SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Theatre Royal in York"/1) | (@(roleclean,performerclean) "Theatre Royal in York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3502 matches on Event Comments, 746 matches on Performance Title, 736 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Richard The Third

Performance Comment: The Parts of King Richard, D. of Buckingham, Earl of Richmond, Tressel, Prince Edward, Duke of York, Lieutenant of the Tower, Lord Mayor, Duke of Norfolk, Queen-Performers from the Theatres Royal London; Lord Stanley-Rivers; Catesby-Jones; Ratcliffe-Farrel; Oxford-Thompson; Sir William Brandon-Clifford; King Henry-Burnet; Dutchess of York-Mrs Fowler; Lady Ann-Mrs Palmer.

Afterpiece Title: The Quaker

Performance Comment: The Parts of Lubin, Steady, Solomon, Gillian-The Performers from the Theatres who exhibit in the Play.

Performances

Mainpiece Title: The Detection Or A Sketch Of The Times

Performance Comment: Alderman Increase-Beesley (from the Theatre Royal, Norwich); George Increase-Williams; Sprightly-Mason (1st appearance); Landlord Blacklegs, Carmine-Welldon; Brass-Johnstone; Dr M'Drugg, Powell-Swords; Rushlight-Stannard; Marrowbone-Whittaker; Sam. Baldpate-Parker; Putty-Hedges; Snip-Phillips; Flint-Freeman; Tom Blunt-Robinson; Boy-Master Charles; M'Intosh-Brown (from the Theatre Royal, Edinburgh); Sir Petulant Poundage-Barrett; Clara-Miss Frederick (1st time); Gauze-Miss Watkins; Mrs Tripe-Miss Jackson; Mrs Increase-Mrs Baker (from the Theatre Royal, York); With a new Prologue-; Epilogue-.

Afterpiece Title: The City Association or The National Spirit Rousd

Song: End I: song-Phillips

Entertainment: Monologue.End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh)

Performance Comment: End: (not acted these 10 years) Shuter's comic interlude, Post Haste Observations on his Journey to Paris-Sutton (from the Theatre Royal, Edinburgh).

Performances

Mainpiece Title: Cheapside Or All In The City

Performance Comment: Principal Characters by Benson, Johnson (from the Theatre Royal, Dublin), Pressly, Robson, Bailey (from the Theatre Royal, York), Jacobs (from the Theatre Royal, Edinburgh); Miss Hemet, Miss Dudley, Miss Dancer, Mrs Hyam. Cast not known. With a new Prologue and Epilogue .

Afterpiece Title: The Sailors Sheet Anchor

Afterpiece Title: A New Way to Keep a Wife at Home

Dance: In 2nd piece The Merry Sailors and The Wapping Landlady (perfomers not listed for either dance)

Monologue: 1783 09 17 End of Act III of 1st piece The Farmer's Blunder by Kenrick

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-A Gentleman (1st appearance on any stage [unidentified]); King Henry-Lucas; Duke of Buckingham-Thompson; Prince of Wales-Master Benson (1st appearance on any stage); Duke of York-Master Kenny; Norfolk-Massey; Oxford-Stevens; Lord Stanley-Painter; Blunt-Bell; Ratcliff-Kenny; Catesby-Bailey; Tressel-Mills; Lieutenant-Newton; Lord Mayor-Bowles; Tirrell-Edwards; Richmond-A Gentleman (1st appearance on any stage [unidentified]); Lady Anne-Mrs Lefevre; Duchess of York-Mrs Leister; Queen Elizabeth-Mrs Robinson (from the Theatre Royal at Bath); An occasional Prologue (written by a Gentleman eminent in the Republic of Letters [unidentified])-West.

Afterpiece Title: The Deuce is in Him

Song: A variety of Entertainments of Singing, particularly The Soldier tir'd-a Lady [unidentified]

Entertainment: Monologue. End: an occasional Address-Master Benson

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Brunton (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Bensley; Catesby-Davis; Ratcliff-Egan; Lieutenant-R. Palmer; Lord Mayor-Massey; Buckingham-Aickin; Tressel-Bannister Jun.; Stanley-Gardner; Norfolk-Wood; Prince Edward-Miss Francis; Duke of York-Master Edwin; Richmond-Palmer; Lady Anne-Mrs Cuyler; Duchess of York-Mrs Poussin; Queen Elizabeth-Mrs Massey.

