SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal in Dublin"/1) | (@(roleclean,performerclean) "Theatre Royal in Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3394 matches on Event Comments, 738 matches on Performance Title, 527 matches on Performance Comments, 8 matches on Roles/Actors, and 0 matches on Author.
Event Comment: A new comedy of three acts. Places to be taken of Mr Jewell at the Theatre. No Admittance behind the Scenes. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money to be returned after the Curtain is drawn up. Pit and Galleries to be open at 5:30 p.m.; Boxes at 6 p.m. To begin exactly at seven. Vivant Rex et Regina. [Repeated in the bills.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Dance: Between the acts: Duquesnay, Miss Street, scholars of Gherardi

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Event Comment: For the Farce--New Scenes, Dresses, Music. Book of the play sold at the Theatre. Play to begin at 6 o'clock (Winston MS 10). The Farce went off very well,--some hisses (Hopkins Diary)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Padlock

Event Comment: HHopkins Diary: This morning a printed paper was handed about requesting the lovers of theatrical Performances to meet this evening at the theatre to insist upon the doors not being opened till five o'clock.--As soon as the curtain was up, they called for Mr Garrick, and would not suffer the play to begin. Mr King went on and told the audience, "that he was desired by the managers to tell them the doors for the future should not be opened till Five," A great Clap,--He added, "that the managers was always willing to oblige the publick in everything that was in their power; but they thought that on very full nights it would be attended with some inconvenience." They would not hear of any alteration,--he then told them, "the doors should always for the future be opened at five, unless the public applyed to have it altered." All then was quiet and the play began. Mr Weston, whose name was in the Bills for Jerry, was taken suddenly ill, and Mr W. Palmer went on for it without an apology.--called out, "Mr Holland, what is the reason we have not Mr Weston according to your publication in the Bills?" They then were told he was taken suddenly ill--"then pray make an apology for him" they said.--Another gentleman called out "Don't answer him, Mr Holland, you do him too much honor by deigning to answer him."--then all was quiet, and the play went on

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Padlock

Event Comment: Both pieces By Command of their Majesties. Servants are desired to be at the theatre to keep places by 4 o'clock. Receipts: #209 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Thomasand Sally

Dance: End: The Irish Lilt, as17680930; End I [of Farce]: The Merry Sailors, as17680920

Event Comment: Mainpiece: Not acted these 3 years. [See 1 May 1765.] Books of the opera to be had at the Theatre. Receipts: #213 (Account Book)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Miller of Mansfield

Dance: I: A Comic Dance, as17681007; II: New Grand Ballet, The Tartars, as17681004

Event Comment: [This evening] a cause came on to be tried in the Court of Common Pleas at Westminster, in which Mr William Bates, Music Master, was Plaintiff and Spranger Barry, Esq the celebrated tragedian, defendent, upon a demand made by the plaintiff for a large sum of money due to him from the Defendent, for the performance of Miss Slack, the Plaintiff's apprentice, at the Theatre in Cork...After a short hearing a verdict was given in favour of the Plaintiff (Lloyd's Evening Post, 25-28 Nov.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Queen Mab

Dance: I: A New Pantomime Dance, as17681116

Event Comment: Benfit towards the increase of a Fund (Established by the Performers of this Theatre) for the support of such actors, and their families, who from Age or Infirmities, shall be oblig'd to quit the stage. Charges #65 7s. 6d. [including candles, extra kettle drum, side drum, organ and tabor & pipe]. Balance due Fund #101 17s. 6d. plus a special income of #17 13s. from 64 Box tickets (Account Book). Receipts: #167 5s. (Account Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Oxonian in Town

Event Comment: Mainpiece: By Particular Desire. Died Mr Sparks late of Covent Garden theatre (Lloyd's Evening Post, 30 Dec.). Gave Duke of Cumberland's Footmen #2 2s. (Account Book). Receipts: #172 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: A New Comic Opera [by Joseph Reed]. Never Performed before. Books of the Opera to be had at the theatre. Receipts: #246 16s. (Account Book)

