or any thing else she undertooke, indifferently....Thus ended the Play, butt soe did not her affliction, for a disaster happened which extreamly concern'd her, and that was the loss of a Diamond of considerable vallue, which had been lent her by the Countess of Suffolke; the Stage was immediately swept, and dilligent search made to find it, butt without success, soe as probably it had been taken from her, as she was oft inviron'd with that infinite crowd which tis impossible to avoid upon such occasion. Butt the lost was soon repair'd, for his Royall Highness understanding the trouble she was in, generousely sent her the wherewithall to make my Lady Suffolke a present of soe good a Jewell. For the rest of that days triumph I have a particular account still by me of the rich Apparell she had on her, amounting, besides the Pearles and Pretious Stones, to above three hundred pounds (ed. Samuel Lord Bishop of Oxford [London, 1847], pp. 97-100). See also 15 Dec. 1674

Performances

Mainpiece Title: Calisto Or The Chaste Nimph

Afterpiece Title: Calistos Additional performers

Performance Comment: See Boswell, Restoration Court Stage, pp. 201-2- Singers-Mrs Masters, Mrs Peirce, Robert, Degrang, Shepheard, Maxfield, Preston, Letelier, Bopins, Bury; Boys-Jack, Waters, Coninsby, Smyth; Harpsicals-Corneille, Bartleme; Theorboes-Marsh, Lylly; Bass Violls-Coleman, Stephkins, Bates; Recorders-Paisible, Bootell, DeBreame, Giton; Gittars-Frasico Corbett, Outom, Delony, Delloney; Trumpeters-Bounty, Thompson, Ragway, Christmas; Kettle Drummer-VanBright; Violins-NicholasStaggins, Singleton, Clayton, Tho. Fitz, Hewson, Myres, Tho. Farmer, Aleworth, Jo. Bannister, Lediger, Harris, Theo. Fitz, Greetinge, Ashton, Gamble, Fashions, Flower, Isaack Staggins, John Strong, Finell, Browne, Brookwell, Dorney, Spicer, Price, Pagitt, Duffill, Kidwell, Jo. Farmer, Basrier, Viblett, Hall, Eagles; Dancers-St Andre, Isaacke, Delisle, Herriette, Dyer, Smyth, Motley, Berto, Letang, Muraile, LeRoy, LeDuke.
Event Comment: The United Company. The exact date of the first production is not known, but the play was entered in the Term Catalogues, February 1691@2, and mentioned in the Gentleman's Journal, February 1691@2 (licensed 12 February 1691@2). In all probability, it was first acted not later than January 1691@2. The music to one song, As soon as the Chaos, was composed by Henry Purcell. See Purcell, Works, Purcell Society, XX (1916), xvii. Two songs--Bonny lad prithee lay thy pipe down, with music by Tollet; Great Jove once made love like a bull, with music by Mountfort--are in The Banquet of Musick, The Sixth and Last Book, 1692. Dedication, Edition of 1692: Having at last so well acquitted it self on the Stage (tho' the thronging, imperfect Action, and worse than all, the faulty length, which I will never be guilty of again, render'd it little Diversion the first day). A Letter to Mr D'Urfey [by Charles Gildon], Edition of 1692: If there be any fault in this Play, 'tis that which few are guilty of; that is, there are too many good Characters, too full of Humour, a very Pardonable failing, which only proceeds from Variety, the life of Pleasure and Wit, tho' that gave it the disadvantage of seeming too long the first days Acting, tho' the Stage's being throng'd with Spectators, did not a little contribute to the imperfect Acting of it, which accidental Misfortunes concurring with the Endeavours of an opposite Faction, must needs have damn'd it, had it not by the Force and Vigour of its own Worthy, rais'd it self the second day with the general Applause of all that saw it....But the Marriage-hater went further, and in spight of all the disadvantages it labour'd under of Action and Audience, pleas'd on, after several times Repetition. See also Poeta Infamis; or, A Poet not worth Hanging (1692) for a variety of comments upon this play. London Mercury, 26 Feb. 1691@2: Query 4. Whether in Justice he [D'Urfey] is not obliged to present Mr Dogget (who acted Solon to so much Advantage) with half the Profit of his Third Day, since in the Opinions of most Persons, the good Success of his Comedy was half owing to that admirable Actor? Query 5. Whether, if there be any Wit in bringing a Person upon the Stage with an extravagantly broad-brimmed Hat, and a Muff of the same Size, so it will not be a very easy Matter for the next Poet that writes a Play, to Out-hat and Out-muff his Predecessors, and consequently to Out-wit him? Downes, Roscius Anglicanus, p. 42: Mr Dogget perform'd the part of Solon Inimitably. Gentleman's Journal, p. 454, February 1691@2 (licensed 12 Feb. 1691@2): I send you the Marriage-hater match'd, a new Comedy by Mr Durfey; it hath met with very good success, having been plaid six days together, and is a diverting Play. Gentleman's Journal, January 1691@2: Now I speak of Music I must tell you that we shall have speedily a new Opera, wherein something very surprising is promised us; Mr Purcel who joyns to the Delicacy and Beauty of the Italian way, the Graces and Gayety of the French, composes the Music, as he hath done for the Prophetess, and the last Opera called King Arthur, which hath been plaid several times the last Month [presumably December 1691]

Performances

Mainpiece Title: The Marriage hater Matched

Related Works
Related Work: The Marriage-Hater Matched Author(s): Thomas D'Urfey
Related Work: The Marriage Hater Matched Author(s): Thomas D'Urfey
Related Work: The Marriage Hater Match'd Author(s): Thomas D'Urfey