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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Margate"/1) | (@(roleclean,performerclean) "Theatre Royal Margate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4330 results for: Keyword - Theatre Royal Margate
We found 3352 matches on Event Comments, 743 matches on Performance Title, 475 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

2426
19 March 1774 @ Covent Garden

Event Comment: Benefit for Mrs Mattocks. Mainpiece: Not acted this season. Charges #76 17s. Profit to Mrs Mattocks #84 5s., plus #69 15s. from tickets (Box 279) Paid one year's Assurance on #5,000 in the Royal Exchange Office to 31 March 1775 #12 10s. Receipts: #161 2s. (Account Book)

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: The Englishman in Paris

Dance: II: The Corsican Sailors, as17731013; End Opera: The Highland Reel, as17731112

2427
12 June 1776 @ Haymarket Theatre

Event Comment: By Command of their Majesties. Afterpiece: A Comedy of two Acts never performed. Dr Thomas Francklin. [According to the Biographia Dramatica, "This is a poor performance, founded on Destouches' L'Amour Use, and met with no success; being nearly condemned, nothwithstanding the King and Royal family were present. Foote told his friends, that, when he lighted the King, to his chair, his Majesty asked who the piece was written by: 'It was written (says the wicked Wit) by one of your Majesty's Chaplains; but it is dull enough to have been written by a Bishop.)'"]

Performances

Mainpiece Title: The Commissary

Afterpiece Title: The Contract

Dance: A Tambourine Dance-

2428
16 October 1776 @ Covent Garden

Event Comment: By Command of Their Majesties. [For Fanny Burney's pen and ink sketch of the royal box and her written description o it, as it appeared on this evening, see List of illustrations these volumes. Receipts: #261 14s. 6d. (260.14.0; 1.0.6)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Cross Purposes

Dance: As17761015

2429
08 November 1776 @ Covent Garden

Event Comment: The Royal Convert [announced on playbill of 7 Nov.] is obliged to be deferred on account of the Indisposition of Wroughton. Receipts: #87 18s. (87.15; 0.3)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Citizen

2430
30 October 1780 @ Covent Garden

Event Comment: In Act I of mainpiece the Banquetv; In Act IV the Procession from the Abbeyv at the Coronation of Anne Bullenv; To conclude with the Ceremonial of a Royal Christeningv. The Music and a Chorus composed by Shield. Receipts: #180 6s. 6d. (179.2.6; 1.4.0)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Humours of an Election

Song: III: song-Mrs Kennedy

2431
01 March 1781 @ Drury Lane Theatre

Event Comment: [As mainpiece the playbill announces the 7th night of The Royal Suppliants (see 17 Mar.), but because of Mrs Crawford's illness (see 3 Mar.) it was not acted. Its substitute is listed in the Account-Book.] Receipts: #159 4s. (158.5; 0.19)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Robinson Crusoe

2432
03 March 1781 @ Drury Lane Theatre

Event Comment: Mrs Crawford continuing very ill, The Royal Suppliants is obliged to be deferred. Receipts: #174 1s. (172.2; 1.19)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: Robinson Crusoe

2433
14 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: Phusimimesis

Afterpiece Title: Harlequin Skeleton [i

Performance Comment: e. The Royal Chace]. As17810507.

2434
21 May 1781 @ Covent Garden

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Skeleton [i

Performance Comment: e. The Royal Chace]. As17810507, but Old Woman-_.

2435
19 October 1781 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 6 years [not acted since 28 Apr. 1773]. With new Scenes [by French and Carver (text)] and Dresses. [In the Vocal Parts the playbill lists Sga Prudom, but "at the end of the second act, Smith came forward and apologized for the absence of Signora Prudom, and begged that Mrs Wrighten might be permitted to take her part . . . Mrs Wrighten was received with applause" (London Chronicle, 20 Oct.). Sga Romanzini was from the Royal Circus.] Receipts: #123 8s. 6d. (92/15/0; 29/11/0; 1/2/6)

Performances

Mainpiece Title: King Arthur; Or, The British Worthy

Afterpiece Title: Who's the Dupe

Dance: In mainpiece by Zuchelli, Henry, Miss Armstrong, Miss M. Stageldoir. [This was the same, as here assigned, in all subsequent performances, but beginning with 11 Dec. Henry is omitted.]

