SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatres Royal in London"/1) | (@(roleclean,performerclean) "Theatres Royal in London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Edgar and Emmeline

Performance Comment: As17611211. *uöŸdl The Farmer's Return from London. As17620320.

Performances

Mainpiece Title: Florizel And Perdita

Afterpiece Title: Catharine and Petruchio

Performance Comment: As17620127 *uö›dl The Farmer's Return from London. As17620320 but Children, Master Pope, Miss Cape, Miss Heath.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Minor

Entertainment: I: King (for this night only) will present the Public with a Serio-Comic, Satiric, Prophetic, Poetic Oration, call'd The Brass Prophecy or News Ten Years Hence-King; End Farce, By Particular Desire: The Picture of the Playhouse or Bucks Have at ye All-King

Dance: IV: A New Hornpipe-Miss Baker. *uö?dl After: The Farmer's Return from London. As17620329

Performance Comment: *uö?dl After: The Farmer's Return from London. As17620329.

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Miss in Her Teens

Performance Comment: Fribble(for that night only)-Garrick; Flash-King; Biddy-Miss Pope; Loveit-Packer; Puff-Moody; Jasper-Ackman; Tag-Mrs Bennet. *uö·dl TThe Farmer's Return from London. As17620329.

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Genii

Performance Comment: As17611228. *uöÌdl TThe Farmer's Return from London. As17620329.

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Miss in Her Teens

Song: III: A Cantata-Miss Young. *uöÓdl TThe Farmer's Return from London. As17620329

Performance Comment: *uöÓdl TThe Farmer's Return from London. As17620329.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Polly Honeycombe

Performance Comment: As17610919. *uöÔdl TThe Farmer's Return from London. (by Particular Desire) As17620329.

Performances

Mainpiece Title: The Mistake

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17611127, but The Vocal Parts-Fawcett. *uöˆdl +TThe Farmer's Return from London. As17620320.
Cast
Role: The Vocal Parts Actor: Fawcett. uöˆdl +TThe Farmer's Return from London. As17620320.

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Musical Lady

Dance: I: The Camp Alarm'd, as17610926; III: The Drunken Swiss-Grimaldi, Baltazar, Miss Baker; IV: A New Tambourine-Vincent. (playbill) *uö¯dl TThe Farmer's Return from London. As17620320

Performance Comment: (playbill) *uö¯dl TThe Farmer's Return from London. As17620320.

Entertainment: TThe Savoyard Travellers-Grimaldi, Sg and Sga Giorgi, Miss Baker

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Jealous Farmer Deceiv'd [Harlequin Statue]

Performance Comment: Harlequin-Miles; Farmer-Buck; Statuary-Holtom; Colombine-Mrs Dyer; Pierrot-Lalauze; To conclude with a Country Dance-; [After the Pantomime, The Cries of London-Shuter.
Cast
Role: The Cries of London Actor: Shuter.

Dance: II: La Petite Bergere-Miss Lalauze (Eight years of age) being her fourth appearance on the stage [see17590425; 23 April 1760; 22 April 1761]; IV: A Serious Dance-Miss Lalauze; V: [A Ball Dance, call'd The Louvre, Minuet-a Young Gentleman (Eight years of age, a scholar to Mr Lalauze, his first appearance on any stage), Miss Lalauze

Entertainment: After: By Particular Desire, for this night only Hippisley's Drunken Man-Shuter

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Genii

Performance Comment: As17611228. *uö?dl TThe Farmer's Return from London. As17620320.

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Musical Lady

Dance: II: The Tambourine Dance-Vincent; III: The Italian Gardiners, as17611010; IV: Hornpipe-Vincent; The Camp Alarm'd, as17610926. End: The Farmer's Return from London. As17620320

Performance Comment: End: The Farmer's Return from London. As17620320.

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Catharine and Petruchio

Dance: II: Comic Dance-Miss Rogers. *uõdl End: The Farmer's Return from London. As17620320

Performance Comment: *uõdl End: The Farmer's Return from London. As17620320.

Performances

Mainpiece Title: The Funeral

Afterpiece Title: High Life below Stairs

Dance: II: Comic Dance-Miss Rogers; III: The Camp Alarm'd, as17610926. *uõdl End: The Farmer's Return from London. As17620320

Performance Comment: *uõdl End: The Farmer's Return from London. As17620320.
Event Comment: MMr Vernon-Macheath, 1st time; Mr Parsons-Filch, Mrs Parsons-Mrs Peachum (Cross Diary). Mr William Parsons came with Mr James Love from Edinburg, and Made his first appearance on the stage in London this evening; He died of an asthma on Tues. 3 February in the severe winter of 1795, and was buried in the churchyard of Lea-Church near Blackheath in Kent; he was in his 60th year (Macmillan [Hopkins MS Notes]). Afterpiece: Not acted these 2 years. [See 19 Oct. 1759.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Dance: End Opera: A Dutch Dance-Vincent, Sga Giorgi

Performances

Mainpiece Title: King Henry Iv, Part Ii

Afterpiece Title: Polly Honeycomb

Performance Comment: As17621012 *uõœdl End: The Farmer's Return from +London. Farmer-Garrick; Wife-Mrs Bradshaw .
Event Comment: Benefit for City of London Lying-In Hospital, Aldersgate St. No building on Stage. Tickets to be had at the Hospital, and of Mr Sarjant at the Stage-Door

