SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Theatre Royal Italien"/1) | (@(roleclean,performerclean) "Theatre Royal Italien")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 3351 matches on Event Comments, 728 matches on Performance Title, 475 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit: The Deceas'd Author's Friend or The Author [the bills vary]. A new Tragedy. [By William Bond. For a discussion of the play, see a letter from Hill to Victor, in Victor, History of the Theatres, II, 196-97. Hill states that the youth who speaks the Prologue is Harvey, a young man of eighteen or nineteen.

Performances

Mainpiece Title: The Tuscan Treaty; Or, Tarquin's Overthrow

Afterpiece Title: The Stage-Mutineers

Dance: As17330814

Event Comment: Daily Advertiser, 8 Nov.: Last Night there were Bonfires and Illuminations in the City, on account of the Arrival of the Prince of Orange; at [GF] there was a Bonfire also, and Beer for the Populace; the Side of the Theatre was illuminated with a great Number of Candles, and two large Triumphal Arches raised, and likewise illuminated

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Mad Captain

Dance: Masquerade Dance (composed by Thurmond): Le Petit Maitre-D'Vallois; Mlle-Miss Wherrit

Event Comment: Daily Courant, 2 Feb.: We are credibly informed, that Charles Fleetwood, Esq; of Bromley-Hall, in the county of Stefford . . . hath purchased all the shares of the Patentees of the Theatre in Drury-Lane

Performances

Mainpiece Title: Love For Love

Event Comment: At the particular Desire of several Persons of Quality. Note, Mynheer Cajanus is prevail'd upon (at the Request of several Persons of Distinction) to stay a few Days longer in England, and will appear as usual in . .. Cupid and Psyche. [For a discussion of the theatres, see Grub St. Journal, 28 Feb.]

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Cupid and Psyche

Event Comment: Benefit John Richter. 7 P.M. Daily Advertiser, 9 March: Yesterday the Company of Comedians in the Hay-Market took Possession of Drury Lane Theatre

Performances

Mainpiece Title: Concert

Event Comment: Comment. Daily Advertiser, 9 March: Yesterday the Company of Comedians in the Hay-Market took Possession of Drury Lane Theatre

Performances

Mainpiece Title: Concert

Event Comment: Daily Advertiser, 20 May: A mad Company of Comedians having lately taken the Hay-market Theatre, propose to convert it into a Mad-house, and humbly hope the Town will be as mad as themselves, and come frequently to see their mad Performances. which will be madly exhibited, two or three Times a Week, during the Summer Season

Performances

Mainpiece Title:

Event Comment: By Desire. At the Lilliputians Theatre, the Old Tennis-Court. 6:30 P.M. Boxes 3s. Pit 2s. Gallery 1s

Performances

Mainpiece Title: Cato

Event Comment: By particular Desire. By a Company of Comedians from both the Theatres. Afterpiece: a Farce of one Act [adapter not known]. All the Characters in the Opera to be play'd in Roman Dresses. 6:30 P.M. Admission: 4s., 2s. 6d., 1s

Performances

Mainpiece Title: The Beggar's Opera, Tragedized

Afterpiece Title: The Humours of Sir John Falstaff, Justice Shallow, and Ancient Pistol

Event Comment: The Scenes new. And the Theatre new painted, new decorated, &c. 6 P.M

Performances

Mainpiece Title: 7 Love For Love

Dance: By Nivelon, Essex, Pelling, Davenport, Mrs Pelling, Mrs Walter, Miss Mann, particularly The Black and White Joke and Revellers

Event Comment: By a Company of Comedians from the Theatres in London. At the Great Room at the Ship Tavern. Stage 2s. 6d. Pit 2s. First Gallery 1s. Second 6d. 6 P.M

Performances

Mainpiece Title: Tamerlane

Dance:

Event Comment: As this Entertainment has been frequently perform'd at another Theatre [CG] (but notwithstanding has been equally Expensive as if entirely New) to oblige the Town, it will, for the future, be perform'd At Common Prices

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Necromancer

Event Comment: With all New Scenes, Machines, and Decorations, as much as the Theatre will admit of

Performances

Mainpiece Title: Sampson Judge Of Israel

Afterpiece Title: Le Carillon de Maitre Gervaise and Dame Alison

Event Comment: Mainpiece: Written by Shakespear. London Daily Post and General Advertiser, 12 Dec: Whereas, on Saturday last, the Audience . . . was greatly incens'd at their Disappointment in Mr Poitier and Madem Roland's not Dancing, as their Names were in the Bills for the Day; and Mr Quin, seeing no way to appease the Resentment then shewn, but by relating the real Messages sent from the Theatre, to know the Reasons why they did not come to perform, and the Answers return'd: And whereas there were two Advertisements in the Daily Post of Tuesday last, insinuating that Mr Quin had with Malice falsely accus'd the said Mr Poitier and Madem Roland, I therefore think it (in Justice to Mr Quin) incumbent on me to assure the Publick, that Mr Quin has conducted himself in this Point towards the Abovemention'd with the strictest regard to Truth and Justice; and as Mr Quin has acted in this Affair in my Behalf, I think myself oblig'd to return him Thanks for so doing. Charles Fletewood

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Intriguing Chambermaid

Dance: By Poitier and Mlle Roland

Performances

Mainpiece Title: Arlequin Et Sa Troupe Comediens Esclaves; Or, Harlequin And His Company Of Comedians Slaves

Performance Comment: Compos'd of three Different Plays, representing an Idiom of the French Stage, in General, beginning with a Prologue: The First Piece call'd Arcacambis, a Tragedy. The Second L'Ecole des Maris, a Comedy in Three Acts, written by Moliere. The Third Harlequin Always Harlequin, of the Italian Theatre. Cast not listed .

