SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatrical Fund"/1) | (@(roleclean,performerclean) "Theatrical Fund")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 504 matches on Event Comments, 29 matches on Performance Title, 22 matches on Performance Comments, 1 matches on Roles/Actors, and 0 matches on Author.
Event Comment: Not Acted these Eight Years [see 24 April 1741]. Benefit Cibber, Jr. Tickets and places of Hobson at the Stage door. Tickets ddliver'd out for All's Well at Covent Garden theatre will be taken to the above mentioned play this night. [Mrs Clive's Prologue recommended the cause of Liberty to the Ladies of Great Britain. Cibber had pleaded in his advance advertisement on 5 April in the General Advertiser.] As I have in justice to my creditors assigned over so much of my salary as reduces the remainder to a very small pittance, I very much depend on the encouragement and indulgence of the town at my Benefit. [On the day of the benefit he inserted in the General Advertiser a long, double column address to the Publick puffing his Benefit, and scotching a rumor industriously and invidiously spread that he came to Drury Lane only to impede Mrs Cibber in her performance there. In this he washes in public the linen of his domestic affairs at some length, professing his virtue, forbearance, and generosity, and Mrs Cibber's unfairness and ingratitude, citing her salary as about #700 per year, not a penny of which would she afford for his relief from creditors, or to bail him out of the Fleet prison where he languished six months. He alleges that she was instrumental in forming a cartel between the rival theatrical managers with precluded his employment by either house, and that she refused to act a benefit for him when he was in debtor's prison.

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Three Hours after Marriage

Song: I: Cantata-Lowe; III: Scotch Dialogue, as17460310 V: My Faith and Truth, as17460104

Dance: IV: Italian Peasants, as17460206; III: Scotch Dialogue, as17460310

Event Comment: YYeates's Great Theatrical Booth. 12:00 to 9:00 p.m. A Concert, etc. Boxes 2s. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. [Notice repeated 6 and 12 May.

Performances

Mainpiece Title: The Widow's Wish; Or, An Equippage Of Lovers

Afterpiece Title: Harlequin Mariner; or, The Wapping Landlady

Song: A grand Song and Chorus upon the late Happy Victory-

Event Comment: Benefit Phillips, former Harlequin to the Old House, now a Prisoner. [Theatrical Clippings, Folger Library. Performance not named, but bill says This Day.

Performances

Event Comment: At the Late Wells, at the bottom of Lemon St., Goodman's Fields, a Concert, etc. The House is alter'd in a more Theatrical Manner, is made warm, and Front Boxes made at the upper end of the Pit. We shall perform every Night. Boxes 2s. 6d. Pit and First Gallery 1s. 6d. Upper Gallery 1s. 6 p.m

Performances

Mainpiece Title: The Revenge

Afterpiece Title: The Lying Valet

Dance: II: Peasant Dance-Master Morgan, Miss Baker; III: Scotch Dance-Mr Miles, Mrs Miles; IV: Tambourine-Master Morgan, Miss Baker; V: Drunken Peasant-Miles

Event Comment: Tickets deliver'd out by Miss Copin for the Merchant of Venice will be taken to the Conscious Lovers (General Advertiser). This day is publish'd, Price 1s., A Letter of Complaint to the Ingenious author of a Treatise on the Passions, so far as they regard the stage; with a critical Enquiry into the theatrical merit of Mr G-k, Mr Q-n, and Mr B-y, &c. With some further remarks on Mr M-n. And a few hints on our modern Actresses, particularly Mrs C-r and Mrs P-d. Magna est Veritas, & pravalebit. Printed for C. Corbett, over against St. Dunstan's Church, Fleet St. (General Advertiser). [Illuminating discussion of actors' abilities]: The Stage is much indebted to Mr M- for his incessant successful endeavours; he not only grac'd it with his own personal merits, but rais'd up several Branches who tho' they have not yet quite eclips'd Mr Giffard's Nursery from Goodman's Fields, will certainly in time prove stars of the first magnitude.--(p. 28). Touch Messrs. Giffard and Ryan and give them better voices; there is nothing else wanting. Help Mr Delane to a new manner and judgment to display the best pipe that ever was heard. Polish a little the rough Beauties of Mr L. Sparkes, give the sensible Mr Havard a few more spirits; and mend the Humour of Hippisley, Chapman, Barrington, and Blakes if you can. Poor Yates wants nothing but a front of brass, a necessary self-sufficient Manner of pushing himself upon a Publick.--(p. 31). If Mrs Giffard's Manner was equal to her understanding, she wou'd compell everybody to acknowledge her a surprising Performer. In Lady Macbeth she is excellent; and Hermione was very near eclipsing a much more popular actress; in short in every Part she performs, the severest of her enemies cannot but own she is more than decent.--(pp. 32-33). [Gives two pages each to discussion of Mrs Clive, Mrs Woffington, Mrs Cibber, and Mrs Pritchard.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Dragon of Wantley

