SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Margate"/1) | (@(roleclean,performerclean) "Theatre Royal Margate")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3352 matches on Event Comments, 743 matches on Performance Title, 475 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: A New English Opera. [Text by Thomas Lediard.] Set to Musick after the Italian Manner by Mr John Frederick Lampe. The Scenes and Cloaths are entirely New. With the Representation of a Transparent Theatre. Curiously Illuminated, and adorn'd with a great Number of Emblems, Mottos, Devices, and Inscriptions; and embellish'd with Machines, in a Manner entirely new. N.B. The Illuminations and other Preparations for this Opera are such, that no Person whatever can be admitted to the Stage. Pit and Boxes put together at 6s. Gallery 3s. 6 p.m. [For a discussion of Lediard and this work, see a series of articles by Ifan Kyrle Fletcher, Sybil Rosenfeld, and Richard Southern in Theatre Notebook, II (1948), 42-54.

Performances

Mainpiece Title: Britannia

Event Comment: In a letter to the Daily Post. 4 June, the Patentees of Drury Lane-Mary Wilks, John Ellys, Hester Booth, and John Highmore-stated the cast of the Patentees. The gist of their statement is: (1) They operate under a Patent commencing 1 Sept. 1732 which, by Deaths and Legal Assignments, is the property of the four, with Highmore possessing one half, at an expence of #6,000 and upwards. (2) Several of the Players have threatened to desert the service of the Patentees and have contracted with some of the Trustees (the Sharers) to secure possession of the Theatre. (3) Drury Lane is let upon lease from the Duke of Bedford, granted to Thomas Kynaston and Francis Stanhope, Trustees for the Sharers (commonly called Renters) of Drury Lane at the rent of #50 annually upon a Fine of 1,000 guineas paid for the renewal of the lease. (4) The Players, under the Patentees, have acted at Drury Lane for twenty-one years without any interruption form the Trustees upon the sole contract that the Patentees pay the Trustees #3 12s. each acting night, besides the Liberty of seeing Plays. (5) At the beginning of this Season the manager's office received a letter from a few of the Renters demanding an Advance of Rent. Highmore, being new, was concerned, and asked the managers to take care of the matter; and thereafter the signers (the Patentees) had heard of no further discontent among the Renters. (6) To defend themselves against stories of hardship or complaint by the actors, the Patentees point out that the following weekly salaries had been paid: Colley Cibber #12 12s.; Theophilus Cibber #5; Mills Sr, #1 daily for 200 days certain, and a benefit, clear of all charges; Mills Jr #3; Johnson #5; Miller #5; Harper #4; Griffin #4; Shepard #3; Hallam, for himself and his father, the latter of little or no service, #3; Mrs Heron #5; Mrs Butler #3. For these charges and others, the Patentees stand a daily expence of #49 when the theatre is open. (7) Further, the Patentees paid Cibber Jr his wife's whole salary without her being able to act the greater part of the winter, #9 weekly for the two; Mills Jr, in the same circumstances with his wife, #5 10s. weekly for the two; Miller a salary (amounting to #40) for eight weeks before he acted, and a gratuity of ten guineas; Griffin a present of ten guineas; Harper a present, amount not specified; Mrs Heron an increase form 40s. to #5 weekly, although she refused afterward to play several parts assigned her and acted but seldom

Performances

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Mock Doctor

Performance Comment: Mock Doctor-Wescomb, from the Theatre at Edinburgh; Sir Jasper-Norris; Leander-Stoppelaer; Hellebore-Roberts; Charlotte-Mrs Mullart; Dorcas-Miss Raftor. hathi.

Music: As17330926

Dance: As17330926

Performances

Mainpiece Title: The Mother-in-law; Or, The Doctor's The Disease

Performance Comment: Sir Credulous-Griffin; Lady Hippish-Mrs Butler; Headpiece-Cibber; Mummy-Johnson; Primrose-Mrs Clive; Beaumont-W. Mills; Diascordium-Miller; Lawyer-Shepard; Heartly-Hewitt; Opium-Harper; Gallipot-Turbutt; Poet-Oates; Belina-Mrs Pritchard; Agnes-Miss Cole, the first time of appearing at this theatre .

