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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre at Exeter"/1) | (@(roleclean,performerclean) "Theatre at Exeter")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2844 results for: Keyword - Theatre at Exeter
We found 2486 matches on Event Comments, 409 matches on Performance Comments, 53 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

1001
02 February 1734 @ Inner Temple

Event Comment: Daily Courant, 2 Feb.: We are credibly informed, that Charles Fleetwood, Esq; of Bromley-Hall, in the county of Stefford . . . hath purchased all the shares of the Patentees of the Theatre in Drury-Lane

Performances

Mainpiece Title: Love For Love

1002
28 February 1734 @ Drury Lane Theatre

Event Comment: At the particular Desire of several Persons of Quality. Note, Mynheer Cajanus is prevail'd upon (at the Request of several Persons of Distinction) to stay a few Days longer in England, and will appear as usual in . .. Cupid and Psyche. [For a discussion of the theatres, see Grub St. Journal, 28 Feb.]

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Cupid and Psyche

1003
08 March 1734 @ Hickford's Room

Event Comment: Benefit John Richter. 7 P.M. Daily Advertiser, 9 March: Yesterday the Company of Comedians in the Hay-Market took Possession of Drury Lane Theatre

Performances

Mainpiece Title: Concert

1004
08 March 1734 @ Drury Lane Theatre

Event Comment: Comment. Daily Advertiser, 9 March: Yesterday the Company of Comedians in the Hay-Market took Possession of Drury Lane Theatre

Performances

Mainpiece Title: Concert

1005
20 May 1734 @ Haymarket Theatre

Event Comment: Daily Advertiser, 20 May: A mad Company of Comedians having lately taken the Hay-market Theatre, propose to convert it into a Mad-house, and humbly hope the Town will be as mad as themselves, and come frequently to see their mad Performances. which will be madly exhibited, two or three Times a Week, during the Summer Season

Performances

Mainpiece Title:

1006
23 May 1734 @ James Street

Event Comment: By Desire. At the Lilliputians Theatre, the Old Tennis-Court. 6:30 P.M. Boxes 3s. Pit 2s. Gallery 1s

Performances

Mainpiece Title: Cato

1007
03 June 1734 @ Haymarket Theatre

Event Comment: By particular Desire. By a Company of Comedians from both the Theatres. Afterpiece: a Farce of one Act [adapter not known]. All the Characters in the Opera to be play'd in Roman Dresses. 6:30 P.M. Admission: 4s., 2s. 6d., 1s

Performances

Mainpiece Title: The Beggar's Opera, Tragedized

Afterpiece Title: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol

1008
27 June 1734 @ Hampstead

Event Comment: Daily Journal, 27 June: We hear that a Company of Comedians from the Theatre Royal intend to entertain the Gentlemen and Ladies at Hampstead, during the Summer Season. . . . This present Thursday, by the Desire of several Gentlemen and Ladies, will be performed The Beggar's Opera

Performances

Mainpiece Title: The Beggar's Opera

1009
28 August 1734 @ York Buildings

Event Comment: Benefit Butler. At the particular Desire of several Persons of Quality and Distinction. 7 P.M. N.B. The Reason of the Play being deferred from Tuesday the 20th of August . . . was on Account of the Absence of one of the principal Performers; so that Mr Butler humbly hopes his Friends will excuse it, and honour him with their Company; and to prevent any Disorder, Guards will attend at the Doors, every thing being to be perform'd in the same exact Manner as at the Theatres Royal

Performances

Mainpiece Title: The Orphan

Afterpiece Title: The Mock Doctor

Dance: III: By Mr Delawn

Song: II: Wasever Nymphlike Rosamondby Miss Hill. V: A Song by a Gentleman

1010
07 September 1734 @ Drury Lane Theatre

Event Comment: The Scenes new. And the Theatre new painted, new decorated, &c. 6 P.M

Performances

Mainpiece Title: 7 Love For Love

Dance: By Nivelon, Essex, Pelling, Davenport, Mrs Pelling, Mrs Walter, Miss Mann, particularly The Black and White Joke and Revellers

1011
29 October 1734 @ King's Theatre

Event Comment: A New Opera. [Text by Metastasio. Music by J. A. Hasse and R. Broschi.] Pit and Boxes by Tickets at a half guinea. Gallery 5s. 6 P.M. Daily Advertiser, 30 Oct.: All the Royal Family were at the Opera, when Signior Farinelli perform'd . . . with prodigious Applause. The Theatre was exceedingly crowded

Performances

Mainpiece Title: Artaxerxes

1012
04 November 1734 @

Event Comment: By a Company of Comedians from the Theatres in London. At the Great Room at the Ship Tavern. Stage 2s. 6d. Pit 2s. First Gallery 1s. Second 6d. 6 P.M

Performances

Mainpiece Title: Tamerlane

Dance:

1013
11 November 1734 @ Goodman's Fields

Event Comment: As this Entertainment has been frequently perform'd at another Theatre [CG] (but notwithstanding has been equally Expensive as if entirely New) to oblige the Town, it will, for the future, be perform'd At Common Prices

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Necromancer

1014
02 December 1734 @ Haymarket Theatre

Event Comment: With all New Scenes, Machines, and Decorations, as much as the Theatre will admit of

