SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre at Exeter"/1) | (@(roleclean,performerclean) "Theatre at Exeter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2486 matches on Event Comments, 409 matches on Performance Comments, 53 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Mainpiece: By Particular Desire. [Account of afterpiece in Town and Country Magazine, from Theatre No. XXIII.

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Mother Shipton

Event Comment: Great care will be taken to have additional fires to make warm the said Theatre

Performances

Mainpiece Title: Gioas Re Di Giuda

Music: As17710110

Song: As17710110

Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Johnston, at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Upper Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six

Performances

Mainpiece Title: Samson

Music: First Violin-Mr Barthelemon; Concerto on Organ-Stanley; Solo on Violincello-Duport

Event Comment: Boxes 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Tickets and places for Boxes to be taken of Mr Sarjeant (only) at the Stage Door. Books of the performance sold at the Theatre. Doors to be opened at Five o'clock. To begin exactly at Half past Six

Performances

Mainpiece Title: Judas Macchabeus

Music: End Part I: A Solo-; End Part II: A Concerto on Violin-Sga Lombardini Sirmen

Event Comment: Benefit for Dibdin. Afterpiece: A new Burletta in two Acts by Bickerstaffe. [Adaptation of Pergolesi's La Serva Padrona.] Books of the Burletta to be had at the Theatre

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: He Would if He Could; or, An Old Fool Worse than Any

Dance: V: A Comic Dance, as17701025

Event Comment: Benefit for Mrs Wrighten and Miss Rogers. Music and words by author and composer of Padlock [I. Bickerstaffe]. Book of the Entertainment to be had at the Theatre

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Ephesian Matron; or, The Widow's Tears

Song: I: The Sycamore Shade-Mrs Wrighten; IV: The Soldier Tir'd-Mrs Wrighten

Dance: End: A Minuet, Louvre-Noverre, Miss Rogers, his scholar

Event Comment: By Order of the Grand Buck. Benefit for Wignell and Barnshaw. Places will be kept in the Boxes for the Brethren of the Most Noble Order, who are desired to meet the Grand Buck and his Council at the Shakespeare's Head, in the Great Piazza, Covent Garden; by Five o'clock, in order to proceed from thence to the Theatre in Procession

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Deuce Is in Him

Dance: End Opera: Comic Dance, as17701017

Event Comment: Tickets Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places to be taken of Mr Jewell at the Theatre. No Money to be returned after the Curtain is drawn up. The Doors to be opened at six. To begin at Seven. Vivant Rex et Regina. [Repeated.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: Miss in Her Teens

Dance: I: The Cowkeepers-Mas. West, Miss West

Event Comment: To begin at 7 p.m. For one night only, being particularly desired by several Persons of Distinction. Performance by a considerable number of the best "catch" singers and instrumental performers. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Books of the Catches and Glees to be had at the theatre. Performance will be over time enough for those ladies and gentlemen who are engag'd at Mrs Cornelys's

Performances

Mainpiece Title: Catches And Glees

Afterpiece Title: The Judgment of Paris

Song: God Save our Noble King- (in Honor of His Majesty's Birthday)

Event Comment: Last Night the unpopular Parson was hissed out of Mr Foote's Theatre before the Conclusion of the second Act (The St James's Chronicle, or, British Evening Post, No. 1614, 27-29 June, 1771)

Performances

Mainpiece Title: The Maid Of Bath

Afterpiece Title: The Virgin Unmasked

Dance: As17710626

Event Comment: [The first payroll of the season was met this night. It includes 91 actors, actresses and dancers, plus 36 named servants to the theatre and 4 groups (women dressers, charwomen, guards, and barbers). The pay period covered was for 3 days. It came to #168 2s. 6d. The highest paid actor for this period was Ross at #8 5s.; the highest paid actress, Mrs Yates at #8 6s. 6d.; the highest paid dancer, Fichar at #3. The lowest paid in each category were: actors: C. Smith and Hollingsworth at 7s. 6d. apiece; actresses, 11 who receiv'd 10s. each (Mrs Ferguson, Evans, White, Allen, Cockayne, &c.); Dancers: 11 who receiv'd 15s. apiece (male) and 2 (female) who receiv'd 12s. 6d. apiece. The highest paid servant listed was Stables at 15s., and the lowest the charwomen.

