SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2849 matches on Event Comments, 490 matches on Performance Comments, 78 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Miss Pope. [Mainpiece: Epilogue by Richard Brinsley Sheridan.]Afterpiece: Not acted these 2 years. Morning Chronicle, 17 Apr.: Tickets to be had of Miss Pope, No. 9, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #402 2s. (144.16.0; 76.3.6; 1.12.6; tickets: 179.10.0) (charge: #211 1s. 8d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Spoil'd Child

Event Comment: Benefit for Miss Pope. 2nd piece: Written by David Garrick, Esq. Morning Herald, 23 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #367 8s. 6d. (127.15.0; 62.1.0; 9.17.6; tickets: 167.8.0; odd money: 0.7.0) (charge: #210 16s.)

Performances

Mainpiece Title: First Love

Afterpiece Title: A Much Admired Scene from Harlequin's Invasion

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue.End: Paraphrase on Shakespeare's Seven Ages, as17960429

Event Comment: Benefit for Quick. 2nd piece: In one Act. A Tragi-Comic, Pastoral, Operatical, Farcical Drama, written by the Author of The Beggar's Opera [John Gay]. True Briton, 3 Apr.: Tickets to be had of Quick, No. 30, Little Queen-street, Lincoln's Inn-Fields. Receipts: #352 0s. 6d. (140.15.6; 5.9.0; tickets: 205.16.0)

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: What d'ye Call It

Afterpiece Title: Tom Thumb

Event Comment: Benefit for Miss Pope. Afterpiece: With a Sea Fightv. True Briton, 28 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #386 8s. 6d. (125.17.6; 76.1.6; 7.16.6; tickets: 176.13.0) (charge: #224 9s. 6d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Critic; or, A Tragedy Rehearsed

Song: V: song-Mrs Bland

Ballet: The Scotch Ghost. As17961221

Event Comment: Benefit for Barrymore. Mainpiece: In IV a Masquerade Scene. Afterpiece: To conclude with a Superb Prospect of the Infernal Regions and a Rain of Fire. True Briton, 12 May: Tickets to be had of Barrymore, No. 59, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #337 11s. (62.18; 72.12; 5.17; tickets: 196.4) (charge: #216 1s. 5d.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Event Comment: Benefit for Quick. [MS of Exordium: Larpent MS 1204.] Times, 6 Apr.: Tickets to be had of Quick, Little Queen-street, Lincoln's Inn Fields. Receipts: #297 5s. (120.5.0; 8.11.6; tickets: 168.8.6)

Performances

Mainpiece Title: Wives As They Were, And Maids As They Are

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

Event Comment: Benefit for Miss Betterton, 2nd piece [1st time; ENT 1]. Times, 26 Apr.: Tickets to be had of Miss Betterton, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #184 8s. 6d. (87.0.0; 8.17.6; tickets: 88.11.0)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

Event Comment: Benefit for Mrs H. Johnston, Morning Chronicle, 21 Feb.: Tickets to be had of Mrs H. Johnston, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #401 15s. (255.14.6; 15.7.0; tickets: 130.13.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: British Fortitude

Afterpiece Title: Oscar and Malvina

Dance: II: Negro Dance-Blurton, Platt, Jackson

Song: In 3rd piece: As17990304but O ever in my bosom live-Mrs Chapman, Mrs Iliff

Event Comment: Benefit for Miss Pope. Mainpiece: Not acted these 20 years [not acted since 15 Apr. 1777]. Morning Chronicle, 3 Apr.: Tickets to be had of Miss Pope, No. 62, Great Queen-street, Lincoln's Inn Fields. Receipts: #318 (89.7.6; 50.1.6; 0.16.6; odd money: 0.18.6; tickets: 176.16.6) (charge: #234 7s. 6d.)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Afterpiece Title: Feudal Times

Event Comment: Benefit for Hull and Waddy. 3rd piece: In 3 acts. Not acted these 3 years. Morning Chronicle, 30 May: Tickets to be had of Waddy at M'Knowl's, No. 8, Great Wild-street, Lincoln's Inn Fields. [Hull not listed.] Receipts: #348 8s. 6d. (214.13.6; 3.0.0; tickets: 130.15.0)

