SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre in Richmond"/1) | (@(roleclean,performerclean) "Theatre in Richmond")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2529 matches on Event Comments, 586 matches on Performance Comments, 86 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant at the Stage Door of the Theatre. [Only sagnificant changes from this regular notice will be recorded hereafter.] Paid Mrs Margaret Lamb 6 months interest on #315 due 8 Sept. #7 10s. (Account Book). Receipts: #155 15s. (Account Book). Estimate of a Constant@N.B. The Ground Rent and Taxes is calculated to be Paid in 150 Days.@Per Annum Per Day@To 50 Old Shares at 2s. --- #5@To 50 New Ditto at 2s. --- #5@T 50 New Ditto at 2s. --- #5@To Ground Rent for the Theatre #100@To Ditto for Buildings in Harte St. #30@To Ditto for Mr Thurmond's House in Bow Street Passage #25@ #155 #1 0s. 8d.@ #11 0s. 8d.@Taxes (Viz)@To Land and Window Taxes for Theatre #98 2s.@To Do for a House in Bow St. Passage #5 15s 6d.@To Poor's Rate for the Theatre #20@To Do for a House in Bow St. Passage #1 10s.@To Watch rate for the Theatre #8 6s. 8d@To Do for a House in Bow St. Passage 10s. 6d.@To Rector's rate for the Theatre #6 13s. 4d.@To Do for a House in Bow St. Passage 8s. 4d.@To Scavenger's Rate for the Theatre #6 17s. 4d.@To Do for a House in Bow St. Passage 6s. 4d.@To Water for the Theatre #4@ #152 10s.@ #1 4d.@To Renters, Ground Rent & Taxes #12 1s.@To Gawrds [sic] per Day 14s.@To Barbers Do 5s. 4d.@To Scenemen Do #2 10s.@To Music as Per List #4 9s 2d.@For 150 Days To Candles #3 3s.@Do To Coales 10s 10s.@Passages, Stage Etc. To Lamps #1 12s.@To Bills #1 7s.@To Advertisements 5s.@To Billsetters 4s. 6d.@#16 6s. Sallery [sic] #14 6s. Estimate To Wardrobe bill about #1 11s.@#2 Sallery #5 Estimate To Property Bill Do 7s.@To Chorus Singers Do 10s.@To Mr J. Rich #5 5s.@To Mr C. Rich #1@ #36 1s.@Nightly Charge@Musick List@Messrs Wood 5s.@Gillier 5s.@Miller 5s.@Chapman@ 3s. 4d.@Goodman 3s. 4d.@Woodson 5s.@Ward 6s. 8d.@Rolland 5s.@Rawlings 3s. 4d.@Vincent 6s. 8d.@Wrexell 5s.@Beale 5s.@Jones 4s. 2d.@Biche 3s. 4d.@Heron 4s. 2d.@Stockdon 3s. 4d.@Scovell 3s. 4d.@Lampe 3s. 4d.@Smart 3s. 4d.@Assistant Writer 10d.@Harpsicord 5s.@#4 9s. 2d.@Men Dressers Charg'd in the Wardrobe Bills@Messrs Mearns 2s. 6d.@Cason 2s.@Esbury 1s.@Fenwick 1s.@Winterton 1s.@Besford 1s.@Francis 1s.@Cawder 1s.@Hays 1s.@Hollingsworth 1s.@Cabell 1s.@Nicholls 1s.@Norris 1s.@Cole 1s.@16s. 6d.@Billstickers as per List@Messrs Abbott 2s.@Mislebrook 2s.@Dymuck 2s@Tidd 2s.@Gale 2s.@Cole 1s. 6d.@11s. 6d.

