SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatres Royal in London"/1) | (@(roleclean,performerclean) "Theatres Royal in London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece [1st time; CO 5, by Richard Cumberland. Larpent MS 508, which also lists the following parts: Marsyas, Gumias, Chloris. Text not published; synopsis of plot in London Chronicle, 2 Feb. Songs published, without listings parts (G. Kearsley, 1780)]: With new Scenes, Dresses and Decorations. The Songs set to music and a new Overture by Butler. Book of the Songs to be had at the Theatre. Public Advertiser, 1 Feb. 1780: This Afternoon is published the Songs in The Widow of Delphi (6d.). Receipts: #228 4s. 6d. (227.4.6; 1.0.0)

Performances

Mainpiece Title: The Widow Of Delphi; Or, The Descent Of The Dieties

Performance Comment: Principal Characters by Lewis, Quick, Edwin, Wilson, Lee Lewes, Fearon, Booth, Baker, Wordsworth, Bates, Mattocks, Miss Brown, Mrs Wilson, Miss Green, Mrs Kennedy, Mrs Hartley. Cast from London Chronicle, 2 Feb.: Phormio-Lewis; Megadorus-Quick; Mercurius-Edwin; Pertinax-Wilson; Tranio-Lee Lewes; Apollo-Mattocks; Venus-Miss Brown; Lucretia-Mrs Wilson; Philaenis-Mrs Kennedy; Agapea-Mrs Hartley; Fearon, Booth, Baker, Wordsworth, Bates, Miss Green. Fearon, Booth, Baker, Wordsworth, Bates, Miss Green.

Afterpiece Title: The Upholsterer

Event Comment: 1st piece [1st time; PREL I, by George Colman, the elder]. "The ground-work was the apologies received from the great actors, who all preferred their suburban shades to the temperature of the Haymarket...The prompter enters to apologize to the audience and return the money, but his plea is rendered nugatory by certain oratorical and mimetic personages stationed in the pit and boxes, who not at first being recognized by the house as professional people, a great confusion was produced. When Mrs Webb arose to address the audience, the joke became apparent, and a prodigious interest was excited' (Boaden, Siddons, 1,208). [In 2nd piece the playbill lists Baddeley, but "Previous to the beginning of the Play, Palmer came forward...and acquainted [the audience] that Baddeley then lay speechless [as the result of a stroke], and Hitchcock, the prompter, would, with their permission, read Baddeley's Part" (London Chronicle, 31 May). The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Public Advertiser, 6 July 1780: This Day is published The Manager in Distress (1s.)

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: Midas

Performance Comment: Midas-Edwin; Apollo-Du-Bellamy (1st appearance in London these 3 years); Sileno-Massey; Jupiter-Simpkinson; Damaetas-Lamash [Public Advertiser: Blissett]; Pan-Bannister; Daphne-Mrs Hitchcock; Juno-Mrs Poussin; Mysis-Mrs Love; Nysa-Miss Twist.

Dance: End 2nd piece: new dance, The Italian Peasants-Master Byrne, Miss Byrne

Event Comment: Mainpiece [1st time; T 5, by Robert Jephson. Prologue by the author (Gentleman's Magazine, Jan, 1782, p. 36). Another Prologue, by the Right Hon. Luke Gardiner, "not arriving in London time enough for the first exhibition of the Count of Narbonne, was not spoken" (ibid.). Epilogue by Richard Josceline Goodenough, but beginning with 20 Nov. it was superseded by a new Epilogue written by Edmond Malone (see text)]: With new Scenery and Dresses. Public Advertiser, 1 Nov.: The Management of The Count of Narbonne is . . . under very good Care: Mr Horace Walpole, with a Fondness nothing less than fatherly, directs that part of the Affair which respects the Scenes and Dresses, while Henderson takes Charge of the Rehearsals and the casting of inferior Parts... [Henderson] is to wear a Dress which is lent him from among the Antiquities at Strawberry Hill. "I have been at the theatre, and compromised the affair of the epilogues: one is to be spoken to-morrow, the friend's on the author's night. I have been tumbling into trap-doors, seeing dresses tried on in the green-room, and directing armour in the painting-room" (Walpole [16 Nov. 1781], XII, 95). "I never saw a more unprejudiced audience, nor more attention. There was not the slightest symptom of disapprobation to any part ... It is impossible to say how much justice Miss Younge did to your writing. She has shown herself a great mistress of her profession, mistress of dignity, passion, and of all the sentiments you have put into her hands. The applause given to her description of Raymond's death lasted some minutes, and recommenced; and her scene in the fourth act, after the Count's ill-usage, was played in the highest perfection. Mr Henderson was far better than I excepted from his weakness, and from his rehearsal yesterday, with which he was much discontented himself. Mr Wroughton was very animated, and played the part of the Count much better than any man now on the stage would have done. I wish I could say Mr Lewis satisfied me; and that poor child Miss Satchell was very inferior to what she appeared at the rehearsals, where the total silence and our nearness deceived us. Her voice has no strength, nor is she yet at all mistress of the stage. I have begged Miss Younge to try what she can do with her by Monday. However, there is no danger to your play: it is fully established" (Walpole [to the author, 18 Nov. 1781], XII, 95-96). Public Advertiser, 28 Nov. 1781: This Day is published The Count of Narbonne (price not listed). Receipts: #164 10s. 6d. (163/0/6; 1/10/0)