Afterpiece Title: Comus

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Calvert (from the Theatre Royal, Dublin); King Henry-Gardner; Buckingham-Usher; Tressel-Riley; Lord Stanley-Jackson; RatclifF-Frost; Norfolk-Neale; Prince Edward-Miss Painter; Duke of York-Master Symmonds [i.e. Simmons]; Richmond-Stratford; Queen-Mrs Lefevre; Duchess of York-Mrs Fowler; Lady Anne-Mrs Cuyler .

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Harley (from the Theatre Royal, Norwich; 1st appearance on this stage); King Henry-Aickin; Buckingham-Farren; Stanley-Powel; Tressel-Egan; Pr. Edw.-Mrs Byrne; D. of York-Master Simmons; Norfolk-Macready; Lieut.-Cubitt; Catesby-Davies; Ratcliffe-Thompson; Lord Mayor-Gardner; Oxford-Evatt; Richmond-Holman; Lady Anne-Miss Brunton; Duchess of York-Mrs Platt; Queen-Mrs Pope. [Playbill of 23 Sept.: Holman's, Miss Brunton's, Mrs Pope's 1st appearance in those characters.]Playbill of 23 Sept.: Holman's, Miss Brunton's, Mrs Pope's 1st appearance in those characters.]
Cast
Role: of York Actor: Master Simmons
Role: Duchess of York Actor: Mrs Platt

Afterpiece Title: The Poor Soldier

Performances

Mainpiece Title: Romeo And Juliet

Performance Comment: As17991007, but Romeo-C. J. Macartney (from the Theatre Royal, Edinburgh and Theatre Royal, York; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: A Divertisement

Dance: In afterpiece: Ballet-Blurton, Mrs Watts

Opera: Mainpiece: Solemn Dirge. As17991118

Event Comment: By His Majesty's Company. At the Theatre Royal in the Haymarket [repeated in all bills] will be performed, by particular Desire, a Comedy...Places to be taken of Mr Jewel, at the Theatre. 7 p.m. [Repeated in the bills.] The house has been altered, as there was formerly but one gallery. [Miss Ogilvie was the young gentlewoman.] Went at 5:30 (before ye doors were open) to Foote's new Theatre in ye Haymarket which was open for ye first time tonight, and is very neatly fitted up. Got a good place in ye Pit...a very humorous Prologue in Prose by J. Palmer as Snarl a writer of Political Letters for the newspapers. Weston as Laconic a newspaper poet--Foote as Manager and Scaffold ye Builder (ye real one of ye house as some said)...in Smirk (Foote) took off Langford to a hair, not forgetting his son's affair with Dr Chauncey. Shift and ye Epilogue as Dr Squintum by Bannister, who took off Holland, Dodd, Moody, and Champneys surprisingly well...The house pretty full. York there awhile (Neville MS Diary)

Performances

Mainpiece Title: The Minor

Afterpiece Title: Miss in Her Teens

Event Comment: [This was the last performance ever held in this theatre. On 27 June the Morning Chronicle published the playbill for that same evening: Love in a Village and Comical Courtship, but on 29 June the same newspaper reported that on "Friday [26 June] (soon after the performances of the evening were finished at China Hall, Rotherhithe) the theatre was discovered to be on fire. The flames increased so rapidly that in a short time the whole building, with all the scenes, stage, cloaths, &c. were consumed...There is no doubt but the theatre was wilfully set on fire." During the course of the summer it was rebuilt, but "Yesterday morning the play-house at China-hall, Rotherhithe, was blown down by the violence of the wind. The said play-house was burnt down last summer, but it being insured was rebuilt by contract, and the tiling of it completely finished last week" (Gazetteer, 26 Nov. 1778). And see 30 July.

Performances

Mainpiece Title: King Richard Iii

Performance Comment: King Richard-Stokes; King Henry-Newton; Prince Edward-A Young Gentleman (1st appearance on any stage [unidentified]); Buckingham-Russell; Duke of York-Master Nelson; Stanley-Lear; Tressel-Cooke; Lieutenant of the Tower-Burnett; Catesby-Massey; Lord Mayor-Fildew; Blunt-Bailey; Earl of Richmond-West; Lady Ann-Mrs Bailey; Duchess of York-Mrs Newby; Queen-Mrs Russell.

