SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre at Edinburgh"/1) | (@(roleclean,performerclean) "Theatre at Edinburgh")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2495 matches on Event Comments, 376 matches on Performance Comments, 63 matches on Performance Title, 2 matches on Roles/Actors, and 0 matches on Author.
Event Comment: At the New Theatre, Shepherd's Market. Benefit for Stephens. A Concert, etc. Prices 2s. 6d., 2s., 1s. To begin at seven o'clock

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Damon and Phillida

Song: TThe Happy Bride-Miss Agnetta

Event Comment: MMr Barry flew from his articles & engag'd with Rich; Mrs Cibber (who did not play last season) is also engag'd there--Y: King went to Ireland--Macklin and Wife came from thence to Mr Rich (Cross). Passage open'd from Russel St. into the boxes where Ladies and Gentlemen may be set down from their coaches, and there is likewise a better accommodation made for Chairs to come up to the House, and be kept in waiting, at the end of the Passage from Bridges St. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the stage door of the Theatre. [The notice about the Passage was continued through 20 Sept. The notice about prices was customary throughout the season. Neither will be repeated further here.] Receipts: #110 (Cross)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Virgin Unmask'd

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Mat@o@Mint-Blakes; Filch-Raftor; Mrs Peachum-Mrs Pit; Lockit-Berry; Diana Trapes-Mrs Havard; Peachum-Yates; Lucy-Mrs Green; Polly-Mrs Clive; In Act III, Hornpipe-Mathews; To conclude with a Country Dance-the Characters; New Occasional Prologue on the opening of the theatre-Garrick.

Afterpiece Title: The Anatomist

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s, Upper Gallery 1s. No persons to be admitted behind the scenes, nor any money to be returned after the curtain is drawn up. Places for the Boxes to be taken of Mr Page at the stage door of the theatre. To begin exactly at Six o'clock. [Customary notice repeated for each bill this season.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Damon and Phillida

Event Comment: Last Tuesday Signior Pasquali, Master of the Band of Music at the Theatre Royal, Mr Cibber and some other prominent players arriv'd from England to act the ensuing season [in Dublin]. Mrs Bland arriv'd [in Dublin] last Sunday from England and will appear tomorrow night in the character of Miranda in the Busy Body. Receipts: #180

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Anatomist

Event Comment: A one Volume Pocket edn. of The Actor at 3s. dedicated to the Managers of the British Theatres publish'd. A Treatise on the Art of Playing, interpersed with theatrical anecdotes, Critical Remarks of Plays, and Occasional observations on Audiences (General Advertiser). Receipts: #100 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: [For the New Epilogue] Great applause (Cross). This day is Publish'd, Price 6d. Romeo and Juliet, written by Shakespear, with alterations, and an additional Scene; as it is performing at the Theatre Royal in Drury Lane. Printed for J. and R. Tonson, and S. Draper in the Strand. Receipts: #120 (Cross)

Performances

Mainpiece Title: Romeo And Juliet

Event Comment: [C$Cross suggests The Intriguing Chambermaid as afterpiece, but it is unsupported by the newspapers.] We hear that the Comedy call'd the Pilgrim is now in rehearsal, and will be acted soon, at the theatre Royal in Drury Lane; and that the Secular Masque written by Dryden and set to music by Dr Boyce will be performed with it. The Epilogue which was inserted in our Yesterday's paper, and copied from the Midwife's Magazine, we fine to be imperfect and not genuine, therefore think ourselves under a necessity of asking the Author's pardon. [Hope in a day or two to give it correctly (General Advertiser). Midwife No II, from which it was copied, adds the note: "This Epilogue was taken in shorthand the night I went to see Miss Jenny Cibber play the part of Alicia...Some few mistakes may therefore have happened which the candid reader will excuse and correct."] Receipts: #50 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Miss in Her Teens

Dance: II: New Running Footman's Dance, as17501020

Performances

Mainpiece Title: The Recruiting Officer

Performance Comment: Plume-Palmer; Brazen-Woodward; Ballance-Bridges; Kite-Layfield (from the Theatre Royal in Dublin); Worthy-Havard; Bullock-W. Vaughan; Welch Collier-Blakes; Recruits-Shuter, Ray; Melinda-Mrs Mills; Rose-Mrs Green; Lucy-Mrs Bennet; Sylvia-Mrs Pritchard.