Performances

Mainpiece Title: The Count Of Narbonne

Performance Comment: The Characters by Henderson, Wroughton, Lewis, Thompson, Fearon, J. Bates; Miss Satchell, Mrs Morton, Miss Younge. [Cast from text (T. Cadell, 1781), and London Chronicle, 19 Nov.: Austin-Henderson; Raymond-Wroughton; Theodore-Lewis; Fabian-Thompson; Officers of the Count-Fearon, J. Bates, Painter, &c.; Adelaide-Miss Satchell; Jacqueline-Mrs Morton; Hortensia-Miss Younge.] With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] . With a new Prologue [spoken by Wroughtton] and Epilogue [spoken by Miss Younge (see text). These were spoken, as here assigned, at the first 13 performances only (see17811215)] .

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-King; Orlando-Brereton; Amiens (with songs')-Du-Bellamy; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; Jaques-Palmer; Caelia (1st time, with the Cuckow song)-Miss Wheeler; Audrey-Mrs Wrighten; Rosalind-A Young Lady (1st appearance on the [London] stage [Miss Glassington]) .London] stage [Miss Glassington]) .

Afterpiece Title: Robinson Crusoe

Dance: End of Act I of mainpiece, as17820223

Song: In Act V of mainpiece song by Miss Field

Event Comment: Mainpiece: In Act I a Statute Scene. [Meadows had 1st appeard in London, from the Crow Street Theatre, Dublin, at the HAY, 12 Feb. 1785.]

Performances

Mainpiece Title: Love In A Village

Performance Comment: Hawthorn-Bannister; Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Wewitzer; Eustace-Davies; Young Meadows-Meadows (1st appearance in London); Luanda-Miss Langrish; Madge-Mrs Wells; Deborah Woodcock-Mrs Love; Rosetta-Miss George .

Afterpiece Title: Hunt the Slipper

Dance: End of Act II of mainpiece, as17850601

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Kemble; Bellarius-Aickin; Guiderius-Barrymore; Arviragus-R. Palmer; Cymbeline-Wrighten; Pissanio-Packer; Lucius-Phillimore; French Gentleman-Fawcett; Philario-Wright; Cornelius-Chaplin; Cloten-Dodd; Iachimo-Smith; Queen-Mrs Hopkins; Imogen-Mrs Jordan (1st appearance in that character [in London]) .in London]) .

Afterpiece Title: The Romp

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Virgin Unmask'd

Performance Comment: Coupee-Bannister Jun.; Blister-Suett; Quaver-Barrymore; Goodwill-Packer; Thomas-Phillimore; Miss Lucy-Mrs Jordan (1st appearance in that character [in London]) .in London]) .
Event Comment: Benefit for Bannister. [Wathen had 1st appeared in London at Lord Barrymore's private theatre, Savile Row, 22 July 1790.] Morning Herald, 16 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Padlock

Performance Comment: Mungo-Captain Wathen (1st public appearance in London); Leander-Davies; Scholars-Waldron Jun., Fisher; Diego-Bannister; Ursula-Mrs Webb; Leonora-Miss DeCamp (1st appearance in that character).

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: THE SPANISH BARBER

Performance Comment: Count Almaviva-Palmer; Doctor Bartholo-Parsons; Basil-Aickin; Tall Boy-Bland; Argus-Barrett; Notary-Abbot; Alcade-Cooke; Lazarillo-Bannister Jun.//Rosina-Miss Palmer (1st appearance [in London]) .in London]) .

Afterpiece Title: TIT FOR TAT

Performances

Mainpiece Title: The Purse

Afterpiece Title: Hamlet; Prince of Denmark

Performance Comment: Hamlet-Johnston (2nd appearance in that character [in London]); Ghost-Barrymore; King-Caulfield; Polonius-Munden; Laertes-C. Kemble; Horatio-Davies; Rosencrantz-Trueman; Guildenstern-Palmer Jun.; Player King-Davenport; Bernardo-Abbot; Marcellus-Lyons; Messenger-Chippendale; Priest-Usher; Sailor-Ledger; Ostrick-R. Palmer; Gravediggers-Suett, Waldron Jun.; Queen-Mrs Harlowe; Player Queen-Mrs Edward; Ophelia-Mrs Johnston (1st appearance [in London]).in London]).