Song: In mainpiece the Vocal Parts by Du-Bellamy, Williams, Fawcett, Chaplin, Phillimore, &c.; Miss Phillips, Miss Collett, Miss Wright, Miss Stageldoir, Mrs Wrighten

2436
09 May 1782 @ King's Theatre

Event Comment: By Desire of His Royal Highness the Prince of Wales. Benefit for Gardel. Tickets, half a guinea each, to be had of Gardel, No. 26, Margaret-street, Cavendish-square. 1st ballet: With entirely new Music, and a new Overture by Carter (Morning Herald, 25 May)

Performances

Mainpiece Title: L'eroe Cinese

Dance: End of Act I an entire new Ballet (composed by Gardel Sen.), Mirsa (Taken from an American Anecdote), by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Sga Crespi, Mons and Mme Simonet, in which a Minuet and Gavet: composed by Gardel Jun. who, in the Concert Scene, will execute a concerto on the violin [Scenario (Paris, 1779) lists the parts: Mondor, Son Epouse, Mirsa, Lindor, Officier Corsaire, Gouvernante de Mirsa, Officiers Americains, Creoles, Officiers Francais, Negres]; End of Act II Apollon et les Muses, as17820502, but Slingsby in place of Nivelon; End of Opera Adela of Pontbieu, as17820411

2437
19 May 1783 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: A Fete

Performance Comment: Overture from Thomasand Sally, by Dr Arne. scene I A Forest. Sportsmen, Horses and Dogs, returning from the Chace. Give round the word, dismount, dismount, the Music by Dibdin, sung by Doyle, scene II. The Cave of Echo. They say there is an Echo here, I'll try, I'll try, I'll try by Davies, Mahon, Darley, Doyle, scene III. A Camp. The Duetto of the Tobacco Box, Though the Fate of Battle. Tom-Brett; Kate-Miss Morris. SCENE IV. A Wood. Tally ho!, as17830516. scene v. A Sea Piece. The Description of a Battle, Stand to your Guns, my Hearts of Oak by Bannister, scene vi. A Pantomimical Interlude, The Skeleton (Taken from The Royal Chace). Harlequin-W. Bates; Pierrot-Stevens; Pantaloon-Thompson, scene VII. When Phoebus, &c., as17830517. scene VIII. A Banquet. Come, my Friends and jovial Boys (jingers not listed). To conclude with a Grand Ballet. Also Coalition. Principal Characters by Quick, Davies, W. Bates, Wewitzer; Mrs Martyr, Miss Morris, Mrs Webb, Mrs Bannister. [Larpent MS lists the parts: Sir Chian Cucumber, Pert, Rigdoon, Capt. Sentry; Letitia, Fanny, Mrs Pandar, Priscilla. Morning Herald, 21 May, assigns: Sir Caian Anchovy-Quick; French Marquis-Wewitzer.] hathi. hathi.

2438
14 June 1786 @ Haymarket Theatre

Event Comment: By Command of Their Majesties. [Master Degville and Miss De Camp were from the Royal Circus.]

Performances

Mainpiece Title: The Agreeable Surprise

Afterpiece Title: Peeping Tom

Dance: Mainpiece: With The Nosegay by Master Degville and Miss De Camp (their 1st appearance on this stage)

2439
26 March 1787 @ Covent Garden

Event Comment: Benefit for Mrs Pope. Mainpiece: In Act I Banquetv. [In Act IV] the Procession from the Abbeyv, at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christeningv. Public Advertiser, 9 Mar.: Tickets to be had of Mrs Pope at her house in Half-moon-street, Piccadilly. Receipts: #289 8s. (202.6; 2.1; tickets: 85.1)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Rosina

Song: III: song-Mrs Kennedy

2440
09 June 1787 @ Drury Lane Theatre

Event Comment: The Last Time of the Company's performing this Season. Account-Book, 21 July: Received of Their Majesties and the Princess Royal #66. Receipts: #206 6s. 6d. (195.1.0; 10.8.0; 0.17.6)

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: The First Floor

2441
19 November 1787 @ Covent Garden

Event Comment: Mainpiece: In Act I The Banquetv. [In Act IV] the Procession from the Abbeyv at the Coronation of Anne Bullenv. To conclude with the Ceremonial of a Royal Christeningv. Receipts: #145 13s. 6d. (143.15.0; 1.18.6)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Enchanted Castle

Song: III: song-Mrs Kennedy

2442
09 June 1788 @ Covent Garden

Event Comment: The last Night of the Company's performing this Season. [As 2nd and 3rd pieces the playbill announces, respectively, The Maid of the Oaks and The Farmer, but they were not acted. Their substitutes are listed in the Account-Book, and both are reviewed in Morning Chronicle, 10 June.] Account-Book, 13 June: Received [stage] Forfeits #42; 20 June: Received from Their Majesties for the Box #60, from the Princess Royal for the Box #30; 10 July: Paid Lewis for Management from Lady Day 1785 to Midsummer 1788 #650. Receipts: #147 19s. 6d. (141.18.6; 6.1.0)

Performances

Mainpiece Title: Marian

Afterpiece Title: The Midnight Hour

Afterpiece Title: Animal Magnetism

2443
22 May 1789 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer. Afterpiece: Never performed there. [Follett was from the Royal Circus.] Public Advertiser, 20 May: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth. Receipts: #232 19s. (74.17.0; 26.10.6; 1.10.6; tickets: 131.1.0) (charge: #111 17s.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Don Juan; or, The Libertine Destroyed

Dance: In Afterpiece: a Fandango-Miss DeCamp; Dances-Hamoir, Bourk, Miss Blanchet, Miss Stageldoir; conclude with: Dance of Furies-; Shower of Fire-

Entertainment: Monologue Preceding: The Lecture on Heads (for this night only)-Palmer

2444
26 March 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: Redemption 0; Messiah

Afterpiece Title: Redemption 1

Afterpiece Title: Redemption 2

Afterpiece Title: Redemption 3

Music: End Part II: As17900219; End I: a new concerto on the Piano Forte-Attwood Jun., Musician to his Royal Highness the Prince of Wales

Performance Comment: , Musician to his Royal Highness the Prince of Wales.

