SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre at Exeter"/1) | (@(roleclean,performerclean) "Theatre at Exeter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2486 matches on Event Comments, 409 matches on Performance Comments, 53 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [On the night of 17 June this theatre was burned to the ground. On 27 June performances were resumed, for 6 more nights, at cg.

Performances

Mainpiece Title: La Generosita D'alessandro

Dance: End I: New Divertissement, as17890611 End Opera: La Nymphe et le Chasseur, as17890319but Mlle Emilie _Colombe; in which Minuet of Iphigenia, as17890428

Event Comment: [In 3rd piece the playbill retain Iliff, but "On the fifth night of the representation, while R. Palmer was reading the part of Lord Megrim (Iliff being ill) an alarm of fire occasioned a disgreeable tumult; the performers assured the audience there was no danger, it being the opposite theatre (the Opera House, which was consumed) that was in flames. The Ladies, however, still retained their apprehensions, and all were eager to depart; happily this anxiety produced no accident" (Oulton, 1796, II, 52). Iliff perhaps did not act in Vimonda.

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Vimonda

Afterpiece Title: As It Should Be

Entertainment: Monologue. End 2nd piece: British Loyalty or A Squeeze for St. Paul's-Bannister Jun.; conclude with: God save the King-Chapman, Chambers, Mathews

Event Comment: Benefit for Coinde, Ballet-Master. Tickets to be had of Coinde, No. 37, Silver-street, Golden-square. [The above is the playbill in World, 1 July. On 2 July no newspaper carries a playbill for this night. The theatre, therefore, was perhaps dark.

Performances

Mainpiece Title: A Favourite Opera

Dance: End I: La Nymphe et le Chasseur, as17890319at king's; in which Minuet of Iphigenia, as17890428 at king's; Pas de Deux Anacreontique, as17890428 at king's; End Opera: Le Tuteur Trompe-see17890615; in which Minuet de la Cour, as17890615at king's; Les Folies d'Espagne-see17890615; Pas de Six de la Rosieu, as17890521 at king's

Event Comment: The last Time of Performing this Season. cg Account-Book, 13 July: Received from Gallini for use of the Theatre #200

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: New Divertissement, as17890310at king's%, but _Saulnier; End Opera: Les Fetes Provencales, as17890630 but _Saulnier

Event Comment: Mainpiece [1st time; MD 3, by George Colman ynger]: With new Musick, Scenery, Dresses, and Decorations. The Musick with a new Overture by Dr Arnold. The Scenery by Rooker. Books of the Songs, Chorusses, &c., to be had at the Theatre

Performances

Mainpiece Title: The Battle Of Hexham; Or, Days Of Old

Afterpiece Title: A Quarter of an Hour before Dinner

Event Comment: No Money to be returned. Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Receipts: #159 6s. 6d. (119.17.0; 38.6.0; 1.3.6)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The First Floor

Event Comment: [Mainpiece in place of The Provok'd Husband, advertised on playbill of 12 Sept. In it the playbill assigns Millamant to Miss Farren, but "Miss Farren ill, Mrs Goodall played Millamant" (Kemble Mem.). Miss Hagley's 1st appearance was at this theatre, 28 May 1789.] Receipts: #112 16s. 6d. (70.15.0; 39.13.6; 2.8.0)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Castle Of Andalusia

Performance Comment: Ferdinand-Johnstone; Spado-Blanchard (1st appearance in that character); Pedrillo-Edwin; Philippo-Davies; Don Scipio-Powel; Don Caesar-Bannister; Don Juan-Cubitt; Rapino-Rock; Sanguino-Thompson; Lopez-Evatt; Alphonso-Duffey (from the Theatre Royal Crow Street, Dublin]; 1st appearance on this stage); Victoria-Mrs Mountain; Catalina-Miss Stuart; Isabell-Mrs Platt; Lorenza-Mrs Martyr.

