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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatres Royal in London"/1) | (@(roleclean,performerclean) "Theatres Royal in London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5626 results for: Keyword - Theatres Royal in London
We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

3051
05 June 1784 @ Haymarket Theatre

Performances

Mainpiece Title: The Tobacconist

Performance Comment: Abel Drugger-Kippling (1st appearance in London); Subtle-Gardner; Headlong-R. Palmer; Knowlife-Usher; Face-Davies; Doll Tricksy-Mrs Lloyd; Miss Rantipole-Miss Morris .

Afterpiece Title: The Election of the Managers

Afterpiece Title: Gretna Green

3052
21 August 1784 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; MF 2, by Henry Knapp; music by Samuel Arnold. Author of Prologue unknown. London Chronicle, 24 Aug., states that this was based on a French comedy of the same title.]

Performances

Mainpiece Title: Lord Russel

Afterpiece Title: Hunt the Slipper

3053
28 October 1784 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, author unknown; frequently attributed to Thomas Vaughan, but his authorship denied in a letter written by him to editor of the Oracle, 13 Feb. 1796. Author of Prologue unknown. Epilogue by Edward Topham (European Magazine, Nov. 1784, p. 393). MS: Larpent 670; not published; synopsis of plot in London Magazine, Nov. 1784, p. 389]. Receipts: #161 2s. 6d. (142/9/0; 18/0/6; 0/13/0)

Performances

Mainpiece Title: Deception

Afterpiece Title: The Padlock

Dance: End of Act IV of mainpiece a New Dance incident to the Piece by Mr and Miss Hamoir

3054
14 December 1784 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Thomas Holcroft, based on Le Mariage de Figaro, by Pierre Augustin Caron de Beaumarchais; incidental music by William Shield. In 1789 reduced to an afterpiece of 3 acts. Prologue by the author (Europaen Magazine, Dec. 1784, p. 467)]: With new Dresses, Decorations, &c. Public Advertiser, 10 Mar. 1785: This Day is published The Follies of A Day (1s. 6d.). [For an account of Holcroft's shorthand transcription of the original, taken down during a performance in Paris, and the hasty rehearsals of it in London, see Elbridge Colby, A Bibliography of Thomas Holcroft, 1922, pp. 48-50.]

Performances

Mainpiece Title: The Follies Of A Day; Or, The Marriage Of Figaro

Afterpiece Title: The Citizen

3055
19 January 1785 @ Covent Garden

Performances

Mainpiece Title: Venice Preserv'd

Performance Comment: Jaffier-Pope (1st appearance in that character, and 3rd on any stage [see17850108 and 10 Jan.]); Priuli-Hull; Renault-Clarke; Bedamar-Davies; Duke-Thompson; Spinosa-Cubitt; Elliot-Fearon; Officer-Booth; Pierre-Henderson (1st appearance in that character [in London]); Belvidera-Mrs Crawford .

Afterpiece Title: The Magic Cavern

3056
12 February 1785 @ King's Theatre

Performances

Mainpiece Title: Demetrio

Dance: End of Act I Il Convito degli Dei, as17850205; End of Opera an entirely new Divertisement (composed by Lepicq) Le Jugement de Paris by Lepicq, Mme Rossi, Nivelon, Mlle Dorival, Frederic, Sga Angiolini. [Music by Francois Hippolyte Barthelemon (London Magazine, Feb. 1785, p. 141).]

Performance Comment: [Music by Francois Hippolyte Barthelemon (London Magazine, Feb. 1785, p. 141).] hathi.

3057
26 February 1785 @ King's Theatre

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1780]); the Music by Anfossi

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

3058
03 March 1785 @ King's Theatre

Event Comment: Benefit for Nivelon. Tickets, half a guinea each, to be had of Nivelon, No. 80, near the Opera House, Hay-marlcet. Divertissement: Part of the music composed by Barthelemon. [A la Plus Sage has the same plot as La Rosiere de Salency (see 19 Mar. 1782). A synopsis of the action is printed in London Magazine, Mar. 1785, pp. 219-20.]

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a New Divertissement, in which the 3 different Stiles of Dancing, viz., Serious, Demicharacter and Comic, by Lepicq, Mme Rossi, Sg and Sga Angiolini, with a Dance performed in Wooden Shoes by Nivelon, Frederic, Mlle Dorival; End of Opera a new Pastoral Ballet in 2 parts, composed by Gardel Sen., Ballet-master to the French Court, A la Plus Sage; ou, La Vertu Ricompensk, by Lepicq, Mme Rossi, Frederic, Sga Angiolini, Zuchelli, Henry, Mme Bithmer, Nivelon, Mlle Dorival

3059
11 March 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Samson