SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatres Royal in London"/1) | (@(roleclean,performerclean) "Theatres Royal in London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Henderson (1st appearance in that character [in London]); Smith-Aickin; Johnson-Palmer; The other Characters-R. Palmer, Egan, Hitchcock, Besford, T. Davis, Griffiths, Peirce, Fearon, Parsons, Blissett, Jackson, Edwin, Miss Hale, Mr DuBellamy, Mrs Poussin, Mrs Love, Miss Platt, Mrs Colles who acted Amaryllis (Morning Post, 26 Aug.)]. [With an Additional Reinforcement of Mr Bayes's New-raised Troops [for which, and for a list of the other parts, see dl, 13 Dec. 1777].for which, and for a list of the other parts, see dl, 13 Dec. 1777].

Afterpiece Title: The Fairy Tale

Performances

Mainpiece Title: The Merry Wives Of Windsor

Performance Comment: Falstaff-Henderson (1st appearance in this play [in London]); Justice Shallow-Blissett; Sir Hugh Evans-Parsons; Dr Caius-Jackson; Mr Page-Fearon; Master Slender-Bates; Fenton-R. Palmer; Host-Massey; Bardolph-Kenny; Pistol-Stevens; Robin-Master Hitchcock; Simple-Master Pulley; Ford-Palmer; Mrs Page-Mrs Davies; Ann Page-Mrs Colles; Hostess-Mrs Love; Mrs Ford-Mrs Lisley (late Miss Barsanti).

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Provok'd Wife

Performance Comment: Sir John Brute-Digges (1st appearance in that character [in London]); Heartfree-Aickin; Constant-Davies; Lord Rake-Egan; Justice-Massey; Constable-Griffiths; Watchmen-Jackson, Besford; Razor-R. Palmer; Taylor-Blissett; Lady Fanciful-Mrs Lisley; Belinda-Mrs Hitchcock; Mademoiselle-A Young Gentlewoman (1st appearance on any stage [unidentified]); Lady Brute-Mrs Hunter.

Afterpiece Title: Midas

Dance: End: Dance-

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mayor of Garratt

Performance Comment: Major Sturgeon-Bannister; Sir Jacob Jollup-Jackson [Public Advertiser: Massey]; Bruin-Griffiths; Heel@tap-T. Davis; Jerry Sneak-Parsons; Mrs Bruin-Miss Platt; Mrs Sneak-Mrs Burden (1st appearance in London these 8 years).

Dance: III: a Hornpipe-

Entertainment: ImitationsEnd: New Imitations Vocal and Rhetorical-Hutton

Performances

Mainpiece Title: The Provoked Husband

Performance Comment: Lord Townly-Digges (1st appearance in that character [in London]); Manly-Aickin; Count Basset-Davies; Squire Richard-R. Palmer; John Moody-Jackson; Sir Francis Wronghead-Parsons; Lady Wronghead-Mrs Love; Miss Jenny-Mrs Davies; Lady Grace-Mrs Colles; Myrtilla-Miss Platt; Trusty-Mrs W. Palmer; Mrs Motherly-Mrs Poussin; Lady Townly-Mrs Lisley (1st appearance in that character).

Afterpiece Title: The Occasional Prelude

Afterpiece Title: The Mayor of Garratt

Event Comment: New Scene [1st time; by Edward Thompson, with music by Dr Arne. Larpent MS 438; synopsis ("Macheath, after trial, is sentenced to work on the Thames" in London Chronicle, 18 Oct.]. Paid Hull on Acct. of salary as Acting Manager #30. Account-Book, 23 Mar. 1778: Paid Capt. Thompson for writing the new Scene in The Beggar's Opera #25. Receipts: #240 9s. (240.2.6; 0.6.6)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Commissary