Performances

Mainpiece Title: The Jovial Crew; Or, The Merry Beggars

Afterpiece Title: The Mock Doctor

Event Comment: The Last Time of Performing in This Theatre. Kemble Mem.: Sheridan wrote the Address [not listed on playbill; see Gazetteer, 6 June], Palmer delivered it. Universal Magazine, June 1791, p. 438: On Saturday night, of a gradual decay, and in the 117th year of her age, died old Madam Drury, who lived through six reigns, and saw many generations pass in review before her...She had a rout of near 2000 people at her house the very night of her death; and the old lady found herself in so much spirits, that she said she would give them 'No Supper' without a 'Song'; which being complied with, she fell back gently in her chair, and expired without a groan. Dr Palmer, one of her family physicians, attended her in her last moments, and announced her dissolution to the company. [This was written by George Colman, ynger.] Gazetteer, 6 June: Samuel Johnson was powerfully and pathetically shewn the universal horror which men feel of the last even towards things indifferent, or sometimes unpleasant; and there seemed to be some apprehension of this sort of pain on Saturday, for a very few attended to take their leave of the scene where they have been so often regaled with fictitious sorrow and gladness. [This theatre was first opened on 26 March 1674. It has been altered and redecorated on several occasions, notably by the architects Robert and James Adam in the summer of 1775, for which see illustration in The London Stage, Part IV, Vol. III, 1650. The new theatre was not in readiness until April, 1794. The principal reason for the delay was that the patent had lapsed, and "it being necessary to obtain one previous to the payment of their respective sums on the part of the subscribers, application was made to Mr Harris, of Covent Garden Theatre, who possessed a dormant patent." The price set was #15,000, and the patent was sent to a banker for inspection. A Mr George White, who had married a daughter of William Powell, one of the former patentees, and had thereby a financial interest, objected to this price, and "obtained a prohibition in the Court of Chancery which obliged the banker to restore the patent to the Manager of Covent Garden Theatre." The subscribers to the new Drury Lane thereupon refused to pay their subscriptions, and work on the demolition of the old theatre was halted (London Chronicle, 30 July 1792). Sheridan finally offered #20,000: #15,000 to Harris and #5,000 to White, which was accepted, and work on the theatre was resumed, the cornerstone being laid on 4 Sept. 1792 (Morning Chronicle, 6 Sept.; London Chronicle, 12 Sept. 1792). The Actual sum eventually paid to Harris was #11,667.] Paid in lieu of Benefits: Kelly #100; Miss Farren #300; Aickin #60; Williames #42. Received from Their Majesties for Season #78. Paid Renters #20 apiece (Account-Book). Receipts: #105 5s. 6d. (74.7.0; 24.0.6; 6.18.0)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Event Comment: t foot of Bill]: Whenever a Pantomime or Farce shall be advertised, the advanced prices shall be returned to those who do not choose to stay; and on Thursday next will be published the Manager's reasons for his conduct in the present dispute. Winston MS.: Fleetwood, the manager, and servants driven from doors & all rushed in. Genest, IV, 137-38: A country gentleman was taken from an upper box and carried before a magistrate. This step when known by the audience occasioned much mischief. Acting the play not allowed. General Advertiser, 22 Nov.: An Address to the Public, dl Theatre 20 November. As the extraordinary disturbances which have lately happened at this theatre greatly affect the diversions of the publick, as well as the property of the manager, he thinks it incumbent on him to justify his conduct by giving a fair statement of the case....The reasons of complaint assigned, he apprehends, are the exhibition of Pantomimes, Advanced Prices, and Insults on the audience--as to the first, he submits it to be considered that however distasteful such pieces may be to the delicacy of some judgments, yet there are others to whose taste they are suited; as the playhouse may be considered as the general mart of pleasure, it is only from the variety of entertainment, the different tastes of the public can be supplied--of this the receipts of the house are a sufficient evidence, it being notorius, how necessary the addition of such pieces is towards procuring the best play a numerous audience. With regard to the advanced prices, the Manager hoped he should in some measure be justified by the great increase of the charges of the theatre which, notwithstanding any reduction that has been made, are still at least a fourth part greater than usual--but as in this point he has already submitted, he conceives it can no longer remain the subject of their displeasure, especially as by an advertisement handed about the theatre it was said that every objection would cease, when the manager consented to return the advanced prices to those, who did not choose to be tortured with entertainments. As to insults on the audience...last week upon some persons flinging the sconces and candles on the stage a quarrel arose, in the confusion of which a Gentleman was secured, but by whom the Manager knows not, nor ever gave any order, or was any acquainted with the affair till after he was discharged, for the truth of which he refers to the affidavit annexed. As to the accusation of several bruisers (as they are termed) being employed on Saturday night to insult Gentlemen, the Manager declares, that there was none but the Peace Officers, Carpenters, and Scene-men (which on account of the Entertainments are very numerous) and other servants belonging to the theatre; nor did they appear till urged by the tumult, by tearing up benches and threat'ning to come on the stage and demolish the scenes; nor could the Manager apprehend this legal precaution to prevent mischief and defend his property would ever be construed as an infringement on the liberty of an audience, especially when it is considered, what great damages he sustained some years ago on an attempt of the like nature--if any such persons appeared in the pit, the Manager presumes, they must have come in with the multitude, after his doorkeepers were drove from their posts, and the house was open to all; which was evident from several hundred persons more being present at the disturbance than were at the performance that night, who then came to a determination to prevent any performance on the Monday. After this impartial account of his conduct, the manager appeals to the judgment of the publick what foundation he has given for the outrageous disturbance on Monday night; and cannot help thinking, the real injuries he has sustained, too severe a punishment for an imaginary offence, having lost several hundred pounds already, by people being terrified from frequenting the theatre. A total exclusion is now insisted on, the Manager to resign his property, the Publick to be deprived of their diversions and the players of their subsistence; And all this after every concession, becoming one gentleman to ask, or another to make, has been submitted to. [Affidavit of Constable followed. See Genest, IV, 139-40.] The following three pamphlets came out expressing points of view concerning Fleetwood and his policy and management: I. The Disputes between the Director of d.l. and the Pit Potentates, 20 Nov. As a Letter to a Friend it tells the resolution: not to have old Pantomimes (so execrably bad that they were damn'd when new) imposed on them, unless the manager would take no more than common prices; reports how Fleetwood stocked the pit with Men of doughty valor...disguised in the habits of Gentlemen, to throw out all who protested; protests the system of casting employed whereby 2nd rate actors appeared in good parts; discusses hardship cases of certain actors (Mrs Roberts, Mrs Horton, Mrs Mills) and asks why Theophilus Cibber is not on the stage. 2. An Impartial Examen of the Present Contests, by Mr Neitherside, 1744: harks back to Fleetwood's finacial policies of the previous year, deploring his relations with the actors and with manager of cg; scourges him for miscasting his plays around one prominent actor, rather than giving a balanced performance; deplores his paying Mrs Cibber, Mrs Clive so much; revives the 1743 dispute which led to secession; dislikes the casting for 2 Nov. of Love's Last Shift; suggests better casts for many plays; scores the Licensing Act for reducing players to slavery; hopes for resumption of balanced performances. 3. Stage Policy Detected, or some Selcet Pieces of Theatrical Secret History Laid Open, in a Letter to a Certain Manager, 1744: takes apart Fleetwood's Defense, statement by statement, giving him the lie at each point. Suggests the real money from the house comes from Pit and Box, which are protesting his pantomimes; shows full attendance at Rehearsal and Macbeth with no afterpieces. Especially dislikes the hired bruisers, and the cast of the Alchemist for 6 Nov