Performances

Mainpiece Title: The Horse And The Widow

Afterpiece Title: Inkle and Yarico

Afterpiece Title: The School for Arrogance

Dance: In II 2nd piece: Negro Dance, as17990513, but added: Blurton

Song: In course Evening: Young William was a Seaman true-Incledon; A favorite new song-Miss Waters; comic song-Munden; Old Towler-Incledon; Boxing the Compass-Fawcett

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Afterpiece Title: The Hermione; or, Valour's Triumph

Event Comment: Benefit for Miss Pope. [In afterpiece the playbill assigns Floreski to Kelly, but "Trueman..acted as Kelly's substitute in the Entertainment, in the part of Count Floreski" (Dramatic Censor, II, 194). Morning Chronicle, 30 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #330 14s. (87.4; 60.9; 3.5; tickets: 179.16) (charge: #230 18s. 3d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Lodoiska

Song: In III: song-Dignum

Event Comment: "It is apprehended that...on Account of the Fire...in Bridge's-street [see 2 Feb.], the Avenues to the Theatre will be...impassable, for which Reason there will not be any Performance" (Public Advertiser, 3 Feb.). [Cymbeline and The First Floor were announced on playbill of 2 Jan.

Performances

Mainpiece Title: None

Performance Comment: [Theatre dark] .
Event Comment: At Yates's Booth in the George Inn, Smithfield. A new, pleasant and Diverting Droll...interspers'd with several Scenes both Satyrical and Comical, particularly the surprizing Metamorphosis of Jupiter and Mercury; the very remarkable Tryal before Judge Puzzlecause, with many learned arguments on both sides to prove that One can't be Two. Likewise the Humourous Adventures and whimsical Perplexities of Gormandize Simple, the Hungarian Footman; with the wonderful Conversations he had with and the dreadful Drubbings he received from his own Apparition; together with the Intrigues of Dorothy Squeezepurse, the wanton Chambermaid. Concluding with the Distresses of the Jealous Husband or the Innocent Adultress. Yates from Theatre Royal in Drury Lane. Clothes, scenes, machines, flyings, Transparencies and all other Decorations entirely new

Performances

Mainpiece Title: The Descent Of The Heathen Gods, With The loves Of Jupiter And Alcmena; Or, Cuckoldom No Scandal

Dance: TThe Drowsy Cobler-M L'Armand, Mad L'Armand lately arriv'd from Paris; Tit for Tat or the Kiss Return'd-Mr Shawford, Mrs Shawford, M L'Armand, Mme L'Armand; An extraordinary Band of Musick [provided from the Opera and both the Theatres [six instruments named]

Event Comment: Mainpiece [1st time; C 5, by Miles Peter Andrews. Prologue by Edward Topham. Epilogue by the author (see text)]: With New Scenes, Dresses and Decorations. The Words of the Roundelay [composed by Thomas Linley Sen.] introduced in the Comedy will be given gratis at the Theatre. Public Advertiser, 9 Apr. 1781: This Day is published Dissipation (1s. 6d.). Receipts: #243 4s. 6d. (234.6.0; 8.4.0; 0.14.6)

Performances

Mainpiece Title: Dissipation

Performance Comment: Principal Characters by King, Parsons, Brereton, Baddeley, Aickin, Bannister Jun., Suett, Waldron, Lamash, R. Palmer, Palmer, Mrs Cargill, Mrs Brereton, Mrs Love, Mrs Smith, Mrs Abington. [Cast from text (T. Becket, 1781), and Town and Country Magazine, Mar. 1781, p. 115: Sir Andrew Acorn-King; Alderman Uniform-Parsons; Charles Woodbine-Brereton; Ephraim Labradore-Baddeley; General Probe-Aickin; Doctor Quintessence-Bannister Jun.; Metaphor-Suett; Trusty-Waldron; Coquin-Lamash; Gold Waiter-R. Palmer; Lord Rentless-Palmer; Miss Uniform-Mrs Cargill; Harriet-Mrs Brereton; Winnifred-Mrs Love; Judah-Mrs Smith; Miss Labradore-Miss Kirby (see17810312 Lady Rentless-Mrs Abington; Prologue-King; Epilogue-Mrs Abington. [These were spoken, as here assigned, at all subsequent performances.]These were spoken, as here assigned, at all subsequent performances.]
Cast
Role: Winnifred Actor: Mrs Love

