SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatres Royal in London"/1) | (@(roleclean,performerclean) "Theatres Royal in London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit of a Citizen of London. Prices: 3s., 2s., 1s. A Concert, etc. By Particular Desire

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Tavern Bilkers

Song:

Dance:

Event Comment: At the New Wells, London Spa, Clerkenwell. A concert, etc. For one Night only...By desire...Benefit for Mrs Yeates. Boxes 2s. Pit or Gallery 1s

Performances

Mainpiece Title: Tunbridge Walks

Afterpiece Title: The Devil to Pay

Song: Mrs Smith, Brown

Dance: Mrs Smith, Brown

Event Comment: 'TTis said that the French Strollers will attempt again to play, in the Haymarket, after the violent Flame rais'd by them (London Evening Post)

Performances

Mainpiece Title: Il Negligente

Performances

Mainpiece Title: None

Performance Comment: [We hear that His Majesty has graciously pleased to order the Licence to the French Strollers to be withdrawn, in order to prevent any more Disturbances or ill Blood among his Subjects (London Evening Post). See17500522.]
Event Comment: [M$Mr Carata the Turk, 2nd Week's salary #26 5s. A Dancer on the slack rope. Met general approbation in London two years earlier. Engaged this season at the Haymarket, where he first perform'd "after the Turkish Manner with surprising execution on the slack wire" 31 Oct. 1749. Rich took him over in December and kept him on the payroll at #26 5s. weekly for thirteen weeks until 10 May 1750. His salary included pay for this equipment and apparently a small company of assistants, as the Account Book refers to him often as Carata the Turk & Co.] Receipts: #105 14s

Performances

Mainpiece Title: Lady Jane Gray

Afterpiece Title: Perseus and Andromeda

Event Comment: Play never acted. 'Tis hoped no gentleman will take it ill that he cannot possibly be admitted behind scenes this night (General Advertiser). This play was wrote by Mr Whitehead Tutor to my Lord Jersey,--it was receiv'd with Extravagant applause--& it was Agreed Mr-(Cross). Paid Mr Ackman for writing voice parts in Don Severio #1 1s.; Salary list #305 6d. Norton 6 chorus #1 10s. (Treasurer's Book). [Of some interest is the fact that a ship plying between London and Dublin was named the Roman Father, perhaps in response to the popularity of this play. See note of its safe arrival in Crookhaven in General Advertiser 25 Oct. 1750.] Receipts: #190 (Cross); #191 7s. 6d. [Treasurer's Book)

Performances

Mainpiece Title: The Roman Father

Event Comment: At the New Wells, London Spa. To begin at two o'clock and at five o'clock. [This house managed by Matthews, Dancer, and Yeates. See Daily Advertiser 13 March.

Performances

Mainpiece Title: The Sacrifice Of Iphigenia

Afterpiece Title: Harlequin Mountebank; or, The Squire Electrified

Dance: Matthews, M'Neil, Mrs Addison, Miss Rayner (1750 ed.)

Event Comment: To begin at Twelve noon. The Gentlemen are desired to come without swords and the Ladies without hoops (Deutsch, Handel, p. 688). The seating capacity of the Hospital was 1,000. There was a tremendous crush and confusion...a number of distinguished people drove up at the last moment, many without tickets, and found it impossible to gain admission (R. H. Nichols and F. A. Wray, History of the Foundling Hospital (London 1935), p. 202). Handel offered to give a repeat performance to accomodate those disappointed. [See 15 May.

Performances

Mainpiece Title: The Messiah

Performances

Mainpiece Title: A Concert

Performance Comment: Violin solo-Felice de Giardini first appearance in London (Deutsch, Handel, p. 691); Vocal parts-Sga Cuzzoni.
Event Comment: Mainpiece: By Particular Desire. Miss Talbot to Miss Carter (28 Nov.): My other amusement was going to see Much Ado about Nothing, which has always been one of my favourite comedies, as surely a most excellent vein of pleasantry runs through the whole. It was incomparably acted, and I know not when we have spent so laughing an evening (Letters, 2 vols. (London 1808), I, 239). Receipts:#80 (Cross)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Lying Valet

Event Comment: Publish d, The Theatrical Manager. A Dramatic Satire, London T. Lowns (Register of Books, Gentleman's Magazine, Jan. 1751, p. 48). Receipts: #120 (Cross)

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Queen Mab

Dance: HHornpipe-the Little Swiss; Comic Dance, as17501231

Event Comment: Benefit for Mrs Ward. Tickets to be had of Mrs Ward, next door to the Chapel, in Little Wild St., and of Hobson at the stage door. Tickets deliver'd out for Jane Shore will be taken. A Pamphlet having lately appeared in Ridicule of the late performance of Othello at Drury Lane, to which was subjoined an Advertisement in my name,from whence Occasion has been taken to assert, that I was the publisher, the Publick may be assured that advertisement was inserted without my knowledge or consent, that I am entirely ignorant of the Author, nor am the least concerned in that mean invidious affair. F. Stamper (General Advertiser). [Stamper possibly refers to A satirical Dialogue Humbly address'd to the Gentlemen who deformed the play of Othello; with a Prologue and Epilogue, much more suitable to the occasion than their own. London: River, 1751, listed in the Register of Books, Gentleman's Magazine, March 1751, p. 142. Stamper may also be alluding in some way to a Modern Character introduced in the Scenes of Vanbrugh's Aesop as it was acted at a late private representation of King Henry IV, performed gratis at the Little Opera House in the Haymarket, 3rd edn. 1751, written by F. Stamper. It was published because the farce was hissed off the stage. The Character is a Spouter who tries to instruct Aesop in heroics.] Receipts: #210 (Cross)

