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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre at Edinburgh"/1) | (@(roleclean,performerclean) "Theatre at Edinburgh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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2829 results for: Keyword - Theatre at Edinburgh
We found 2495 matches on Event Comments, 376 matches on Performance Comments, 63 matches on Performance Title, 2 matches on Roles/Actors, and 0 matches on Author.

2301
10 June 1788 @ Haymarket Theatre

Event Comment: Boxes 5s. Pit 3s. 1st Gallery 2s. 2nd Gallery 1s. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be had of Rice at the Theatre. [On this night Burton and Phillimore acted in the mainpiece at dl and in the afterpiece at the hay.

Performances

Mainpiece Title: The Suicide

Afterpiece Title: The Agreeable Surprise

Dance: End III: Dance-Byrn, Mrs Goodwin

2302
07 July 1788 @ Haymarket Theatre

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: The Maid of the Oaks

Performance Comment: Dupely-R. Palmer; Old Groveby-Baddeley; Sir Harry Groveby-Davies; Oldworth-Aickin; Hurry-Edwin; Maria-Mrs Kemble; Lady Bab Lardoon-Miss Prideaux (from the Theatre Royal, Bath; 1st appearabce on this stage). 1st appearabce on this stage).

Afterpiece Title: Peeping Tom

Dance: End 2nd piece: New Dance-Byrn, Miss DeCamp, Mrs Goodwin

2303
24 July 1788 @ Haymarket Theatre

Event Comment: [Adams was from the Crow Street Theatre, Dublin; Mrs Henry's 1st appearance on the stage was at cg, 25 Jan. 1788.

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Virgin Unmask'd

2304
05 August 1788 @ Haymarket Theatre

Event Comment: 3rd piece [1st time; P 2(?), by Ralph Wewitzer and --Invill]: With new Scenes, Dresses, and Decorations. The Scenery designed and painted by Rooker. The Music by Dr Arnold. Books of the Songs (T. Cadell [1788]) to be had at the Theatre

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: A Quarter of an Hour before Dinner

Afterpiece Title: The Gnome; or, Harlequin Underground

Dance: End 1st piece: January and May-[see17880627

2305
18 August 1788 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; F 2, ascribed variously to John O'Keeffe and to James Foord; adapted from La Gageure Imprevue, by Michel Jean Sedaine. Text prints a Prologue "Supposed to be written by G. Colman, Esq., and intended to be spoken by Bannister Jun.," but "it arrived, by accident, too late at the theatre to be studied and recited" (London Chronicle, 25 Aug.)]. "A new afterpiece was...attempted to be represented, [but] it was not heard out" (Public Advertiser, 19 Aug.). Public Advertiser, 8 Oct. 1788: This Day is published A Key to the Lock (1s.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Key to the Lock

2306
09 September 1788 @ Haymarket Theatre

Event Comment: [Mrs Farmer, whose 1st appearance on the stage was at this theatre on 29 Aug. 1787, and Mrs Westray are both identified in European Magazine, Sept. 1788, p. 218.

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: A Quarter of an Hour before Dinner

Afterpiece Title: The Son-in-Law

2307
13 September 1788 @ Drury Lane Theatre

Event Comment: Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5.30. To begin at 6:30 [see 3 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Afterpiece: To conclude with a Grand Representation of Regattav. Kemble Mem.: No Manager [i.e. King had resigned as acting manager; but see 23 Sept.]. Ivory Tickets introduced. [These tickets, also called "bones," were for the use of actors and other members of the company in gaining admission for themselves or their friends to the front of the house. They replaced paper orders (World, 18 Oct. 1788).] Receipts: #112 3s. 6d. (75.6.0; 35.10.0; 1.7.6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Waterman

2308
15 September 1788 @ Covent Garden

Event Comment: Places for the Boxes to be taken of Brandon, at the Theatre. The Doors to be opened at 5:30. To begin at 6:30 [see 3 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] No Money to be returned. Receipts: #294 0s. 6d. (292.12.6; 1.8.0)

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Animal Magnetism

Dance: End II: Mirth by Moonshine-Byrn, Mrs Goodwin

2309
16 September 1788 @ Drury Lane Theatre

Event Comment: On Account of the Numerous Complaints which have been made by the Frequenters of the Theatre, of the Interruption given to the Performances by the Persons insisting on having the Doors of the Boxes or the Pit opened after the House is apparently filled, and also to prevent many other Inconveniences to the Audience, the Public are requested to observe that No Money received can be returned at any of the Offices. [Throughout the season the playbills carry the notice: "No money to be returned."] Hamlet [advertised in Public Advertiser, 15 Sept.] is obliged to be deferred on Account of the Indisposition of Kemble. Receipts: #109 18s. 6d. (71.17.0; 37.3.6; 0.18.0)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Lyar