Afterpiece Title: The Death of Captain Cook

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Harley (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Aickin; Buckingham-Farren; Stanley-Powel; Tressel-Egan; Pr. Edw.-Mrs Byrne; D. of York-Master Simmons; Norfolk-Macready; Lieut.-Cubitt; Catesby-Davies; Ratcliffe-Thompson; Lord Mayor-Gardner; Oxford-Evatt; Richmond-Holman; Lady Anne-Miss Brunton; Duchess of York-Mrs Platt; Queen-Mrs Pope. [Playbill of 23 Sept.: Holman's, Miss Brunton's, Mrs Pope's 1st appearance in those characters.]Playbill of 23 Sept.: Holman's, Miss Brunton's, Mrs Pope's 1st appearance in those characters.]

Afterpiece Title: The Poor Soldier

Event Comment: [Mainpiece in place of The Constant Couple, advertised on playbill of 7 Oct.] Paid Hawks for 26 1@4 Coal delivered at the Theatre from the Pool #47 12s. 6d. Receipts: #201 1s. 6d. (190.1.6; 11.0.0)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Fennell (from the Theatre Royal, Edinburgh); Roderigo-Blanchard; Cassio-Macready; Brabantio-Hull; Lodovico-Davies; Montano-Thompson; Duke-Gardner; Gratiano-Powel; Iago-Harley; Emilia-Mrs Bernard; Desdemona-Mrs Pope.

Afterpiece Title: Tom Thumb

Event Comment: Books of the Songs [in The Tempest] to be had at the Theatre. Receipts: #244 5s. (220.14; 22.11; 1.0)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Who's the Dupe

Song: As17891013, but Vocal Parts-Miss Hagley

Event Comment: An accurate Edition of The Tempest to be had at the Theatre. Account-Book; Paid Printer [of playbills] to 17th Inst. #9 7s.; Chorus to 21st Inst. #6. Afterpiece: Not acted these 7 years. Receipts: #185 5s. (151.19; 32.12; 0.14)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Belphegor; or, The Wishes

Song: As17891017

Event Comment: Received of the Proprietor of the Richmond Theatre for [permission to act] The Little Hunchback #10. Receipts: #170 1s. 6d. (166.18.0; 3.3.6)

Performances

Mainpiece Title: Robin Hood; Or, Sherwood Forest

Afterpiece Title: The Little Hunchback

Event Comment: [Mrs Mountain's 1st appearance as Carlos was at this theatre on 11 June 1789.] Receipts: #239 17s. 6d. (237.0.6; 2.17.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Devil upon Two Sticks

Performances

Mainpiece Title: Marcella

Performance Comment: Characters-Kemble, Barrymore, Whitfield, Benson, Wroughton, Mrs Powell. [Cast from European Magazine, Nov. 1789, p. 378: Hernandez-Kemble; Alonzo [in text, Plays written for a Private Theatre (T. Cadell, 1784): Mendoza]-Barrymore; Lupercio-Whitfield; Lopez-Benson; Governor of Barcelona-Wroughton; Marcella-Mrs Powell. [For the change from Mendoza to Alonzo, see cg, 10 Nov.]For the change from Mendoza to Alonzo, see cg, 10 Nov.]

Afterpiece Title: The Follies of a Day

Event Comment: An accurate Edition of [King Henry the Fifth] to be had at the Theatre. Receipts: #165 17s. 6d. (132.8.0; 30.18.0; 2.11.6)

Performances

Mainpiece Title: King Henry The Fifth

Cast
Role: Exeter Actor: Aickin

Afterpiece Title: Richard Coeur de Lion

Dance: As17891026

Event Comment: 1st piece: 1st Time [at this theatre; see dl, 7 Nov.]. "Mr Hayley's Marcella, which was anticipated on Saturday evening at Drury Lane, and was received with considerable marks of disapprobation...was brought forward [at Covent Garden] under the auspices of the Author" (Public Advertiser, 11 Nov.). "[The performers all acted well at Covent Garden; and Kemble was the only one at Drury Lane who even knew his part" (Prompter, 11 Nov.). Receipts: #201 17s. (197.13.6; 4.3.6)