Performances

Mainpiece Title: None

Event Comment: Paid Mr Kirk for copper tickets as per bill #5 5s. (Account Book). [These copper checks (illustrated in W. J. Lawrence, Old Theatre Days and Ways, London, 1935, p. 86) were supposedly given, by the box office keeper, to each person who entered the boxes. They were there dropped into a slit box by those who paid the money gatherer between the acts, or were returned to the box office by the holder if he left before the third act. The system was devised to check the receipts from the money gatherers against the number of copper tickets issued. Collusion between the Box office keeper and the gatherer could occur, but was checked by a third office, the numberer who counted heads, from his central position, as the gatherers went their rounds.] Receipts: #222 1s. (Account Book)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: Midas

Event Comment: Paid half year's Land Tax for theatre due Mich. last: #61 5s.; half year's window lights for ditto: #6 10s. 6d.; half year's land tax for House in Bow Passage: #2 3s. 9d., and window lights for same 15s.; Paid Stubbs (timber merchant) as per bill #50; Paid Evans (sawyer) #9 5s. (Account Book). Receipts: #240 9s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: IV: Corsican Sailor's Punch House, as17711011

Event Comment: Afterpiece: A masque in 3 parts with Music by Dibdin. New Scenes, Machines, Habits, and Decorations. This Entertainment is got up at vast Expence both in Scenery & Dresses very great applause (Hopkins Diary). But I wish it may answer the expence (Hopkins MS Notes). Book of Chorusses & Songs may be had at the Theatre. [The afterpiece thoroughly reviewed and excoriated by Theatrical Review for 28 Oct.] Paid Mr Dorman for coals #45 10s.; Mr Booth over stop'd last season 10s. 6d.; Supernumerary Soldiers #1 11s. (Treasurer's Book). Receipts: #259 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Institution of the Garter; or, Arthur's Round Table Restored

Event Comment: [The Young Gentleman identified as Owenson by Hopkins MS Notes. Confirmed by Sir Nicholas Nipclose, in The Theatres (2nd. ed. London, 1722, p. 51) speaking of Inchbald's introduction to the London stage with advertisement of "first appearance" though he had been many years an itinerant actor, "this is a trick to gain, from curiosity, what may pay by one night the whole season's pitiful salary of such actors; several mushrooms have vegetated thus; but none more worthless or short lived, than Mr Owenson; brought forward modestly in Tamerlane, some weeks since; without even the requistes of a grown-up school-boy."] Receipts: #180 6s. (Account Book)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Author

Dance: End: A New Comic Dance, call'd The Jovial Gardners-Sga Manesiere, Miss Hamoir, Mr Drouville[, being his 1st appearance. [See17630312.

Event Comment: Afterpiece: A Masque (in three parts) [by George Colman] never perform'd, in which will be introduc'd the Principal Solemnities at the Installation of the Knights of the Garter. With New Music, composed by Dr Arne, Habits, Decorations and Scenes. Books of the Masque to be had at the Theatre. Receipts: #220 10s. 6d. (Account Book). The greater part is borrowed with some variation from Ben Jonson [Masque of Oberon]. The same liberty has been taken with a few passages of Shakespeare, and a Chorus of the late Gilbert West, Esq. The final chorus is from Dryden...an effort to entertain the public by the combined powers of the most eminent proficients in the arts of Music, Painting and Poetry (Adv. to Printed Edn., Colman's Dramatic Works, IV, London, 1777)

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Fairy Prince, with Installation of Knights of the Garter

Event Comment: Paid half year's Poor's rate for Theatre to Mich. Last #20 8s. 4d.; Paid ditto for House in Bow Passage 14s. 7d. (Account Book). Receipts: #233 9s. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Fairy Prince

Event Comment: Paid half year's Paving &c. for theatre due Mich last #18 15s. (Account Book). Receipts: #209 14s. (Account Book)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Fairy Prince