Dance: End: As17771008; III: a Hornpipe-Miss Besford

Event Comment: Mainpiece: Never acted there. With Alterations and Additions by the Author [Arthur Murphy. London Chronicle, 7 Nov., prints a detailed synopsis of the alterations.]. The Characters entirely new dressed; with New Scenery and Decorations. [Morning Chronicle, 7 Nov.: Mrs Barry entered into the character of Mandane with all that strength of conception which characterizes her acting in general. Many of the passages received additional force from the judicious breaks and sudden transitions in her manner of giving them.] Receipts: #200 3s. (199.6; 0.17)

Performances

Mainpiece Title: The Orphan Of China

Afterpiece Title: Cross Purposes

Dance: As17771104

Event Comment: [The playbill retains Mrs Baddeley as Polly, but she "being indisposed Miss Walpole played the part of Polly on Tuesday night' (London Chronicle, 12 Nov.).] Paid Chettell, timber merchant, #286 13s. Receipts: #135 15s. 6d. (118.10.0; 16.18.6; 0.7.0)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Elopement

Dance: End II: The Minuet de la Cour, as17771107, but Master _Holland, Henry

Performances

Mainpiece Title: Every Man In His Humour

Performance Comment: Kitely-Smith; Old Knowell-Aickin; Young Knowell-Brereton; Wellbred-Farren; Master Stephen-Dodd; Brainworm-Baddeley; Justice Clement-Parsons; Downright-Hurst; Cob-Moody; Master Mathew-Burton; Cash-R. Palmer; Capt. Bobadil-Henderson (1st appearance in that character [in London]); Bridget-Miss P. Hopkins; Tib-Mrs Bradshaw; Mrs Kitely-Mrs Baddeley.

Afterpiece Title: Queen Mab

Event Comment: Mainpiece [1st time; T 5, by Richard Cumberland. Prologue and Epilogue by the author (Collection...of English Prologues and Epilogues, II, 214; IV, 195)]: With new Scenes, Dresses, and Decorations. Public Advertiser, 7 Feb. 1778: This Day is published The Battle of Hastings (1s. 6d.). "This piece was received with uncommon applause...[Palmer's] heroic exclamation-'all private feuds should cease when England's glory is at stake'-was so sensibly felt by the audience that a repetition was called for, but judiciously refused, as out of character in a tragedy" (London Magazine, Jan. 1778, p.37). Receipts: #243 15s. 6d. (235.0.0; 8.13.0; 0.2.6)

Performances

Mainpiece Title: The Battle Of Hastings

Afterpiece Title: Daphne and Amintor

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedick-Henderson (1st appearance in that character [in London]); Don Pedro-Packer; Claudio-Brereton; Balthazar (with a song)-Vernon; Don John-Aickin; Antonio-Hurst; Borachio-Farren; Fryar-Wright; Messenger-Lamash; Dogberry-Parsons; Town@Clerk-Baddeley; Conrade-Griffiths; Sexton-Wrighten; Verges-Carpenter; Watchmen-Burton, Holcroft; Leonato-Bensley (1st appearance in that character); Hero-Miss Hopkins; Margaret-Mrs Bradshaw; Ursula-Mrs Colles; Beatrice-Miss Pope.

Afterpiece Title: Selima and Azor

Dance: II: a Masquerade, Dance, proper to the play-; To conclude with: [a Country Dance-. [These were included in all subsequent performances.

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Henderson (1st appearance in that character [in London]); Sir Sampson Legend-Moody; Scandal-Bensley; Foresight-Parsons; Ben-Yates; Jeremy-Baddeley; Trapland-Waldron; Tattle-King; Angelica-Miss Younge; Mrs Frail-Miss Pope; Mrs Foresight-Miss Sherry; Miss Prue-Mrs Abington.

Afterpiece Title: Queen Mab

Dance: As17771009

Performances

Mainpiece Title: Macbeth

Performance Comment: As17780105, but Macbeth-Henderson (1st appearance in that character [in London]); Macduff-Farren; Captain-_.