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Country Wife

Dance: II: A New Pantomime Dance call'd The Gardeners-Mas. Blurton, Miss Besford, Miss Ford

Event Comment: The profits arising from the Entertainment will be applied to a Fund for opening an Academy the purpose of which will be the teaching of the English language Grammatically and the art of writing and speaking by rule. There have been Stoves kept constantly burning for days past, in order that the Theatre might be thoroughly warmed; Curtains also will be put up in the boxes. To begin at 7 p.m. Playhouse prices. By the Desire of many

Performances

Mainpiece Title: An Attic Evening's Entertainment

Event Comment: [Hardly worth keeping the theatre open this evening, as running expenses aside from salaries, (i.e., music, wardrobe, properties, Renter's interest, and kettle drum) came to #21 5s. 6d. See Account Book.] Receipts: #26 18s. 6d. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Skeleton

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money taken at the Stage Door, nor any after the Curtain is up. Door open by 5 o'clock. Play begins at 6 o'clock. [Customary note repeated on all bills.] [This month publish'd A Letter to David Garrick on the opening of the Theatre, in which with great freedom he is told how he ought to behave, by H. W. The thesis of the pamphlet: The decline of dramatic genius is owing in great measure to your management (p. 16). "What I would earnestly recommend to you is to represent as many new plays as possible, and let them stand or fall on their own merit."

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: High Life below Stairs

Event Comment: Afterpiece: (With Alterations) perform'd but once. Books of the Entertainment to be had at the theatre. Receipts: #171 8s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Spanish Lady

Event Comment: Benefit for the Theatrical Fund instituted by the performers of this theatre. Charges #67 19s. Balance to Fund #126 6d. (Account Book). Receipts: #187 19s. 6d

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Event Comment: [See note for 9 Jan. 1770 of a mild riot this night during best scene of The Orphan.] Afterpiece: A New Opera [by George Alexander Stevens] the Music composed by Mr Fisher. Books of the entertainment to be had at the theatre. Gave Duke of Glocester's Footmen #2 2s. (Account Book). [Afterpiece a roaring burlesque of Lee's Rival Queens. Larpent MS 302 includes Semi Chorus, Grand Chorus, and Perdiccas, not listed in the Playbill. The Court awakes with total hangover. Alexander orders a pot of coffee to clear his head. Thais begs him to leave the gout giving juice-Retire with me @ In my Chinese pavilion, drink some Tea." Afterpiece reviewed inthe Freeholder's Magazine for Jan.] Mr Shuter and Mrs Mattocks gave great satisfaction in their different characters; the words of the songs were written by Mr George Alexander Stephens, author of the celebrated Lecture upon Heads, and several other whimsical productions; and the airs which had Uncommon merit, were composed by Mr Fisher, a young genius, who has hitherto been but little known in the musical world. Receipts: #215 8s. 6d

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Court of Alexander

Event Comment: TThe Freeholder's Magazine, Jan. (p. 247): A Card to the Managers of Covent Garden Theatre. A Citizen whose circumstances will not allow him often to attend Theatrical amusements, and who wishes to be entertained for his money, desires a nuisance may be removed which has totally deprived him of all satisfaction the few nights that he has been in the first gallery of your house. Of a cool evening the company within generally draw up the wooden shutters of the openings improperly called windows. An when the gentry without, who are admitted at half-price, find them shut, they begin a violent noise with their sticks, while those within as obstinately insist, that being in a violent heat, they will not let them down to the endangering their healths, by sudden letting in the cold air. Thus a riot is commenced, which frequently stops the play. It was the case in the Best Scene in the Orphan, the first night the Court of Alexander was performed. N.B. The orange girls shamefully encourage it. But the covetousness of the managers is the origin of the evil, by suffering intruders at half-price, after the inside of the gallery is completely filled. If this remonstrance fails, you may expect worse effects, from the injured parties. [See performance of 5 Jan.

