SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatres Royal in London"/1) | (@(roleclean,performerclean) "Theatres Royal in London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Gamester

Performance Comment: Beverley-Pope (1st appearance in that character [in London]); Lewson-Farren; Jarvis-Hull; Bates-Fearon; Dawson-Thompson; Stukeley-Inchbald [1st appearance on this stage]; Charlotte-Mrs Wells (1st appearance in that character); Lucy-Miss Platt; Mrs Beverley-Mrs Pope. [Edition of 1792 (John Bell) adds: Waiter-$Ledger.]

Afterpiece Title: The Romp

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry-Quick; Campley-Davies; Medium-Wewitzer; Mate-Darley; Planters-Gardner, Thompson, Helme, Evatt; Sailor-Ledger; Waiter-Farley; Trudge-Edwin; Wowski-Mrs Martyr; Narcissa-Mrs Mountain; Patty-Mrs Rock; Yarico-Miss Chapman (1st appearance in London).

Afterpiece Title: Animal Magnetism

Dance: End II: a new Negro Dance-Byrne, Mrs Goodwin

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron-Kemble (1st appearance in that character [in London]); Count Baldwin-Packer; Carlos-Barrymore; Belford-R. Palmer; Sampson-Phillimore; Villeroy-Palmer; Nurse-Mrs Love; Isabella-Mrs Siddons.

Afterpiece Title: Selima and Azor

Song: In III: Epithalamium-; Vocal Parts-Mrs Forster, Miss Romanzini

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin Junior; or, The Magic Cestus

Performance Comment: Harlequin-Banks (1st appearance in London [but see17881108]); Old Harlequin-Hamoir; Magician-Dignum; Officer-Williames; German Officer-Phillimore; French Gentlemen-Lamash, Burton; Valet-Wilson; Miller-Chaplin; Landlord-Jones; Cook-Fawcett; Daemon-Master Grimaldi; Taylor-Alfred; Clown-Hollingsworth; Old Colombine-Mrs Booth; Fairy-Miss Cranford; French Ladies-Miss Barnes, Miss Tidswell, Mrs Heard; Colombine-Miss Stageldoir.

Performances

Mainpiece Title: Tancred And Sigismunda

Performance Comment: Tancred-Pope (1st appearance in that character); Siffridi-Hull; Rodolpho-Macready; Officer-Evatt; Osmond-Farren; Laura-Mrs Mountain; Sigismunda-Miss Wallis (1st appearance [in London]).in London]).

Afterpiece Title: Aladin

Entertainment: Monologue Preceding: an Occasional Prologue-Farren

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Feast of Anacreon

Afterpiece Title: The Intriguing Chambermaid

Entertainment: Monologue. End IV: A Comic Description of the Curiosities in the Tower of London-Edwin

Performance Comment: End IV: A Comic Description of the Curiosities in the Tower of London-Edwin.

Performances

Mainpiece Title: Twelfth Night

Performance Comment: Orsino-Whitfield; Sebastian-Bland (1st appearance in London); Antonio-Phillimore; Curio-Lyons; Sir Toby Belch-Moody; Sir Andrew Ague@cheek-Dodd; Sea Captain-Benson; Fabian-R. Palmer; Malvolio-Bensley; Clown-Suett; Olivia-Mrs Crouch; Viola-Mrs Jordan; Maria-Mrs Kemble.

Afterpiece Title: The Pannel

Dance: End: The Irish Bird Catchers, as17900123

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Cymon

Performance Comment: Cymon-Blanchard (1st appearance in that character); Dorus-Quick; Merlin-Bannister; Daemon of Revenge-Darley; Shepherds-Egan, Evatt; Linco-Edwin; Urganda-Mrs Martyr; Fatima-Mrs Pope (1st appearance in that character [in London]); Dorcas-Mrs Pitt; Shepherdesses-Miss Rowson, Miss Stuart; Sylvia-Mrs Mountain.

Dance: End: Tamborine Dance- [See17891021]; Afterpiece conclude: Dance-Byrne, Mrs Goodwin

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Who's the Dupe

Performance Comment: As17891017, but Mr Doiley-Boyes (1st appearance in London).

Dance: As17891204

Performances

Mainpiece Title: Douglas

Performance Comment: As17901004, but Douglas (1st time [in London])-Fennell; Glenalvon-Harley; Officer-_; Anna-_.

