Event Comment: Benefit for Miss Younge. Mainpiece: With the grand Triumphal Entryv. [Public Advertiser, I Apr., identifies the Epilogue as an alteration by Garrick of his epilogue to Alfred.] Afterpiece [1st time; CO 2, by J Hough]: The Music composed by William? Bates. Tickets delivered for The Brothers will be taken. Books of the Performances to be had at the Theatre. Public Advertiser, 7 Mar.: Tickets to be had of Miss Younge at Thelwall's, Silk Mercer, King-street, Covent Garden. Receipts: #285 13s. 6d. (141.9.0; 11.15.0; 0.2.6; tickets: 132.7.0) (charge: #76 19s. 6d.)

Event Comment: [The Account-Book notes that the theatre received #25 on each of the 11 Oratorio nights.

Event Comment: Benefit for Quick. Afterpiece 1st time; F 2, by Ursula Agnes Booth, based on the same, by John Fletcher and Philip Massinger. The playbill lists Death in place of Lee Lewes, but he 'Was not to be found...Hull begged permission for Lee Lewes to read Death's part in his own undress, which [was] granted" (London Chronicle, 28 Apr.).]. Books of the Entertainment to be had at the Theatre. Public Advertiser, 30 Mar.: Tickets to be had of Quick, No. 15, Drury-lane. Receipts: #262 2s. (157.2; tickets: 105.0) (charge: #64 10s.)

Event Comment: Benefit for Mrs Robinson. Morning Chronicle, 6 Apr.: Tickets to be had of Mrs Robinson, at Parviso's, No. 114, Long acre. Afterpiece [1st time; CO 2, by Mary Robinson. Larpent MS 447; not published]: The Music chiefly compiled. Tickets delivered for King Lear will be taken. Books of the Performances to be had at the Theatre. Receipts: #153 17s. 6d. (57.8.0; 21.3.6; 0.10.0: tickets: 74.16.0) (charge: #78 11s. 6d.)

Event Comment: Benefit for Wright, Carpenter & Butler. Public Advertiser, 5 May: Tickets to be had of Carpenter at Sutton's, No. 11, Little Russel-street, Covent Garden; of Butler, next Door to the Theatre. Receipts: #283 15s. 6d. (42.2.0; 7.2.6; 0.2.0; tickets: 234.9.0) (charge: #74 14s.)

Event Comment: Benefit for Davies, bookseller, and Mrs Davies, who formerly belonged to this Theatre, and who have sustained misfortunes in trade. Public Advertiser, 20 May: Tickets to be had of Davies, Great Russel-street, Covent Garden. Receipts: #198 9s. 6d. (69.14.0; 17.10.0; 0.13.6; tickets: 110.12.0) (charge: #64 4s.)

Event Comment: Mainpiece: 8th time [i.e. in continuation of the reckoning for the previous season. Prologue by George Colman elder. Epilogue by David Garrick (see 30 Aug. 1777)]. Books of the Songs to be had at the Theatre

Event Comment: Afterpiece (1st time; BURL I, by Thomas Willet. For music see 31 July]: Books of the Burletta to be had at the Theatre. Public Advertiser, 1 July 1778: This Day is published Buxom Joan (6d.)

Event Comment: Afterpiece [1st time in London; F 2, by John O'Keeffe, 1st acted at the Smock Alley Theatre, Dublin, 13 Apr. 1774. Prologue by George Colman elder (Prose on Several Occasions, III, 222)]. Public Advertiser, 16 Aug. 1780: This Day is published Tony Lumpkin in Town (1s.)

Event Comment: [These performances were held in a temporary booth erected following the destruction of the theatre by fire (see 26 June). In August King Lear, with Everard as Lear and Cooke as Edgar, was acted here three times [Edward Cape Everard, Memoirs of an Unfortunate Son of Thespis [Edinburgh, 1018], p.78). Everard states that the booth was kept open for about six weeks, but no further records of what was acted have survived.

