SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre in Lincolns Inn Fields"/1) | (@(roleclean,performerclean) "Theatre in Lincolns Inn Fields")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2849 matches on Event Comments, 490 matches on Performance Comments, 78 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Oroonoko

Performance Comment: Oroonoko-Lacy; Inventor of the Theatre in Ranelagh Gardens; Aboan-Berry; Capt Driver-Johnson; Daniel-Neale; Imoinda-Mrs Butler; Widow-Mrs Macklin; Charlot Weldon-Mrs Ridout; Lucy Weldon-Miss Brunette; Governor-Turbutt; Blandford-Ridout; Stanmore-Winstone; Jack Stanmore-Ray; Hotman-Hill.

Afterpiece Title: Miss Lucy in Town

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Anatomist

Performance Comment: Crispin-Phillips; from The Theatre Royal in Dublin, being the second time of his appearing on the Stage in this Kingdom; Beatrice-Mrs E. Giffard.
Event Comment: Benefit Baker, Pit-Doorkeeper, late Linen draper in Wood Street. [Failed in business, now in the theatre.] Receipts: #80

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The King and Miller of Mansfield

Song: I: Let me wander not unseen-Beard; III: Happy Pair-Beard; V: Ellen@a@Roon-Mrs Clive

Dance: II: a Dutch Dance-Phillips; IV: A Hornpipe-Phillips

Event Comment: Mainpiece: Written by Shakespear [customary note for all performances of this play this season. It will not be recorded further. Places to be taken at the Stage Door of the Theatre, indicates the building of a new tickets office for occupancy this season by Hobson, who replaces Bradshaw as Box Book-Keeper]

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Mock Doctor

Event Comment: Places to be taken for the Boxes at the stage door of the theatre. [This customary notice will not be included further.] Mainpiece: Written by Shakespear

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay

Performances

Mainpiece Title: Love For Love

Performance Comment: Valentine-Havard; Ben-Macklin; Tattle-Neale; Foresight-Arthur; Scandal-Mills; Jeremy-Yates; Angelica-Mrs Mills; Mrs Frail-Mrs Pritchard; Miss Prue-Mrs Clive; Sir Sampson Legend-Morgan of Dublin Theatre, 1st appearance at dl; Trapland-Ray; Mrs Foresight-Mrs Cross; Nurse-Mrs Bennet; Buckram-Woodburn.

Afterpiece Title: The Devil to Pay

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. No persons will be admitted behind the scenes, but those that have Silver tickets. Places to be taken for the Boxes of Mr Hobson, at the stage door of the theatre. [The note concerning silver tickets appears regularly throughout the season.] Play begins exactly at Six o'clock. [Customary notice not included further.

Performances

Mainpiece Title: The Tender Husband; Or, The Accomplish'd Fools

Afterpiece Title: The Virgin Unmask'd

Song: III: The Early Horn-Lowe

Dance: II: Tyrolean Dance-Borromeo, Signora Constanza, Desse, Baudouin, LaPierre, Mrs Thomson, Mlle Gendon, Mlle Fabres; IV: A Peasant Dance-Borromeo, Sga Constanza; being the 1st time of their appearing on that stage

Event Comment: To begin exactly at Six o'clock. Play Written by Shakespear. The Principal Characters new dress.d, and the Theatre New Decorated. None will be admitted into the Boxes but by Printed tickets, which will be deliver'd at the Office in the Lobby at 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. N.B. For the Better Regulation of the stage, it is desired that no persons will take it ill, that they cannot be admitted behind the scenes. [The notice about time and prices remains constant throughout the season and will not again be noted here. The notice about refusal of admission behind the scenes appears on each bill till the benefits begin. It will not be repeated here.

Performances

Mainpiece Title: Othello, Moor Of Venice

Event Comment: By Command of their Royal Highnesses the Duke, and the Princesses Amelia, Caroline, and Louisa. Daily Advertiser: This evening their Royal Highnesses...will go to the theatre...to see the Comedy of the Committee, or the Faithful Irishman, and Dancing by Signior Brunoro, &c, being the first time of his appearing at that theatre

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Dance: II: a New Comic Dance La Mascarada-Brunoro, Borromeo, Mlle Bonneval, Sga Costanza; V: New Comic Dance Les Matelotes-Brunoro, Borromeo, Mlle Bonneval, Sga Constanza

