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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatres Royal in London"/1) | (@(roleclean,performerclean) "Theatres Royal in London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5626 results for: Keyword - Theatres Royal in London
We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

4326
12 May 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Miss Lucy in Town

4327
17 May 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The King and Miller of Mansfield

Song: I: Let me wander not unseen-Beard; III: Happy Pair-Beard; V: Ellen@a@Roon-Mrs Clive

Dance: II: a Dutch Dance-Phillips; IV: A Hornpipe-Phillips

4328
11 September 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Mock Doctor

4329
14 September 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay

4330
18 September 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

4331
21 September 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplish'd Fools

Afterpiece Title: The Virgin Unmask'd

Song: III: The Early Horn-Lowe

Dance: II: Tyrolean Dance-Borromeo, Signora Constanza, Desse, Baudouin, LaPierre, Mrs Thomson, Mlle Gendon, Mlle Fabres; IV: A Peasant Dance-Borromeo, Sga Constanza; being the 1st time of their appearing on that stage

4332
22 September 1742 @ Covent Garden

Performances

Mainpiece Title: Othello, Moor Of Venice

4333
15 December 1742 @ Drury Lane Theatre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Song: I: Beard; IV: Lowe

4334
18 February 1743 @ Covent Garden

Performances

Mainpiece Title: Samson

4335
22 February 1743 @ James Street

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Chrononhotonthologos

4336
23 February 1743 @ Covent Garden

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

4337
14 March 1743 @ Drury Lane Theatre

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: The Virgin Unmasked

Song: II: Beard; III: The Noontide Air from Comus-Miss Edward; IV: Lowe

4338
15 March 1743 @ Drury Lane Theatre

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Lying Valet

Song: II: Beard; IV: The Early Horn-Lowe

Dance: III: Tyrolean Dance, as17421129

4339
16 April 1743 @ King's Theatre

Event Comment: The Universal Spectator today carried an even harsher attack on the theatres as a place to represent oratorios; see Deutsch, Handel, pp. 567-68

Performances

Mainpiece Title: Sirbace

4340
04 May 1743 @ Drury Lane Theatre

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Dance: I: A French Peasant-Froment, Mlle Gondeau; III: A New Serious Dance-Desse, Mrs Walter; V: La Florana, as17430408

Song: II: Stella and Flavia-Beard; IV: Bumper Squire Jones-Beard, Lowe

4341
26 November 1743 @ Drury Lane Theatre

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Lying Valet

Song: II: Sullivan; IV: Bumper Squire Jones-Sullivan

Dance: III: Italian Masquerade-Muilment, Desse, Leviez, Mrs Walter, Mrs Thomson

4342
26 December 1743 @ Inner Temple

Event Comment: At the Temple Punch House, Tony Aston, the oldest approv'd Actor in the three Kingdoms, being deni'd his bread in both Theatres, this Day exhibits his learned comic demonstrative Oratory on the Face, with English, Irish, Scotch, and Negroe Songs, in proper habits, Prologue and Epilogue, and all his own Pasquin Invention. 6 p.m. 1s. He is under Misfortunes, and desires the Company of the Ingenious and Humorous. [Repeated 29, 31 Dec.; and with some changes in wording on 2, 5, 9, 25 Jan., 6, 15 Feb. 1744.

Performances

4343
21 January 1744 @ Haymarket Theatre

Performances

Mainpiece Title: None

4344
06 February 1744 @ Haymarket Theatre

Performances

Mainpiece Title: Othello, Moor Of Venice

4345
10 February 1744 @ Covent Garden

Performances

Mainpiece Title: Semele

4346
20 February 1744 @ Haymarket Theatre

Performances

Mainpiece Title: Othello

Music: Concerto on French Horn-Charles, first time of his performing since his arrival; concerto on German Flute-Burk Thumoth; After which will be acted Gratis the Tragedy...-a set of Gentlemen for their diversion

4347
25 February 1744 @ Drury Lane Theatre

Performances

Mainpiece Title: Regulus

4348
05 March 1744 @ Drury Lane Theatre

Performances

Mainpiece Title: Hamlet

Dance: Muilment, Mrs Auguste

4349
13 March 1744 @ Drury Lane Theatre

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Anatomist

Dance: Muilment, Mrs Auguste

4350
02 April 1744 @ Drury Lane Theatre

Performances

Mainpiece Title: Oedipus, King Of Thebes

Afterpiece Title: The School Boy