Afterpiece Title: Comus

Song: III: Smiling love to thee belong-Miss Field, Miss Wright (British Union-Catalogue, p. 621)

Event Comment: [Miss Glassington's 1st appearance on the stage was at the Crow Street Theatre, Dublin, 15 Mar. 1781, also as Rosalind (Hibernian Magazine, Mar. 1781, p. 146).] Receipts: #103 12s. (73/6/0; 30/1/6; 0/4/6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Robinson Crusoe

Dance: End of Act I of mainpiece, as17820223

Song: In Act V of mainpiece song by Miss Field

Event Comment: [Mrs James Wilson was from the Portsmouth theatre.] Receipts: #198 (148/5; 49/0; 0/15)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Comus

Song: In Act II of mainpiece song by Miss Field

Event Comment: By Command of Their Majesties. Mainpiece: 1st time [i.e. at this theatre]. Receipts: #242 7s. 6d. (226/18/0; 14/18/0; 0/11/6)

Performances

Mainpiece Title: Elfrida

Afterpiece Title: The Lyar

Song: Mainpiece: With the original Music, composed by the late Dr Arne; the Vocal Parts by Miss Phillips, Miss Field, Mrs Love, Mrs Booth, the Miss Stageldoirs, Miss Barnes, Mrs Burnett, Miss Simson, Miss Burnett, Miss Cranford, Mrs Smith, Miss George, Mrs Wrighten

Event Comment: [Mrs Jordan's 1st recorded appearance as Imogen was at Leeds, 25 July 1785.] Afterpiece Never performed there. Books of the Songs to be had at the Theatre. Receipts: #174 6s. (136/6/0; 37/17/6; 0/2/6)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Romp

Song: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss Stageldoir, and Singing by Miss Field; End of Act III The Market-Day, as17851024

Performances

Mainpiece Title: The Generous Impostor

Afterpiece Title: Comus

Dance: Pastoral Interlude of Singing and Dancing-

Song: II: Music-Linley; Pastoral Interlude of Singing and Dancing-; Vocal Parts-Gaudry, DuBellamy, Miss Field, Miss Collett. [The Music by Linley; Vocal Parts-Gaudry, DuBellamy, Miss Field, Miss Collett (see text). This was included in all subsequent performances.

Event Comment: [Extra night] Benefit for the General Lying-In Hospital, at Bays-water. Under the Patronage of Her Majesty. [Braham's 1st appearance at this theatre was on 21 Apr. 1787.]. The Orchestra under the Direction of Mountain. Principal Oboe by W. Parke. To the Renters of Covent Garden Theatre, it is humbly requested by the Promoters of the Charity, for which the Opera performed this Evening is appropriated, that they will humanely forego their claim on that Night, it being out of the Manager's Season, and an additional expence to the Charity. Those Gentlemen willing to resign their demand on the above occasion are requested to send word t the Theatre which will be thankfully received by the promoters of the Charity. The Doors to be opened at 6:00. To begin at 7:00. Tickets to be had at the Hospital; The Crown and Anchor Tavern, Strand; Longman and Broderip's; and of Brandon at the Theatre, where places for the Boxes may be taken. Receipts: none listed in Account-Book, but Monthly Visitor, July 1797, p. 63, reports that #401 was received

Performances

Mainpiece Title: The Duenna

Performance Comment: Antonio (by permission of the Managers of Vauxhall)-Dignum; Ferdinand-Clarke (from the Theatre Royal Edinburgh; 1st appearance on this stage); Don Jerome-Powel; Isaac-Baker; Father Paul-Haymes; Lopez-Pitt; Starved Friar-Evans; Carlos (by Permission of the Proprietors of the king's Theatre)-Braham (1st appearance in that character, and on this stage); Louisa-Mrs Martyr; The Duenna-Mrs Wentworth; Clara (by Permission of the Proprietors of the king's Theatre)-Sga Storace.