Afterpiece Title: The Quaker

Dance: As17780324

Song: In: the original Music, as17780105, but _Edwards, Philimore, Mrs +Gaudry, Mrs +Wrighten

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Nature Will Prevail: A Dramatic Proverb

Performance Comment: Characters by Palmer, Baddeley, Mrs Hitchcock, Mrs Massey. Cast from London Chronicle, 11 June: Current-Palmer; Padlock-Baddeley; Finette-Mrs Hitchcock; Almadine-Mrs Massey.

Dance: As17780518

Event Comment: [Mainpiece in place of The Recruiting Officer, announced on playbill of 12 Oct.] Afterpiece [1st time; P 2(?), by James Messink. Not in Larpent MS; synopsis of action in London Chronicle, 15 Oct.]: The Scenes partly new and partly compiled from Rich's Pantomimes [i.e. The Rape of Proserpine, Perseus and Andromeda, Apollo and Daphne, all three written by Lewis Theobald (Morning Chronicle, 15 Oct.)]. The new Music by Dibdin. The new Scenes painted by Carver

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Medley; or, Harlequin At-All

Dance: Afterpiece: The dances-Aldridge, Dagueville, Miss Valois. [These were danced, as here assigned, in all subsequent Performances.

Event Comment: Afterpiece [1st time; M. ENT 2, by Richard Brinsley Sheridan (also attributed to Richard Tickell). Prologue by Richard Tickell (London Chronicle, 23 Oct.). Text 1st published probably by T. Lowndes, 1795]: To conclude with a perspective Representation of the Grand Camp at Cox-Heathv [near Maidstone, Kent, where a military encampment had been in existence for several months], from a View taken by DeLoutherbourg and executed under his direction. [This was included in all subsequent performances.] With a New Overture and other Music [by Thomas Linley Sen.]. New Scenery, Dresses and Decorations. Account-Book, 16 Oct.: Paid Supernumeraries & Soldiers for Camp #35 5s. 6d. Receipts: #266 0s. 6d. (258.16.0; 6.18.0; 0.6.6)

Performances

Mainpiece Title: Braganza

Afterpiece Title: The Camp

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by Bertoni and other eminent Masters [Myslivecek, Monza, Sarti]. 'Pacchierotti, who on this night made his 1st appearance in London, was] conscious that the chief delight of singing, and his own supreme excellence, lay in touching expression, and exquisite pathos...As an actor, with many disadvantages of person, for he was tall and awkward in his figure, and his features were plain, he was nevertheless forcible and impressive: for he felt warmly, had excellent judgment, and was an enthusiast in his profession. His recitative was inimitably fine, so that even those who did not understand the language could not fail to comprehend, from his countenance, voice, and action, every sentiment he expressed" (Mount-Edgcumbe, pp.24-25)

Performances

Mainpiece Title: Demofoonte

Dance: End II: La Noche Hollandoise, as17781124; End Opera: a New Ballet, connected with the Opera,-Mons Simonet, Mme Simonet, Banti, Sga Tinti

Ballet: End I: Annette et Lubin. As17781124

Event Comment: Benefit for the City of London Lying-in Hospital. [Author of Prologue unknown.] Paid Heele for Insurance #125 4s. Public Advertiser, 5 Dec.: Tickets to be had at the Hospital, Old Street Road. Receipts: #281 16s. (91.10; 9.9; 0.1; tickets: 180.16) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Deserter

Event Comment: Mainpiece: Not acted these 2 years. With a Procession and Sacrificev. [These were included in both subsequent performances.] Afterpiece [1st time; F 2, by Thomas Sheridan. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 21 Dec.]: Taken from the comedy of that name by Sir John Vanburghi [sic]. Receipts: #151 2s. 6d. (115.4.0; 35.16.0; 0.2.6)

Performances

Mainpiece Title: Merope

Afterpiece Title: AEsop

Event Comment: Afterpiece [1st time; F 2, by William Kenrick, based on The Country Lasses, by Charles Johnson. Not published; synopsis of plot in London Chronicle, 23 Dec. Prologue by the author (ibid)]