Dance: End: The Conjugal Frolick-the young D'Egvilles, Miss Blanchet, Miss DeCamp

Song: In I: Sheep@shearing Song-Mrs Forster

2310
17 September 1788 @ Covent Garden

Event Comment: On Account of the numerous Complaints [etc., exactly as on dl playbill, 16 Sept.] [Mr and Mrs Duncan were from the Chester theatre.] Receipts: #193 10s. 6d. (190.11.6; 2.19.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: Midas

2311
22 September 1788 @ Covent Garden

Event Comment: Mainpiece: In Act I a Masquerade Scene incident to the Play. [This was included in all subsequent performances. Middleton was from the Bath theatre.] Paid Music 19th Inst. #8 6s. 6d.; Properties 6s. 10d.; Kettle Drum 5s.; Wardrobe 19s. 6d.; Supernumeraries #1 15s.; Chorus Singers #1 10s.; Cox for Sceneman #32 7s. 5d.; Hodgins [scene painter] #4 4s. Receipts: #304 13s. (302.18; 1.15)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Love in a Camp; or, Patrick in Prussia

Song: End IV: Juliet's Funeral Procession-; with the Solemn Dirge-; Vocal Parts-Bannister, Johnstone, Cubitt, Darley, Bonville, Lee, Rock, Janson, Mrs Martyr, Mrs Mountain, Miss Stuart, Mrs Davenett, Mrs Watts, Mrs Gray, Miss Rowson, Miss Paye, Mrs Byrne, Mrs Kennedy

2312
23 September 1788 @ Drury Lane Theatre

Event Comment: Afterpiece: With entire new Dresses and Decorations. The Music by the celebrated Gretry. The Paintings by Greenwood. Kemble Mem.: This day I undertook the Management of dl Theatre. Receipts: #232 15s. 6d. (175.18.0; 56.13.6; 0.4.0)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Richard Coeur de Lion

Dance: In III afterpiece: dance-the young D'Egvilles, Miss DeCamp. [This was danced, as here assigned, in all subsequent performances.

2313
30 September 1788 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. 3rd piece: Written by A. Murphy, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets to be had at the Shakespeare, Covent-garden; the Chapter Coffee-house, Paternoster-row; the Horn Tavern, Doctors Commons; the Theatre, where Places for the Boxes may be taken; and at Abbott's Academy, Bridges-street, Westminster

Performances

Mainpiece Title: Miss In Her Teens

Afterpiece Title: Barnaby Brittle; or, A Wife at her Wit's End

Afterpiece Title: The Citizen

Entertainment: Monologue. End 1st piece: Scrubb's Trip to the Jubilee (as altered by the late David Garrick, Esq., in character,)-Death; Vaudeville. End 2nd piece: a new favourite song-Birkett; Dance-the Miss Simonets; A Pantomimical Interlude: Harlequin (with the celebrated Dying Scene)-Follett Jun., Clown- Follett Sen.; +A martial song-Birkett

2314
02 October 1788 @ Drury Lane Theatre

Performances

Mainpiece Title: As You Like It

Performance Comment: Touchstone-Palmer; Orlando-Kemble; Amiens (with songs)-Williames; Duke Senior-Aickin; Adam-Moody; Oliver-Packer; Duke Frederick-Chaplin; William-Burton; Le Beu-Lamash; Silvius-Benson; Jaques de Bois-Fawcett; Corin-Waldron; Charles-Phillimore; Jaques-Wroughton; Caelia-Mrs Wilson; the Cuckoo Song-Mrs Wilson; Audrey-Mrs Booth; Phoebe-Miss Barnes; Rosalind-Mrs Goodall (from the Theatre Royal, Bath; 1st appearance in London). 1st appearance in London).

Afterpiece Title: The Lying Valet

Dance: End I: As17880916

Song: In V: song-Mrs Forster

2315
16 October 1788 @ Covent Garden

Event Comment: [Miss Reynolds' 1st appearance was at this theatre, 3 May 1787.] Receipts: #229 13s. (227.2.6; 2.10.6)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Animal Magnetism

2316
22 October 1788 @ Covent Garden

Event Comment: [Miss Chapman was from the Margate theatre. Account-Book, 27 Oct.: Paid Miss Chapman, expenses from Margate #5 5s.] Receipts: #246 (242.13.6; 3.6.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Animal Magnetism

Dance: End II: a new Negro Dance-Byrne, Mrs Goodwin

2317
25 October 1788 @ Drury Lane Theatre

Event Comment: Afterpiece [1st time; MF 2, by James Cobb, based on Doktor und Apotheker, by Gottlieb Stephanie]: With entirely new Scenes, Dresses, and Decorations. The Music composed by Carl? Ditters [von Dittersdorf] and with additional music by Stephen? Storace. Books of the Songs to be had at the Theatre. Receipts: #182 13s. (126.1; 55.12; 1.0)

