SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2849 matches on Event Comments, 490 matches on Performance Comments, 78 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Books of the Opera to be had at the Theatre. Receipts: #178 6s. (Account Book)

Performances

Mainpiece Title: Lionel And Clarissa

Afterpiece Title: Catherine and Petruchio

Dance: End Opera: New Comic Dance, as17671126, but Miss Capon, Miss _Valois

Event Comment: Benefit for Mrs Pritchard, being her last time of appearing on the stage. [Prices first announced: Pit and Boxes 10s. 6d. Gallery 5s. Upper Gallery 2s. 6d. but acted to usual prices. Garrick wrote farewell adress.] N.B. As all the places are taken, there will be no admittance into the Pit and Boxes, but with tickets; Mrs Pritchard entreats the Ladies and Gentlemen to avoid confusion, and for their own convenience to be at the theatre a little earlier than usual, and to send their servants at 3 o'clock

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Guardian

Event Comment: Cancelled. Theatre and all the Gardens [closed] on account of the Death of Louisa Anne [sister of His Majesty]--until 23 May. [This was to have been the Benefit night for Mortimer, Tomlinson, and Lings.] Tickets deliver'd by Miss Berkley, Mas. Cape, and for The Committee were to have been taken

Performances

Mainpiece Title: None

Afterpiece Title: None

Dance: [I: Double Hornpipe-Mas. Cape, Miss Taylor.

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17671110, but Manly-Jackson (from Theatre Royal, Dublin); Sir Francis-Shuter; Jenny-Miss Ward, 1st time.

Afterpiece Title: Orpheus and Eurydice

Dance: II: The Highland Reel, as17680307

Event Comment: A new comedy of three acts. Places to be taken of Mr Jewell at the Theatre. No Admittance behind the Scenes. Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money to be returned after the Curtain is drawn up. Pit and Galleries to be open at 5:30 p.m.; Boxes at 6 p.m. To begin exactly at seven. Vivant Rex et Regina. [Repeated in the bills.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Thomasand Sally

Dance: Between the acts: Duquesnay, Miss Street, scholars of Gherardi

Event Comment: The Last time of the company's performing this season. [Following deficiencies for this season paid up: Richard Smith, Lewes, Dumay, Condell, Potter, Thomas Smith, Quick, Furkins, Wilkinson, Abbott, Simmonds, Pullen, Stephenson, Asbury, Wilde, Francis, Mrs Griffiths, Claridge, and Sharratt (Account Book). This includes payment of half value of tickets for those who were granted partial benefits on that basis.] Music forfeits at end of season #17 6s. 11d. Neville MS Diary: Went...to see Cymbeline...chiefly to hear Powell speak an occasional prologue. Would not have gone had I known it was only a stale piece of flattery to George. [See The Gentleman's Magazine, 9 July p. 346: "On shutting up the playhouse in Covent Garden at the end of the season, admission into the theatre having been denied to Mr H and R through any other passage but Mr Powell's House, those gentlemen at the head of a large posse on the 17th of last month, [June] made a forcible entry by breaking open a window near the playhouse door in Hart street; after which they expelled by violence Mr Sargeant the Housekeeper, all his family and others; but the acting managers not being inclined to submit to the arbitrary proceedings of their colleagues, immediately applied for redress, where redress was effectually to be had, and this day they were formally expelled by virtue of a warrant from under the hand and seal of the high sherrifs of London and Middlesex, and the old housekeeper, Mr Sargeant, restored to his office of trust, to the great mortification of one of the champions who had been heard to say: That he had now got possession and d--n him if he would not keep it while he had a drop of blood in his body, and while there was one brick upon another belonging to the house."

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Midas

Dance: III: The Highland Reel, as17680307

Performances

Mainpiece Title: The Rehearsal

Performance Comment: Bayes-Lee; Johnson-Young Gentleman, first appearance on any stage; Smith-Casey; Prince Volscius-Keasberry, from the Theatre Royal in Bath; Prince Prettyman-Loveman; Gentleman Usher-Vandermere; Physician-Graham; Drawcansir-Hamilton; Tom Thimble-Brownsmith; Chloris-Mrs Graham; also a Grand Battle-Mr Bayes new rais'd Regiment of Horse.

