SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre in Richmond"/1) | (@(roleclean,performerclean) "Theatre in Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2529 matches on Event Comments, 586 matches on Performance Comments, 86 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Henry Iv, Part Ii

Performance Comment: King-Mills; Prince-W. Mills; Shallow-Johnson; Silence-Miller; Feeble-Griffin; Falstaff-Harper; Pistol-Cibber; Lancaster-A. Hallam; Gloster-Cross; York-Mil ward; Justice-Boman; Poins-Oates; Bardolph-Shepard; Hostess-Mrs Shireburn; Doll-Miss Mann. A new Prologue upon the Company's Return to the Theatre Royal, spoken by Mills .

Song:

Dance:

Performances

Mainpiece Title: The Mother-in-law; Or, The Doctor's The Disease

Performance Comment: Sir Credulous-Griffin; Lady Hippish-Mrs Butler; Headpiece-Cibber; Mummy-Johnson; Primrose-Mrs Clive; Beaumont-W. Mills; Diascordium-Miller; Lawyer-Shepard; Heartly-Hewitt; Opium-Harper; Gallipot-Turbutt; Poet-Oates; Belina-Mrs Pritchard; Agnes-Miss Cole, the first time of appearing at this theatre .

Afterpiece Title: Colombine Courtezan

Dance: As17341017

Event Comment: Benefit Denoyer. By Command of His Royal Highness. Mainpiece: Taken from Moliere. London Daily Post and General Advertiser, 17 March: The celebrated Monsieur Denoyer and Mademoiselle Salle, by Permission of the Masters of the two Theatres Royal, have agreed to dance together at each other's Benefit

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: The Lottery

Dance: I: Russian Sailor by Denoyer, &c. II: By Denoyer's Apprentice. III: Shepherd's Mount by Denoyer, Mlle Salle, &c, with a new Scene, and New Habits. V: Minuet (in modern Habits) by Denoyer and Mlle Salle

Event Comment: DDaily Advertiser, 19 Feb.: To the Author, &c. Sir, In a late Paragraph in one of your Papers [4 Feb.] it was insinuated, that there was a Design on foot for erecting a New Theatre, which by some Wise Heads was suppos'd to come from a certain Manager, in order to revive the Playhouse Bill this Session of Parliament; I think it proper therefore, in Justice to the Gentleman levell'd at, to inform the Publick, that it is actually intended for a Company of Comedians every Day expected here, late Servants to their Majesties Kouli Kan and Theodore, who in the mean time will entertain the Town in the true Eastern manner, at the New Theatre in the Hay-Market, with a celebrated Piece call'd A Rehearsal of Kings. I am, Sir, Yours, &c. Agent for the Company

Performances

Event Comment: Never Acted before. [Author not known. Apparently not published.] By a Company of Comedians dropt from the Clouds, late Servants to their thrice-renown'd Majesties, Kouly Kan and Theodore. With new Scenes, Habits, and proper Decorations. Boxes 5s. Pit 3s. Gallery 2s. 1st N.B. To prevent the Imposition of Box-Keepers, Gentlemen and Ladies are humbly desir'd to take Tickets at the Office, or to send for them at the Theatre, where Attendance will be given every Day, and Places may be taken. 2d N.B. The Company will endeavour to entertain the Town the remaining part of the Season. [In advance bill in Daily Advertiser, 23 Feb.: 2d N.B. Considering the extraordinary Expence that must necessarily attend equipping so many Monarchs of different Nations, the Proprietor hopes the Town will not take Umbrage at the Prices being rais'd. 3rd. N.B. The Proprietor begs leave to enter his Caveat against all (what Names soever distinguish'd) who may hire, or be hir'd, to do the Drudgery of Hissing, Catcalling, &c. and entreats the Town would discourage, as much as in them lies, a Practice at once so scandalous and prejudicial to Author, Player, and every Fair Theatre Adventure.