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Doctor and the Apothecary

2318
28 October 1788 @ Drury Lane Theatre

Event Comment: [Kemble's 1st appearance as Biron was at the Smock Alley Theatre, Dublin, in 1782.] Paid Lokes & Co., wax chandlers, #56. Receipts: #232 5s. (213.4; 18.10; 0.11)

Performances

Mainpiece Title: Isabella; Or, The Fatal Marriage

Afterpiece Title: Selima and Azor

Song: In III: Epithalamium-; Vocal Parts-Mrs Forster, Miss Romanzini

2319
01 November 1788 @ Covent Garden

Event Comment: Afterpiece: Written by the Author of Rosina [Frances Brooke]. The Music by Shield. With entire new Scenes painted by Richards. Books of the Songs to be had at the Theatre. Receipts: #207 9s. 6d. (197.9.0; 10.0.6)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Marian

Song: In II: a song-Mrs Kennedy

2320
06 November 1788 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by John O'Keeffe. Beginning with 8 Dec. reduced to an afterpiece of 3 short acts. Prologue by the author (World, 7 Nov.)]: With new Scenes, Dresses, &c. The Music by Handel, Rizzio, J. C.? Bach, Gretry, Corri, and Shield [who compiled the music of the other composers]. Books of the Songs to be had at the Theatre. Afterpiece: In I act. [Miss Fontenelle is identified on playbill of 22 Nov.] Account-Book, 17 Mar. 1789: Paid O'Keeffe in full for Highland Reel #67 10s. Receipts: #263 11s. 6d. (257.1.6; 6.10.0)

Performances

Mainpiece Title: The Highland Reel

Afterpiece Title: The Cheats of Scapin

2321
10 November 1788 @ Drury Lane Theatre

Event Comment: [Banks was from the Manchester theatre.] Afterpiece: To conclude with a Representation of the Repulse of the Spaniards before the Rock of Gibraltarv [on 13 Sept. 1782]. Scenes designed by Greenwood; Overture by Baumgarten. Receipts: #173 16s. (152.10; 20.13; 0.13)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Harlequin Junior; or, The Magic Cestus

2322
13 December 1788 @ Covent Garden

Event Comment: Mainpiece [1st time; CO 3, by Richard Bentley. Beginning with 4 Feb. 1789 reduced to an afterpiece of 2 acts. Not in Larpent MS; not published; synopsis of plot in Public Advertiser, 15 Dec.]: With entire new Dresses, Scenery, and Decorations. The Music partly selected from the works of Haydn, Purcell, Pleyel, Anfossi, Cimarosa, Gretry, Giordani, Sacchini [the score (Longman and Broderip [1788]) adds: Irwich]; and partly composed by Shield. With a Grand Overture by Salieri. Books of the Songs to be had at the Theatre. Receipts: #245 3s. 6d. (238.6.6; 6.17.0)

Performances

Mainpiece Title: The Prophet

Afterpiece Title: Duke and No Duke

Dance: End: a New Dance, as17881107, but Mrs _Ratchford

2323
26 December 1788 @ Covent Garden

Event Comment: Afterpiece [1st time; P 2(?), by John O'Keeffe. Synopsis of action in Public Advertiser, 27 Dec.]: With new Music, Scenery, Machinery, and Decorations. The Scenes designed and executed by Richards, Carver, Hodgins, Pugh, &c. The Music selected from the Works of the most eminent Masters, by A. Shaw. The new Airs composed by Shield, and the Overture by Richardson. Books of the Songs, Recitative, &c. to be had at the Theatre. Nothing under Full Price will be taken. Receipts: #315 16s. (301.6; 14.10)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Aladin; or, The Wonderful Lamp

Dance: In Afterpiece: Byrne, King, Ratchford, Mrs Watts, Mrs Lloyd, Mrs Ratchford. [Included, as here assigned, in all subsequent performances.

2324
30 December 1788 @ Covent Garden

Event Comment: "This degradation of a theatre royal was properly reprobated by the audience in general" (Town and Country Magazine, Jan. 1789, p. 15). Receipts: #264 (252.3; 11.17)

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Afterpiece Title: Aladin

Entertainment: Vaudeville In Irish Fair: [scene in afterpiece] [will be introduced (for the 1st time) a Sparring Match-Humphreys, another celebrated Pugilist [Death (London Chronicle 31 Dec.)]

2325
10 January 1789 @ Covent Garden

Event Comment: [Miss Wallis was from the Harrogate theatre. Prologue by Fielding Wallis (World, 12 Jan.).] Receipts: #217 1s. 6d. (212.9.0; 4.12.6)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Aladin

Entertainment: Monologue Preceding: an Occasional Prologue-Farren