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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Theatre Royal in York"/1) | (@(roleclean,performerclean) "Theatre Royal in York")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4700 results for: Keyword - Theatre Royal in York
We found 3502 matches on Event Comments, 746 matches on Performance Title, 736 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

551
06 June 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Child Of Nature

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood (with O bring me Wine by Shield, and There the silver'd waters roam, from The Pirates by Storace)-Sedgwick; Little John (with All in preparation, from The Haunted Tower)-Bannister Jun.; Ruttekin-Wathen; Bowman-Caulfield; Fitzherbert-Dowton; Scarlet-Trueman; Edwin-Incledon (by permission of the Proprietor of the Theatre Royal, Covent-Garden); Clorinda-Miss Leak; Annette-Mrs Bland; Angelina-Miss DeCamp (Their 1st appearance in those characters).

Afterpiece Title: The Devil to Pay

Song: In the course of the evening: The Storm-Incledon

552
07 June 1797 @ Drury Lane Theatre

Event Comment: Benefit for Wathen. 3rd piece: By permission of the Proprietor of the Theatre Royal, Covent Garden. True Briton, 2 June: Tickets to be had of Wathen, No. 2, Frith-street. Receipts: #358 1s. (54.12.0; 61.13.6; 3.14.0; tickets: 238.1.6) (charge: #212 5s. 6d.)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Poor Soldier

Song: End: The Waggoner (composed by Dibdin)-Wathen

553
03 July 1797 @ Haymarket Theatre

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre-Royal, Covent-Garden. [Philipps was from cg.

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Lock and Key

554
04 September 1797 @ Haymarket Theatre

Event Comment: Benefit for Elliston [whose 1st appearance as Othello was at Bath, 8 July 1797]. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. True Briton, 30 Aug.: Tickets to be had of Elliston, No. 3, Frith-street, Soho

Performances

Mainpiece Title: Othello

Afterpiece Title: No Song No Supper

Song: End: Sweet Echo, the song-Mrs Bland, the echoMrs Atkins

555
21 September 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Will

Performance Comment: Sir Solomon Cynic-King; Mandeville-Wroughton; Howard-Bannister Jun.; Veritas-R. Palmer; Realize-Suett; Robert-Russell; Copsley-Maddocks; Albina Mandeville-Mrs Jordan; Mrs Rigid-Mrs Walcot (from the Theatre Royal Edinburgh; 1st appearance on this stage); Cicely Copsley-Miss Mellon; Deborah-Mrs Maddocks.

Afterpiece Title: The Prize or 2 5 3 8

556
22 September 1797 @ Covent Garden

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Lewis; Strickland-Murray; Jack Meggot-Knight; Bellamy-Toms; Tester-Townsend; Buckle-Farley; Simon-Abbot; Ranger's Servant-Simmons; Chairmen-Ledger, Rees; Frankly-Holman; Mrs Strickland-Miss Chapman; Lucetta-Mrs Mattocks; Jacintha-Miss Mansel; Milliner-Mrs Follett; Clarinda-Mrs Coates (from the Theatre Royal Dublin; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Farmer

557
12 October 1797 @ Covent Garden

Performances

Mainpiece Title: Percy

Performance Comment: Percy-Holman; Raby-Murray; Hubert-Clarke; Harcourt-Claremont; Edrick-Toms; Knight-Thompson; Douglas-Pope; Birtha-Miss Mansel; Elwina-Miss Betterton (from the Theatre Royal, Bath; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: Raymond and Agnes

Dance: Afterpiece: To conclude with a Finale-; Spanish Fandango-

Entertainment: Monologue. Preceding: Occasional Address-Holman

558
13 October 1797 @ Covent Garden

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Performance Comment: Castalio-Pope; Acasto-Hull; Polydore-Clarke; Chaplain-Powel; Ernesto-Thompson; Page-Master Standen; Chamont-Holman; Serina-Miss Mansel; Florella-Miss Leserve; Monimia-Mrs Spencer (from the Theatre Royal, Dublin; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: A Divertisement

Dance: Ballet, as17971002, but Mrs _Watts

559
17 October 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Irish Widow

Performance Comment: Sir Patrick O'Neale-Caulfield; Whittle-Dowton; Nephew-Holland; Bates-Maddocks; Kecksey-Suett; Thomas-Hollingsworth; Widow Brady-Miss Biggs (from the Theatre Royal Bath; 1st appearance on this stage). 1st appearance on this stage).

Song: As17970919

Entertainment: Entertainment.As17971016

560
23 October 1797 @ Covent Garden

Performances

Mainpiece Title: Douglas

Performance Comment: Douglas-Johnston (from the Theatre Royal Edinburgh; 1st appearance on this stage); Lord Randolph-Clarke; Glenalvon-Whitfield; Officer-Thompson; Old Norval-Murray; Anna-Miss Mansel; Lady Randolph-Mrs Crawford.

Afterpiece Title: The Maid of the Mill

Afterpiece Title: Englands Glory

Dance: As17971018

561
26 October 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: Cheap Living

Afterpiece Title: The Old Maid

Performance Comment: Clermont-C. Kemble; Captain Cape-King; Mr Harlow-Holland; Mrs Harlow-Mrs Goodall; Miss Harlow-Mrs Sparks (from the Theatre Royal Edinburgh; 1st appearance on this stage); Trifle-Mrs Roffey.