Afterpiece Title: Damon and Phillida

Event Comment: For the Farce--New Scenes, Dresses, Music. Book of the play sold at the Theatre. Play to begin at 6 o'clock (Winston MS 10). The Farce went off very well,--some hisses (Hopkins Diary)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Padlock

Event Comment: HHopkins Diary: This morning a printed paper was handed about requesting the lovers of theatrical Performances to meet this evening at the theatre to insist upon the doors not being opened till five o'clock.--As soon as the curtain was up, they called for Mr Garrick, and would not suffer the play to begin. Mr King went on and told the audience, "that he was desired by the managers to tell them the doors for the future should not be opened till Five," A great Clap,--He added, "that the managers was always willing to oblige the publick in everything that was in their power; but they thought that on very full nights it would be attended with some inconvenience." They would not hear of any alteration,--he then told them, "the doors should always for the future be opened at five, unless the public applyed to have it altered." All then was quiet and the play began. Mr Weston, whose name was in the Bills for Jerry, was taken suddenly ill, and Mr W. Palmer went on for it without an apology.--called out, "Mr Holland, what is the reason we have not Mr Weston according to your publication in the Bills?" They then were told he was taken suddenly ill--"then pray make an apology for him" they said.--Another gentleman called out "Don't answer him, Mr Holland, you do him too much honor by deigning to answer him."--then all was quiet, and the play went on

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Padlock

Event Comment: Doors open at 6. Play to Begin exactly at 7. Books of the Interlude to be had at the theatre. Paid for a license for The Royal Garland #1 1s. (Account Book). Receipts: #173 17s. 6d. (Account Book)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Devil to Pay

Event Comment: Both pieces By Command of their Majesties. Servants are desired to be at the theatre to keep places by 4 o'clock. Receipts: #209 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Thomasand Sally

Dance: End: The Irish Lilt, as17680930; End I [of Farce]: The Merry Sailors, as17680920

Event Comment: Mainpiece: Not acted these 3 years. [See 1 May 1765.] Books of the opera to be had at the Theatre. Receipts: #213 (Account Book)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Miller of Mansfield

Dance: I: A Comic Dance, as17681007; II: New Grand Ballet, The Tartars, as17681004

Event Comment: [This evening] a cause came on to be tried in the Court of Common Pleas at Westminster, in which Mr William Bates, Music Master, was Plaintiff and Spranger Barry, Esq the celebrated tragedian, defendent, upon a demand made by the plaintiff for a large sum of money due to him from the Defendent, for the performance of Miss Slack, the Plaintiff's apprentice, at the Theatre in Cork...After a short hearing a verdict was given in favour of the Plaintiff (Lloyd's Evening Post, 25-28 Nov.)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Queen Mab

Dance: I: A New Pantomime Dance, as17681116

Event Comment: Benfit towards the increase of a Fund (Established by the Performers of this Theatre) for the support of such actors, and their families, who from Age or Infirmities, shall be oblig'd to quit the stage. Charges #65 7s. 6d. [including candles, extra kettle drum, side drum, organ and tabor & pipe]. Balance due Fund #101 17s. 6d. plus a special income of #17 13s. from 64 Box tickets (Account Book). Receipts: #167 5s. (Account Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Oxonian in Town

Event Comment: Mainpiece: By Particular Desire. Died Mr Sparks late of Covent Garden theatre (Lloyd's Evening Post, 30 Dec.). Gave Duke of Cumberland's Footmen #2 2s. (Account Book). Receipts: #172 15s. 6d. (Account Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: A New Comic Opera [by Joseph Reed]. Never Performed before. Books of the Opera to be had at the theatre. Receipts: #246 16s. (Account Book)

Performances

Mainpiece Title: Tom Jones

Afterpiece Title: The Country Wife

Dance: II: A New Pantomime Dance call'd The Gardeners-Mas. Blurton, Miss Besford, Miss Ford

Event Comment: The profits arising from the Entertainment will be applied to a Fund for opening an Academy the purpose of which will be the teaching of the English language Grammatically and the art of writing and speaking by rule. There have been Stoves kept constantly burning for days past, in order that the Theatre might be thoroughly warmed; Curtains also will be put up in the boxes. To begin at 7 p.m. Playhouse prices. By the Desire of many

