SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Theatre Royal Venice"/1) | (@(roleclean,performerclean) "Theatre Royal Venice")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3425 matches on Event Comments, 1695 matches on Performance Title, 506 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Collins and Younger, prompter. Mainpiece: By Particular Desire. Tickets deliver'd for Venice Preserv'd will be taken. No Building on Stage

Performances

Mainpiece Title: The Rival Queens

Afterpiece Title: Damon and Phillida

Dance: After Epilogue: Les Sabotiers, as17620419

Event Comment: Characters in Mainpiece Dress'd in the Habits of the Times. Venice Preserv'd is oblig'd to be deferr'd. Receipts: #138 1s. 6d. (MacMillan)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Deuce Is in Him

Event Comment: Read the two last acts of the Merchant of Venice, which I had not time to read last night (Neville MS Diary). Receipts: #108 4s. 6d. (Account Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Benefit for Perry and Gardner. Tickets deliver'd for Venice Preserv'd for this night will be taken. Mainpiece: By Particular Desire. Charges #64 5s. Deficit to Perry and Gardner #7 10s. 6d. apiece, covered by income from tickets: Perry #58 1s. (Box 21; Pit 184; Gallery 252); Gardner #58 14s. (Box 102; Pit 130; Gallery 137) (Account Book). Receipts: #49 4s

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Miss in Her Teens

Entertainment: End: Hippisley's Drunken Man with additions and Alterations-Shuter

Dance: TThe Tambourine, as17700501

Event Comment: hay Benefit for Fleetwood. Tickets for Venice Preserved will be taken

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: hay The Vintner Trickd

Dance: hay End of Play: The Cowkeeper, as17700521

Performances

Mainpiece Title: Concerto Spirituale

Performance Comment: Part I. An Overture-Sg. Piccini; Milton's Morning Hymn-; The Music selected from the works of the following eminent composers, viz. Piccini, Jomelli, Pergolesi, Carrissime. This Hymn was set many years since by Galliard. Part II. Consisted of Miserere mei Die by Venice. This is the Miserere so particularly mentioned by $Dr Burney">Galuppi-; This celebrated composition is performed in the Holy Week, in the Hospital of Incurables in Venice. This is the Miserere so particularly mentioned by $Dr Burney, in his Account of the Present State of Music in France and Italy lately publish'd. The Melodies of the airs are pleasing, the chorusses Grand, and the composer has shown great taste and invention in the conduct of the whole. Part III. Dixit Dominus. The Music-Sg Pergolesi...a solemn and Grand Performance (Theatrical Review, p. 222).
Event Comment: Benefit for Aickin. Mainpiece: By Desire. Tickets for Venice Preserved will be taken. Paid Mr Byfield (organ builder) #23; Printer's Bill #8 12s.; Rec'd Mr Heath's rent, 1 year to Xmas last #10 (Treasurer's Book). Receipts: #165 2s. Charges: #65 2s. Profits to Aickin: #100 (Treasurer's Book)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Author

Dance: I: The Amusements of Strasburgh, as17711118

Event Comment: The composition of the drama with the characters of the King, Prince of Wales, Hotspur, and Falstaff will be particularly illustrated. [This is Kenrick's School of Shakespeare; repeated 9, 16, 20 (Falstaff's Wedding and Merchant of Venice), 29 (Cozeners and Falstaff's Wedding).

Performances

Mainpiece Title: Lecture On King Henry Iv Part I

Song: To keep my gentle Jessy-DuBellamy; Where the Bee sucks-Miss Wewitzer

Event Comment: A new Comic Opera. The Music by Traetta. [This was 1st performed at Venice, 1766, as Le Serve Rivali. And see 19 Dec. 1780.

Performances

Mainpiece Title: I Capricci Del Sesso

Dance: End I: Comic Ballet, as17770204; End II: Serious Ballet, as17770225; End Opera: a new Ballet Demi-caractere, La Paysane Distraite-Vallouy, Mme Simonet, Sg Zuchelli, Sga Zuchelli, Vallouy@le@cadet, Mlle DeCamp

Event Comment: Benefit for Reinhold. Morning Post, 6 Apr.: Tickets to be had of Reinhold, No. 90, Charlotte-street, Rathbone-Place. Tickets delivered for The Merchant of Venice will be taken. Receipts: #184 18s. (85.16; tickets: 99.2) (charge #69 15s. 6d.)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: True Blue

Afterpiece Title: Poor Vulcan

Dance: End II: The Poney Races-Dagueville, Sga Tinte

Event Comment: Benefit for the New General Lying-in-Hospital, in Store-street, Tottenham-Court-Road. Tickets delivered for Venice Preserv'd will be taken. Receipts: #149 1s. 6d. (66.4.6; tickets: 82.17.0) (charge: #115)

Performances

Mainpiece Title: The Rival Queens Or The Death Of Alexander The Great

Afterpiece Title: True Blue

Afterpiece Title: Comus

Event Comment: Macklin being taken ill, The Merchant of Venice and Love a-la-Mode [both announced on playbill of 23 Feb.] are obliged to be postponed

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Liverpool Prize

Dance: End: The Humours of Leixlip-Aldridge, Master Jackson, Miss Besford

Event Comment: The Merchant Of Venice and Love a-la-Mode [both announced on playbill of 26 Nov.] are obliged to be deferred on account of Macklin's Indisposition. Receipts: #57 8s. (55.7; 2.1)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: William And Nanny

Dance: As17791123

Event Comment: On playbill of 15 Mar.: On Saturday Evening next will be presented Othello, Moor of Venice

Performances

Mainpiece Title: Othello

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.