Performances

Mainpiece Title: A Rehearsal Of Kings; Or, The Projecting Gingerbread Baker; With The Unheard Of Catastrophe Of Macplunderkan, King Of Roguomania And The Ignoble Fall Of Baron Tromperland, King Of Clouts

Event Comment: Benefit J. Roberts. By Desire. For the Entertainment of the Ancient and Honourable Society of Non-Common Pleas, Mainpiece: Written by the Author of George Barnwell. Second and Third Pieces: Both written by the Author of Pasquin. To begin exactly at Half an Hour after Six, and all will be over by Half an Hour after Nine. Tickets (containing the Prologue to the Register, by way of Ode to the New Year, with the Musick engrav'd on a Copper Plate) may be had of Mr Henry Roberts, Engraver, at the Star over-against the Vine Tavern in Holborn, and at the Theatre in the Hay-Market. Daily Advertiser, 2 May: Sir, As at every one of our Theatres this Day there is a Benefit for Persons under Misfortunes, 'tis humbly hop'd that the more humane Pursuers o Pleasure will suspend their Curiosity for Vaux Hall for one Day, (out of a hundred) in Favour of so many Unfortunate, who have but the Chance of one single Night to relieve them from Afflictions which perhaps they have long labour'd under. And, as I have somewhere read, So humane Worth to God like Heights they'll raise, For the Preserver shares the Maker's Praise. I believe it is fully known, without troubling you with farther Particulars, that among the Number above mention'd, is included, Sir, Your very humble Servant, John Roberts

Performances

Mainpiece Title: The Fatal Curiosity

Afterpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Performances

Mainpiece Title: The Historical Register

Performance Comment: See17370321 but With a new Song by way of Epilogue to The Historical Register, call'd The Politician , address'd to the Criticks; the Words of which will be printed, and deliver'd this Night, gratis, at the Theatre;-a Gentlewoman who never sung on the Stage before.

Afterpiece Title: Eurydice Hiss'd

Song: TThe Lady's Lamentation for the Loss of Senesino-

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Young Wouldbe-Sparks; Teague-Barrington, both from the Theatre in Dublin; Elder Wouldbe-Ryan; Trueman-Chapman; Richmore-Hale; Alderman-Hippisley; Subtleman-Rosco; Steward-Arthur; Fairbank-Roberts; Balderdash-Marten; Comic-James; Constance-Mrs Vincent; Aurelia-Mrs Bellamy; Mrs Mandrake-Stoppelaer.

Afterpiece Title: The Royal Chace

Performances

Mainpiece Title: Love For Love

Performance Comment: Prue-Miss Oates; Valentine-Hale; Sir Sampson-Rosco; Scandal-Walker; Tattle-Chapman; Ben-James; Foresight-Hippisley; Trapland-Arthur; Buckram-Stevens; Angelica-Mrs Bellamy; Mrs Foresight-Mrs Horton; Mrs Frail-Mrs Stevens; Nurse-Mrs Martin; Jeremy-Oates, the first time of his performing on any theatre these two years.

Dance: II: Two Pierots-Lalauze, Desse; III: Peasant Dance-Master and Miss Oates; IV: Serious Dance-Villeneuve, Miss Oates; V: Je ne scay quoy-Villeneuve, Richardson, Miss Oates

Music: Solo on the Violin-Master Oates

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: As17391009, but Gomez-Julian, from the Theatre at Edinburgh, the first time of his appearance on this stage; Fryar-Paget, who has not appeared on this stage these seven years.

Afterpiece Title: The Tragedy of Tragedies

Dance: I: Pierots-Lalauze, Leviez; II: Drunken Peasant-Master Ferg; V: Muilment

Song: V: Miss Karver

Event Comment: LLondon Daily Post and General Advertiser, 15 Sept.: [cg] is new painted and decorated, and will be open'd on Friday next...the Report of Mr Cibber and Mrs Horton being engag'd to another Theatre, is entirely without Foundation: That Company would have begun acting sooner, but for the finishing of a large additional Building, which is now cover'd in, whereby they will, on some Occasions, be enabled to add near 70 Feet to the Length of the Stage, which was before the longest in England, but will now exceed in Depth, any Theatre in Europe

Performances

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Chymical Counterfeits

Performance Comment: As17401106, but in which will be introduced a Song in Honour of Admiral Vernon's Victories in the West-Indies, as it was performed at the Theatre-Royal in Drury-Lane-.