Afterpiece Title: A Duke and no Duke

Dance: CCountry Amusements, as17501102; Pigmalion, as17501102

Event Comment: Mainpiece: By Desire. Afterpiece: A new Musical Entertainment went off pretty well--some Noise &c. (Cross). Published at 3 o'clock that afternoon and sold at the theatre for 6d. (General Advertiser). No admission behind scenes or in Orchestra on account of the entertainment. [Music by C. Burney. Text by Moses Mendez]. Receipts: #120 (Cross)

Performances

Mainpiece Title: Alchemist

Afterpiece Title: Robin Hood

Event Comment: MMr Beard ill (Cross). Robin Hood Defer'd. Love's Last Shift deferr'd till Wednesday next. The Comedy of All's Well that Ends Well (written by Shakespear); and the Comedy of Every Man in his Humour (written by Ben Johnson) are now reviving at the Theatre Royal in Drury Lane (General Advertiser). Receipts: #60 (Cross)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Intriguing Chambermaid

Dance: II, V: Country Amusements, as17501102; Pigmalion, as17501102; IV: Comic Dance, as17501117

Event Comment: Whereas several Ungenerous aspersions have been cast on me, with respect to an Advertisement published in the London Gazetteer of Tuesday last, directed to the Friends of the Manager of Covent Garden Theatre, I declare that I was in no way consenting, or privy to the said Advertisement. John Rich (General Advertiser)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Apollo and Daphne

Event Comment: Mainpiece: By Command of their Royal Highnesses the Prince and Princess of Wales. This evening their Royal Highnesses the Prince and Princess of Wales and the young Princes will be at the Theatre Royal in Covent Garden to see the tragedy of the Fair Penitent (General Advertiser)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Damon and Phillida

Event Comment: Benefit for ye Author (no more Noise) (Cross). Tickets as of 5 Feb. Tickets deliver'd out for the third and sixth Nights will be taken. Receipts: #140 (Cross). Gentleman's Magazine, Feb. 1751, pp. 77-78, concerning Gil Blas: To animadvert upon a piece which is almost universally condemned is unneccessary, and to defend this is impossible. There is not one elegant expression or moral sentiment in the dialogue; nor indeed one character in the drama, from which either could be expected. It is however, to be wished that the Town, which opposed this play with so much zeal, would exclude from the theatre every other in which there is not more merit; for partiality and prejudice will be suspected in the treatment of new plays, while such pieces as the London Cuckolds, and the City Wives Confederacy, are suffered to waste time and debauch the morals of society....Upon the whole the Author appears to have intended rather entertainment than instruction, and to have disgusted the Pit by adapting his comedy to the taste of the Galleries....Perhaps the ill success of this comedy is chiefly the effect of the author's having so widely mistaken the character of Gil Blas whom he has degraded from a man of sense, discernment, true humor, and great knowledge of mankind...to an impertinent silly, conceited coxcomb, a mere Lying Valet, with all the affectation of a Fop, and all the insolence of a coward. [Thomas Gray wrote to Horace Walpole 3 March 1751, "Gil Blas is the Lying Valet in five acts. The fine lady has half-a-dozen good lines dispersed in it."

Performances

Mainpiece Title: Gil Blas

Event Comment: Pit and Boxes to be put together, and no person to be admitted without tickets, which will be deliver'd that day at the office in Covent Garden theatre at Half a Guinea each; 1st Gallery 5s. Upper Gallery 3s. 6d. The Galleries will be open'd at half an hour after Four. Pit and Boxes at Five. To begin at 6:30 p.m

Performances

Mainpiece Title: Belshazzar

Afterpiece Title: Concerto on Organ

Event Comment: A little Noise at ye Singing & Dancing (Cross). Nn Saturday night was played for the first time a new Masque called Alfred, at the Theatre Royal in Drury Lane, before a very numerous and splendid audience. The Piece itself, as it justly deserved met with great and universal applause: However, the spectators rightly found fault with some improprieties in the performance of the inferior dancers and actors, which we hear will be all corrected in this night's representation (General Advertiser). Receipts: #160 (Cross)

Performances

Mainpiece Title: Alfred

Event Comment: A new tragedy, call'd the Earl of Essex, which has sometime been in rehearsal at the Theatre Royal in Covent Garden, will be performed in a Few Days

Performances

Mainpiece Title: Belshazzar

Afterpiece Title: Concerto on Organ

Event Comment: Tomorrow will be publish'd at 1s 6d. Alfred, a Masque as it is now acting with great applause at the Theatre Royal in Drury Lane. Printed for A. Miller, opposite Catherine St., in the Strand. Receipts: #130 (Cross)