Performances

Mainpiece Title: Marcella

Afterpiece Title: Rosina

Afterpiece Title: The Death of Captain Cook

Event Comment: An accurate Edition of The Tempest to be had at the Theatre. Receipts: #210 5s. (169.5.0; 40.0.6; 0.19.6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Island of St

Song: As17891017, but Vocal Parts-_Fawcett, _Wilson, _Maddocks, _Alfred, _Lyons, Mrs _Fox, Miss _Barnes, Miss _Stageldoir, Mrs _Shaw, Mrs _Butler

Event Comment: By Command of Their Majesties. To prevent inconvenience, Ladies and Gentlemen are requested to be early at the Theatre-and to order their Servants to keep Places at Four o'Clock. Receipts: #452 14s. 6d. (438.16.0; 13.18.6)

Performances

Mainpiece Title: The Dramatist

Afterpiece Title: The Highland Reel

Event Comment: Afterpiece: 1st Time at this Theatre. [Prologue by George Colman, elder.] Receipts: #241 19s. 6d. (237.5.0; 4.14.6)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Bon Ton

Dance: End I: Divertissement-[See17891002]; End: Tamborine Dance, as17891021

Event Comment: 2nd piece: 1st Time [at this theatre (see dl, 7 Nov.)] in 3 acts. Receipts: #214 2s. (209.16.6; 4.5.6)

Performances

Mainpiece Title: Marian

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Death of Captain Cook

Event Comment: Mainpiece [1st time; CO 3, by James Cobb. Text 1st published (unauthorized), Dublin [1790]. Sga Storace had 1st appeared in concerts from 1774 to 1778, and at king's on 24 Apr. 1787 and thereafter]: With new Scenes, Dresses and Decorations. The new Music composed by Storace, the rest compiled from Linley? Sen., Purcell, Sarti, Paisiello, Martin y Soler?, Pleyel, &c. The Scenes designed and executed by Greenwood. Books of the Songs to be had at the Theatre. "In her own particular line on the stage [Sga Storace] was unrivalled, being an excellent actress, as well as a masterly singer. She settled entirely in England, and after quitting the opera (to which she was frequently recalled in times of distress, as was too often the case), she engaged at Drury Lane, where the English opera was raised to an excellence not known before, by her singing, with that of Mrs Crouch, Mrs Bland, Kelly, and Bannister, and under the direction of her brother Stephen Storace, who composed, or rather compiled, several very pretty operas, of which the Haunted Tower, and the Siege of Belgrade still remain favorites, and are frequently performed" (Mount-Edgcumbe, 65). Account-Book, 4 Jan. 1790: Paid Cobb on Acct. of the Purchase of the Copyright of the Haunted Tower #157 10s.; 27 Feb. 1790: Paid Cobb in full for Copyright #52 10s. Receipts: #219 9s. 6d. (200.13.0; 17.14.6; 1.2.0)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: The Miller of Mansfield

Event Comment: 1st piece: For the 1st Time compress'd [anonymously] into 2 Acts. MacNally brought [Arthur Murphy] to Covent-garden Theatre to see [Robin Hood]; when, to the surprise of the author...the opera was that night performed as an afterpiece, having been, without his knowledge, cut down into two acts" (O'Keeffe, I, 45). 3rd piece: Not acted these 16 years [acted 12 Dec. 1780]. Receipts: #212 14s. 6d. (209.14.0; 3.0.6)

Performances

Mainpiece Title: Robin Hood

Afterpiece Title: The Follies of a Day

Afterpiece Title: Thomasand Sally

Dance: 3rd piece to Conclude: a Dance-

Event Comment: Afterpiece: Not acted these 12 years [acted 21 May 1782]. An Operatic, Comic Pantomime, with material Alterations and Additions, particularly a Grand Spectacle, being a Representation of a Jubilee Procession of the Nobles, Clergy, and People at Rome ["which consisted of artificial figures, horse and foot, cars, &c.; it was very well managed" (Morning Post, 1 Dec.).]. The new Airs, Chorusses, &c. by Reeve. With new Music, Scenes, Dresses, and Decorations. Words of the Songs, &c. to be had at the Theatre. Receipts: #264 19s. (255.4; 9.15)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Touchstone