Afterpiece Title: The Ghost

Dance: As17780601

Song: As17780529

Event Comment: [For Henderson as King Richard see hay, 7 Aug. 1777.] Afterpiece: The Music composed by Dibdin. With New Scenes and Dresses. Books of the Songs, &c. to be had at the Theatre. [The text erroneously assigns: Gillian-$Mrs Wrighten; Floretta-$Miss Walpole, but see Public Advertiser, 8 Oct., which in a review, gives the correct assignment; see also 6 Oct. 1778.] Receipts: #260 7s. (241.14; 17.17; 0.16)

Performances

Mainpiece Title: King Richard The Third

Performance Comment: King Richard-Henderson (1st time [at this theatre]); Richmond-Palmer; Buckingham (1st time)-Farren; Tressel-Davies; Lord Stanley-Chaplin; Norfolk-Hurst; Catesby-Packer; Prince Edward-Miss Field; Duke of York-Master Pulley; Lord Mayor-Griffiths; Ratcliffe-Wright; Lieutenant-R. Palmer; King Henry-Aickin; Lady Anne-Mrs Robinson (1st appearance in that character); Dutchess of York-Mrs Johnston; Queen-Mrs Hopkins.

Afterpiece Title: The Quaker

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Author. Play [1st time; T 5]: Written by the Rev. [Thomas] Stratford. The Doors to be opened at 6:00. To begin at 7:00. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Tickets to be had of Dr Stratford, No. 5, Cecil-street, Strand, and of Fosbrook at the Theatre. Dr Stratford, in the overflowing of a grateful heart, is happy indeed in returning thanks to the Ladies and Gentlemen who, with equal benignity and humanity, have so generously exerted themselves in bringing forward his tragedy of Russel. Above the mean manoeuvres that have been practised by persons he had the least reason to expect such a conduct from, and which have detained him almost three years in London, at a ruinous expense, he went with a party of his friends, on Wednesday last, to the Hay-market, in support of the other Lord Russel, penned by superior genius. As he never injured an individual, he trusts every intention to defeat the success of his play will be disappointed by a generous London audience who, he still presumes to hope, will be actuated by the same noble spirit and principle that first induced the Lady and Gentleman to undertake so arduous a task as appearing on a public theatre. As many parts of the play will be expunged and altered, he begs leave to mention that it cannot be again represented till Wednesday next, when the characters of Lord Howard and Hubert will be performed by two other Gentlemen, who have generously undertaken their parts, and an entire new address will be spoken by the Gentleman who performs Lord Russel, wrote by himself. "The performers ... rendered the Doctor's Tragedy one of the most laughable farces at which we were ever present. [It] has much Calimanco in it, and where we could hear a sentence compleat (which was seldom indeed) it abounded with Fustian" (Public Advertiser, 21 Aug.)

Performances

Mainpiece Title: Lord Russel

Performance Comment: Characters are as follows: King Charles II, James Duke of York, Earl of Bedford, Lord Russel, Algernon Sidney, Lord Howard, Sir George Jefferies, Father Peters, Hubert, Lieutenant of the Tower; Lady Russel. Which are kindly undertaken to be represented by Ladies and Gentlemen, who never performed on any Stage. [Cast from text (no pub. [c. 1794]): King Charles II-Capt. Harriett (of the Navy); James Duke of York-Hyanson (a Yorkshire Attorney, Brother to Mrs McNally); Earl of Bedford-Laurence [sic] (Father to the celebrated Painter); Lord Russel-Horne (of the Temple); Algernon Sidney-another Laurence (not the Painter); Lord Howard of Eserick-Supple; Sir George Jefferies-A Young Lawyer of the Temple; Father Peters-Major Sykes; Hubert, Preceptor to Lord Russel-Henry Lucas, Esq. (Son of the late celebrated Dr Lucas) (who also wrote and spoke the Prologue); Kirk, Lieutenant of the Tower-Elliot; Lady Russel-Mrs Batiere (who also wrote and spoke the Epilogue).] Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug . Before the Play an occasional Address, written and to be spoken in Character, by a Gentleman who performs a principal Part [Lucas]. A Prologue, written by the Author [speaker unknown]. An Epilogue, written and to be spoken by the Lady who performs the Character of Lady Russel [Mrs Batiere]. No afterpiece performed on this night, or on 25, 27, 28 Aug .
Cast
Role: James Duke of York Actor: Hyanson

Performances

Mainpiece Title: The Modish Wife Or Love In A Puzzle

Performance Comment: Parts-Cresswick (from York), Follett, Davies, Fearon, Lloyd, Burton, Williams, Mrs Greville (from Theatre Royal in Richmond), a Young Lady, first time; Mrs Roche, Miss Atkins, Mrs Williams; With a Prologue-.