Dance: New entertainments-Salomon, Sga Padouana, Salomon's son

Event Comment: By Command of Prince and Princess of Wales. A Free Benefit for Quin. Receipts: #88 13s., plus #136 15s. from tickets. [Garrick had written Quin he was too ill to play in the mainpiece but would act in his farce. Notice of 23 March about Amphitheatre repeated.] Tickets deliver'd out for 9 March will be taken. To prevent mistakes none will be admitted into the Boxes but by tickets deliver'd by Quin, and at the Office in the Box Lobby.--General Advertiser. If any Gentlemen or Ladies shall be displeased with the alteration in the Performance of the Play [i.e., Garrick's absence] the money shall be return'd.--Theatrical Clippings, Folger Library

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: Miss in Her Teens

Dance: As17461231

Event Comment: Benefit Woodward. [Receipts: #81 3s. 6d., plus #59 9s. from tickets. Charges #63.] Paid Servandoni #10 10s. Paid Price a bill for carpenter's work at Lincoln's Inn Fields Theatre last week #2 19s. 9d. Tickets to be had of Woodward at his lodgings in King St. (near the Churchyard Gate) Covent Garden; at the Bedford Coffee House; at the Salutation Tavern in Nicholas Lane; and of Page at the stage door. Tomorrow The Distress'd Mother and Miss in her Teens, the part of Fribble by Garrick.--General Advertiser. Daily Advertiser: By Particular Desire of several Persons of Quality. [On 13 April Woodward published a letter of thanks to the former schoolfellow who sent him this speech, promised to present it, and assured him that no copy would be made. See Theatrical Clippings, Folger Library.

Performances

Mainpiece Title: Julius Caesar; With The Death Of Brutus And Cassius

Afterpiece Title: Orpheus and Eurydice

Entertainment: Between Play and Afterpiece: An Alarm to Britons-the Spirit of King Henry V (After the manner of Shakespeare's Chorus) usher'd in with Trumpets, Kettle Drums and other Warlike Instruments

Event Comment: Benefit Simpson, Gray (Constable), Plummer (Box Keeper) (General Advertiser). Gray begs the Favour of those Gentlemen and Ladies that intend to honou him with their Company, to be at the Theatre by Four o'clock, that he may be able to accommodate them with good Places. [Theatrical Clippings, Folger Library.

Performances

Mainpiece Title: The Artful Husband

Afterpiece Title: The Devil to Pay

Dance: III: Mechel, Mlle Mechel

Song: V: A Preamble on the Kettle-drums-Jo Woodbridge

Event Comment: [Benefit on one-half value of tickets basis to nine ticket holders. The General Advertiser notice lists beneficiaries as Harrington (Prompter); Stede, Carr, Mrs Bland, Mrs Rowley.] Tickets deliver'd by Mrs Daniel, Mrs Dumont, &c will be taken. /For Box Pit Gallery Value Half-Value/Harrington 7 29 22 #8 6s. #4 3s./Stede 7 52 59 #15 9s. #7 14s. 6d./Carr 6 53 46 #14 1s. #7 0s. 6d./Mrs Rowley 27 77 44 #22 14s. #11 7s./Mrs Dumont 36 31 32 #16 17s. #8 8s. 6d./Mrs Bland 9 56 91 #19 15s. #9 17s. 6d./Mrs Dupre 5 33 42 #10 8s. #5 4s./Mrs Daniel .. 45 109 #17 13s. #8 16s. 6d./Mrs Hitchcock 34 58 31 #20 6s. ........./Totals 131 434 476 #145 9s. #62 11s. 6d./ [Mrs Hitchcock seems to have received the full value of her tickets.] This Day is Publish'd A Treatis on the Passions so far as they regard the stage, with a critical inquiry into the Theatrical Merit of Mr G k, Mr Q n, and Mr B y, the first considered in the part of Lear, the last two oppos'd in Othello. By S. Foote, Esq

Performances

Mainpiece Title: The Committee

Afterpiece Title: Phebe

Dance: The English Boy, English Girl

Event Comment: HHussey's Great Theatrical Booth in the George Inn Yard. 12 p.m. Prices 2s. 6d., 1s. 6d., 1s., 6d. [Notice repeated 24, 25, 26 Aug.