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Performances

Mainpiece Title: Douglas

Performance Comment: As17931004, but Douglas (1st time [in London])-Fennell; Glenalvon-Harley; Officer-_; Anna-_.

Afterpiece Title: The Picture of Paris, Taken in the Year 1790

Performances

Mainpiece Title: The Iron Chest

Performance Comment: Characters by Kemble, Wroughton, Bannister Jun., Dodd, Barrymore, Suett, Master Welsh, Kelly, R. Palmer, Dignum, Sedgwick, Phillimore, Bannister, Master Webb, Banks, Hollingsworth, Trueman, Webb, Maddocks, Key, Whitmell, Miss Farren, Mrs Gibbs, Miss Tidswell, Sga Storace, Miss Granger, Miss DeCamp. Cast from text (Cadell & Davies, 1796), and London Chronicle, 14 Mar.: Sir Edward Mortimer-Kemble; Fitzharding-Wroughton; Wilford-Bannister Jun.; Adam Winterton-Dodd; Rawbold-Barrymore; Samson-Suett; Boy-Master Welsh; Armstrong-Kelly; Orson-R. Palmer; Robbers-Dignum, Sedgwick, Phillimore, Bannister; Robber's Boy-Master Webb; Peter-Banks; Cook-Hollingsworth; Gregory-Trueman; Simon-Webb; Walter-Maddocks; Helen-Miss Farren; Blanch-Mrs Gibbs; Dame Rawbold-Miss Tidswell; Barbara-Sga Storace; Girl-Miss Granger; Judith-Miss DeCamp; unassigned-Keys, Whitmell.

Afterpiece Title: Harlequin Captive

Song: Mainpiece: The General Chorus-Cooke, Danby, Evans, Welsh, Wentworth, J. Fisher, Master DeCamp, Master Gregson, Atkins, Brown, Denman, Fisher, Tett, Aylmer, Caulfield Jun., Dibble, Gallot, Willoughby, Annereau, Bardoleau, Cook, Miss Arne, Mrs Boimaison, Mrs Bramwell, Mrs Butler, Miss Mellon, Miss Wentworth, Mrs Maddocks, Miss Chatterley, Miss Menage, Miss Stuart, Miss Jackson

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: An Harmonic Jubilee

Performance Comment: A new comic song (never performed), The United Englishmen-Munden; A new comic song (never performed in London), A Dish of all Sorts-Munden; The Town Crier, in character,-Suett; Brave Betty was a Virgin Queen-Johnstone; Boxing the Compass-Fawcett; Imitations-Caulfield.

Afterpiece Title: The Honest Thieves

Performances

Mainpiece Title: The Castle-spectre

Performance Comment: As17981008, but Reginald-Cory (1st appearance [in London]).in London]).

Afterpiece Title: The Captive of Spilburg

Dance: As17981114

Performances

Mainpiece Title: Five Thousand A Year

Afterpiece Title: The Old Cloathsman

Performance Comment: Principal Characters by Incledon, Munden, Knight, Emery, Waddy, Wilde, Abbot, Dyke, Curties, Mrs Atkins, Mrs Chapman, Mrs Mattocks. Cast from London Chronicle, 4 Apr.: Frank-Incledon; Dewberry-Munden; Florid-Knight; Mr Morgan-Emery; Melton-Waddy; Philip-Abbot; Clara-Mrs Atkins; Phoebe-Mrs Chapman; Mrs Morgan-Mrs Mattocks; unassigned-Wilde, Duke, Curties; Peasants and Servants-King, Linton, Street, Blurton, Russel, Tett, Oddwell, Sawyer, Everett, Thomas, Kenrick, Miss Wheatley, Mrs Watts, Mrs Iliff, Mrs Follett, Miss Leserve, Mrs Masters.