Afterpiece Title: The Irish Widow

Entertainment: End of Play: A Comic Medley-Cresswick; and a Variety of Imitations-Hutton

Performances

Mainpiece Title: A Word To The Wise

Performance Comment: Sir John Dormer-Comerford; Sir George Hastings-Brerely; Willoughby-Webb; Villars-Pepys; Captain Dormer-West; Mrs Willoughby-Mrs Nost'e (from the Theatre Royal, York); Miss Willoughby-Mrs West; Miss Dormer-A Lady (1st appearance in London [unidentified]); Miss Montague (with the original Epilogue)-The Lady [who performed Emily in the Deuce is in Him, on 11 Feb.].who performed Emily in the Deuce is in Him, on 11 Feb.].

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: Love In A Village

Performance Comment: Young Meadows-Wood (from the Theatre Royal, York; 1st appearance in London); Justice Woodcock-Edwin; Sir William Meadows-Aickin; Hodge-Jackson [Public Advertiser: Massey]; Eustace-Lamash; Hawthorn-Bannister; Lucinda-Mrs Hitchcock; Margery-Miss Twist; Deborah Woodcock-Mrs Love; Rosetta-Miss Harper.

Afterpiece Title: Nature Will Prevail

Dance: End II: Tambourine Dance- , as17790602; End: As17790531

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: Lord Aimworth-Du-Bellamy; Sir Harry Sycamore-Waldron; Fairfield-Aickin; Mervin-Fawcett; Ralph-Suett (from the Theatre Royal, York; 1st appearance on this stage); Giles-Bannister; Fanny-Mrs Wrighten; Lady Sycamore-Mrs Hopkins; Theodosia-Miss Collett; Patty-Mrs Cargill (1st appearance in that character).

Afterpiece Title: Queen Mab

Dance: End I: The Butterfly, as17800921; Afterpiece: Dancing, as17800930

Performances

Mainpiece Title: The Conscious Lovers

Performance Comment: Bevil-Williamson; Myrtle-Davies; Sealand-Aickin; Sir John Bevil-Usher; Cimberton-Parsons; Humphrey-Gardner; Daniel-Wewitzer; Tom-Palmer; Phillis-Mrs Smith (from the Theatre Royal, York [on playbill of 12 July: 1st appearance in London]); Lucinda-Miss Brangin; Mrs Sealand-Mrs Love; Isabella-Mrs Poussin; Indiana-Miss Farren .

Afterpiece Title: Peeping Tom

Song: In Act II of mainpiece song by Miss Burnett

Performances

Mainpiece Title: The Foundling

Performance Comment: Faddle-Lewis; Sir Charles Raymond-Farren; Colonel Raymond-Pope; Sir Robert Belmont-Fearon; Villiard-Gardner; John-Helme; Young Belmont-Holman; Rossetta-Mrs Mattocks; Fidelia-Miss Wilkinson (from the Theatre Royal, York; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Padlock

Performance Comment: Leander-Johnstone; Don Diego-Inchbald (from the Theatre Royal, York [see17860925]); Mungo-Quick; Ursula-Mrs Webb; Leonora-Miss Wilkinson.

Performances

Mainpiece Title: He Woud Be A Soldier

Performance Comment: Sir Oliver Oldstock-Quick; Colonel Talbot-Aickin; Captain Crevelt-Lewis; Caleb (with a song in character)-Fawcett (from the Theatre Royal, York; 1st appearance on this stage); Mandeville-Farren; Count Pierpoint-Marshall; Wilkins-Cubitt; Johnson-Macready; Amber-Thompson; Harriet-Mrs Wells; Mrs Wilkins-Mrs Rock; Lady Oldstock-Mrs Webb; Nancy-Mrs Cross; Betty-Mrs Davenett; Charlotte-Mrs Pope.