Dance: As17401110

Event Comment: TTurbutt (from the Theatre-Royal in Drury-Lane) and Yates (from the Theatre in Goodman's-Fields). At Turbutt's and Yate's Great Theatrical Booth, Opposite the King's Head and Greyhound Inn, West Smithfield. [The Fair runs from 22 through 26 Aug.

Performances

Mainpiece Title: Thamas Kouli Kan, The Persian Hero; Or, The Distress'd Princess: With The Descent Of Harlequin From The Sun, And His Adventures On Earth

Entertainment: Singing, Dancing-Chettle, Mrs Dunstall; And the surprizing Performances of the famous little Prussian Posture Boy, lately arrived from Berlin

Event Comment: New Theatre, James Street, near the Haymarket. Benefit Mrs King. [Designation of New Theatre repeated in remaining bills.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Mock Doctor

Dance: Mrs Careless, Volage

Event Comment: By Authority...will be presented a new Ballad-Opera [author unknown], 6:30 p.m. Boxes 5s. Pit 3s. Gallery 2s. Tickets to be had of Mrs Boyd, a Pamphlet Shop, in Leicester St. by Swallow St, opposite the Crooked Billet; at Mrs Gearing's@Toyshop near the Theatre; and at the Doors of the Theatre

Performances

Mainpiece Title: The Rover

Music: A Preamble on the Kettle@Drums, concluding with Handel's Water@Musick-Job Baker

Performances

Mainpiece Title: The Indian Merchant; Or, The Happy Pair; Interspers'd With The Comical Humours Of The intriguing Chambermaid, sir John Oldcastle, And The drunken Colonel

Performance Comment: A Comedy of two Acts. Merchant-Dove; Oldcastle-Smith; Colonel-Phillips; Rakert-Yeates; Valentine-Wallis; Pride-Powell; Puff-Davis; Security-Johnson; Trick-Evenel; Constable-Wood; Slap-Archer; Mrs Highman-Mrs Tucker; Charlotte-Miss Ferguson; Lady Pride-Mrs Habito; Lady Ruff-Mrs Simmons; Lettice-Mrs Phillips, from Theatre Royal in Drury Lane.

Afterpiece Title: The Miser Bit; or, Harlequin Reveller

Performance Comment: Harlequin-Phillips, from Theatre Royal in Drury Lane; Miser-Smith; Colombine-Mrs Dove; Clown-Dove.

Song: I: Bumper Squire Jones-Phillips

Dance: LLa Mason and Sabotiers-Phillips, Mrs Dove

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Clodio-Garrick; Carlos-Hallam, 1st appearance in any theatre in 2 years; Antonio-Arthur; Charino-Taswell; Sancho-Yates; Don Choleric-Macklin; Angelina-Mrs Mills; Elvira-Mrs Cross; Louisa-Mrs Roberts; Don Duart-Berry; Don Manuel-Woodburn; Monsieur-Blakes; Governor-Havard; Jaques-Leigh; Honoria-Mrs Ridout; Page-Miss Cibber.

Dance: II: La Mascarada, as17421009; V: Les Matelotes, as17421009

Song: III: Song-Beard

Performances

Mainpiece Title: The Stratagem

Performance Comment: Scrub-Cibber; Archer-Giffard; Mrs Sullen-Mrs Giffard; Aimwell-W. Giffard; Sullen-Peterson; Freeman-Mozeen; Foigard-Julian; Gibbet-Clough; Boniface-Dunstall; Lady Bountiful-Mrs Bambridge; Dorinda-Mrs E. Giffard; Gipsey-Mrs Dunstall; Cherry-Mrs Chetwood, from the Theatre Royal in Dublin.