Performances

Mainpiece Title: Alfred

Event Comment: Benefit for Berry. Tickets at Popes Perke maker Russell St., and at the Stage Door. Tickets deliver'd out for 26 March will be taken. At Punch's Theatre in James St., near the Haymarket, this, and every Evening this week, the Town will be entertained with Yeates's inimitable dexterity of Hand; likewise by Mr Punch's Company of performers will be exhibited the play of Jane Shore. To conclude with a New Grand Machine, representing the Temple of the Sunv, at Mexico, in North America, which has given universal satisfaction to the Nobility and Gentry (General Advertiser). Receipts: #212 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Lethe

Dance: Devisse, Mad Auretti

Event Comment: Benefit for Costollo and Miss Minors. Tickets of Costollo at his lodgings at Mr Waiter's, Chymist, the Golden Cross, in Russel St., Covent Garden; of Miss Minors, at Mr Nichols's a Baker, in Catherine St., near Russel Court, and at the Stage Door. We are assured that Sg Giardini's Performance on the Violin, at Sga Cuzzoni's Benefit, at the New Theatre in Haymarket, on Saturday Night last, gave the highest pleasure to several of the best judges of that instrument. Receipts: #90 (Cross)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Afterpiece Title: Lethe

Song: Master Mattocks

Dance: Mathews, Mad Camargo, McNeil

Event Comment: Benefit for one Barry a Jeweller (Cross). A Charity Play, recommended by the City of London for Barry, Jeweller in Salisbury Court (being in great distress). Tickets at Grigsby's, Shadwell's, Janeway's and Sam's Coffee Houses by the Royal Exchange; Peele's, Nando's Anderton's and Temple Exchange in Fleet St., Marsh's Coffee House in Silver St., and at the stage door. Stage will be form'd into an Amphitheatre (General Advertiser). Mr Reinhold dy'd (Cross). A man no less admired for his private character than his publick performance. He has left behind him a Wife and Four small children in great distress; for the relief of whom the Managers of Drury Lane, and the actors have agreed to perform a play Gratis, some time next week; when it is hop'd the good nature of the publick will favour the intention of the performers. Tickets to be had of Mr Beard, at his house in North St., Red Lion Square, and at the theatre (General Advertiser, 16 May). Receipts: #60 (Cross)

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Lying Valet

Dance: IV: Comic Dance, as17501231

Event Comment: Box 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken at the Stage Door of the Theatre. No persons to be admitted behind the Scenes, nor any money to be returned after the curtain is drawn up [Customary notice on subsequent bills, which will not be repeated here.] Receipts: #130 (Cross)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Lying Valet

Event Comment: Afterpiece: By Particular Desire. Ye Audience allarm'd in the Middle of ye farce by Cap Robinson & Cap Loyde fighting behind ye Boxes; people suspected at first it was fire, but being convinc'd to ye Contrary set down again. Cap Rob was wounded (Cross). Was a terrible alarm at Drury Lane theatre by a noise from behind the boxes, occasion'd by two gentlemen quarrelling and drawing their swords, which produc'd a rumor of fire through the house, and so great a confusion that many were hurt in attempting to force their way out. A woman was with difficulty saved from throwing herself over the gallery into the pit (Gentleman's Magazine, p. 425). Receipts: #80 (Cross)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Anatomist

Song: III: Mattocks

Dance: IV: Will be introduced a Comic Dance-Harvey, Mrs Addison

Event Comment: Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places to be taken of Mr Page at the Stage Door of the Theatre. [A customary notice each night. It will not be repeated further here.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Damon and Phillida

Event Comment: Mainpiece: Not acted in 5 years. [See 11 Dec. 1744. For further comment on Dexter, see Genest, IV, p. 341.] One Mr Dexter did Oroonoko , a Gent of Ireland--who never appear'd upon a Stage before--he had ye Greatest applause ever heard & indeed deservedly a Sweet Voice, great feeling--his name was not in ye Bills--only by a Gent (Cross). We hear that a Comedy call'd Eastward Hoe; or, The Prentices, written by Ben Johnson, Chapman, and Marston, is now reviving at the Theatre Royal in Drury Lane, and will be acted the 29th. [A four page double column account of the text of Oroonoko appeared in the Gentleman's Magazine, 1752, pp. 163-67.] Receipts: #130 (Cross)

Performances

Mainpiece Title: Oroonoko; Or, The Royal Slave

Afterpiece Title: The Anatomist