Performances

Mainpiece Title: Sampson Judge Of Israel

Afterpiece Title: Le Carillon de Maitre Gervaise and Dame Alison

1015
07 December 1734 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by Shakespear. London Daily Post and General Advertiser, 12 Dec: Whereas, on Saturday last, the Audience . . . was greatly incens'd at their Disappointment in Mr Poitier and Madem Roland's not Dancing, as their Names were in the Bills for the Day; and Mr Quin, seeing no way to appease the Resentment then shewn, but by relating the real Messages sent from the Theatre, to know the Reasons why they did not come to perform, and the Answers return'd: And whereas there were two Advertisements in the Daily Post of Tuesday last, insinuating that Mr Quin had with Malice falsely accus'd the said Mr Poitier and Madem Roland, I therefore think it (in Justice to Mr Quin) incumbent on me to assure the Publick, that Mr Quin has conducted himself in this Point towards the Abovemention'd with the strictest regard to Truth and Justice; and as Mr Quin has acted in this Affair in my Behalf, I think myself oblig'd to return him Thanks for so doing. Charles Fletewood

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Intriguing Chambermaid

Dance: By Poitier and Mlle Roland

1016
18 December 1734 @ Haymarket Theatre

Performances

Mainpiece Title: Arlequin Et Sa Troupe Comediens Esclaves; Or, Harlequin And His Company Of Comedians Slaves

Performance Comment: Compos'd of three Different Plays, representing an Idiom of the French Stage, in General, beginning with a Prologue: The First Piece call'd Arcacambis, a Tragedy. The Second L'Ecole des Maris, a Comedy in Three Acts, written by Moliere. The Third Harlequin Always Harlequin, of the Italian Theatre. Cast not listed .

Dance:

1017
13 January 1735 @ Drury Lane Theatre

Event Comment: Never Acted before. [By George Lillo.] Prompter, 18 Feb.: And, indeed, the Pulpit seems the properest Theatre for such Representations, and the Clergy, the properest Actors in the Religious Drama. This then, of itself, sufficiently justified the Town in its Reception of this Piece

Performances

Mainpiece Title: The Christian Hero

1018
19 March 1735 @ Covent Garden

Event Comment: As 5 March. old Whig, 20 March: In the flourishing State of this Opera [Artaxerxes], 'tis no Wonder that the other Theatres decline. Handel, whose excellent Compositions have often pleased our Ears, and touched our Hearts, has this Winter sometimes performed to an almost empty Pitt. He has lately reviv'd his fine Oratorio of Esther, in which he has introduced two Concerto's on the Organ that are inimitable. But so strong is the Disgust taken against him, that even this has been far from bringing him crowded Audiences; tho' there were no other publick Entertainments on those Evenings

Performances

Mainpiece Title: Esther

1019
29 March 1735 @ Drury Lane Theatre

Performances

Mainpiece Title: The Man Of Taste

Performance Comment: As17350308 but see17350325 With the Original Prologue, and a new Epilogue recommending the Support of the English Theatre To the Beauties of Great Britain, Both spoken by Mr Cibber .

Afterpiece Title: The Mock Doctor

Dance: In: Drunken Peasant by Le Brun. V: Russian Sailor by Denoyer. End of Afterpiece: Amorous Swain, as17350327

1020
31 March 1735 @ Goodman's Fields

Event Comment: London Daily Post and General Advertiser, 31 March, contains a long article outlining opposition to silencing the theatre in Goodman's Fields

Performances

Mainpiece Title:

1021
03 April 1735 @ King's Theatre

Event Comment: As 28 Feb. [For a discussion of the proposed bill to restrain the theatres and the petitions submitted concerning it, see the Journal of the House of Commons, XXII, April 1735, 444-81. See also a discussion of plays in Prompter, 1 April and 4 April, and a discussion of the drama in Universal Spectator, 5 April.]

Performances

Mainpiece Title: David

1022
10 May 1735 @ Drury Lane Theatre

Event Comment: Benefit the Author of the Farce. [R. Fabian.] By Their Majesties Command. Afterpiece: a Farce of Two Acts. Intermix'd with Songs. London Daily Post and General Advertiser, 13 May: On Saturday Night last, during the Play time, one Mr Mechlin (alias Macloughlin) who lately belong'd to [DL], having had a Dispute with Mr Hallam, of the same Theatre, about a particular Wig, which the latter had from the Wardrobe, to wear in his Part that Night, in the Farce, and which he resign'd to Mr Mechlin; but reproved him for his Behaviour, and ill Language. Some time after Mr Mechlin, thrust a Crabtree Stick that was in his Hand, at the Face of Mr Hallam, which enter'd at his Left Eye, and penetrated into his brain, of which Wound he languish'd till Sunday Night 6 o'clock, when he died

Performances

Mainpiece Title: Cato

Afterpiece Title: Trick for Trick

Dance: Amorous Swain, as17350327

1023
16 May 1735 @ Drury Lane Theatre

Event Comment: London Daily Post and General Advertiser, 16 May: We hear that Mr Mechlin has sent a Letter to a principal Persons belonging to Drury-Lane Theatre, signifying his great Sorrow, and his Intention to surrender himself next Sessions at the Old Bailey

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

1024
11 June 1735 @ Drury Lane Theatre

Event Comment: Benefit Mr Odell, formerly Master of Goodman's Fields Theatre. Mainpiece: Written by the late Mr Addison

Performances

Mainpiece Title: As 10 May, But Decius-boman

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. In: Black and White Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: IV: As17350603

1025
04 July 1735 @ Drury Lane Theatre

Event Comment: London Daily Post and General Advertiser, 4 July: The Patentee of Drury-Lane Theatre has countermanded the Summer Playing; and the Company has received Orders not to proceed, on account of the several New Preparations for the ensuing Winter

Performances

Mainpiece Title: The London Merchant