Afterpiece Title: The Waterman or The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Event Comment: The Carnival of Venice [announced on playbill of 31 Dec] is obliged to be deferred on account of the Indisposition of Dodd. Receipts: #104 3s. 6d. (70/5/0; 33/6/0; 0/12/6)

Performances

Mainpiece Title: King Arthur

Afterpiece Title: The Critic

Song: As17811022

Event Comment: The Carnival of Venice [announced on playbill of 1 Apr.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #103 10s. (81/7; 21/18; 0/5)

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Divorce

Dance: As17820318athi

Event Comment: An entirely new Comic Opera in 2 Acts [1st performed at Venice, 1776; and see 1 Feb. 1794]. The Music by Sarti; under the direction of Rauzzini. With new Scenes and Decorations, designed and painted by Novosielski

Performances

Mainpiece Title: Le Gelosie Villane

Dance: End of Act I Le Reveil du Bonheur, as17840203; End of Opera Divertissement, in which a Pas de Deux, as17831216, and to conclude with the favourite Caledonian Pas de Trois, as17831129

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Merchant of Venice; afterpiece of Love a-la-Mode, both announced on playbill of 2 Nov. In afterpiece the playbill assigns Young Wilding to Bonnor, but on the Kemble playbill a MS annotation substitutes Palmer.]

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Lyar

Dance: As17841022

Event Comment: A new Serious Opera (1st time [in London; 1st performed at Venice, 1780]); the Music by Anfossi

Performances

Mainpiece Title: Nitteti

Dance: End of Act I Le Jugement de Paris, as17850212, but omitted: Mme Rossi; End of Opera The Deserter, as17850111, but omitted: Nivelon, Mlle Dorival

Event Comment: Benefit for Mrs Abington. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. "At the close of the entertainment Mrs Abington came forward, and delivered a short poetical address to her fashionable auditory [written by Maurice Morgann (Monthly Mirror, Nov. 1797, p. 263)], apposite to her feelings on the present occasion" (Morning Herald, 11 Feb.). "The character [of Scrub] throughout was well conceived, and executed with a sprightliness and degree of humour that kept the house in a continual roar of laughter" (Public Advertiser, 11 Feb.) "Mrs Abington's voice was in its usual tone; her manners and deportment were inattentive and torpid, rather than active and interesting" (Morning Post, 11 Feb.). "With all her endeavours to give new points to the character, she entirely failed. Her appearance en culottes, so preposterously padded, exceeded nature. Her gestures to look comical could not get the least hold of the audience, though they had seen her before in men's clothes, when playing Portia in The Merchant of Venice, where her figure, dressed as a lawyer in his gown, gave effect to her excellent delivery on mercy, and the audience had been always delighted. But this leu de benefice, comparatively speaking, was disgusting and absurd as she dressed the character ... However, I have heard it originated in a bet she had previously made" (Henry Angelo, Reminiscenes, 11, 281-82). Receipts: #406 13s. 6d. (249/9/6; 1/9/0; tickets: 155/15/0) (charge: free)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Three Weeks after Marriage

Dance: As17851007

Event Comment: A Comic Opera (1st time [in London; 1st performed at Venice, 1778]); the music entirely new by Salieri [with additions by Anfossi, Sacchini, Paisiello, Mazzoni, J. Mazzinghi]

Performances

Mainpiece Title: La Scuola De Gelosi

Dance: End of Act I Divertissement Villageois, as17860218; End of Opera a New Divertissement (composed by Giroux) by Vestris, Sga Carolina, Sga Crespi, Henry, Marseilles, Duquesney Jun., the two Mlles Simonet, Mlle Mozon, Fabiani (1st King's appearance in England)

Event Comment: [Mainpiece in place of Venice Preserv'd, announced on playbill of 30 Dec. 1786.] Receipts: #222 4s. (220.0; 2.4)

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: The Enchanted Castle

Event Comment: The Merchant of Venice and Love a-la-Mode [both advertised on playbill of 19 Dec.] are obliged to be deferred on Account of the Indisposition of Macklin. Receipts: #145 5s. 6d. (139.17.0; 5.8.6)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Farmer

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Merchant of Venice; afterpiece of Love a-la-Mode, both advertised on playbill of 12 Feb.] Receipts: #315 15s. (304.2; 1.13)

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: The Dumb Cake