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Poor Soldier

Performance Comment: Patrick-Johnstone; Fitzroy-Bannister; Dermot-Incledon (from the Theatre Royal, Bath; 1st appearance on this stage); Father Luke-Rock; Bagatelle (with a song in character)-Marshall (from the Theatre, Birmingham; 1st appearance at this theatre); Darby-Ryder; Kathlane-Mrs Martyr; Norah-Mrs Mountain.

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Miss Mason (1st appearance in public). Leader as17940312ART I. Overture (ATALANTA). Shall I in Mamre's? by Meredith; For all these Mercies by Chorus (JOSHUA). Come ever smiling liberty by Miss Leak (JUDAS MACCABAEUS). Together let us range by Harrison and Sga Storace (Boyce). How vain is man by Dignum (JUDAS MACCABAEUS). O Baal by Chorus (DEBORAH). Let the bright Seraphim by Sga Storace; Let their celestial Concerts all unite by Chorus (SAMSON). PART II. From L'ALLEGRO IL PENSEROSO. Hence! loathed melancholy by Harrison. Hence! vain deluding joys by Mrs Crouch. Come thou, goddess fair by Harrison. Come rather goddess, sage by Mrs Crouch. Haste thee nymph by Kelly and Chorus. Come and trip it by Mrs Bland and Chorus. Come pensive nun and Come, but keep thy wonted state by Mrs Bland. Join with thee calm peace and quiet by Chorus. Hence loathed melancholy and Mirth admit me of thy crew by Miss Leak. First and Chief and Sweet Bird, accompanied on the flute by Ashe, by Mrs Crouch. If I give thee honour due and Mirth admit me of thy crew by Meredith. Oft on a plat by Harrison. If I give thee honour and Let me wander by Master Welsh. And young and old by Chorus. PART III. The depths have covered them by Chorus (ISRAEL IN EGYPT). Ye men of Gaza by Mrs Crouch (SAMSON). 'Twas at the Royal Feast by Kelly; Happy, happy pair by Kelly and Chorus (ALEXANDER'S FEAST). Hope told a flattering tale by Miss Mason, accompanied on the harp by Meyer Jun. [Paisiello]. Pour forth by Meredith (JEPHTHA). When warlike Ensigns by Master Welsh (OCCASIONAL ORATORIO). From the Censer by Chorus (SOLOMON) .

Music: End of Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: Arlequin Balourd; Or, Harlequin A Blunderer

Performance Comment: And the last new Prologue spoken on Thursday last between Harlequin and Colombine The London edition of 1719 gives no cast but contains Prologue, Epilogue-Vezian.
Event Comment: Boxes 10s. 6d. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorios to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The date of Tenducci's re-appearance in London seems to have been a matter of some uncertainty (see dl, 10 Feb.)]

Performances

Mainpiece Title: Judas Maccabaeus

Music: End of Part I: concerto on the violoncello-Cervetto; End of Part II: concerto on the violin-Lamotte

Event Comment: [Henderson had 1st acted Macbeth in London at dl, 31 Mar. 1778.] "We have often remonstrated against the incongruous stile of dressing plays at each theatre...Last night the modern custom of making the principal actor fine was followed without any regard to propriety, or any care about the other personages of the drama" (Morning Chronicle, 19 Oct.). Receipts: #249 10s. 6d. (248.6.0; 1.4.6)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Touchstone

Song: Vocal parts-Reinhold, Doyle, J. Wilson, Baker, Miss Brown, Miss Valois, Mrs Morton, Mrs Willems

Performances

Mainpiece Title: Philaster

Performance Comment: Philaster-Lewis (1st appearance in that character); King-L'Estrange; Pharamond-Whitfield; Thrasaline-Thompson; Cleremont-Robson; Woodman-Booth; Captain of the Mob-Fearon; Dion-Hull; Arethusa-Mrs Mattocks; Megra-Miss Ambrose; Lady-Mrs Poussin; Galatea-Miss Stewart; Bellario-Mrs Inchbald (1st appearance in London).

Afterpiece Title: Tom Thumb

Dance: End II: The Shepherd's Wedding-Harris, Miss Matthews; End III: The Humours of Leixlip, as17800927

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-Browne (1st appearance in London); King-Kemble; Polonius, 1st Grave Digger-Moss; Laertes-Baker; Horatio-Johnson; Ostrick-Meadows; Ghost-Williamson; Queen-Mrs Bulkley; Ophelia-Mrs Kemble (1st appearance on this stage).