Afterpiece Title: Colombine Courtezan

Dance: As17341017

Event Comment: DDaily Advertiser, 19 Feb.: To the Author, &c. Sir, In a late Paragraph in one of your Papers [4 Feb.] it was insinuated, that there was a Design on foot for erecting a New Theatre, which by some Wise Heads was suppos'd to come from a certain Manager, in order to revive the Playhouse Bill this Session of Parliament; I think it proper therefore, in Justice to the Gentleman levell'd at, to inform the Publick, that it is actually intended for a Company of Comedians every Day expected here, late Servants to their Majesties Kouli Kan and Theodore, who in the mean time will entertain the Town in the true Eastern manner, at the New Theatre in the Hay-Market, with a celebrated Piece call'd A Rehearsal of Kings. I am, Sir, Yours, &c. Agent for the Company

Performances

Event Comment: Never Acted before. [Author not known. Apparently not published.] By a Company of Comedians dropt from the Clouds, late Servants to their thrice-renown'd Majesties, Kouly Kan and Theodore. With new Scenes, Habits, and proper Decorations. Boxes 5s. Pit 3s. Gallery 2s. 1st N.B. To prevent the Imposition of Box-Keepers, Gentlemen and Ladies are humbly desir'd to take Tickets at the Office, or to send for them at the Theatre, where Attendance will be given every Day, and Places may be taken. 2d N.B. The Company will endeavour to entertain the Town the remaining part of the Season. [In advance bill in Daily Advertiser, 23 Feb.: 2d N.B. Considering the extraordinary Expence that must necessarily attend equipping so many Monarchs of different Nations, the Proprietor hopes the Town will not take Umbrage at the Prices being rais'd. 3rd. N.B. The Proprietor begs leave to enter his Caveat against all (what Names soever distinguish'd) who may hire, or be hir'd, to do the Drudgery of Hissing, Catcalling, &c. and entreats the Town would discourage, as much as in them lies, a Practice at once so scandalous and prejudicial to Author, Player, and every Fair Theatre Adventure.

Performances

Mainpiece Title: A Rehearsal Of Kings; Or, The Projecting Gingerbread Baker; With The Unheard Of Catastrophe Of Macplunderkan, King Of Roguomania And The Ignoble Fall Of Baron Tromperland, King Of Clouts

Event Comment: Benefit J. Roberts. By Desire. For the Entertainment of the Ancient and Honourable Society of Non-Common Pleas, Mainpiece: Written by the Author of George Barnwell. Second and Third Pieces: Both written by the Author of Pasquin. To begin exactly at Half an Hour after Six, and all will be over by Half an Hour after Nine. Tickets (containing the Prologue to the Register, by way of Ode to the New Year, with the Musick engrav'd on a Copper Plate) may be had of Mr Henry Roberts, Engraver, at the Star over-against the Vine Tavern in Holborn, and at the Theatre in the Hay-Market. Daily Advertiser, 2 May: Sir, As at every one of our Theatres this Day there is a Benefit for Persons under Misfortunes, 'tis humbly hop'd that the more humane Pursuers o Pleasure will suspend their Curiosity for Vaux Hall for one Day, (out of a hundred) in Favour of so many Unfortunate, who have but the Chance of one single Night to relieve them from Afflictions which perhaps they have long labour'd under. And, as I have somewhere read, So humane Worth to God like Heights they'll raise, For the Preserver shares the Maker's Praise. I believe it is fully known, without troubling you with farther Particulars, that among the Number above mention'd, is included, Sir, Your very humble Servant, John Roberts

Performances

Mainpiece Title: The Fatal Curiosity

Afterpiece Title: The Historical Register

Afterpiece Title: Eurydice Hiss'd

Performances

Mainpiece Title: The Historical Register

Performance Comment: See17370321 but With a new Song by way of Epilogue to The Historical Register, call'd The Politician , address'd to the Criticks; the Words of which will be printed, and deliver'd this Night, gratis, at the Theatre;-a Gentlewoman who never sung on the Stage before.

Afterpiece Title: Eurydice Hiss'd

Song: TThe Lady's Lamentation for the Loss of Senesino-

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Performances

Mainpiece Title: Love For Love

Performance Comment: Prue-Miss Oates; Valentine-Hale; Sir Sampson-Rosco; Scandal-Walker; Tattle-Chapman; Ben-James; Foresight-Hippisley; Trapland-Arthur; Buckram-Stevens; Angelica-Mrs Bellamy; Mrs Foresight-Mrs Horton; Mrs Frail-Mrs Stevens; Nurse-Mrs Martin; Jeremy-Oates, the first time of his performing on any theatre these two years.