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Court of Alexander

Event Comment: [W+Winston MS 10 notes that O. Smith suggests Miss Spencer. Winston suggests Mrs Greville. The Town and Country Magazine (From Theatre No XIII): "Mrs Gladeau...has appeared as Rosetta in Love in a Village." Comments that she does not know much about music but "has a pleasing voice and an agreeable figure and will probably be a valuable acquisition to the stage. Received with applause."] Receipts: #217 16s. 6d

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Englishman in Paris

Dance: II: Dutch Dance, as17691111

Event Comment: [The Young Gentleman who played Posthumus is identified by Kemble and Winston as Mr Warboys.] Gave Duke of Cumberland's Footmen #2 2s. (Account Book). [Town and Country Magazine (quoting Theatre No XIII) remarked on Warboys acting: "The success he met with will probably deter him from following the profession of the stage...not happy either in person or in physiognamy."] Receipts: #250 6s

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Upholsterer

Dance: III: The Whim, as17691123

Event Comment: The Afterpiece a New Pantomime [by Henry Woodward, satirizing Garrick's Jubilee] with New Music by Fisher. New Scenes painted by Messrs Dahl and Richards. Nothing under Full Prices will be taken. [Full Prices notice throughout the run of the pantomime this season. Town and Country Magazine (from Theatre No XIII) comments: "In the Pageant scene several of the characters that walk at Drury Lane are highly ridiculed, particularly Mark Antony and Cleopatra, who dance off with their black retinue to the playing of casquets." The scene closes with the descent of the statue of the late Mr Rich under the name of Lun, and the Harlequins all pay him honour.] Receipts: #250 6s

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Harlequin's Jubilee

Event Comment: Pit and Boxes to be laid together at 5s. First Gallery 3s. Upper Gallery 2s. Tickets to be had and places to be taken for the Boxes at Mr Sarjeant's (only) at the Stage Door of the Theatre. Books of the Performance will be sold there. The doors to be opened at Five. To Begin at Half past Six. Received of Toms and Arnold Charges of the House. #35

Performances

Mainpiece Title: The Messiah

Music: FFirst Violin, a Solo-Giardini; Concerto on French Horns-Sg Rodolpho

Event Comment: This Comedy was written by Mr Kelly as soon as the Curtain was drawn up they began to hiss--a party was made against it--because he was suspected of Writing for the Court party. Much hissing. Mr Garrick call'd for. No play &c. Cry'd out, at last the play was got thro' with much hissing and Groaning When the play was given out again One Party was for it no more and Kelly's party was for it again so that no play at all was given out (Hopkins Diary). [See Criticism in "British Theatre" article, London Magazine, March, also an extended account of the attack upon the piece. This occurs also in the Town and Country Magazine, which mentions that since the curtain was not drawn up for the farce the audience received a refund.

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: Hob in the Well

Event Comment: Books of the Performance to be sold at the Theatre. Charges: #35

Performances

Mainpiece Title: Judas Macchabaeus

Music: FFirst Violin, Solo-Giardini; Concerto on Hautboy-Fischer

Event Comment: Books of the Entertainment [i.e., of The Spanish Lady] to be had at the theatre. The Comedy of Man and Wife cannot be perform'd, on account of Mr Shuter's hoarsness. Receipts: #202 6s. 6d

Performances

Mainpiece Title: Timanthes

Afterpiece Title: The Spanish Lady

Entertainment: As17700224

Event Comment: Benefit for Smith. Part of Pit laid into Boxes. To prevent confusion Servants are desired to be at the theatre by 4 o'clock. Charges #73 19s. Balance to Smith #62 3s. plus income from tickets #141 9s. (Box 413; Pit 162; Gallery 139). Paid Miss Potts for walking 12 nights in Man and Wife #1 10s. and Mrs Morris for walking 26 nights in Harlequin's Jubilee #3 5s. (Account Book). Receipts: #136 2s. 6d

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Afterpiece Title: The Englishman in Paris

Dance: End: The Whim, as17691123