Afterpiece Title: Harvest Home

Entertainment: Monologue As17870516

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Cambray (1st appearance); Roderigo-Blanchard; Cassio-Macready; Brabantio-Hull; Lodovico-Davies; Montano-Thompson; Duke-Booth; Gratiano-Fearon; Iago-Ryder (1st appearance in that character [in London]); Emilia-Mrs Morton; Desdemona-Mrs Pope.

Afterpiece Title: The Romp

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Performance Comment: Leon-Kemble (1st appearance in that character [in London]); Duke-Barrymore; Cacafogo-Moody; Don Juan-Packer; Sanchio-Phillimore; Alonzo-R. Palmer; Lorenzo-Lamash; Copper Captain-Palmer (1st appearance in that character [at this theatre]); Margaretta-Mrs Ward; Old Woman-Mr Baddeley; Maid-Mr Waldron; Altea-Miss Tidswell; Estifania-Miss Farren. [Edition of 1792 (William Jones) adds: Clara-$Miss Barnes.]

Afterpiece Title: The Doctor and the Apothecary

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: The Man of Quality

Performance Comment: Lord Foppington-Bernard; Sir Tunbelly Clumsey-Ryder; Young Fashion-Macready; Nurse-Mrs Pitt; Miss Hoyden-Miss E. Brunton (1st appearance in London).

Afterpiece Title: The Two Misers

Song: In: Bannister, Johnstone, Darley, Duffey, Mrs Mountain, Miss Stuart, Miss Rowson, Mrs Martyr; The Music by Stevens-

Entertainment: Monologue. Preceding 2nd piece: Occasional Address-Miss Brunton

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier (1st time)-Holman; Priuli-Hull; Renault-Powel; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Macready; Pierre (1st time)-Harley; Belvidera (1st time [in London])-Mrs Esten.

Afterpiece Title: A Divertisement

Dance: In afterpiece: Dancing-Byrne, Mrs Goodwin

Performances

Mainpiece Title: Venice Preserved

Performance Comment: Jaffier (1st time)-Holman; Priuli-Hull; Renault-Powel; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Macready; Pierre (1st time)-Harley; Belvidera (1st time [in London])-Mrs Esten.

Afterpiece Title: A Divertisement

Dance: In afterpiece: Dancing-Byrne, Mrs Goodwin

Performances

Mainpiece Title: Love And Madness

Performance Comment: Theseus-Davies; Palamon-Lacy Jun. (1st appearance in London); Arcite-Palmer Jun.; Governor-Wilkinson; Brother-Longdale; Officer-Waldron Jun.; Peasants-Holmes, Adcock, Willoughby, Aberdein; Female Peasants-Mrs Gawdry, Miss Gawdry, Mrs Hale, Mrs Butler, Mrs Jones; Emilia-A Young Lady [unidentified]; Attendant-Mrs Haskey; Hermia (with a song)-Mrs Harlowe.

Afterpiece Title: 'Tis a Wise Child Knows its Father

Performances

Mainpiece Title: Hamlet

Performance Comment: Hamlet-A Young Gentleman (1st appearance [in London: Cooper]); Ghost-Toms; Horatio-Harley; Laertes-Middleton; King-Richardson; Ostrick-Bernard; Polonius-Munden; Rosencraus-Macready; Guildenstern-Claremont; Marcellus-Williamson; Francisco-Farley; Bernardo-Cross; Priest-Powel; Player King-Thompson; Lucianus-Davenport; Sailor-Ledger; Gentleman-Abbot; Grave@diggers-Quick, Rees; Ophelia-Mrs Mountain; Player Queen-Mrs Platt; Queen-Mrs Pope.

Afterpiece Title: The Ghost

Song: In V: a Dirge- [set to Music by Shield. The Words from Shakespeare [see17931009]; Vocal Parts-Mrs Martyr, Mrs Clendining, Miss Stuart, Mrs Watts, Mrs Lloyd, Mrs Blurton, Miss Walcup, Mrs Masters, Mrs Norton, Mrs Follett, Mrs Castelle, Miss Ives, Miss Leserve, Haymes, Street, Linton

Event Comment: A New Opera (1st time [in London; 1st performed at Florence, 1793, as La Confusione nata dalla Somiglianza; ossiano, I Due Gobbi]); the music by Portogallo. [Viganoni had 1st appeared at the former king's Theatre throughout the seasons of 1781-82 and 1782-83.

Performances

Mainpiece Title: I Due Gobbi

Dance: End I: Divertissement-[, as17960310 End Opera: Le Bouquet- [see17960305