Song: III: Song-Beard

Music: IV: Concerto-Veracini

Event Comment: Benefit for daughter of the late Mr Ben Johnson. [Fleetwood let Johnson's Daughter have this Benefit for the money he owed to her father who died just after the last season and acted to the last (Winston MS.).] The Play with entertainments of singing and dancing Servants will be admitted to keep places on the stage, which for the better accommodation of the ladies will be form'd into side boxes. To prevent mistakes, the Ladies who have taken places are desir'd to send for tickets. Tickets to be had and places taken of Mr Johnson's daughter, at the third Door on the right hand in Beaufort buildings in the Strand; and of Mr Hobson at the stage door of the theatre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Devil to Pay

Song: I: Beard; IV: Lowe

Event Comment: A New Oratorio. Tickets will be deliver'd to subscribers (on paying their Subscription money), this day, and every day following at Mr Handel's in Brook Street, near Hanover Square. Attendance will be given from 9 o'clock in the Morning till Three in the Afternoon. Pit and Boxes to be put together and no persons to be admitted without tickets, which will be deliver'd that day at the Office in Covent Garden Theatre, at Half a Guinea each, First Gallery 5s. Upper Gallery 3s. 6d. N.B. Each subscriber is to pay Six Guineas upon taking out his subscription ticket, which entitles him to three Box tickets every night of Mr Handel's first six performances in Lent; and if Mr. Handel should have any more performances after his first six nights, each subscriber may continue on the same conditions. The Gallery will be open'd at Four O'Clock. Pit and Boxes at Five. To begin at Six o'clock. [These notices concerning price, subscription, and time of performance recur regularly, but will not be recorded further here.

Performances

Mainpiece Title: Samson

Event Comment: At the Great Theatrical Booth, Bowling Green. By Permission. Benefit Laguerre and Boaman. By a Company from the Theatres-Royal, for their Diversion, a Concert...gratis, etc. Boxes 3s. 6d. First Gallery 1s. 6d. Upper Gallery 1s. 6 p.m. Daily Advertiser lists Miss Hippisley for Miss Prue in mainpiece and for Kitty in afterpiece, and Mrs Yates for Melissa. In the London Daily Post and General Advertiser bill Mrs Dunstall doubles two roles

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Lying Valet

Event Comment: Afterpiece: A burlesque tragedy. Benefit Mrs Daniel. [Customary concert formula.] Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. Note, The performance will be carried on by Persons used to the Stage, and not by People unacquainted with it, as has been too often practiced in Benefits at the same theatre

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: Chrononhotonthologos

Event Comment: HHorace Walpole to Horace Mann, 24 Feb.: Handel has set up an Oratorio against the Operas and succeeds. He has hired all the goddesses from farces [i.e., Kitty Clive] and the singers of Roast Beef [i.e., Lowe] from between the acts at both theatres, with a man with one note in his voice [i.e., Beard] and a girl without ever a one [i.e., Mrs Cibber]; and so they sing.-Horace Walpole's Correspondence with Sir Horace Mann, II, 180

Performances

Mainpiece Title: Sampson

Event Comment: Benefit Delane. Tickets to be had at Delane's Lodgings, in Queen's Court, King St., Covent Garden; Places to be taken for Boxes of Hobson at the stage door of the theatre

Performances

Mainpiece Title: Venice Preserved; Or, A Plot Discovered

Afterpiece Title: The Virgin Unmasked

Song: II: Beard; III: The Noontide Air from Comus-Miss Edward; IV: Lowe

Event Comment: Announced only as A New Sacred Oratorio. [First London Performance.] See Universal Spectator, 19 March, for emphatic objection against performing oratorios in theatres

Performances

Mainpiece Title: Messiah

Music: Concerto on Organ-; Violin Solo-DuBourg

Event Comment: Benefit Miss Cole, who lately belong's to the Theatre-Royal in Drury-Lane. A Concert, etc. Prices 4s., 2s. 6d. Tickets at the Peacock, opposite Exeter Exchange in the Strand

Performances

Mainpiece Title: George Barnwell

Dance: The Swedish Gardeners (after the Manner of the Fausans)-Master Matthews, Miss Wright; The Medley a Joke-Master Matthews, Miss Wright

Event Comment: Benefit a Family in Distress. [Concert formula.] Great Theatrical Booth, Bowling Green. Boxes and Stage 3s. Pit 2s. Gallery 1s. By the Company of Comedians from the Theatre Royal in Drury Lane, & who perform gratis. To begin positively at Six and conclude about Nine. By Permission

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Lying Valet

Music: Solo on German Flute-Mr Thumoth

Event Comment: The Universal Spectator today carried an even harsher attack on the theatres as a place to represent oratorios; see Deutsch, Handel, pp. 567-68