Dance:

Event Comment: Never Acted before. [By George Lillo.] Prompter, 18 Feb.: And, indeed, the Pulpit seems the properest Theatre for such Representations, and the Clergy, the properest Actors in the Religious Drama. This then, of itself, sufficiently justified the Town in its Reception of this Piece

Performances

Mainpiece Title: The Christian Hero

Event Comment: As 5 March. old Whig, 20 March: In the flourishing State of this Opera [Artaxerxes], 'tis no Wonder that the other Theatres decline. Handel, whose excellent Compositions have often pleased our Ears, and touched our Hearts, has this Winter sometimes performed to an almost empty Pitt. He has lately reviv'd his fine Oratorio of Esther, in which he has introduced two Concerto's on the Organ that are inimitable. But so strong is the Disgust taken against him, that even this has been far from bringing him crowded Audiences; tho' there were no other publick Entertainments on those Evenings

Performances

Mainpiece Title: Esther

Performances

Mainpiece Title: The Man Of Taste

Performance Comment: As17350308 but see17350325 With the Original Prologue, and a new Epilogue recommending the Support of the English Theatre To the Beauties of Great Britain, Both spoken by Mr Cibber .

Afterpiece Title: The Mock Doctor

Dance: In: Drunken Peasant by Le Brun. V: Russian Sailor by Denoyer. End of Afterpiece: Amorous Swain, as17350327

Event Comment: London Daily Post and General Advertiser, 31 March, contains a long article outlining opposition to silencing the theatre in Goodman's Fields

Performances

Mainpiece Title:

Event Comment: As 28 Feb. [For a discussion of the proposed bill to restrain the theatres and the petitions submitted concerning it, see the Journal of the House of Commons, XXII, April 1735, 444-81. See also a discussion of plays in Prompter, 1 April and 4 April, and a discussion of the drama in Universal Spectator, 5 April.]

Performances

Mainpiece Title: David

Event Comment: Benefit the Author of the Farce. [R. Fabian.] By Their Majesties Command. Afterpiece: a Farce of Two Acts. Intermix'd with Songs. London Daily Post and General Advertiser, 13 May: On Saturday Night last, during the Play time, one Mr Mechlin (alias Macloughlin) who lately belong'd to [DL], having had a Dispute with Mr Hallam, of the same Theatre, about a particular Wig, which the latter had from the Wardrobe, to wear in his Part that Night, in the Farce, and which he resign'd to Mr Mechlin; but reproved him for his Behaviour, and ill Language. Some time after Mr Mechlin, thrust a Crabtree Stick that was in his Hand, at the Face of Mr Hallam, which enter'd at his Left Eye, and penetrated into his brain, of which Wound he languish'd till Sunday Night 6 o'clock, when he died

Performances

Mainpiece Title: Cato

Afterpiece Title: Trick for Trick

Dance: Amorous Swain, as17350327

Event Comment: London Daily Post and General Advertiser, 16 May: We hear that Mr Mechlin has sent a Letter to a principal Persons belonging to Drury-Lane Theatre, signifying his great Sorrow, and his Intention to surrender himself next Sessions at the Old Bailey

Performances

Mainpiece Title: The Man Of Taste

Afterpiece Title: Harlequin Orpheus

Event Comment: Benefit Mr Odell, formerly Master of Goodman's Fields Theatre. Mainpiece: Written by the late Mr Addison

Performances

Mainpiece Title: As 10 May, But Decius-boman

Afterpiece Title: An Old Man Taught Wisdom

Music: Select Pieces

Dance: I: English Maggot by Villeneuve and Mrs Walter. II: Drunken Peasant by Le Brun. In: Black and White Joak by Nivelon and Miss Mann. V: Amorous Swain, as17350327

Song: IV: As17350603

Event Comment: London Daily Post and General Advertiser, 4 July: The Patentee of Drury-Lane Theatre has countermanded the Summer Playing; and the Company has received Orders not to proceed, on account of the several New Preparations for the ensuing Winter

Performances

Mainpiece Title: The London Merchant

Event Comment: By a Company of Comedians from both Theatres. At Common Prices. 6:30 P.M

Performances

Mainpiece Title: The London Merchant

Afterpiece Title: The Devil to Pay

Dance: By Davenport and Mrs Davenport. V: Minuet by Mrs Charke and Miss Brett. End Afterpiece: Black Joak by Mrs Charke and Miss Brett

Song: IV: The Roast Beef Song by Mullart