Performances

Mainpiece Title: Tamerlane The Great; In Which Will Be Interspers'd The Humourous Scenes Of A Wife Well Manag'd

Entertainment: Equilibres on the Slack Rope-Mahomet Acmed Vizaro Mussulmo, just arrived from Constantinople

Song: Batt Platt

Music: Grand Band of Music

Event Comment: CChettle's Great Theatrical Booth, opposite Greyhound Inn. To begin at 12 o'clock. Prices 2s. 6d., 1s. 6d., 1s., 6d. Italian Fireworks. [Notice repeated 24, 25, 26 Aug.

Performances

Mainpiece Title: Bf Miss In Her Teens

Afterpiece Title: Frolicksome Lasses; or, Harlequin Fortune Teller

Song:

Dance: NNew Hornpipe-Chettle

Music: A Grand Band of Musick

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Cushing; Mrs Sullen-Mrs Cook; Cherry-Miss Rawlinson who never appeared on any Stage before; rest of the parts-Gentlemen from the theatres (Theatrical Clippings Folger Library).

Afterpiece Title: Miss in Her Teens

Event Comment: Gift for ye Sufferers by ye fire in Cornhill (Cross). [A column and a half "Letter to the Author" appeared in the General Advertiser this day, laying historical background for Ford's Lover's Melancholy]. The history of the stage before the Restoration is like a Foreign Land, in which no Englishman had ever travelled; we know there were such things as Playhouses, and one Shakespear a great writer, but the historical traces of them are so imperfect, that the manner in which they existed is less known to us, than that of Eschylus or the theatres of Greece. For this reason, 'tis hoped that the following Gleaning of Theatrical History will readily obtain a place in your paper. 'Tis taken from a Pamphlet written in the reign of Charles I, with this quaint title, "Old Ben's Light Heart made heavy by young John's Melancholly Lover"; and as it contains some historical anecdotes and altercations concerning Ben Johnson, Ford, Shakespear, and the Lover's Melancholy it is imagined that a few extracts from it at this juncture, will not be unentertaining to the Public. [The substance of the remainder retails Jonson's critical cantankerousness and his wounded pride at the failure of the New Inn, quoting some epigrams made at Jonson's expense on his allegation that Ford was a plagiary. This second "puff" for the play, presumably also written by Macklin, formed the basis for a Steevens-Malone controversy late in the century, centering on the existence or nonexistence of the pamphlet referred to by Macklin as "Old Ben's Light Heart made Heavy, &c." A summary account of the evidence appears in the Dramatic Works of John Ford, by Henry Weber (Edinburgh, 1811) I, Intro. XVI, XXXI.] Receipts: #210 (Cross); #208 1s. (Powel)

Performances

Mainpiece Title: King Lear And His Three Daughters

Afterpiece Title: The Double Disappointment

Dance: Cooke, Anne Auretti, Matthews, Mrs Addison

Event Comment: The Thirty-second Day. To begin at 6:30 p.m. [Published this month, A Catalogue of Curiosities, Chiefly Theatrical which are to be sold by Auction. Dedicated to Foote by Peter Skewball. A twenty-two-page pamphlet containing suggestive comments about certain actresses. "Lot 13 Two young Actresses of different complections, who having been two years under the care of a certain physician are warranted sound, very little the worse for use...Lot 33 a Coquet Crying by Mrs C-; Lot 34 A Venus half naked at See Saw by Mrs W-; Lot 35 A Very Stanch actress, somewhat overfed, and of great Virtue (Mrs Pritchard?)." N.B.: This is the greatest curiosity in the Catalogue.

Performances

Mainpiece Title: Auction Of Pictures

Event Comment: At Bridges, Cross, Burton and Vaughan's Great Theatrical Booth in the George Inn Yard, will be presented an Historical Drama never acted before call'd The Northern Heroes; or, The Bloody Contest between Charles XII, King of Sweden, and Peter the Great, Czar of Muscovy, with the Loves of Count Gillensternia, a Swedish General and the Fair Elimira, a Russian Princess, Containing the most remarkable Events of that Time; and concluding with the Memorable Battle of Pultowav, and Charles's Retreat into the Turkish Dominionv. Interspers'd with a Comic Interlude (never perform'd before) called The Volunteers; or, the Adventures of Roderick Random and his Friend Strap. Also the Comical Humours and Amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's Widow; the merry Pranks of her foolish son Janny, and several other diverting incidents. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'clock. [This notice repeated during "the short Time of the Fair." Notice repeated 24, 26, 27 Aug.