Performances

Mainpiece Title: The Provoked Wife

Dance: Muilment

Performances

Mainpiece Title: The English Princess; Or, The Death Of Richard The Third

Performance Comment: The edition of 1667 lists no actors' names, but Downes (Roscius Anglicanus, p. 27) lists: King Richard-Betterton; Duke of Richmond-Harris; Sir William Stanly-Smith; Prologue-; Edition of 1673: Epilogue. Edition of 1673: Epilogue.
Cast
Role: Duke of Richmond Actor: Harris

Performances

Mainpiece Title: The Tragical History Of King Richard Iii

Performance Comment: Edition of 1700: King Henry the Sixth-Wilks; Edward Prince of Wales-Miss Allison; Richard Duke of York-Miss Chock; Richard Duke of Gloucester-Cibber; Duke of Buckingham-Powel; Lord Stanley-Mills; Duke of Norfolk-Simpson; Ratcliff-Kent; Catesby-Thomas; Henry Earl of Richmond-Evans; Oxford-Fairbank; Elizabeth-Mrs Knight; Ann-Mrs Rogers; Cicely-Mrs Powel.
Cast
Role: Henry Earl of Richmond Actor: Evans

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-Ryan; King Henry-Boheme; Buckingham-Quin; Richmond-Leigh; Catesby-Egleton; Lord Mayor-Bullock Sr; Elizabeth-Mrs Seymour; Anne-Mrs Spiller; Duchess of York-Mrs Giffard; Prince Edward-Miss Stone.
Cast
Role: Richmond Actor: Leigh

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17210311 but Richmond-Egleton; Queen Elizabeth-Mrs Giffard; Catesby-_; Anne-_; Duchess of York-_.
Cast
Role: Richmond Actor: Egleton

Performances

Mainpiece Title: King Richard The Third

Performance Comment: As17210313 but Catesby-Egleton; Richmond-_; Anne-Mrs Giffard; Queen Elizabeth-Mrs Seymour.
Cast
Role: Richmond Actor: Egleton