Event Comment: Afterpiece [1st time; CO 2, by Charles Dibdin, based on La Bohemienne, by Charles Simon Favart. Music by Samuel Arnold]. Books of both Pieces to be had at the Theatre. Public Advertiser, 10 Aug. 1778: This Day is published The Gipsies (price not listed)

Event Comment: Afterpiece [1st time; co 2, by Henry Bate (later Sir Henry Bate Dudley). Music by William Shield]. Books for both Pieces to be had at the Theatre. Public Advertiser, 15 June 1779: This Day is published The Flitch of Bacon (1s.)

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Rose et Colas, by Michel Jean Sedaine]. 3rd piece [1st time; CO I, by Charles Dibdin, based on Les Femmes Vengees, by Michel Jean Sedaine]: With new Scenery [Public Advertiser, 19 Sept.: by Richards] and Decorations. Both the Musical Pieces, with new Overtures, composed by Dibdin. Books of the new Musical Pieces to be had at the Theatre. Places for the Boxes to be taken of Brandon (only) at the Stage Door. No Money to be taken at the Stage Door, nor any Money to be returned after the Curtain is drawn up. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:15. To begin at 6:15 [see 21 Sept.]. Public Advertiser, 18 Sept.: This Afternoon at Three will be published Rose and Colin and The Wives Revenged (each 6d.). "At this season of the year the little company upon the Ton, who are in town, seldom rise from the table till after the beginning of the play; in order, therefore, to obviate the disturbance that the fracas in the boxes usually makes towards the close of the first act, or the beginning of the second, this comic opera [Rose and Colin] was prefaced. It at the same time affords these late comers an opportunity of seeing the play [i.e. the mainpiece] complete" (Town and Country Magazine, Sept. 1778, p.453)

Event Comment: Books of the Burletta to be had at the Theatre

Event Comment: 1st piece [1st time; CO I, by Charles Dibdin, based on Annette et Lubin, by Charles Simon Favart and Jean Baptiste Lourdet de Santerre. Music by the author]. Books of the new Musical Piece to be had at the Theatre. Public Advertiser, 2 Oct.: This Afternoon at Four is published Annette and Lubin (6d.)

Event Comment: Afterpiece: The Scenery, Machinery, &c. painted by Carver, Greenwood and Garvey. The Overture and the rest of the Music composed by Fisher. Books of the Songs to be had at the Theatre

Event Comment: [As mainpiece the playbill announces Caractacus, but it "was not performed last night at Covent Garden theatre, on account of Leoni's sudden illness. The Busy Body was substituted in its stead" (Morning Chronicle, 4 Nov.).

Event Comment: [The playbill announces this as "By Command of Their Majesties," but "His Majesty intended going to Drury-lane Theatre last night, but was prevented by the multiplicity of business at St James's" (Morning Post, 19 Nov.).] Mainpiece: Not acted these 3 years [acted 2 May 1776]. Receipts: #212 11s. 6d. (184.8.0; 27.6.6; 0.17.0)

Event Comment: Mainpiece [1st time; CO 3, by William Kenrick, based on The Country Lasses, by Charles Johnson]: With new Scenery, Dresses and Decorations. The Overture and the rest of the Music composed by Hook. Books of the Songs to be had at the Theatre. Public Advertiser, 2 Dec. 1778: This Day at Noon is published The Lady of the Manor (1s. 6d.)

Event Comment: Afterpiece [1st time; P 2, attributed to Richard Brinsley Sheridan (see G. W. Williams in Studies in Philology, XLVII, 1950, 619-28). Synopsis of action (W. Randall, 1779) lists no parts]: The Overture and Music entirely new. With new Scenes, Machines, Dresses and Decorations. All the Scenery, Machinery, &c. designed by DeLoutherbourg and executed under his direction. Nothing under Full Price will be taken. [For a discussion of this pantomime see Theatre Survey, II, 54-66.] Public Advertiser, 24 Feb. 1779: This Day is published an Account of The Wonders of Derbyshire and the Songs (6d.). Receipts: #225 19s. (223.18.0; 2.1.0)