Performances

Mainpiece Title: The Northern Heros

Afterpiece Title: The Volunteers; or, The Adventures of Roderick Random and his Friend Strap

Dance: Mr Shawford, Mrs Shawford, Master Cross, Mrs Vaughan

Event Comment: At Hussey's Great Theatrical Booth facing the Hospital Gate. A new Droll...during the short time of the Fair. Prices: 2s., 1s., 6d. [Notice repeated 25, 26, 27 Aug.

Performances

Mainpiece Title: The Constant Quaker; Or, The Humours Of Wapping

Afterpiece Title: Harlequin's Frolicks; or, The Rambles of Covent Garden

Song:

Dance: tween acts: Cunningham, Master Mattocks, Master Harrison, Mme Dominique; Foote's Vagaries-Master Harrison, Mme Dominique; Italian Fireworks-

Event Comment: DDelectando pariterque monendo. At Yates's Great Theatrical Booth (from the Theatre Royal in Drury Lane) facing the Hospital Gate. During the short Time of Bartholomew Fair, will be presented an instructing and diverting Droll, call'd The Consequences of Industry and Idleness, or The Apprentice's Guide. To begin at Twelve noon. [Notice repeated 25, 26 27 Aug.

Performances

Mainpiece Title: The Consequences Of Industry And Idleness

Song: Signora Agnetta being the first Time of her Performing since her Arrival. An extraordinary Band of Musick

Event Comment: At Lee and Yeates Sen and Jun great Theatrical Booth...will be reviv'd that celebrated Droll, call'd The Unnatural Parents; or, The Fair Maid of the West. Shewing the Manner of her being forced to wander from Home, by the Cruelty of her Parents and beg her Bread; and directs her to a Nobleman's House: How she was there taken in as a Servant; and, at length, for her Beauty and modest Behaviour, married to a Gentleman of great Fortune; with her Return to her Parents, and their happy Reconciliation. Also the Comical Humours and Adventures of Trusty her Father's Man, and the three Witches. The Scenes and Cloaths are entirely new; and the Droll the same that was perform'd by Mrs Lee 15 Years ago with great Applause. Boxes: 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each Day at Twelve o'Clock. [Notice repeated 25, 26, 27 Aug.

Performances

Mainpiece Title: The Unnatural Parents

Dance: The original Dance-Three Wild Cats of the Wood; Between the Acts: Dancing-Adams, Mrs Ogden

Music: A Good Band of Musick

Event Comment: At Bridges, Cross, Burton, and Vaughan's Great Theatrical Booth on the Bowling Green, Southwark, (with a company from the theatres) during the short time of the Fair will be presented an Historical Drama (lately acted in Bartholemew Fair with universal applause) the Northern Heroes with the Loves of Count Gillensternia, a Swedish General, and the fair Ellimira a Russian Princess, containing the most remarkable events of that time; and concluding with the memorable battle of Putlowav, and Charles's retreat into the Turkish dominionsv. Interspersed with a comic interlude, The Volunteers. Also the comical humours and amours of Corporal Garbage and Serjeant Slim, with Mrs Vanspriggen the Swedish Sutler's widow, the merry pranks of her foolish son Janny, and several other diverting incidents. As the Fair will be of so short continuance, we shall begin very early each day (General Advertiser). [See 24 Aug. 1748, bf]

Performances

Mainpiece Title: He Northern Heroes; Or, The Bloody Contest Between Charles The Twelfth, King Of Sweden, And Peter The Great, Czar Of Muscovy

Afterpiece Title: The Volunteers; or, The Adventures of Roderick Random and His Friend Strap

Dance: Particularly a Hornpipe-

Event Comment: At Lee, Yeates Sen & Jun and Warner's Booth, Southwark. Mrs Bracegridle died, at her House in Howard St. (Theatrical Clippings, Folger Library.