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Henry-Boheme; King Richard-Ryan; Buckingham-Quin; Richmond-Walker; Catesby-Egleton; Lord Mayor-Bullock Sr; Queen Elizabeth-Mrs Seymour; Lady Anne-Mrs Egleton; Prince Edward-Miss Stone.
Cast
Role: Richmond Actor: Walker

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard III-Ryan; Henry-Boheme; Buckingham-Quin; Richmond-Walker; Catesby-Egleton; Queen-Mrs Seymour; Lady Ann-Mrs Bullock; Dutchess of York-Mrs Egleton.
Cast
Role: Richmond Actor: Walker

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-Ryan; Henry-Boheme; Buckingham-Quin; Richmond-Walker; Catesby-Egleton; Lord Mayor-Bullock Sr; Elizabeth-Mrs Wilson; Lady Anne-Mrs Vincent; Dutchess of York-Mrs Knight; Prince Edward-Mrs Rogeir.
Cast
Role: Richmond Actor: Walker

Song: Singing in Italian and English-Mrs Isabella Chambers, being the first Time of her performing on that Stage

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-Ryan; King Henry-Boheme; Buckingham-Quin; Richmond-Walker; Catesby-Egleton; Stanley-Diggs; Lord Mayor-Bullock Sr; Dutchess of York-Mrs Egleton; Lady Anne-Mrs Bullock; Elizabeth-Mrs Parker.
Cast
Role: Richmond Actor: Walker

Afterpiece Title: The Cheats; or, The Tavern Bilkers

Song: Singing in Italian and English-Mrs Barbier

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-Ryan; Henry-Boheme; Buckingham-Quin; Richmond-Walker; Catesby-Egleton; Stanley-Diggs; Lord Mayor-Bullock Sr; Lady Elizabeth-Mrs Parker; Dutchess of York-Mrs Egleton; Lady Anne-Mrs Bullock.
Cast
Role: Richmond Actor: Walker

Song: As17251013

Dance: WWooden Shoe Dance-Nivelon; Passacaille-Lally, Mrs Wall

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Elder Woudbe-Wilks; Young Woudbe-Bridgwater; Trueman-Cibber; Richmond-Mills Jr; Subtleman-Griffin; Alderman-Johnson; Balderdash-Shepard; Clear Account-Corey; Fairbank-Roberts; Teague-Miller; Constance-Mrs Porter; Aurelia-Mrs Oldfield; Mrs Midnight-Harper; Steward's Wife-Miss Tenoe.
Cast
Role: Richmond Actor: Mills Jr

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Ryan; Henry-Boheme; Buckingham-Quin; Richmond-Walker; Stanley-Diggs; Lord Moyor-Bullock; Elizabeth-Mrs Berriman; Dutchess of York-Mrs Egleton; Lady Anne-Mrs Bullock.
Cast
Role: Richmond Actor: Walker

Afterpiece Title: Jupiter and Europa

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Cibber; King Henry-Wilks; Buckingham-Mills; Richmond-Williams; Tressel-Cibber Jr; Queen Elizabeth-Mrs Porter; Queen Anne-Mrs Horton; Duchess of York-Mrs Butler; King Edward V-Mrs Cibber; Duke of York-Miss Robinson Jr.
Cast
Role: Richmond Actor: Williams

Dance: Lally, Boval, Rainton, Mrs Booth, Mrs Mills, Mrs Walter; particularly Myrtillo-

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-Delane; Henry VI-Giffard; Edward Prince of Wales-Master Giffard; Richard Duke of York-Master Huddy; Richmond-Bardin; Buckingham-W. Giffard; Stanly-Rosco; Ratcliff-Jenkins; Catesby-Havard; Tressel-Huddy; Mayor-Morgan; Tirrel-Williams; Norfolk-Smith; Blunt-Bullock; Lady Anne-Mrs Giffard; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Haughton.
Cast
Role: Richmond Actor: Bardin

Afterpiece Title: Flora

Dance:

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard III-Delane; Henry VI-Giffard; Edward Prince of Wales-Master Giffard; Duke of York-Miss Cole, who performed the young Princess in Anna Bullen; Richmond-Bardin; Buckingham-W. Giffard; Stanley-Rosco; Tressel-Huddy; Catesby-Havard; Ratcliff-Jenkins; Norfolk-Winstone; Blunt-James; Tirrel-Williams; Forest-Dove; Mayor-Penkethman; Lady Anne-Mrs Giffard; Queen Elizabeth-Mrs Roberts; Dutchess of York-Mrs Haughton; A New Epilogue to be spoken-Mrs Hamilton.
Cast
Role: Richmond Actor: Bardin