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Spendthrift; or, A ChristmasGambol

Performances

Mainpiece Title: The Law Of Lombardy

Performance Comment: Principal Characters by Smith, Bensley, Farren, Packer, Hurst, Wright, Chambers, Wrighten, Fawcett, Philimore, Burghall, Henderson, Mrs Robinson, Miss Younge. [Cast from text (T. Evans, 1779, and London Magazine, Feb. 1779, 73): Paladore-Smith; King-Bensley; Lucio-Farren; Rinaldo-Packer; Ascanio-Hurst; Shepherd-Wright; Senator-Chambers; Foresters-Wrighten, Fawcett; Squire to Paladore-Philimore; Officer-Burghall; Bireno-Henderson; Alinda-Mrs Robinson; Princess-Miss Younge; Prologue-Farren; Epilogue-Miss Younge. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: King Lear

Performance Comment: King Lear-Henderson (1st appearance in that character [in London]); Gloster-Aickin; Bastard-Palmer; Kent (1st time)-Hurst; Albany-Packer; Cornwall-Wrighten; Burgundy-Norris; Gentleman Usher-Burton; Physician-Wright; Old Peasant-Waldron; Servant to Cornwall-R. Palmer; Curan-Fawcett; Captain of the Guards-Chaplin; Edgar-Webster; Goneril-Miss Sherry; Regan-Mrs Colles; Arante-Miss Kirby; Cordelia-Miss Younge.

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Double Deception

Performance Comment: Principal Characters by Dodd, Parsons, Aickin, Baddeley, Waldron, Farren, Nash, Bidwell, Palmer, Miss Farren, Mrs Hopkins, Mrs Brereton, Miss Pope. Cast from London Chronicle, 30 Apr.: Flippant-Dodd; Welford-Parsons; Fairgrove-Aickin; Rudely-Baddeley; Robin-Waldron; Charles Fairgrove-Farren; Sir Harry Varnish-Palmer; Louisa Freemore-Miss Farren; Lady Varnish-Mrs Hopkins; Sophia Welford-Mrs Brereton; Kitty-Miss Pope; Nash, Bidwell are unassigned. For Prologue and Epilogue see17790506. Nash, Bidwell are unassigned. For Prologue and Epilogue see17790506.

Afterpiece Title: The Quaker

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Performance Comment: Principal Parts-Palmer, Parsons, Blissett, Jackson, R. Palmer, Egan, Stevens, Edwin, Miss Farren; [Cast from London Chronicle, 1 Sept. 1777: Count Almaviva-Palmer; +Dr Bartholo-Parsons; +Basil-Blissett; +Argus-Jackson; +Tall-Boy-R. Palmer; +Alcade-Egan; +Notary-Stevens; +Lazarillo-Edwin; +Rosina-Miss Farren.] +Prologue (see17790619-. +Prologue
(see17790619-.

Afterpiece Title: Man and Wife

Dance: End: Tambourine Dance-Master and Miss Byrn; End II afterpiece: As17790531

Performances

Mainpiece Title: The Suicide

Performance Comment: Principal Parts by Palmer, Aickin, Edwin, R. Palmer, Webb, Lamash, Gardner, Baddeley, Blissett, Massey, Egan, Davis, Stevens, Bannister, Mrs Webb, Miss Hale, Miss Farren. [Cast from London Chronicle, 11 July 1778: Tobine-Palmer; Tabby-Aickin; Wingrave-Edwin; Squib-R. Palmer; Bounce-Webb; Robin-Lamash; Cathartic-Gardner; Catchpenny-Baddeley; Dr Truby-Blissett; Juggins-Massey; Waiters-Egan, Davis, Stevens; Ranter-Bannister; Mrs Grogram-Mrs Webb; Peggy-Miss Hale; Nancy-Miss Farren; Original Prologue-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: The Mayor of Garratt

Dance: End: The Country Wake, as17790609