Performances

Mainpiece Title: The Unnatural Parents; Or, The Fair Maid Of The West

Event Comment: Published at 1s. 6d. Romeo and Juliet, revised by Theo. Cibber, first rev[ived] in Sept. 1744 at the Theatre in the Haymarket. Now acted at the Theatre Royal in Drury Lane. Great objects only strike the Gen'rous Heart@Praise the Sublime, o'er look the Mortal Part@Be there your judgment, Here your Candor shown@Small is our Portion-and we wish 'Twere none.-Prologue to Comus alter'd, &c. To which is added a Serio-Comic Apology for part of the life of Theophilus Cibber, Comedian, written by himself. Interspers'd with Memoirs and Anecdotes relating to the Stage managements, Theatrical Resolutions, &c., also Cursory Observations on some Pribcipal players. Particularly, Mr Quin, Ryan, Delane, Mrs Woffington, Mrs Ward, Miss Bellamy, Mr Garrick, Barry, Mrs Cibber, Mrs Clive, Mrs Pritchard and others. Likewise Original Letters that passed between the late Sir Thomas deVeil and Mr Theophilus Cibber relating to the Stage Act. "Each Puny Critic can Objections raise@The Greatest still is Knowing when to praise,"-Buckingham. Concluding with a Copy of Verses called The Contrite Comedian's Confession. Printed for C. Corbett &c. (General Advertiser). [This pamphlet details Cibber's troubles with Fleetwood during the years 1743-46.] Receipts: #160 (Cross); #151 11s. (Powel)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Intriguing Chambermaid

Event Comment: This month, as recorded in the Gentleman's Magazine Register of Books, was published A General History of the Stage, from its origin in Greece down to the present time. With the Memoirs of most of the principal performers that have appeared on the English and Irish Stage. With notes antient and modern, foreign, domestic, serious, comic, moral, merry, historical, and geographical. Containing many theatrical anecdotes; also several pieces of poetry never before published. Collected and digested by W. R. Chetwood, twenty years prompter to His Majesty's Company of Comedians at the Theatre Royal in Drury Lane. Printed for W. Owen

Performances

Mainpiece Title: None

Performances

Mainpiece Title: Dramatic Lecture

Performance Comment: Don Buskin-Socco, Professor of Dramatic Exercises proposes to instruct (upon reasonable Terms, publickly or privately) such young Gentlemen, Ladies, etc., who for amusement, or otherwise, are willing to become Pupils in the Art of Theatrical Speaking and Acting...The Professor also gives Notice, that he intends to go through a Course of fifteen Dramatic Lectures founded on Shakespear's Plays. Each one to consist of three parts, and to be exhibited thrice weekly, as follow: The Heads of the first Lecture are as follow, viz. An Introduction to the Course. An Account of Dramatick Poesy. Aristotle's Definition of Tragedy and Comedy. The Sentiments of the Judicious concerning Shakespear. His Play of Hamlet consider'd, the Fable, Manners, Sentiments, and with Remarks on his Instructions to the Actors.
Event Comment: At Phillips's Great Theatrical Booth opposite Cow Lane. With the surprising performances of an Englishman and a Citizen of London [Lort] who performs all the Equilibres on the Slack Rope that were performed by the muchfamed Turk. Prices: 2s. 6d., 1s. 6d., 1s., 6d. To begin at Twelve. [Time and prices the same at all booths.] Afterpiece: With the Escape of Harlequin into a Glass Bottle, also the last new additional Scene of Sig Jumpedo Jumping Down his own Throat. [An unhappy evening, for "last night the gallery of Phillips' booth fell down, with a great number of people in it, by which accident several persons were hurt, and some dangerously. This misfortune could be owing to nothing but the carelessness of the workmen, who upon such occasions deserve to be severely punished" (General Advertiser, 24 Aug.). The Daily Advertiser noted that Mr Stringellow, a goldsmith, in Aldersgate St., and Thomas Hodges, a journeyman-plaisterer in Golden Lane, were killed.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Harlot's Progress

Event Comment: At Yeates's Great Theatrical Booth opposite the George Inn, West Smithfield, during the short time of the Fair, the Town will be entertained with an Historical Play...To which will be added a new Pantomime Entertainment call'd The Amours of Harlequin; or, The Bottle-Conjurer Outdone. With the Escape of Harlequin into a quart Bottle. Prices: 1s. 6d., 1s., 6d. To begin at twelve o'clock

Performances

Mainpiece Title: The Blind Beggar Of Bethnal Green

Afterpiece Title: The Amours of Harlequin

Song: Between the acts: Entertainments of Singing-; A Good Band of Musick

Dance: Between the acts: Entertainments of Dancing-