SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal in Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal in Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3394 matches on Event Comments, 738 matches on Performance Title, 527 matches on Performance Comments, 8 matches on Roles/Actors, and 0 matches on Author.
Event Comment: By Command of Their Majesties. Tickets and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at Half a Guinea each. Pit 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. Mrs Farrell's cantata is identified in London Chronicle, 9 Mar.]

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Dryden's Ode

Song: Between: As there are very few songs in Acis and Galatea that can be adapted for Mrs Farrell's voice, she will sing a cantata The rosy morn with crimson dye=-Mrs Farrell

Music: End Part I: concerto on the organ-Stanley; End Part II: concerto on the violin-probably Linley Jun

Event Comment: Boxes 10s. 6d. Pit 4s. 1st Gallery 3s. 2nd Gallery 2s. Places for the Boxes to be taken of Sarjant (only) at the Stage Door. Books of the Oratorio to be had at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season. The Account-Book notes that the director of the oratorios this season was James Hook.

Performances

Mainpiece Title: Acis And Galatea

Afterpiece Title: Sacred Canons

Music: End Part I: concerto on the German flute-Florio; End of Part III: concerto on the piano forte-Miss Weichsel; concerto on the hautboy-LeBrun; concerto on the violin-Master Weichsel

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: As17771008, but Tom-Lee Lewes (1st appearance in that character); Indiana-Mrs Barry (1st appearance in that character at this theatre).

Afterpiece Title: Mother Shipton

Song: As17771008

Event Comment: Benefit for Macklin. Daily Advertiser, 24 Mar.: Tickets to be had of Macklin, Tavistock-Row, Covent-Garden. [Mrs Bulkley's 1st appearance as Portia was at this theatre, 1 Jan. 1768.] Receipts: #212 8s. (132.1; tickets: 80.7) (charge: #64 10s.)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: End III: La Soiree a@la@Mode, as17771103; End IV: As17780309

Event Comment: Benefit for Miss Younge. Mainpiece: With the grand Triumphal Entryv. [Public Advertiser, I Apr., identifies the Epilogue as an alteration by Garrick of his epilogue to Alfred.] Afterpiece [1st time; CO 2, by J Hough]: The Music composed by William? Bates. Tickets delivered for The Brothers will be taken. Books of the Performances to be had at the Theatre. Public Advertiser, 7 Mar.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #285 13s. 6d. (141.9.0; 11.15.0; 0.2.6; tickets: 132.7.0) (charge: #76 19s. 6d.)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Afterpiece Title: Second Thought is Best

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Performance Comment: Biron (1st time)-Lewis; Count Baldwin-Clarke; Carlos-Whitfield; Belford-L'Estrange; Sampson-Dunstall; Friend-Smith; Pedro-Bates; Child-Miss Francis; Villeroy (1st time)-Wroughton; Nurse-Mrs Poussin; Isabella-Mrs Barry (1st appearance in that character at this theatre).

Afterpiece Title: True-Blue

Afterpiece Title: The Apprentice

Dance: 2nd piece: Aldridge. [This was danced, as here assigned, in all subsequent performances.

Song: III: Epithalamium-; the vocal parts-Robson, Miss Dayes

Event Comment: [The Account-Book notes that the theatre received #25 on each of the 11 Oratorio nights.

Performances

Mainpiece Title: The Prodigal Son; Acis And Galatea

Music: As17780313

Event Comment: Benefit for Quick. Afterpiece 1st time; F 2, by Ursula Agnes Booth, based on the same, by John Fletcher and Philip Massinger. The playbill lists Death in place of Lee Lewes, but he 'Was not to be found...Hull begged permission for Lee Lewes to read Death's part in his own undress, which [was] granted" (London Chronicle, 28 Apr.).]. Books of the Entertainment to be had at the Theatre. Public Advertiser, 30 Mar.: Tickets to be had of Quick, No. 15, Drury-lane. Receipts: #262 2s. (157.2; tickets: 105.0) (charge: #64 10s.)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Little French Lawyer

Dance: End monologue: The Poney Races, as17780421

Entertainment: Monologue. End: Cunning Isaac will relate his Escape from the Duenna [with a new song]-Quick

Event Comment: Benefit for Mrs Robinson. Morning Chronicle, 6 Apr.: Tickets to be had of Mrs Robinson, at Parviso's, No. 114, Long acre. Afterpiece [1st time; CO 2, by Mary Robinson. Larpent MS 447; not published]: The Music chiefly compiled. Tickets delivered for King Lear will be taken. Books of the Performances to be had at the Theatre. Receipts: #153 17s. 6d. (57.8.0; 21.3.6; 0.10.0: tickets: 74.16.0) (charge: #78 11s. 6d.)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Lucky Escape

Song: As17780331

Event Comment: Benefit for Wright, Carpenter & Butler. Public Advertiser, 5 May: Tickets to be had of Carpenter at Sutton's, No. 11, Little Russel-street, Covent Garden; of Butler, next Door to the Theatre. Receipts: #283 15s. 6d. (42.2.0; 7.2.6; 0.2.0; tickets: 234.9.0) (charge: #74 14s.)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Queen Mab