562
12 December 1797 @ Covent Garden

Event Comment: By Permission of the Proprietor of the Theatre Royal Haymarket. [Epilogue by George Colman, ynger.] Receipts: #138 0s. 6d. (134.10.6; 3.10.0)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Round Tower

563
13 December 1797 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Performance Comment: As17971202, but Gratiano-R. Palmer; Shylock-Archer (from the Theatre Royal Edinburgh; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: The Citizen

564
20 February 1798 @ Covent Garden

Event Comment: Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #179 (168.11.6; 10.8.6)

Performances

Mainpiece Title: Hes Much To Blame

Afterpiece Title: Peeping Tom

565
07 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit Or The Female Crusoe

Afterpiece Title: The Inconstant

Afterpiece Title: The Son in Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

566
12 May 1798 @ Covent Garden

Event Comment: Benefit for Murray. 1st piece: By Permission of the Author [Walsh Porter], and the Manager of the Theatre Royal Bath [William Wyatt Dimond]. [This was 1st acted at Bath, 27 Feb. 1798. It refers to the nation-wide attempt, being made at this time, to raise funds by voluntary contribution for the defense of the country. And see 9 Feb. Larpent MS 1197; not published. Miss Murray's 1st appearance on the stage was at Bristol, 1 July 1793.] Times, 27 Apr.: Tickets to be had of Murray, No. 77, Long Acre. Receipts: #198 17s. (102.6.0; 4.1.6; tickets: 92.9.6)

Performances

Mainpiece Title: Voluntary Contributions

Afterpiece Title: Curiosity

Afterpiece Title: Florizel and Perdita or The Sheep Shearing

Song: End 1st piece: Black Ey'd Susan-; End 2nd piece: Admiral Benbow-Incledon

567
10 July 1798 @ Haymarket Theatre

Event Comment: 3rd piece: By permission of the Proprietor of the Theatre-Royal Covent-Garden

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Children in the Wood

Afterpiece Title: Lock and Key

568
13 July 1798 @ Haymarket Theatre

Event Comment: Afterpiece: By permission of the Proprietors of the Theatre-Royal Drury-Lane

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: No Song No Supper

569
06 August 1798 @ Haymarket Theatre

Event Comment: Benefit for Mrs Gibbs. 3rd piece: By permission of the Proprietor of the Theatre-Royal Covent-Garden

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Farmer

570
21 August 1798 @ Haymarket Theatre

Event Comment: Benefit for Miss DeCamp. Afterpiece: By permission of the Proprietor of the Theatre-Royal Covent-Garden. Times, 17 Aug.: Tickets to be had of Miss DeCamp, No. 14, Tottenham-court-road, near Bedford-square

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Poor Soldier

Song: In II: Stevens's glee, Sigh no more Ladies-D'Arcy, Linton, Miss Griffiths, Mrs Edward

571
19 September 1798 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Hardcastle-Munden; Young Marlow-Mansel (from the Theatre Royal Dublin; 1st appearance on this stage); Hastings-Whitfield; Sir Charles Marlow-Powel; Diggory-Simmons; Slang-Rees; Landlord-Thompson; Jeremy-Farley; Roger-Abbot; Tony Lumpkin-Knight (1st appearance in that character); Mrs Hardcastle-Mrs Davenport; Miss Neville-Miss Mansel; Maid-Miss Leserve; Miss Hardcastle-Mrs Gibbs.

Afterpiece Title: The Farmer

572
26 September 1798 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Performance Comment: Inkle-Johnstone; Sir Christopher Curry (1st time)-Munden; Campley-Townsend; Mate-Clarke; Medium-Powel; Planters-Davenport, Thompson, Abbot; Sailors-Linton, Street, Whitmore; Trudge-Fawcett; Wowski-Mrs Martyr; Narcissa-Mrs Iliff; Patty-Mrs Gibbs; Yarico-Miss Mitchell (from the Theatre Royal Bath; 1st appearance on this stage). 1st appearance on this stage).

Afterpiece Title: Lovers Quarrels

573
29 September 1798 @ Drury Lane Theatre

Event Comment: Mainpiece: The Musick composed by Kelly. Afterpiece: By permission of the Proprietor of the Theatre Royal Hay-Market. Receipts: #428 5s. (330.17; 95.18; 1.10)

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: The Children in the Wood

574
08 October 1798 @ Covent Garden

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Robin Hood

Performance Comment: Robin Hood-Townsend; Little John-Munden; Ruttekin-Fawcett; Allen o'Dale-Gray; Bowman-Street; Fitzherbert- Powel; Scarlet-Farley; Edwin-Hill (from the Theatre Royal, Bath; 1st appearacne on this stage); Clorinda-Mrs Martyr; Annette-Miss Sims; Angelina-Miss Mitchell.

Song: End IV: The Funeral Procession of Juliet and a Solemn Dirge-; Vocal Parts-Johnstone, Incledon, Townsend, Linton, Blurton, Street, Gray, Lee, Little, Sawyer, Tett, Dyke, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follett, Miss Leserve, Mrs Castelle, Mrs Norton, Mrs Gilbert, Mrs Masters, Mrs Lloyd, Mrs Blurton, Miss Walcup, Miss Gray, Miss Burnett, Mrs Martyr

575
13 October 1798 @ Drury Lane Theatre

Performances

Mainpiece Title: The Beaux Stratagem

Performance Comment: Aimwell-Middleton (late of the Theatre Royal Covent Garden; 1st appearance on this stage); Archer-Barrymore; Sullen-Wathen; Sir Charles Freeman-Trueman; Foigard-Caulfield; Gibbet-R. Palmer; Hounslow-Maddocks; Bagshot-Webb; Bonniface-Aickin; Scrub-Biggs; Lady Bountiful-Mrs Sparks; Dorinda-Miss DeCamp; Mrs Sullen-Miss Biggs; Gipsey-Miss Tidswell; Cherry-Miss Mellon.

Afterpiece Title: Blue Beard