2445
07 March 1791 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain, and also under the Patronage of their Royal Highnesses the Prince of Wales, the Duke of York, and the Duke of Clarence. Benefit for Lee Lewes. The Doors to be opened at 5:15. To begin at 6:15. Tickets and Places for the Boxes to be had of Lee Lewes, at Mr Brough's, No. 18, Portland-street, Soho. Afterpiece [1st time; F 2, by James Fennell. Larpent MS 924; not published. Synopsis of plot in Morning Post, 8 Mar.]

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Advertisement; or, A New Way to Get a Husband

Entertainment: MonologuesEnd IV: The late King of Prussia and General Ziethen-Lee Lewes; End: A Whimsical Dissertation upon Law-Lee Lewes

2446
13 June 1791 @ Covent Garden

Event Comment: Account-Book: Tickets delivered by Follett, Warrell, A Gentleman, Miss Leserve will be admitted. Received of Their Majesties for the Box #80; for the Princess Royal's Box #40; for Her Majesty's Servants #6 6s. Receipts: #226 10s. 6d. (104.5.0; 4.3.6; tickets: 118.2.0)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: Tippoo Saib

Afterpiece Title: Two Strings to Your Bow

Song: In 2nd Piece:as in 3rd piece, 10 June Poor Orra tink on Yanco dear-Mrs Mountain; The Gallant Soldier born to Arms-Incledon

2447
02 June 1792 @ Covent Garden

Event Comment: [Extra night] Benefit for a Fund, established for the Relief of those Performers who through Infirmity shall be obliged to retire from the Stage. [Author of Prologue unknown. This was Mrs Pitt's last appearance on the stage.] Received for the King's box #50; for the Princess Royal's box #25; for Their Majesties' Servants' box #2 2s.; from Cadell for Books #30 0s. 6d. Receipts: none listed

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Barataria; or, Sancho Turned Governor

Dance: As17920509

Entertainment: As17920414; Imitations End I: several Imitations entirely New,-Mrs Wells; Monologue

2448
16 January 1793 @ Covent Garden

Event Comment: By Command of Their Majesties. "God save the King was sung by the audience, standing up, twice before the piece commenced, and twice after it was finished. At the end of the Divertisement, Rule Britannia was sung, the whole Royal Family joining" (London Chronicle, 17 Jan.). Receipts: #477 10s

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Hartford Bridge

Dance: End: A New Divertisement, as17921124, but _Byrn; In afterpiece: The Lucky Escape, as17921116

2449
07 May 1793 @ Drury Lane Theatre

Event Comment: Benefit for Bannister. Under the Patronage of His Royal Highness The Prince of Wales. [In mainpiece the playbill retains Mrs Bland as Ariel , but "Ariel was, on account of the sudden indisposition of Mrs Bland, read by Miss Heard" (Diary, 8 May). Miss Heard may also have substituted for Mrs Bland in the afterpiece.] Afterpiece [1st time; F 2, by James Cobb, for whose authorship see Kemble Mem. Larpent MS 982; not published]. Public Advertiser, 2 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing Cross. Receipts: #227 8s. (95.17; 7.5; tickets: 124.6) (charge: #90 2s. 6d.)

Performances

Mainpiece Title: At Hay The Tempest

Afterpiece Title: Fortune's Wheel

Song: In: Vocal Parts, as17921213, Sedgwick, _Kelly, Mrs +Crouch; Masque of Neptune and Amphitrite, as17930102 In course of Evening: +The Little Farthing Rushlight-Bannister Jun

2450
24 May 1793 @ Covent Garden

Event Comment: Benefit for Hull and Macready. 1st piece: In Act I a Grand Banquet. With the Procession [in Act IV] from the Abbey at the Coronation of Anne Bullen . To conclude with the Ceremonial of a Royal Christening. [In 2nd piece the scenes, as listed on 10 May, are indicated.] Morning Herald, 20 May: Tickets to be had of Hull, No. 7, Duke's-court, Westminster; Diary, 21 May: of Macready, No. 3, Mary-street, Charles-street, Tottenham-Court-Road. Receipts: #282 14s

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: The Sailor's Festival

Afterpiece Title: The Follies of A Day

Song: III: a song-Mrs Clendining