SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre de Gherardie"/1) | (@(roleclean,performerclean) "Theatre de Gherardie")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2601 matches on Event Comments, 1042 matches on Performance Title, 779 matches on Performance Comments, 159 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Box lobby Challenge

Afterpiece Title: THE QUAKER

Performances

Mainpiece Title: La Frascatana

Dance: As17940531 throughout

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: THE SURRENDER OF CALAIS

Song: In 2nd piece, by Sedgwick, Cooke, Kenrick, Walker, Linton, Willoughby, Dorion Jun., Little, Brown, Lyons, Saunders, Dibble//Miss Leak, Mrs Harlowe, Miss De Camp, Mrs Harvey, Miss M. Wrighten, Miss C. Wrighten, Mrs Gaudry, Mrs Hale, Mrs Butler, Mrs Norton, Mrs Masters, Miss Menage

Performances

Mainpiece Title: The Deaf Lover

Afterpiece Title: THE VILLAGE LAWYER

Afterpiece Title: AULD ROBIN GRAY

Performances

Mainpiece Title: The Author

Afterpiece Title: HOW TO BE HAPPY

Performances

Mainpiece Title: England Preservd

Afterpiece Title: Crotchet Lodge

Ballet: Dermot and Kathlane. As17950219

Performances

Mainpiece Title: A Quarter Of An Hour Before Dinner

Afterpiece Title: The Surrender of Calais

Afterpiece Title: New Hay at the Old Market

Song: 2nd piece: Vocal Parts-Cooke, Lyons, Aylmer, Boyce, Brown, Dibble, Dorion, Kenrick, Linton, Little, Walker, Miss Leak, Miss DeCamp, Mrs Gaudry, Mrs Hale, Mrs Butler, Mrs Norton, Miss Menage, Miss Granger

Performances

Mainpiece Title: Il Tesoro

Dance: As17960607

Ballet: The Caravan at Rest. As17960607

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Devil to Pay or The Wives Metamorphosed

Song: Mainpiece: Vocal Parts-Aylmer, Boyce, Brown, Dibble, Kenrick, Linton, Little, Walker, Willoughby, Miss Leak, Miss DeCamp, Mrs Gaudry, Mrs Hale, Mrs Butler, Mrs Masters, Mrs Norton, Miss Menage, Miss Granger

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Sylvester Daggerwood

Dance: End I: The Camp-[i.e. Les Delassements Militaires] (by permission of the Proprietor of the Opera House); End afterpiece: Cupid and Psyche-Mme Rose, Didelot, Mlle Parisot, Gentili, Fialon, Mme Hilligsberg, with Corps de Ballet from the Opera House [will appear, positively for that night only

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Prisoner at Large

Song: Mainpiece: Vocal Parts-Aylmer, Brown, Dibble, Kenrick, Linton, Little, Caulfield Jun., Walker, Willoughby, Miss Andrews, Mrs Edward, Mrs Hale, Mrs Gaudry, Mrs Butler, Mrs Masters, Mrs Norton, Miss Menage, Mrs Wall, Mrs Benson, Miss Leserve

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Wandering Jew or Loves Masquerade

Entertainment: Entertainment.End afterpiece: As17971016

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Joan of Arc

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue Beard

Ballet: End II: the Grand Anacreontic Ballet, Bacchus et Ariadne. Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: The Haunted Tower

Dance: End I: Telasco and Amgahi ; or, The Peruvian Nuptials. Principal Characters-Didelot, Laborie, Deshayes, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mme Hilligsberg; Pas de Quatre-Deshayes, Laborie, Mme Hilligsberg, Mlle Parisot

Ballet: End Opera: Atalante and Hyppomenus; or, The Foot Race. Grecian Princes Hyppomenus-Deshayes; Pelus-Didelot; Adrastus-Laborie; Atalante-Mlle Parisot; Sererine (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mlle J. Hilligsberg; Zelie (nymph of the Woods)-Mme Laborie; Clitie (nymph of the Woods)-Mme Hilligsberg; Shepherdesses Mlles D'Egville, Denis, B.? Denis, Lupini, Cranfield; Nymphs of the Woods, Fauns, Shepherds-The whole corps de Ballet; In which the favourite Skipping@rope Pas de Deux-Didelot, Mme Hilligsberg