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: Bayes in Petticoats

Dance: Devisse, Mad Auretti, Harvey, Mad Camargo

Event Comment: Benefit for Miss Norris. Tickets of Miss Norris at Mr Jackson's Habit warehouse Tavistock St., and of Hobson at the Stage Door. Tickets deliver'd out for 30 March will be taken. [Advance publicity for Havard's Benefit, Inspector No 29: I have said in a former paper, that those who have not seen Alfred, have yet to see Mr Garrick in a character in which he excells everything that has been attempted in one of the noblest Roads of Tragedy. I shall add to it on this occaison, that those who have not yet seen Alfred will have a pleasure from it greater than they can receive from the best dramatic performance they are already acquainted with' (London Advertiser and Literary Gazette).] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: I: Devisse, Mad Auretti

Event Comment: Yesterday Mr Garrick set out from his House in Southampton Street for Paris (London Daily Advertiser and Literary Gazette)

Performances

Mainpiece Title: None

Event Comment: Wednesday the Eunuch of Terence was acted by the scholars at the Charter House, to a very polite Audience with Great Applause (General Advertiser). [The London Daily Advertiser and Literary Gazette for 30 May noted: "Publish'd, Epilogue to the Eunuchus of Terence, acted lately by the Charter House Scholars, with great applause, spoken in his own cloaths, by the scholar who acted the part of Thais."

Performances

Event Comment: Benefit for Mrs Hallam. At the New Wells, Lemon St., Goodman's Fields. For one Night only. A Concert &c. By Desire of Several Persons of Distinction. Boxes 3s. Pit or Gallery 2s. (London Daily Advertiser)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Anatomist

Event Comment: Benefit for Yeates, Jr, at the Great Tiled Booth, Bowling Green, Southwark (London Daily Advertiser)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Escapes of Harlequin

Event Comment: Sun: 29th Dr Barrowby dy'd suddenly a good friend to ye Actors in Sickness (Cross). [Inspector No 259 appears in Daily Advertiser and London Gazette with a long comparison between actors and various styles of famous painters, Garrick, Barry, Miss Bellamy, Mrs Cibber, Mrs Pritchard, Woodward and Macklin are treated.] Receipts: #160 (Cross)

Performances

Mainpiece Title: Love's Last Shift

Afterpiece Title: Harlequin Ranger

Event Comment: Benefit for Signor Bombasto and Signor Piantofugo. [Eighteenth night.] Henley's advertisements say he came to London in 1720, is not in debt and One Time with another, my Oratory is as full as ever, when I please, and my Service to Mr Smart, Mrs Warner, Mr Newberry, etc. J. Henley" (Daily Advertiser, 21 March).

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: By Particular Desire of several Persons of Quality. Benefit for Francis Callaway Citizen of London, under Misfortunes, being unavoidably involved in a most litigious Chancery Suit. Boxes 5s. Pit 3s. Gallery 2s

Performances

Mainpiece Title: The Old Woman's Oratory

Event Comment: Benefit for the Author of the Prologue, Epilogue and Pastoral Dialogue. Mainpiece: Written by Mr Addison. A New Pastoral Dialogue for the benefit of ye Author of ye Dialogue, Cook ye Poet (Cross). [The Prologue was on comic poetry (spoken by Ryan); the Epilogue was on the Comic Characters of Women (spoken by Mrs Bland). See published version (London, 1753 "to which is prefixed an Ode to John Rich, Esq:"--British Museum 11795 K 31).

Performances

Mainpiece Title: The Drummer; Or, The Haunted House

Afterpiece Title: The What D'ye Call It

Entertainment: NNew Prologue, Epilogue, likewise a New Pastoral Dialogue (never perform'd before)-Lowe, Mrs Lampe; The music by Mr Arne-

Dance: LLes Chasseurs Allemandes, as17521207

Event Comment: Seventh Day. [Letter from Smart to Dr Hill in Public Advertiser. See Roland Botting, "Smart in London," Research Studies State College of Washington, No. 7 (1939).

Performances

Mainpiece Title: The Old Woman's Oratory

Afterpiece Title: Animal Pantomime

Event Comment: [Benefit for Joseph Lowe, a Citizen of London, under Misfortunes

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Afterpiece Title: [The Dragon of Wantley

Dance: [(BBy Desire )Grand Scots Ballet, as17521216

Performances

Mainpiece Title: King Richard Iii

Performance Comment: As17530118, but Richard-Brown his first appearance in London.

Afterpiece Title: The Double Disappointment

Dance: Mlle Auretti

Event Comment: Benefit for Macklin. Afterpiece: A Comedy in 2 acts written by Foote, with Prologue and Epilogue by him. Miss Macklin did Calista and a part in the farce,-all went well (Cross). A Comedy in answer to the French Farce A Frenchman in London, with a Dialogue Prologue, spoken by Macklin & his wife. Epilogue spoken by Miss Macklin. All by Foote. Part of Pit laid into the boxes, with an amphitheatre on stage, all at 5s. Full Prices (Winston MS 8). The Englishman at Paris has been better recev'd that I expected. Garrick, &c., &c....say kinder things of it than modesty will permit me to repeat. Upon the whole it was damnably acted, Macklin miserably imperfect in the words and in the character (a stain to Comedy). You might have seen what I meant,--an English Buck, by the power of dulness instantaneously transformed into an Irish chairman. Miss Roach, accompany'd by some frippery French woman occupy'd, to the no small scandal of the whole house, the Prince's box, whilst the duchess of Bedford &c., &c. were oblig'd to take up with seats upon the stage. The piece will be printed the 25th instant, which I will enclose to you (Samuel Foote to Mr Delaval, MS in Folger Shakespeare Library, written either 24 March, or, perhaps more likely, 24 April, since Foote states later in the letter he is leaving for foreign parts the first of May)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Englishman in Paris