Afterpiece Title: Imprisonment of Harlequin

Event Comment: Mainpiece: At the Desire of Several Persons of Quality. N.B. Some few days ago Mrs Catherine Penny was Committed, by Col DeVeil, to Bridewell, for selling Counterfeit tickets, for the Theatre Royal in Drury Lane; and as she has deliver'd out others for several Benefits to come (Mrs Clive's in particular) it is thought proper to give this public notice of the fraud, in order to prevent any tickets being bought in the Passages of the Theatre, proper care being taken to prevent all Tickets so bought from coming into the House

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Virgin Unmasked

Performances

Mainpiece Title: The Fair Penitent

Performance Comment: As17430121, but Lothario-the late Pantentee of the Theatre Royal in Drury-Lane [Highmore]; Lucilla-Miss Hippisley.

Afterpiece Title: The Mock Doctor

Dance: II: Welch Buffoons-two Masters Granier; IV: A Scotch Dance-three Graniers; End of Farce: a Grand Ballet-Mr Carney, Mrs Roland

Event Comment: Benefit Macklin. Stage form'd into Front and Side Boxes. N.B. As Mr Macklin has reason to believe that several of his tickets are counterfeited, and will be offer'd for sale in the streets and passages leading to the theatre, he begs leave to give this publick caution of the fraud; and humbly desires that Gentlemen and Ladies who have taken places, to send for tickets to the Theatre, or to Mr Macklin at his House in Bow Street.--Daily Advertiser. Winston MS.: In 1743 Macklin, Mrs Woffington, and Garrick took house No. 6 Bow St.--a joint establishment

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The School Boy

Dance: II: Sicilian Peasant, as17430310 IV: Italian Gardeners, as17421231

Song: III: Beard

Event Comment: To the Publick: Ladies and Gentleman, The Play of Othello, with Dancing by Cooke, Picq, Delamain, and Les Damoiselles Anne and Janneton Auretti, &c., being to be acted for my benefit on Monday next, at the Theatre Royal in Covent Garden; and having accidentally heard that a certain person being possess'd of a great quantity of my tickets, has some thoughts of getting them up to a considerable premium, I out of meer Friendship, not at all with regard to my own interest (if you'll believe me) do privately and secretly, in this public manner, advise you, to send away to my house, the corner of Bow St. near the said theatre, where I will oblige you with what number of tickets you please, at Par, to within an Hour of the Play's beginning. I am, Ladies and Gentlemen, Your most obedient and humble servant, Tho. Chapman

Performances

Performances

Mainpiece Title: The Country Wife

Performance Comment: Pinchwife-a Gentleman from Theatre Royal Dublin; Sir Jasper Fidget-Macklin; Sparkish-Neale; Harcourt-Blakes; Mrs Pinchwife-Mrs Clive; Lady Fidget-Mrs Pritchard; Horner-Mills; Dorilant-Cross; Quack-Turbutt; Alithea-Mrs Ridout; Lucy-Mrs Bennet.

Afterpiece Title: The Dragon of Wantley

Song: II: Stella and Flavia-Beard; IV: (By Particular Desire) Bumper Squire Jones-Beard

Music: IV: a Concerto-Piantanida

Dance: III: A Comic Dance-Boromeo, Mlle Bonneval

Performances

Mainpiece Title: Love For Love

Performance Comment: As17430217, but Prue-Miss Hippisley, from the Theatre Royal in Covent Garden; Snap-Freeman; Mrs Foresight-Mrs Bambridge; Nurse-Mrs Haughton; Jeremy-Miss Royer; Epilogue [kindly sent to his [Milward's] Widow the Night before by the Gentleman who wrote The Man of Taste [James Miller]-Cibber. (Theatrical Clippings, Folger Library.)

Afterpiece Title: The Virgin Unmasked