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: Tis All a Farce

Event Comment: Directors of the Oratorios: Linley and Storace. Among the Principal Instrumental Performers are Ashe, W. Parke, Parkinson, Mason, Flack, Ashbridge, &c. Boxes 6s. Pit 3s. 6d. Gallery 2s. Upper Gallery 1s. No Money to be returned. Books of the performance to be had at the Theatre. [This was the 1st performance held in the new DL theatre]. Under the Management of Mr Kemble. The Box Office, for the present, is in Little Russell-Street, opposite to the Theatre, where Boxes and Places are to be taken of Fosbrook. The Box Doors are in Little Russell Street and Woburn Street. The whole of the Avenues [into the theatre], and the New Street ["which is intended to be called Woburn-street" (Carlton House Magazine, Apr. 1794, p. 136); see next paragraph] not being yet complete, Ladies and Gentlemen are particularly requested to direct their Coachmen to set down in Little Russell Street (where alone the Carriage Box Doors are at present) with the Horses heads toward Covent Garden, which is the only line in which Carriages can be permitted to pass. Carriages wanting to draw up after the performance should be headed to range in Drury Lane, toward Long Acre and Great Queen Street. The Chair Doors and Footway are in the Court in Woburn Street, where for the accomodation of those who may wish to have their Carriages wait out of the Croud, Chairs belonging to the Theatre and under proper regulations will attend. In order to keep the Colonnades quite clear no Servants can be permitted to wait there, but those belonging to the Carriages actually drawn up before the Pillars, and no Servants whatever can be permitted to pass the Doors of the Lower Saloon. Pit Door. The Temporary Pit Passage is in the center of the Theatre, in Bridges Street, which leads to a Spacious Saloon, which will be opened One Hour before the opening of the Pit Doors. All Carriages for the Pit Door are to wait in Catherine Street, or York-Street, to take up with the Horses heads towards Little Russel Street, and to pass through Great Russel-Street. Gallery Doors. The Gallery Doors, for Admittance, are in Little Russell-Street, and Woburn-Street, but, after the commencement of the Performance, the Gallery Doors, for the present can be only in Woburn Street. Every proper precaution is taken to prevent Croud and Inconvenience at the several Passages. The Doors to be opened at 5:15. To begin at 6:30 [same throughout oratorio season]. "The Orchestra represented the inside of a Gothic Cathedral [designed by Capon], and the Chorus Singers paid that attention to their attire that rendered the stage respectable. The house is so constructed that every note was distinctly heard at the remotest part of the theatre . . . The audience are so near the performers that the movement of every muscle is seen; a matter essentially necessary, particularly to the exhibition of an English Drama." [This opinion is greatly at variance with that of other commentators on the construction, the acoustics, &c. of the new theatre.] (European Magazine, Mar. 1794, p. 236). "The stage for the oratorios resembles a Gothic Cathedral, with illuminated stained glass windows, &c. The flies . . . [are] carved like the fretted roof of an antique pile, and the wings to the side scenes are removed for a complete screen, like those in use at the foreign theatres." (Thespian Magazine, Mar. 1794, p. 127). Account-Book, 12 Mar.: Paid Cabanel building Stage, on Acct. #130; Capon, painter, on Acct. #61 12s. Receipts: #358 6s. (281/2; 243 tickets sold by Fosbrook: 72/18; 4/6)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performances

Mainpiece Title: The History Of Henry The Fifth

Performances

Mainpiece Title: The Careless Lovers

Performances

Mainpiece Title: Don Sebastian

Performances

Mainpiece Title: The Mistakes

Performances

Mainpiece Title: The Comical History Of Don Quixote Part I