Event Comment: Mainpiece: By Particular Desire. Paid Whitefield for cloaths bought #34 7s. (Account Book). All the differences between the managers of Covent Garden Theatre are settled. They met together without the interposition of any other person, shook hands, dined at Mr Colman's, and put a final stop to all the proceedings at law (Gentleman's Magazine, XLI, 520). Receipts: #186 18s. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Fairy Prince

Event Comment: Mainpiece: A New Tragedy [by Joseph Cradock] never performed. The Music composed by Mr Fisher. Words of the Epithalamium to be had at the Theatre. Paid Palmer (wax chandler) #140; Paid Buxton & Enderby (oyl merchants) #136 3s. (Account Book). Receipts: #220 16s. (Account Book)

Performances

Mainpiece Title: Zobeide

Afterpiece Title: The Commissary

Event Comment: The Words of the Epithalamium [in the Tragedy] to be had at the theatre. Paid Shropshire for brushes #4 10s.; Paid Rowson (gunsmith) #2 9s. 6d. (Account Book). Receipts: #151 14s. (Account Book)

Performances

Mainpiece Title: Zobeide

Afterpiece Title: The Devil to Pay

Event Comment: Benefit of the New Building of the City of London Lying In Hospital, in the City Road, Old Street. Paid Weston's note to Mr Curtis #5; Mrs Bolter for 25 yds. white and silver silk, #28 15s.; 8 extra Trumpets 4 nights (13th inst. incl.) #12 (Treasurer's Book). This day published The Theatres; a poetical dissection by Sir Nicholas Nipclose (Gazetteer and New Daily Advertiser). [It is packed with embittered comments on managerial policy and upon theatrical personalities.] Receipts: #228 18s. 6d. Charges: #84; Profit to Hospital #144 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Thomasand Sally

Dance: I: The Sailors Revels, as17711008

Event Comment: Afterpiece: By Desire. About this time papers say inside of Foote's theatre with Dressing Room Green Room &c. is entirely pulled down to enlarge the stage which is to be nearly twice the size it was. Woodward is to exhibit two new pantomimes next summer. (Winston MS 10). Paid Printer's Bill #9 6s. (Treasurer's Book). [Treasurer's Book also indicates that this night #30 4s. of Orders were given out.] Paid 2 Clarinets 6 nights (18th incl.) #9 9s. (Treasurer's Book). Receipts: #173 2s. 6d. Ordinary charges #84. Extra for Invasion #10 10s. Profit for Author #78 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Timon Of Athens

Afterpiece Title: Harlequin's Invasion

Event Comment: Alterations and additions to the afterpiece in form of a Trip to Naplesv. Includes two views of the eruption of Vesuviusv [a display used afterwards in Harlequin's Invasionv 19 March]. Theatrical Review, 26 Dec.: The Witches; or a Trip to Naples,...one of those Mummeries, in which the carpenters, painters and taylors belong1ng to the theatre are the principal projectors; who torture dull brains to furnish out most contemptible pieces of entertainment...the disgrace of the English stage. This what-shall-we-call-it...now reviv'd with alterations and the addition of two new scenes, viz. two views of Mount Vesuviusv: the first of which represents a Vulcano burning at a distance, and is reflected by the water in the bay of Naplesv. The second is a nearer land view of the Mounts, and represents the manner in which the Lava is thrown out whenever an eruption happens; the torrents of the lava, like a river of liquid fire, falling into a cascade from a rock. As far as carpenters and painters are concerned, these additional scenes seem to be well executed, but whether the resemblance is exact, we cannot pretend to say; though we suppose it is. Be this as it may we cannot help thinking, the terrific ideas these scenes naturally raise in the mind, must defeat every intention of giving pleasure, and consequently afford less satisfaction to curiosity than a written account of that Vulcano, or any descriptive drawing of it. Paid Printer's Bill #9 6d. Receipts: #235 12s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Committee; Or, The Faithful Irishman

Afterpiece Title: The Witches; or, A Trip to Naples

Event Comment: [The bill for this night and on subsequent nights specifies the additions "Particularly two views of the Eruptions of Mount Vesuviusv." The Gentleman's Magazine this month contained a four-column review of Nipclose's The Theatres, blasting its contentions.] Receipts: #195 5s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Witches