Performances

Mainpiece Title: An Attic Evening's Entertainment

Event Comment: To be published by Subscription: A General History of The Stage, for the last ten years; comprehending all remarkable Occurrences during that Period, the Production and Success of every new Piece, and Anecdotes of the Principal Performers. By Joseph Younger. Prompter to the Theatre Royal In Covent Garden. Printed Proposals to be had Becket and DeHondre in the Strand, and of Griffin in Catherine Street

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Skeleton

Performances

Mainpiece Title: The Clandestine Marriage

Performance Comment: Lovewell-Cautherly (from Drury Lane); Ogleby-Austin (from Theatre Royal Dublin); Sir John Melvile-Mahon; Sterling-Yates; Flower-Dunstall; Canton-Quick; Brush-Dyer; Miss Sterling-Mrs Bulkley; Fanny-Mrs Baddeley (from Drury Lane); Betty-Mrs Lessingham; Chambermaid-Miss Ward; Mrs Heidleberg-Mrs Green.

Afterpiece Title: The Upholsterer

Dance: III: Hornpipe-Mas. Harris; End: The Lamplighters, as17681101

Event Comment: Places to be taken of Mr Jewell at the Theatre. No admittance behind the Scenes. Box 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money to be returned after the Curtain is drawn up. The doors will be opened at Six, to begin at seven. Vivant Rex et Regina. [Repeated on bills.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Virgin Unmasked

Dance: Tassoni, Miss Street

Event Comment: [Hardly worth keeping the theatre open this evening, as running expenses aside from salaries, (i.e., music, wardrobe, properties, Renter's interest, and kettle drum) came to #21 5s. 6d. See Account Book.] Receipts: #26 18s. 6d. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Harlequin Skeleton

Event Comment: Boxes 5s. Pit 3s. Gallery 2s. Upper Gallery 1s. No money taken at the Stage Door, nor any after the Curtain is up. Door open by 5 o'clock. Play begins at 6 o'clock. [Customary note repeated on all bills.] [This month publish'd A Letter to David Garrick on the opening of the Theatre, in which with great freedom he is told how he ought to behave, by H. W. The thesis of the pamphlet: The decline of dramatic genius is owing in great measure to your management (p. 16). "What I would earnestly recommend to you is to represent as many new plays as possible, and let them stand or fall on their own merit."

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: High Life below Stairs

Performances

Mainpiece Title: The Twin Rivals

Performance Comment: Elder Wou'dbe-Clarke; Younger Wou'dbe-Dyer; Truman-Hull; Richmore-Gardner; Subtleman-Dunstall; Fairbank-Perry; Alderman-Cushing; Balderdash-Morris; Clearaccount-Wignell; Comick-Quick; Constable-Fox; Jack-Holtom; Teague-Saunders (from Theatre Royal Dublin); Constance-Mrs Bulkley; Mrs Midnight-Mrs Pitt; Aurelia-Mrs Mattocks.

Afterpiece Title: The Rape of Proserpine

Event Comment: Afterpiece: (With Alterations) perform'd but once. Books of the Entertainment to be had at the theatre. Receipts: #171 8s

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Spanish Lady

Event Comment: Mainpiece: An English Opera [from Rolt's The Royal Shepherd]. Never perform'd there. The Music selected from the best composers, and adapted by Tenducci. Books of Opera to be had at theatre. [Argument from Edition of 1769: Among the most celebrated actions ascribed to Alexander the Great, may be well ranked that of delivering the Kingdom of Sidon from the tyrant Strato; and instead of taking the dominion himself, restoring the crown to the next lawful heir, who, ignorant of his pretensions to it, lived as a shepherd in the country near Sidon, of which a more particular account may be found in Quintus Curtius, Book IV, Chap. 10. The superstructure of the fable raised on this historical foundation, will be seen in the course of the drama." The Plot sketched out in a review in the Freeholder's Magazine, Dec.] Receipts: #137 14s

Performances

Mainpiece Title: Amintas

Afterpiece Title: The Englishman in Paris

Dance: I: A New Pastoral Dance-Fishar, Sga Manesiere