Performances

Mainpiece Title: Sirbace

Event Comment: Mainpiece: By Particular Desire. We hear Mrs Clive, by Desire, and in imitation of the late celebrated Mrs Verbruggen, who perform'd the Part of Bayes in the Rehearsal, is to appear in that character at the Theatre Royal Drury Lane for the benefit of her brother. (Daily Advertiser) Note. Tickets deliver'd out for the Benefit of a Gentleman under Misfortunes, for Friday the 22nd instant for the Play As You Like It will be taken on Thursday next the 21st to the Comedy call'd The Alchemist

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Virgin Unmask'd

Event Comment: Benefit Mrs Walter and Miss Bennett. Tickets to be had of Mrs Walter at the Three Queens in New-Street, Covent Garden, and places for the boxes of Mr Hobson at the stage door of the theatre. Tickets of Miss Bennett opposite Salisbury St., Strand. Tickets deliver'd out by Rector and Mlle Gondou will be taken

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Dance: I: A French Peasant-Froment, Mlle Gondeau; III: A New Serious Dance-Desse, Mrs Walter; V: La Florana, as17430408

Song: II: Stella and Flavia-Beard; IV: Bumper Squire Jones-Beard, Lowe

Event Comment: We hear his Royal Highness the Prince of Wales has fitted up a Theatre near Cliefden, for a Company of French Comedians, who play there three times a week (Daily Advertiser)

Performances

Event Comment: We hear that the Lord Chamberlain has refus'd granting a License to the seceding players to act in the Theatre in the Haymarket. (Daily Advertiser) To the Author of the London Daily Post, Sir: As I have engag'd myself for this winter to perform in Dublin, by an Invitation of Several Persons of Distinction in Ireland, I think it my duty before I leave London, by your paper, to return my sincere and hearty thanks to the Town for the many favours I have receiv'd during the Time of my Performing in Publick, which I hope they will Candidly accept from their most of Oblig'd, humble Servants, Thomas Lowe

Performances

Mainpiece Title: The Unhappy Favorite; Or, The Earl Of Essex

Afterpiece Title: The School Boy

Event Comment: Mainpiece, not acted in 10 years. [The British Champion, or Impartial Advertiser, No. 109, gives a four column comment upon the players versus the managers at Drury Lane. It appears to be written by a citizen appalled at the large salaries of the players as well as at the reputed high living of Fleetwood. Concludes by suggesting that theatre prices be much reduced.

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Lying Valet

Song: II: Sullivan; IV: Bumper Squire Jones-Sullivan

Dance: III: Italian Masquerade-Muilment, Desse, Leviez, Mrs Walter, Mrs Thomson

Event Comment: No Money will be taken behind the scenes, nor any money to be return'd after the Curtain is drawn up. The following Letter, signed A By-Stander was inserted in the London Daily Post and General Advertiser: As I am absolutely unconcerned in all the now subsiding Theatrical Disputes, I hope the following observations upon what happened last Tuesday Night at Drury Lane will not be thought unworthy the Publick attention. The Manager of a theatre is to regard the General sense of the Town, and not any Faction form'd thru pique or resentment; Such a Faction may be Noisy, it may be Insolent, but never can be Considerable enough to force either the Manager or the Publick into their terms. Their outrages are equally insults upon the Understanding of the Town, as they are injuries to the Property of the Manager. Therefore if the Manager shall at any time give way to such proceedings, Then and not till Then, the Publick has a right ot find fault with him. The stage Then becomes a property to the insolence of a few misled people; and all theatrical diversions, which in this and other countries used to be directed by Decency and Publick Approbation are sacrificed to a pitiful Personal Resentment. If the above propositions are undeniable, the following Queries are submitted to the Publick, and the answer to them will determine the Reasonableness of the Tuesday Night Riot: I. Whether the Rioters were not Inconsiderable in their numbers and Circumstances? II: Whether any Gentleman can answer to himself, for doing in a Body, a thing which no Gentleman can justify for doing by himself? III. Whether the Rioters can justify their breaking into the Boxes, and taking possession of the seats, which were taken by many persons of Quality and Distinction, at the same time refusing to pay anything; thereby robbing the Manager of all the money of the Boxes, and most part of the Pit? IV. Whether the Manager ought to suffer in his property for the private quarrel between any two actors, as was the case...? V: Whether if such insolences are not discountenanced in the most effectual manner by the Town, any publick diversion can continue longer than a noisy inconsiderable Cabal pleases? VI. Whether any other motive than a regard to Public Decency would have hindered the Manager and Mr. Garrick's friends (who were treble the number) from treating the rioters as they deserved? I should be glad to see the above questions fairly and impartially answered

Performances

Mainpiece Title: The Rehearsal