Dance: End II: Minuet de la Cour, as17780508

Event Comment: Benefit for Davies, bookseller, and Mrs Davies, who formerly belonged to this Theatre, and who have sustained misfortunes in trade. Public Advertiser, 20 May: Tickets to be had of Davies, Great Russel-street, Covent Garden. Receipts: #198 9s. 6d. (69.14.0; 17.10.0; 0.13.6; tickets: 110.12.0) (charge: #64 4s.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin's Invasion

Dance: End III: Minuet de la Cour, as17780508

Event Comment: Mainpiece: 8th time [i.e. in continuation of the reckoning for the previous season. Prologue by George Colman elder. Epilogue by David Garrick (see 30 Aug. 1777)]. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Spanish Barber; Or, The Fruitless Precaution

Afterpiece Title: The Waterman; or, The First of August

Dance: End I: The Merry Lasses, as17780518; End: Provencalle Dance, as17780518

Song: Mainpiece: some additional songs-

Music: Mainpiece: With a new Fandango Overture-

Event Comment: Afterpiece (1st time; BURL I, by Thomas Willet. For music see 31 July]: Books of the Burletta to be had at the Theatre. Public Advertiser, 1 July 1778: This Day is published Buxom Joan (6d.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: Buxom Joan

Event Comment: [These performances were held in a temporary booth erected following the destruction of the theatre by fire (see 26 June). In August King Lear, with Everard as Lear and Cooke as Edgar, was acted here three times [Edward Cape Everard, Memoirs of an Unfortunate Son of Thespis [Edinburgh, 1018], p.78). Everard states that the booth was kept open for about six weeks, but no further records of what was acted have survived.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Old Maid

Event Comment: Afterpiece [1st time; CO 2, by Charles Dibdin, based on La Bohemienne, by Charles Simon Favart. Music by Samuel Arnold]. Books of both Pieces to be had at the Theatre. Public Advertiser, 10 Aug. 1778: This Day is published The Gipsies (price not listed)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Gipsies

Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Flitch of Bacon

Event Comment: "This may be called the Coalition Season, the Actors of both Theatres playing at either house indiscriminately" (MS annotation by J. P. Kemble on Kemble playbill). Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook at the Stage Door. No Money to be taken at the Stage Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 16 Oct.]. Receipts: #226 8s. 6d. (193.9.0; 32.12.0; 0.7.6)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Comus

Song: In afterpiece: Sweet Echo-Leoni, Mrs Farrell (of cg)

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Performances

Mainpiece Title: Rose And Colin

Afterpiece Title: She Wou'd and She Wou'd Not

Afterpiece Title: The Wives Revenged

Event Comment: Books of the Burletta to be had at the Theatre

Performances

Mainpiece Title: King Lear

Afterpiece Title: Poor Vulcan

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Annette et Lubin, by Charles Simon Favart and Jean Baptiste Lourdet de Santerre. Music by the author]. Books of the new Musical Piece to be had at the Theatre. Public Advertiser, 2 Oct.: This Afternoon at Four is published Annette and Lubin (6d.)

Performances

Mainpiece Title: Annette And Lubin

Afterpiece Title: The Busy Body

Afterpiece Title: Cross Purposes

Event Comment: Afterpiece: The Scenery, Machinery, &c. painted by Carver, Greenwood and Garvey. The Overture and the rest of the Music composed by Fisher. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: Caractacus

Afterpiece Title: The Norwood Gypsies

Dance: In afterpiece: Dagueville, Langrish, Miss Lings, Miss Valois. [These were the same in all subsequent performances.

Event Comment: [As mainpiece the playbill announces Caractacus, but it "was not performed last night at Covent Garden theatre, on account of Leoni's sudden illness. The Busy Body was substituted in its stead" (Morning Chronicle, 4 Nov.).

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Norwood Gypsies

Event Comment: [The playbill announces this as "By Command of Their Majesties," but "His Majesty intended going to Drury-lane Theatre last night, but was prevented by the multiplicity of business at St James's" (Morning Post, 19 Nov.).] Mainpiece: Not acted these 3 years [acted 2 May 1776]. Receipts: #212 11s. 6d. (184.8.0; 27.6.6; 0.17.0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Camp

Event Comment: Mainpiece [1st time; CO 3, by William Kenrick, based on The Country Lasses, by Charles Johnson]: With new Scenery, Dresses and Decorations. The Overture and the rest of the Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Dec. 1778: This Day at Noon is published The Lady of the Manor (1s. 6d.)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Apprentice

Dance: End II: As17780925; I: a Rural Dance[, incident to the Piece,-Dagueville [This was danced, as here assigned, in all subsequent performances.]

Event Comment: Afterpiece [1st time; P 2, attributed to Richard Brinsley Sheridan (see G. W. Williams in Studies in Philology, XLVII, 1950, 619-28). Synopsis of action (W. Randall, 1779) lists no parts]: The Overture and Music entirely new. With new Scenes, Machines, Dresses and Decorations. All the Scenery, Machinery, &c. designed by DeLoutherbourg and executed under his direction. Nothing under Full Price will be taken. [For a discussion of this pantomime see Theatre Survey, II, 54-66.] Public Advertiser, 24 Feb. 1779: This Day is published an Account of The Wonders of Derbyshire and the Songs (6d.). Receipts: #225 19s. (223.18.0; 2.1.0)

Performances

Mainpiece Title: Merope

Afterpiece Title: The Wonders of Derbyshire; or, Harlequin in the Peak