Afterpiece Title: The Mock Doctor

Afterpiece Title: The Amorous Sportsman

Performances

Mainpiece Title: King Richard The Iiid

Performance Comment: Richard-Roberts; Henry VI-Bridgwater; Buckingham-Giffard; Richmond-Marshall; Mayor-Mullart; Queen-Mrs Horton; Lady Ann-Miss Hollyday; Dutchess of York-Mrs Mullart; Prince Edward-Miss Hughes; Duke of York-Miss Norris .
Cast
Role: Richmond Actor: Marshall

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Maggot by Lally Jr and Mrs Walter. III: Drunken Peasant by Le Bran. IV: La Badine, as17331015

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-Ryan; King Henry-Chapman; Buckingham-Quin; Richmond-Walker; Stanley-Aston; Mayor-Hall; Elizabeth-Mrs Hallam; Dutchess of York-Mrs Buchanan; Lady Anne-Mrs Bullock .
Cast
Role: Richmond Actor: Walker

Afterpiece Title: The Mock Lawyer

Dance: A single Dance by Mlle Salle. Scotish Dance, as17331004 French Sailor and his Lass by Malter and Mlle Salle

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard 1n-Quin; Henry VI-Milward; Buckingham-Mills; Richmond-Cibber; Queen Elizabeth-Mrs Thurmond; Lady Anne-Mrs Heron; Duchess of York-Mrs Butler; Edward V-Miss Brett; Tressel-Cross; Mayor-Harper; Duke of York-Miss Cole; Norfolk-Boman; Stanley-Berry; Lieutenant-Winstone; Catesby-Oates; Ratcliff-Hewitt .
Cast
Role: Richmond Actor: Cibber

Afterpiece Title: The Harlot's Progress

Music: Select Pieces

Dance: III: La Follette s

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard III-Delane; Henry VI-Giffard; Buckingham-W. Giffard; Richmond-Bardin; Norfolk-Harbin; Ratcliff-Jenkins; Stanley-Rosco; Catesby-Havard; Tressel-Huddy; Oxford-Moore; Prince Edward-Miss Norris; Duke of York-Miss Haughton, the first time of her appearing on the stage; Mayor-Penkethman; Queen Elizabeth-Mrs Roberts; Lady Anne-Mrs Giffard; Dutchess of York-Mrs Haughton .
Cast
Role: Richmond Actor: Bardin

Afterpiece Title: The Lottery

Dance: La Follette s'cest Ravisee by F. Tench and Mrs Woodward. Pastoral by Vallois and Mrs Bullock. Scots Dance, as17341202

Performances

Mainpiece Title: King Richard The Third

Performance Comment: Richard-Ryan; King Henry-Walker; Buckingham-Bridgwater; Richmond-A. Hallam; Tressel-Chapman; Stanley-Hale; Catesby-Aston; Norfolk-Marshall; Mayor-Mullart; Ratcliff-Wignel; Oxford-Ridout; Elizabeth-Mrs Hallam; Dutchess of York-Mrs Buchanan; Lady Ann-Mrs Bullock .
Cast
Role: Richmond Actor: A. Hallam

Afterpiece Title: The Necromancer

Dance: Tambourine by Mlle Salle. La Coquette Francoise, as17341214

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Quin; Henry VI-Milward; Buckingham-Mills; Richmond-Cibber; Edward v-Master Green; Duke of York-Miss Cole; Norfolk-Boman; Stanley-Berry; Tressel-Cross; Lieutenant-Winstone; Mayor-Harper; Catesby-Oates; Ratcliff-Turbutt; Queen Elizabeth-Mrs Thurmond; Lady Anne-Miss Holliday; Dutchess of York-Mrs Butler .
Cast
Role: Richmond Actor: Cibber

Afterpiece Title: Harlequin Restor'd

Music: As17351018

Dance: As17351022

Performances

Mainpiece Title: King Richard Iii

Performance Comment: Richard-Quin; Henry VI-Milward; Buckingham-Mills; Richmond-Cibber; Queen Elizabeth-Mrs Thurmond; Lady Anne-Miss Holliday; Dutchess of York-Mrs Butler; but see17351025 . but see17351025 .
Cast
Role: Richmond Actor: Cibber

Afterpiece Title: The Fall of Phaeton: With Harlequin Captive