SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatres Royal in London"/1) | (@(roleclean,performerclean) "Theatres Royal in London")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3936 matches on Event Comments, 1330 matches on Performance Title, 826 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Love's Last Shift

Performance Comment: Loveless-Giffard; Elder Worthy-Huddy; Young Worthy-Bardin; Sir William-Morgan; Sir Novelty-R. Wetherilt; Snap-Penkethman; Sly-Collett; Amanda-Mrs Giffard; Narcissa-Mrs Thurmond; Hillaria-Mrs Purden; Flareit-Mrs Haughton; With a new Prologue addresses to the Merchants of London-Delane.

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Busy Body

Performance Comment: See17320923, but (Daily Post missing), but advance notice in London Evening Post, 24 March, lists: Sir George-Wm. Mills; Miranda-Mrs Booth; Sir Jealous-Shepard; Charles-A. Hallam; Whisper-Jones; Isabinda-Miss Hollyday; Patch-Mrs Mullart; Scentwell-Mrs Grace; Sir Francis-Griffin; Marplot-Miller.

Afterpiece Title: The Mock Doctor

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: The What D'ye Call It

Performance Comment: See17330424 but Timothy-Penkethman; A new Prologue addressed to the Merchants and Citizens of London-the Author; A Comic Epilogue-Penkethman on an Ass.

Dance: III: Tambourine-Miss Wherrit; IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Differences of Nations-

Performances

Mainpiece Title: Macbeth

Performance Comment: See17330409 A new Prologue addresses to the Merchants and Citizens of London,-the Author; A new Epilogue to be spoken-Morgan, Penkethman by way of Dialogue, riding on two Asses.

Song: I: Love and Wine by the Author of Bacchus One Day Gaily Striding-; III: The Despairing Shepherd-Excell

Dance: IV: Friendly Lasses-Miss Wherrit, Miss Sandham; V: Masquerade Dance-Vallois, Mrs Bullock

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late N. Rowe, Poet-Laureat. With New Habits. Afterpiece: Set to Musick by Mr T. Arne Jr. [See Daily Post, 6 Nov., and London Evening Post, 6 Nov., for prosecution of actors at HAY by officials of DL, CG, and GF.]

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Opera of Operas

Dance: As17331031

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by Shakespear. Afterpiece: Set to Musick by Mr Arne. [See Daily Post, 13 Nov., and London Evening Post, 13 Nov., for the trial of Harper. Daily Post, 13 Nov.: It was design'd also to prevent the Company acting last Night, by taking away so principal a Performer in the Play, which was advertis'd, he being conrin'd, &c. and his Hearing by Counsel deferr'd till between Five and Six o'Clock; but the Audience being duly acquainted with this Prosecution very kindly accepted Mr Cibber's reading the Part.]

Performances

Mainpiece Title: Henry Iv, Part I

Afterpiece Title: The Opera of Operas

Dance: Wattcau by Miss Robinson. La Bagatelle by Essex and Miss La Tour

Event Comment: Benefit Harper. Mainpiece: Written by the late J. Addison, Esq. [For further discussion of Harper's appearance in Court, see Universal Spectator, 1 Dec; London Evening Post, 29 Nov.; Grub St. Journal, 6 Dec]

Performances

Mainpiece Title: Cato

Afterpiece Title: The Devil to Pay

Dance: Tambourine by Miss Robinson. La Bagatell by Essex and Miss La Tour. La Folette S'cest ravizee by Nivelon and Miss Mann

Event Comment: For a puff of the forthcoming Mother-in-Law, see London Evening Post, 9 Feb

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Perseus and Andromeda

Event Comment: Mainpiece: Not Acted these Sixteen Years. Written by the late Dr Procope. Calculated for the Meridian of London. [Princesses Mary and Louisa present.]

Performances

Mainpiece Title: Arlequin Balourd; Or, Harlequin Blunderer

Afterpiece Title: Le Portrait

Dance: A new Chacone in several Characters: Harlequin Man-Cochoy Jr; Harlequin Woman-Miss Chateauneuf; Pierot Man-Roland; Pieraite-Mrs Mimie; Punch-Villeneuve; Dame Jigogne-Malter; Scaramouch Man-De Lisle; Scaramouch Woman-Mrs Le Sage Jr. The Frolick, as17341226 (latter in Daily Advertiser only)

Event Comment: By particular Desire. London Daily Post and General Advertiser, 4 Jan.: The kind Reception which Mr Poitier met with in his Performance on Wednesday last . . . lays him under the greatest Obligation to the Publick; and if he has lost the good Opinion of anyone, by the late unhappy Disturbance [see 7 Dec. 1734], he hopes his future constant Endeavours to oblige, will both be accepted, and regain their Favour

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Colombine Courtezan

Event Comment: GF had advertised The Mistake and Jupiter and Io, but advertises in London Daily Post and General Advertiser, 23 Jan.: Upon the Practice of the Entertainment last Night, by Accident the principal Machine was considerably Damag'd

Performances

Mainpiece Title:

Event Comment: [Text by Paul Rollo. Music by Nicholas Porpora.] A New Opera. London Daily Post and General Advertiser, 3 Feb.: On Saturday Their Majesties ...the Prince of Wales, and the Princesses Amelia and Carolina . . . saw the Opera of Polifemo, which was perform'd to one of the greatest Audiences that hath King's been known this Season

Performances

Mainpiece Title: Polifemo

Event Comment: Their Majesties present. London Daily Post and General Advertiser, 11 Feb.: On Saturday Night a Disturbance happen'd at the Opera House . . . occasion'd by the Footmen's coming into the Passages with their lighted Flambeaux, which gave Offence to the Ladies, &c. in the House; whereupon the Footmen were order'd out, but they refus'd to go, and attack'd the Centinels, but a stronger Guard coming to their Assistance, with their Bayonets fix'd, drove them out; in the Fray one of the Footmen was stabb'd in the Groin, and in the Body, and its thought will die of the Wounds

Performances

Mainpiece Title: Polifemo

Event Comment: Benefit Swiny. For the better Accommodation of the Ladies, Part of the Stage will be formed into Boxes; the Pit and Front Boxes to be put together (at the Desire of several Ladies of Quality). [For further discussion of the case of Poitier, see London Daily Post and General Advertiser, 26 Feb.]