Afterpiece Title: The Tobacconist

Event Comment: The King's Company. See 3 March 1668@9 for another play acted(on a Wednesday in Lent by the young players. Langbaine, (English Dramatick Poets, p. 208): Coxcomb, a Comedy, which was reviv'd at the Theatre-Royal, the Prologue being spoken by Jo. Haines. Pepys, Diary: To the King's playhouse, and there saw The Coxcomb, the first time acted, but an old play, and a silly one, being acted only by the young people

Performances

Mainpiece Title: The Coxcomb

Event Comment: In the Term Catalogues a new edition of John Wilson's The Cheats was announced as licensed on 30 May 1671. This play had previously been given in March 1663. The edition of 1671 states that it has been given by the King's Company at the Theatre Royal, and it may have been revived at this time

Performances

Event Comment: This play was reprinted in 1672, being entered in the Term Catalogues, 20 Nov. 1671. It probably was acted in the late summer of 1671. The title page states that it was acted at the Theatre Royal, Bridges Street

Performances

Mainpiece Title: Vittoria Corombona; Or, The White Devil

Event Comment: The King's Company. The date of the premiere is not known, but John Harold Wilson, Six Restoration Play-Dates, Notes and Queries, June 1962, p. 221, has argued, primarily on references in the Epilogue, that the play was probably produced before the opening of the new Theatre Royal in Drury Lane and following two unsuccessful plays: The Mall and The Amorous Old Woman. The Prologue is in New Songs and Poems a la Mode, 1677. Preface to the edition of 1675: This play was left in Mr Dryden's hands many years since. The Author of it was unknown to him, and return'd not to claim it

Performances

Mainpiece Title: The Mistaken Husband

Event Comment: The King's Company. This performance, which marks the opening of the new Theatre Royal in Drury Lane, is on the L. C. list, 5@141, p. 73. See also Nicoll, Restoration Drama, p. 345. The Prologue and Epilogue were printed in Miscellany Poems, 1684. That the Prologue was spoken by Mohun is indicated in BM Sloane MSS. 4445

Performances

Mainpiece Title: The Beggar's Bush

Event Comment: The King's Company. The date of the first production is not known, but as the play was entered in the Term Catalogues in November 1680, it was probably first acted in September or October 1680. The Dedication refers to the ineffectiveness of the company at this time. Dedication, Edition of 1680: A Play so worthless, and so Unfortunate. Nay, to sum up all its Misfortunes, it does not only owe so little to the Composers Hand, but breath'd too in a Season, when Poetry even with its softest and more Curious Aires, to the Ears of this untunable Age, sounds but harsh and unpleasant: nay, and what's yet worst of all, perform'd by the feeble Fragment of a Company.--'Tis true, the Theatre Royal was once all Harmony....But when this hapless Play came forth, its sweetest Pipes were stopt; [Praise of Hart]. But, Alas, the very best of Plays now find but a cold Reception

Performances

Mainpiece Title: Fatal Love; Or, The Forc'd Inconstancy

Performances

Mainpiece Title: The Sicilian Usurper

Performance Comment: [The History of King Richard the Second, by Nahum Tate.] Edition of 1681: The History of King Richard the Second Acted at the Theatre Royal under the Name of the Sicilian Usurper. Prologue-; Epilogue-Mrs Cook.
Event Comment: Nahum Tate published a poem The Battle of the B@@d's in the Theatre Royal Dec. 3, 1680, in Poems Written on Several Occasions, 2d edition, 1684, pp. 153-54

Performances

Event Comment: The King's Company. The date of this performance is known from the separately printed Prologue and Epilogue: A Prologue by Mr Settle to his New Play, called The Emperor of Morocco, with the Life of Gayland. Acted at the Theatre Royal, the 11th of March 1682. The Epilogue, Spoken by Mrs Coysh's Girl, as a Cupid. [Luttrell's date of acquisition, 16 March 1681@2, is on his copies of the Prologue and Epilogue (Huntington); they have also been reprinted in Wiley, Rare Prologues and Epilogues, pp. 84-85.

Performances

Mainpiece Title: The Heir Of Morocco With The Death Of Gayland

Event Comment: The Duke's Company. The Prologue and Epilogue, printed separately, bear Luttrell's MS notations: At ye Dukes theater at Venice Preserv'd &c. Acted 31 May. 1682 (Huntington Library, with Luttrell's date of purchase, 1 June 1682). The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 108-10. The Newdigate newsletters disagree as to the play acted: 1 June 1682: Yesterday the D. of Y. came to town & went wth his Dutchess to ye play called the Royallist (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80)

Performances

Mainpiece Title: Venice Preserved

Performance Comment: See16820209, but Prologue to The Dutchess On Her Return from Scotland, by Mr Dryden-; Epilogue to Her Royal Highness On Her Return from Scotland, by $Mr Otway-.