Dance: II: Two Pierots-Lalauze, Desse; III: Peasant Dance-Master and Miss Oates; IV: Serious Dance-Villeneuve, Miss Oates; V: Je ne scay quoy-Villeneuve, Richardson, Miss Oates

Music: Solo on the Violin-Master Oates

Performances

Mainpiece Title: The Spanish Fryar

Performance Comment: As17391009, but Gomez-Julian, from the Theatre at Edinburgh, the first time of his appearance on this stage; Fryar-Paget, who has not appeared on this stage these seven years.

Afterpiece Title: The Tragedy of Tragedies

Dance: I: Pierots-Lalauze, Leviez; II: Drunken Peasant-Master Ferg; V: Muilment

Song: V: Miss Karver

Event Comment: LLondon Daily Post and General Advertiser, 15 Sept.: [cg] is new painted and decorated, and will be open'd on Friday next...the Report of Mr Cibber and Mrs Horton being engag'd to another Theatre, is entirely without Foundation: That Company would have begun acting sooner, but for the finishing of a large additional Building, which is now cover'd in, whereby they will, on some Occasions, be enabled to add near 70 Feet to the Length of the Stage, which was before the longest in England, but will now exceed in Depth, any Theatre in Europe

Performances

Event Comment: New Theatre, James Street, near the Haymarket. Benefit Mrs King. [Designation of New Theatre repeated in remaining bills.

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Mock Doctor

Dance: Mrs Careless, Volage

Event Comment: By Authority...will be presented a new Ballad-Opera [author unknown], 6:30 p.m. Boxes 5s. Pit 3s. Gallery 2s. Tickets to be had of Mrs Boyd, a Pamphlet Shop, in Leicester St. by Swallow St, opposite the Crooked Billet; at Mrs Gearing's@Toyshop near the Theatre; and at the Doors of the Theatre

Performances

Mainpiece Title: The Rover

Music: A Preamble on the Kettle@Drums, concluding with Handel's Water@Musick-Job Baker

Performances

Mainpiece Title: Love Makes A Man; Or, The Fop's Fortune

Performance Comment: Clodio-Garrick; Carlos-Hallam, 1st appearance in any theatre in 2 years; Antonio-Arthur; Charino-Taswell; Sancho-Yates; Don Choleric-Macklin; Angelina-Mrs Mills; Elvira-Mrs Cross; Louisa-Mrs Roberts; Don Duart-Berry; Don Manuel-Woodburn; Monsieur-Blakes; Governor-Havard; Jaques-Leigh; Honoria-Mrs Ridout; Page-Miss Cibber.

Dance: II: La Mascarada, as17421009; V: Les Matelotes, as17421009

Song: III: Song-Beard

Event Comment: Benefit Macklin. Stage form'd into Front and Side Boxes. N.B. As Mr Macklin has reason to believe that several of his tickets are counterfeited, and will be offer'd for sale in the streets and passages leading to the theatre, he begs leave to give this publick caution of the fraud; and humbly desires that Gentlemen and Ladies who have taken places, to send for tickets to the Theatre, or to Mr Macklin at his House in Bow Street.--Daily Advertiser. Winston MS.: In 1743 Macklin, Mrs Woffington, and Garrick took house No. 6 Bow St.--a joint establishment

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: The School Boy

Dance: II: Sicilian Peasant, as17430310 IV: Italian Gardeners, as17421231

Song: III: Beard

Event Comment: During this month was publish'd The Dramatic Congress, a short state of the stage under present management, by W. R. Chetwynd. The older actors and dramatists sit in Elysium and discuss the fate of the theatre under Fleetwood and Rich. Much on cartels and the decay of the stage, and the chicanery indulged in to starve the Macklin-Garrick revolters. Probably about this time was also publish'd Tyranny Triumphant...Or Historical and critical remarks on the famous Cartel lately agreed on by the masters of the two theatres, by Patrick Fitz-Crambo. Discusses the rumor that Rich shut up Lincoln's Inn Fields for six months and for #600 gave the key to the Manager of Drury Lane, leaving the actors to starve, and the town to be satisfied with whatever nonsense Drury Lane chose to put on

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The School Boy

Event Comment: At the New Theatre, May Fair, in order to make the House warm, there is a new Machine fix'd in the same manner as they have in Russia, & other theatres in cold countries, to prevent the Gentry from catching cold