Afterpiece Title: Cymon

Performances

Mainpiece Title: King Henry Ii Or The Death Of Fair Rosamond

Performance Comment: King Henry-A Gentleman [unidentified]; The Abbot-Wilkinson; Prince Henry-Rundell; Leicester-Frodsham; Salisbury-Fielding; Verulam-Savigny; Clifford-Baker; Rosamond-Miss Dalton; Ethelinda-Mrs Taylor; Queen Eleanor-Mrs Jackson (from the Theatre Royal, York).

Afterpiece Title: The Humours of Sir John Brute

Entertainment: Monologue End: The Monody on the Death of Mr Henderson (3rd time at this theatre)-Baker

Performances

Mainpiece Title: Cato

Performance Comment: Cato-Bull; Portius-Wilkinson; Marcus-Thomas; Sempronius-Williams; Syphax-Minton; Lucius-Dawson; Decius-Cameron; Mutineers-Barnet, Duncan; Juba-Bellamy (from the Theatre Royal York); Lucia-Miss Parker; Marcia-Miss Herbert.

Afterpiece Title: The Citizen

Performance Comment: Old Philpot-Wilson (from the Theatre Royal Margate); Young Wilding-Murray; Sir Jasper Wilding-Dawson; Beaufort-Barnet; Dapper-Thomas; Quildrive-Williams; Young Philpot-Wilkinson; Corinna-Miss Twaites; Maria-Miss Sadler.

Song: End: a celebrated Scotch Ballad-

Entertainment: Monologue.Before: [the original Address-; [i.e. Prologue] [written by Pope, with four concluding lines from Prologue of Agis- [by John Home]

Performances

Mainpiece Title: A Cure For The Heart Ache

Performance Comment: Young Rapid-Lewis; Vortex-Waddy; Charles Stanley-Pope; Old Rapid-Munden; Frank Oatland-Emery (from the Theatre Royal York; 1st appearance on this stage); Sir Hubert Stanley-Murray; Heartley-Hull; Bronze-Farley; Farmer Oatland-Thompson; Landlord-Whitmore; Ellen-Miss Mansel; Jessy Oatland-Mrs Gibbs; Miss Vortex-Mrs Litchfield.

Afterpiece Title: The Miser

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Goldfinch-Lewis; Silky-Emery; Harry Dornton-Holman; Dornton-Munden; Milford-Clarke; Sulky-Davenport; Smith-Powel; Hosier-Waddy; Marker-Farley; Jacob-Rees; Sheriff's Officer-Thompson; Tradesmen-Lee, Street, Abbot, Whitmore, Coombs; Sophia-Mrs Mills (from the Theatre Royal York; 1st appearance on this stage); Jenny-Mrs Norton; Mrs Ledger-Mrs Platt; Milliner-Miss Leserve; Mantua@maker-Mrs Blurton; Mrs Warren-Mrs Mattocks.

Afterpiece Title: The Spoild Child

Performances

Mainpiece Title: The Road To Ruin

Performance Comment: Goldfinch-Fawcett; Silky-Suett; Harry Dornton-Holman (1st appearance on this stage); Milford-Clarke; Sulky-Davenport; Mr Smith-Abbot; Hosier-Waddy; Tradesmen-J. Palmer, Usher; Sheriff's Officer-Ledger; Jacob-Chippendale; Old Dornton-Gardner (from the Theatre Royal, York; 1st appearance in London); Sophia-Mrs Gibbs; Jenny-Mrs Norton; Mrs Ledger-Mrs Hale; Mrs Warren-Mrs Mattocks.

Afterpiece Title: Fortunes Frolick

Performances

Mainpiece Title: The Revenge

Afterpiece Title: THE CHAPTER OF ACCIDENTS

Performance Comment: Gray and Harcourt- Two of the Gentlemen who perform in the Tragedy; Woodville-Taylor (from the Theatre-Royal, Edinburgh); Governor Harcourt-Baker (from the Theatre-Royal, Dublin); Lord Glenmore-Villars (from the Theatre-Royal, Norwich); Vane-Wilkinson; Jacob Gawkey-Simpson//Bridget-Mrs Simpson; Miss Mortimer-Miss Achmet; Mrs Warner-Mrs Heaphy; Cecilia-A Lady (1st appearance [unidentified]). Fpilogue spoken by Simpson .unidentified]). Fpilogue spoken by Simpson .

Music: In the Course of the Evening several Pieces on the Union Pipes and Pedal Harp by Courtney and Weippert

Monologue: 1794 06 02 After the Epilogue Jacob Gawkey's Rambles tbrougb Bath by Simpson