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Contrivances

Dance: II: Pleasures of Spring, as17621202; End: The Jealous Woodcutter, as17621023

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Performance Comment: Lord Hardy-Ross; Lord Brumpton-Walker; Campley-Dyer; Trusty-Gibson; Trim (with the Cries of London)-Shuter; Puzzle-Martin; Tom-Costollo; Cabinet-Davis; Sable-Bennet; Corp. Swagger-Barrington; Tatter-Weller; Rag-Gardner; Clump-Buck; Bumpkin-R. Smith; Matchlock-Redman; Kate Matchlock-Wignel; Fordingale-Mrs Younger; Mademoiselle-Mrs Evans; Tattleaid-Miss Pitt; Lady Harriet-Miss Hallam; Lady Charlotte-Miss Macklin; Lady Brumpton-Mrs Ward.

Afterpiece Title: Perseus and Andromeda and the Arcadian Nuptials

Event Comment: Benefit for Love. Mr Love Hiss'd in the Scotchman. Dumont by Mr Powell (Hopkins). Characters Dress'd in Habits of Times. Mr Love was hissed very much in the Scotchman, and the Farce hissed at the end (Hopkins Diary-MacMillan). No building on stage. On Saturday Othello with a New Burletta call'd Music A-La-Mode, or Bayes in Chromatics For the Benefit of Vernon. [The principal characters were to have been played by King, Vernon, Packer, Fox, Mrs Mrs Dorman, and Miss Young (Public Advertiser, 13 April). But it was deferred at the last minute and seems never to have been performed. Larpent MS 237 lists the parts: Dr Crochet, Player-Packer; Squire, Justice; Damon; Daphne, Chorus of Shepherds and Nymphs. $J. P. Kemble thought it a burlesque at the expense of Dr Arne (professor of nonharmonic music). The Player wants in it to banish all but four plays (Tamerlane, London Cuckolds, George Barnwell, and Twelfth Night) and fill stage performance with music.] Receipts: #208 14s. 6d. (MacMillan); charges: #64 4s. [Profit to Love: #144 10s. 6d.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Register Office

Dance: End: The Irish Lilt, as17630922; End I Farce: Hornpipe-Miss Baker

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Upholsterer

Performance Comment: As17640104, but To Conclude, by Particular Desire, with The Cries of London-Shuter.

Dance: II: A Hornpipe-Miss Pitt; Between Play and Farce: Venus Reveng'd, as17631222

Entertainment: After play: Shuter (for Positively this night only) will entertain the audience with his serious, comic, post-haste Journey to Paris, with alterations and additions-Shuter

Event Comment: Benefit of Miss Mozart of eleven, and Master Mozart of seven Years of Age, Prodigies of Nature. At the Great Room, Spring Garden, St James's Park. Tickets at half a guinea each. By Permission of the Lord Chamberlain. [For Wolfgang Amadeus Mozart and his sister. Their father had brought them to visit London in May. See hay 21 Feb. 1765. They remained through July 1765. See also Grove's Dictionary of Music and Musicians, III, p. 539 (3rd edn. New York, 1947).

Performances

Mainpiece Title: A Concert Of Vocal And Instrumental Musick

Music: FFirst Violin solo-Barthelemon; Violincello Concerto-Ciri; Harpsichord and Organ-Miss Mozart, Master Mozart

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Performance Comment: Lord Hardy-Ross; Lord Burmpton-Walker; Campley-Dyer; Trusty-Gibson; Trim (with the Cries of London)-Shuter; Lady Harriet-Miss Hallam; Lady Charlotte-Miss Macklin; Lady Brumpton-Mrs Ward.

Afterpiece Title: Harlequin Sorcerer

Event Comment: Benefit for City of London Lying In Hospital, Aldersgate St.

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: High Life below Stairs

Dance: I: A Comic Dance, as17641213

Event Comment: Benefit for Miss Young. Afterpiece: Not acted in 20 years. Music by Dr Arne. [See John Lockman's Reflections concerning Operas, &c." in his introduction to his edition of Rosalinda (London, 1760), p. iv: 'A gentleman, well known for his musical compositions, is of opinion, that the reason why the Opera Rosamond tho' adorned with all the graces of lyric poetry, does not please from the stage, so much as might be expected, is owing to a circumstance that forms a beauty in the drama itself; I mean the suppos'd poisoning of Rosamond at the end of the second act, and her appearing no more upon the stage. Whilst this sheet was at press, I was told that Mr Arne has reduc'd this opera into one act, and set the whole anew; and so managed matters, that Rosamond appears throughout the whole drama. Tis said that the music of this new Rosamond is as delightful as that of another performance of Mr Arne's which now affords the town so agreeable an Entertainment."

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Rosamond

Dance: End: The Medley, as17641120

Event Comment: Benefit for the City of London Lying-In Hospital for Married Women, in Aldersgate St

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Chaplet

Dance: III: The Venetian Gardeners, as17650925; End: Rural Love, as17651115