Performances

Event Comment: Benefit for Hobson. Tickets and places of Hobson at the stage door of the Theatre. Presentment of the Grand Juryv for the County of Middlesex: We the Grand Jury sworn to enquire for our Sovereign Lord The King, and the body of this county, have observed from most of the presentments delivered to us by the Constables of this County, that they have been, as we apprehend and fear, very remiss in their duty, by returning their several districts to be quiet and in good order. Whereas the contrary does most manifestly appear, in many instances as well from the accounts or advertisements we read in the daily Papers, printed and dispersed within the County (inviting and seducing, not only the inhabitants, but also all other persons, to several places kept apart for the encouragement of Luxury, Extravagance, and Idleness, and we fear other wicked, illegal purposes, which by such means go on with impunity, to the destruction of many families) as otherwise to the great Dishonour of the Kingdom...especially at a time when we are engaged in expensive Wars, and so much overburdened with Taxes of all sorts, both Parliamentary and Parochial, that it is much as a prudent man can do, without a taste to extravagant and illegal pleasure to support himself and family according to his degree and station in life under the most regular economy. [If unchecked this bad example will lead to National destruction]. We do accordingly hereby present as places riotous, of great extravagance, luxury, idleness, and ill fame, the several house &c following: [lists two gambling houses, then the Proprietors of the avenues leading to the several playhouses for not preventing wicked loose and disorderly persons from loitering at the front of their several houses on nights of the play to the prejudice of playgoers.] 4. Saddlers Wells, near Islington; 5. New Wells, Goodman's Fields; 6. New Wells, Clerkenwell; 7. The Proprietors of a Place call'd Hallam's New Theatre at Mayfair. Prays that the court will close all listed. N.B. Many people believed that after this presentment, the places mentioned would be shut up or reformed, but they advertise and continue the same diversions as before.-Gentlemen's Magazine (May, 1744), pp. 278-79

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Lying Valet

Song: I, IV: Morland

Dance: III: Mlle Auguste

Event Comment: New Theatre. By a Company of Comedians from the Theatre

Performances

Mainpiece Title: The Beaux Stratagem

Song: Cunningham

Dance: JJockey Dance-Adams

Event Comment: Announced as 1 Nov., but not performed as theatre was closed by order of the Lord Chamberlain. See T. Cibber's letter in the Daily Post, 12 Nov., cited by Hogan, Shakespear in the Theatre, I, 69

Performances

Mainpiece Title: Cymbeline

Event Comment: Benefit Galliard. Pit and Boxes put together at 5s. Gallery 3s. Upper Gallery 2s. Special Care will be taken to have the Theatre well aired. [Last performance known at this theatre.

Performances

Mainpiece Title: Love And Folly

Afterpiece Title: Serenata

Music: New concerto grosso-; 24 Bassoons-; accompanied- violincello-Caporale

Event Comment: With proper Decorations. Afterpiece, Containing His Surprizing Victory over Glumdalca, Queen of the Giants; His Magnificent reception in King Arthur's Courtv; His Marriage with the Princess Huncamunca; With the fatal Jealousy of Queen Dollalolla, and many other Historical Passages. [This notice accompanies subsequent announcements of Tom Thumb this season and will not be further recorded.] General Advertiser: Yesterday it was falsely and injuriously inserted in the Daily Papers, that a great quantity of arms was secreted in Lincoln's Inn Fields Theatre, which seem'd calculated only to Prejudice the Proprietor of that House, having no other foundation than his having the said Theatre as a Guard Room for the Service of the Government

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: Tragedy of Tragedies; or, The Life and Death of Tom Thumb the Great

Dance: III: Grand Dance-Muilment

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Lucy-Mrs Clive; Polly-Miss Edwards, 1st time at this theatre; Macheath-Lowe; Filch-Raftor; Peachum-Macklin; Lockit-Turbutt; Mat-Blakes; Mrs Peachum-Mrs Macklin; Player-Woodburn; Beggar-Winstone; Benn Budge-Simpson; Bagshot-Leigh; Crookfinger Jack-Usher; Nimming Ned-Goodfellow; Wat Dreary-Bransby; Diana Trapes-Mrs Macklin; Mrs Slammekin-Miss Minors; Jenny Diver-Miss Royer; Sukey Tawdry-Mrs King; Mrs Vixen-Miss Cole; Dolly Trull-Miss Pitt; Molly Brazen-Mrs Bradshaw; In III: Hornpipe-Yates.

Dance: II: Muilment

Event Comment: NNew Theatre, Bowling Green. A Concert, etc. [repeated in all notices for this theatre]. Benefit Mrs Williams, Miss Pattocks, Mrs Smith 7 p.m. Prices 2s. 6d., 1s. 6d., 1s

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Virgin Unmasked

Dance: RRussian Sailor Dance-Phillips

Song: Mrs Bennet, Cunningham