Dance: End II: Peggy's Love (by permission of the Proprietors of the king's Theatre), as17970614 End Opera: Cupid and Psyche, as17970614 With Corps de Ballet from the Opera House

Event Comment: The Company will be apprised at the doors as soon as the audience part of the Theatre is full. "When the curtain drew up for the new ballet, ladies [were] at the wings sitting...[and] several hundred gentlemen occupied the back of the stage, so that the beautiful scenery which had been prepared for the ballet lost all its effect" (Oracle, 22 Feb., which also states that the part of Roxalana was danced by Mme Hilligsberg). [Didelot and 1st appeared at the former king's theatre on 8 Dec. 1787.

Performances

Mainpiece Title: I Traci Amanti

Dance: End I: A Divertissement-Didelot, Mme Rose Didelot; a Pas Deux by Didelot-Didelot (1st appearance at this theatre), Mme Rose Didelot (1st time in this Country); End Opera: Les Trois Sultanes [by Onorati[with music by Mazzinghi]- [in which Didelot, Mme Rose Didelot [will dance in the last act [See17950310

Event Comment: Benefit J. and Ch. Rich. Mainpiece: [Author unknown.] All in the Characters of the Italian Theatre. Receipts: #69 19s

Performances

Mainpiece Title: The Theatre

Afterpiece Title: Hob

Afterpiece Title: Amadis

Dance: As17200120; The Italian Shadows-

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Fall of Phaeton

Song: the first time of her performance on that theatre, viz.the first time of her performance on that theatre, viz. In III: An Italian Song beinging Di Lor Mio-Miss Cecilia Young; III: Torna mi Vegbeggiar-Miss Cecelia Young both from the Opera of Alcina

Performance Comment: the first time of her performance on that theatre, viz. In III: An Italian Song beinging Di Lor Mio-Miss Cecilia Young; III: Torna mi Vegbeggiar-Miss Cecelia Young both from the Opera of Alcina.
Event Comment: Benefit for Macklin. Afterpiece: A New Dramtic Satire in two acts. N.B. As several of the Town have prejudged the Pit the Boxes and Galleries acting their own parts themselves for their diversion, to be of the same species of the Lick at the Town last year; and that it can mean only the ordinary Approbation or Disapprobation of the Audience, Signor Pasquin thinks it incumbent on himself to assure to Publick that all those conjectures are groundless; And farther, he assures them that the Pit, &c. acting their parts has no other meaning than the common literal sense; and that the Audience are really interwoven in the piece; and are to be bona fide part of the Dramatis Personae; and he makes no doubt but that he shall make them perform their parts to a numerous and polite audience, and with universal Applause. But he begs that those Ladies and Gentlemen who intend to perform in the Pit and Galleries will be at the Theatre betimes, for particular reasons; and those who are to act in the Boxes are requested to send their servants to keep their places by three o'clock. Signor Pasquin has received the letters sent by the Town and the Village, and they may depend upon having Places kept for them upon the Stage. The Hiss concerning the Robin Hood Society will be complied with (General Advertiser). [The parts were: Pasquin, Marforio, Sir Eternal Grinn, Sir Conjecture Positive, Sir Roger Ringwood, Bob Smart, Soloman Common Sense; Count Hunt Bubble, Sir John Ketch, hic and Hac (Scribblers), Hydra, Lady Lucy Loveit, Miss Diana Singlelife, Miss Brilliant, Miss Bashfull (Larpent MS 96).

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: Covent Garden Theatre; or, Pasquin turn'd Drawcansir, Censor of Great Britain

Dance: GGrand Comic Ballet, as17511216