Performances

Mainpiece Title: The Old Batchelor

Event Comment: As 5 March. London Daily Post and General Advertiser, 13 March: Last Night their Majesties and the Princess Caroline . . . heard Esther, an Oratorio; and Mr Handel's two new inimitable Concertos on the Organ. [Egmont also present.]

Performances

Mainpiece Title: Cast Not Listed, But See 5 March

Event Comment: Benefit Ryan. At the Desire of several Persons of Quality. Afterpiece: A Farce, never performed before. Taken from Moliere. [Author unknown. Apparently not printed. See London Daily Post and General Advertiser, 19, 20, and 21 March, for expressions of good will to Ryan, including a gift often guineas from the Prince of Wales.]

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: A School for Women

Dance: La Coquette Francoise by Lally, S. Lally, Mlle Salle. Scot's Dance, as17350315

Song: By Leveridge and Mrs Wright

Event Comment: Benefit a Gentleman under Misfortunes. [In London Daily Post and General Advertiser, 24 March, Ryan thanks the public for assistance at his benefit and adds that Sir William Saunderson engaged for Ryan "near a fourth Part of his Audience."]

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Toy Shop

Music: Solo on Violin by a Youth of 13 Years, who never performed in public before, a scholar of Signor Catanio

Dance: Scot's Dance, as17350311 By Lally, S. Lally, Mlle Salle

Performances

Mainpiece Title: Oroonoko

Performance Comment: As17350103, but Oroonoko-a Gentleman (at the Request of several Friends), a Citizen of London, the first and only time of his appearance on any stage; Driver-Johnson; Widow-Mrs Cross; Stanmore, Jack, Hottman omitted . Stanmore, Jack, Hottman omitted .

Afterpiece Title: The Devil to Pay

Dance: I: A Clown by Nivelon. II: Drunken Peasant by Le Brun. V: Amorous Swain, as17350327

Event Comment: The Tragedy of Zara, Made English [by Aaron Hill]. Applauded Thirty-Six Nights running at Paris. The Characters, by a Sett of Gentlemen and Gentlewomen, who never acted before. None will be admitted but by Tickets into the Room that Night, which (by Reason of the Smallness of the Place) will be all commodiously made into Boxes, for the easy Reception of those many Great Personages, who have read and perus'd this Play with Approbation, and desir'd a long Time to see it acted; and charitably agreed to favour and encourage this Design, for the Benefit of [Mr William Bond, the Proprietor], who brings it on at a great Expence (tho' all that act in it, are so good to appear Gratis for him) who has lain ill of the Gout, and Rheumatism, upwards of Four Years. [This bill, in the London Daily Post and General Advertiser, differs considerably in phraseology, though not in basic fact, from that in the Daily Advertiser.]

Performances

Mainpiece Title: Zara

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The School Boy

Performance Comment: School Boy-Miss Oates; Lady Manlove-Mrs Cross (London Daily Post and General Advertiser, 9 June) .

Music: III: Preamble on Kettle Drums by Poitier. IV. The Cuckow (by VivaldI) by Master Oates

Dance: I: A new Peasant Dance by Master Oates, Miss Oates Jr. II: Serious Dance by Mlle Roland. V: Harlequin and Harlequine by Poitier and Mlle Roland

Song: End of Afterpiece: Mock Italian Song by Roberts

Event Comment: The extravagant Attempt of Sir F. Wronghead gives me painful Apprehensions; but as the Town has given me repeated Instances of their Indulgence. [Prologue is in London Daily Post and General Advertiser, 17 July.]

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mock Doctor

Dance: Black Joke by Mrs Charke and Miss Brett

Song: Roast Beef Song by Mullart

Performances

Mainpiece Title: Caius Marius

Performance Comment: Advertised in London Daily Post and General Advertiser, 14 Aug., not later .
Event Comment: Robert Morris saw this play, but does not state where. It was later given, on 29 Sept., at HAY. See Beverly McAnear, "An American in London, 1735-1736," Pennsylvania Magazine of History and Biography, LXIV (1940), 376

Performances

Mainpiece Title: Love In A Bottle

Event Comment: By Their Majesties' Command. [Their Majesties, Duke, Princesses Amelia, Caroline, Mary, Louisa present.] London Daily Post and General Advertiser, 20 Nov.: Mrs Porter perform'd the Part of Belvidera, without having either Stick or Cane to support her. Receipts: #168 12s. 6d

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The Rape of Proserpine

Dance: I: A new Peasant by Tench and Miss Rogers. II: Dance of Sailors (in Opera o{ orestes) by Glover and others. III: Two Pierrots by Nivelon and Lalauze. 1v: Faithful Shepherd by Glover, Miss Rogers, &c

Performances

Mainpiece Title: The Alchymist

Performance Comment: Cast not known (London Daily Post and General Advertiser missing), but see17351118.

Afterpiece Title: The Intriguing Chambermaid